Canon 5D Mark III vs Canon R6
The Canon EOS 5D Mark III and the Canon EOS R6 are two digital cameras that were revealed to the public, respectively, in March 2012 and July 2020. The 5D Mark III is a DSLR, while the Canon R6 is a mirrorless interchangeable lens camera. Both cameras are equipped with a full frame sensor. The 5D Mark III has a resolution of 22.1 megapixels, whereas the Canon R6 provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 5D Mark III and the Canon EOS R6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 5D Mark III and the Canon R6 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon R6 is notably smaller (23 percent) than the Canon 5D Mark III. Moreover, the Canon R6 is markedly lighter (28 percent) than the 5D Mark III. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the 5D Mark III gets 950 shots out of its LP-E6 battery, while the Canon R6 can take 360 images on a single charge of its LP-E6NH power pack. The power pack in the Canon R6 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon 5D Mark III||6.0 in||4.6 in||3.0 in||33.5 oz||950||Y||Mar 2012||3,499|
|2.||Canon R6||5.4 in||3.9 in||3.5 in||24.0 oz||360||Y||Jul 2020||2,499|
|3.||Canon R5||5.4 in||3.9 in||3.5 in||26.0 oz||320||Y||Jul 2020||3,899|
|4.||Canon R||5.5 in||3.9 in||3.3 in||23.3 oz||370||Y||Sep 2018||2,299|
|5.||Canon 5D Mark IV||5.9 in||4.6 in||3.0 in||31.4 oz||900||Y||Aug 2016||3,499|
|6.||Canon 5DS||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699|
|7.||Canon 5DS R||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699|
|8.||Canon 6D||5.7 in||4.4 in||2.8 in||27.2 oz||1090||Y||Sep 2012||2,099|
|9.||Canon 5D Mark II||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499|
|10.||Canon 5D||6.0 in||4.4 in||3.0 in||31.6 oz||400||Y||Aug 2005||3,299|
|11.||Nikon D610||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Oct 2013||1,999|
|12.||Nikon D600||5.6 in||4.4 in||3.2 in||30.0 oz||900||Y||Sep 2012||2,099|
|13.||Nikon D800||5.7 in||4.8 in||3.2 in||35.3 oz||900||Y||Feb 2012||2,999|
|14.||Nikon D800E||5.7 in||4.8 in||3.2 in||35.3 oz||900||Y||Feb 2012||3,299|
|15.||Panasonic S1||5.9 in||4.3 in||3.8 in||35.9 oz||400||Y||Feb 2019||2,499|
|16.||Sony A99||5.8 in||4.4 in||3.1 in||28.6 oz||500||Y||Sep 2012||2,799|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The Canon R6 was launched at a markedly lower price (by 29 percent) than the 5D Mark III, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a full frame sensor and have a format factor (sometimes also referred to as "crop factor") of 1.0. Within the spectrum of camera sensors, this places the review cameras among the large-sensor cameras that aim for top notch image quality. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, the Canon R6 uses a more advanced image processing engine (DIGIC X) than the 5D Mark III (DIGIC 5+), with benefits for noise reduction, color accuracy, and processing speed.
While the two cameras under review share the same sensor size, the 5D Mark III offers a higher resolution of 22.1 megapixels, compared with 20 MP of the Canon R6. This megapixels advantage translates into a 5 percent gain in linear resolution. On the other hand, these sensor specs imply that the 5D Mark III has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 6.25μm versus 6.57μm for the Canon R6). Moreover, it should be noted that the Canon R6 is much more recent (by 8 years and 4 months) than the 5D Mark III, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of individual pixels.
