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Canon 5D Mark II versus Sony A6500

The Canon EOS 5D Mark II and the Sony Alpha A6500 are two digital cameras that were announced, respectively, in September 2008 and October 2016. The 5D Mark II is a DSLR, while the A6500 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (5D Mark II) and an APS-C (A6500) sensor. The Canon has a resolution of 21 megapixel, whereas the Sony provides 24 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.

Body comparison: Canon 5D Mark II vs Sony A6500

The physical size and weight of the Canon 5D Mark II and the Sony A6500 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the 5D Mark II – represents the basis or 100 percent across all the size and weight measures).

Compare Canon 5D Mark II vs Sony A6500
Compare 5D Mark II versus A6500 top
Compare 5D Mark II and A6500 rear

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6500 is considerably smaller (54 percent) than the Canon 5D Mark II. Moreover, the A6500 is substantially lighter (47 percent) than the 5D Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Canon EF Lens Catalog (5D Mark II) and the Sony E-Mount Lens Catalog (A6500). Mirrorless cameras, such as the A6500, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.

Concerning battery life, the 5D Mark II gets 850 shots out of its LP-E6 battery, while the A6500 can take 350 images on a single charge of its NP-FW50 power pack.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Camera Body Specifications
  Camera
Model
Camera
Width
Camera
Height
Camera
Depth
Camera
Weight
Battery
Life
(CIPA)
Weather
Sealing
(yes/no)
Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Canon 5D Mark II» 6.0 in 4.5 in 3.0 in 30.0 oz 850 Y Sep 2008 3,499- i Canon 5D Mark II
Sony A6500« 4.7 in 2.6 in 2.1 in 16.0 oz 350 Y Oct 2016 1,399 i i Sony A6500
Canon 1D X Mark II« » 6.2 in 6.6 in 3.3 in 54.0 oz 1210 Y Feb 2016 5,999 i i Canon 1D X Mark II
Canon 5D Mark IV« » 5.9 in 4.6 in 3.0 in 31.4 oz 900 Y Aug 2016 3,499 i i Canon 5D Mark IV
Canon 5DS« » 6.0 in 4.6 in 3.0 in 32.8 oz 700 Y Feb 2015 3,699 i i Canon 5DS
Canon 5DS R« » 6.0 in 4.6 in 3.0 in 32.8 oz 700 Y Feb 2015 3,699 i i Canon 5DS R
Canon 5D Mark III« » 6.0 in 4.6 in 3.0 in 33.5 oz 950 Y Mar 2012 3,499- i Canon 5D Mark III
Canon 6D« » 5.7 in 4.4 in 2.8 in 27.2 oz 1090 Y Sep 2012 2,099- i Canon 6D
Canon 1D X« » 6.2 in 6.6 in 3.3 in 54.7 oz 1120 Y Oct 2011 6,799- i Canon 1D X
Canon 7D« » 5.8 in 4.4 in 2.9 in 30.3 oz 800 Y Sep 2009 1,699- i Canon 7D
Canon 1Ds Mark III« » 5.9 in 6.3 in 3.1 in 48.9 oz 1800 Y Aug 2007 7,999- i Canon 1Ds Mark III
Canon 5D« » 6.0 in 4.4 in 3.0 in 31.6 oz 400 Y Aug 2005 3,299- i Canon 5D
Fujifilm X-Pro2« » 5.6 in 3.3 in 1.8 in 17.5 oz 350 Y Jan 2016 1,699 i i Fujifilm X-Pro2
Olympus PEN-F« » 4.9 in 2.8 in 1.5 in 15.1 oz 330 n Jan 2016 1,199 i i Olympus PEN-F
Panasonic GX8« » 5.2 in 3.1 in 2.5 in 17.2 oz 330 Y Jul 2015 1,199- i Panasonic GX8
Sony A6300« » 4.7 in 2.6 in 1.9 in 14.3 oz 400 Y Feb 2016 999- i Sony A6300
Sony A7« » 5.0 in 3.7 in 1.9 in 16.7 oz 340 Y Oct 2013 1,699- i Sony A7

The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The A6500 was launched at a markedly lower price (by 60 percent) than the 5D Mark II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

 

Sensor comparison: Canon 5D Mark II vs Sony A6500

The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Canon 5D Mark II features a full frame sensor and the Sony A6500 an APS-C sensor. The sensor area in the A6500 is 58 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.

Canon 5D Mark II and Sony A6500 sensor measures

Despite having a smaller sensor, the A6500 offers a higher resolution of 24 megapixel, compared with 21 MP of the 5D Mark II. This megapixel advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.91μm versus 6.41μm for the 5D Mark II). However, it should be noted that the A6500 is much more recent (by 8 years) than the 5D Mark II, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.

5D Mark II versus A6500 MP

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A6500 has a markedly higher DXO score than the 5D Mark II (overall score 6 points higher), which will translate into better image quality. The advantage is based on 0.8 bits higher color depth, 1.8 EV in additional dynamic range, 0.4 stops of reduced low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics
  Camera
Model
Sensor
Class
Resolution
(MP)
Horiz.
Pixels
Vert.
Pixels
Video
Format
DXO
Portrait
DXO
Landscape
DXO
Sports
DXO
Overall
Camera
Model
Canon 