The resolution advantage of the Canon 5D Mark III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 5D Mark III for good quality output (200 dots per inch) amounts to 28.8 x 19.2 inches or 73.2 x 48.8 cm, for very good quality (250 dpi) 23 x 15.4 inches or 58.5 x 39 cm, and for excellent quality (300 dpi) 19.2 x 12.8 inches or 48.8 x 32.5 cm. The corresponding values for the Canon R6 are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
The Canon R6 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 5D Mark III has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 50-102400. The corresponding ISO settings for the Canon EOS R6 are ISO 100 to ISO 102400, with the possibility to increase the ISO range to 50-204800.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the Canon R6 has a markedly higher DXO score than the 5D Mark III (overall score 9 points higher), which will translate into better image quality. The advantage is based on 0.2 bits higher color depth, 2.6 EV in additional dynamic range, and 0.6 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
| DXO |
|1.||Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81|
|2.||Canon R6||Full Frame||20.0||5472||3648||4k/60p||24.2||14.3||3394||90|
|3.||Canon R5||Full Frame||44.8||8192||5464||8k/30p||25.3||14.6||3042||95|
|4.||Canon R||Full Frame||30.1||6720||4480||4K/30p||24.5||13.5||2742||89|
|5.||Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|6.||Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|7.||Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|8.||Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|9.||Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|10.||Canon 5D||Full Frame||12.7||4368||2912||none||22.9||11.1||1368||71|
|11.||Nikon D610||Full Frame||24.2||6016||4016||1080/30p||25.1||14.4||2925||94|
|12.||Nikon D600||Full Frame||24.2||6016||4016||1080/30p||25.1||14.2||2980||94|
|13.||Nikon D800||Full Frame||36.2||7360||4912||1080/30p||25.3||14.4||2853||95|
|14.||Nikon D800E||Full Frame||36.2||7360||4912||1080/30p||25.6||14.3||2979||96|
|15.||Panasonic S1||Full Frame||24.0||6000||4000||4K/60p||25.2||14.5||3333||95|
|16.||Sony A99||Full Frame||24.0||6000||4000||1080/60p||25.0||14.0||1555||89|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the Canon R6 provides a better video resolution than the 5D Mark III. It can shoot movie footage at 4k/60p, while the 5D Mark III is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the Canon R6 has an electronic viewfinder (5760k dots), while the 5D Mark III has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the Canon R6 has a higher magnification than the one of the 5D Mark III (0.76x vs 0.71x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 5D Mark III, the Canon R6, and comparable cameras.
|1.||Canon 5D Mark III||optical||Y||3.2||1040||fixed||n||1/8000s||6.0||n||n|
|5.||Canon 5D Mark IV||optical||Y||3.2||1620||fixed||Y||1/8000s||7.0||n||n|
|7.||Canon 5DS R||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n|
|9.||Canon 5D Mark II||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n|
One feature that is present on the 5D Mark III, but is missing on the Canon R6 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The Canon R6 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 5D Mark III does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the Canon R6 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon R6 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 5D Mark III writes its imaging data to Compact Flash or SDXC cards, while the Canon R6 uses SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The Canon R6 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the 5D Mark III cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D Mark III and Canon EOS R6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|1.||Canon 5D Mark III||Y||mono||mono||Y||Y||mini||2.0||-||-||-|
|5.||Canon 5D Mark IV||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-|
|7.||Canon 5DS R||Y||mono||mono||Y||-||mini||3.0||-||-||-|
|9.||Canon 5D Mark II||Y||mono||mono||Y||-||mini||2.0||-||-||-|
It is notable that the Canon R6 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 5D Mark III does not provide wifi capability.
Studio photographers will appreciate that the Canon 5D Mark III (unlike the Canon R6) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The Canon R6 is a recent model that features in the current product line-up of Canon. In contrast, the 5D Mark III has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the 5D Mark III was succeeded by the Canon 5D Mark IV. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon website.
So how do things add up? Is the Canon 5D Mark III better than the Canon R6 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS 5D Mark III:
- More detail: Offers more megapixels (22.1 vs 20MP) with a 5% higher linear resolution.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Longer lasting: Can take more shots (950 versus 360) on a single battery charge.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in March 2012).
Reasons to prefer the Canon EOS R6:
- Better image quality: Scores markedly higher (9 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (2.6 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.6 stops ISO advantage).
- Better jpgs: Has a more modern image processing engine (DIGIC X vs DIGIC 5+).
- Better video: Provides higher definition movie capture (4k/60p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.76x vs 0.71x).
- More detailed LCD: Has a higher resolution rear screen (1620k vs 1040k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 6 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (138x98mm vs 152x116mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 270g or 28 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Has an SD card interface that supports the UHS-II standard.
- More affordable: Was introduced into a lower priced category (29 percent cheaper at launch).
- More modern: Reflects 8 years and 4 months of technical progress since the 5D Mark III launch.
If the number of relative strengths (bullet points above) is taken as a guide, the Canon R6 is the clear winner of the contest (26 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 5D Mark III and the Canon R6 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the 5D Mark III and the Canon R6 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 5D Mark III||..||+ +||82/100||4.5/5||4.5/5||Mar 2012||3,499|
|2.||Canon R6||5/5||+ +||90/100||4.5/5||5/5||Jul 2020||2,499|
|3.||Canon R5||4.5/5||..||91/100||4.5/5||4.5/5||Jul 2020||3,899|
|4.||Canon R||4/5||o||79/100||4.5/5||4/5||Sep 2018||2,299|
|5.||Canon 5D Mark IV||4.5/5||+ +||87/100||4.5/5||4.5/5||Aug 2016||3,499|
|6.||Canon 5DS||..||+||83/100||4.5/5||4.5/5||Feb 2015||3,699|
|7.||Canon 5DS R||5/5||+||83/100||5/5||4.5/5||Feb 2015||3,699|
|8.||Canon 6D||5/5||+ +||83/100||4.5/5||4.5/5||Sep 2012||2,099|
|9.||Canon 5D Mark II||4/5||91/100||79/100||4/5||..||Sep 2008||3,499|
|10.||Canon 5D||..||88/100||+ +||o||..||Aug 2005||3,299|
|11.||Nikon D610||4/5||+ +||87/100||4.5/5||4.5/5||Oct 2013||1,999|
|12.||Nikon D600||4/5||+ +||87/100||5/5||4.5/5||Sep 2012||2,099|
|13.||Nikon D800||5/5||+ +||82/100||5/5||5/5||Feb 2012||2,999|
|14.||Nikon D800E||..||..||84/100||5/5||5/5||Feb 2012||3,299|
|15.||Panasonic S1||4.5/5||+ +||88/100||4.5/5||4/5||Feb 2019||2,499|
|16.||Sony A99||5/5||..||84/100||4.5/5||4.5/5||Sep 2012||2,799|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Canon 5D Mark III vs Canon R6
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 5D Mark III||Canon R6|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Canon RF mount lenses|
|Launch Date||March 2012||July 2020|
|Launch Price||USD 3,499||USD 2,499|
|Sensor Specs||Canon 5D Mark III||Canon R6|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||36.0 x 24.0 mm||36.0 x 24.0 mm|
|Sensor Area||864 mm2||864 mm2|
|Sensor Diagonal||43.3 mm||43.3 mm|
|Sensor Resolution||22.1 Megapixels||20 Megapixels|
|Image Resolution||5760 x 3840 pixels||5472 x 3648 pixels|
|Pixel Pitch||6.25 μm||6.57 μm|
|Pixel Density||2.56 MP/cm2||2.31 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||4k/60p Video|
|ISO Setting||100 - 25,600 ISO||100 - 102,400 ISO|
|ISO Boost||50 - 102,400 ISO||50 - 204,800 ISO|
|Image Processor||DIGIC 5+||DIGIC X|
|DXO Sensor Quality (score)||81||90|
|DXO Color Depth (bits)||24.0||24.2|
|DXO Dynamic Range (EV)||11.7||14.3|
|DXO Low Light (ISO)||2293||3394|
|Screen Specs||Canon 5D Mark III||Canon R6|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||5760k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||1040k dots||1620k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 5D Mark III||Canon R6|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||6 shutter flaps/s||12 shutter flaps/s|
|Shutter Life Expectancy||150 000 actuations||200 000 actuations|
|Electronic Shutter||no E-Shutter||up to 1/8000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF or SDXC cards||SDXC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|UHS card support||no||UHS-II|
|Connectivity Specs||Canon 5D Mark III||Canon R6|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 3.2|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon 5D Mark III||Canon R6|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||950 shots per charge||360 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
152 x 116 x 76 mm
(6.0 x 4.6 x 3.0 in)
138 x 98 x 88 mm
(5.4 x 3.9 x 3.5 in)
|Camera Weight||950 g (33.5 oz)||680 g (24.0 oz)|
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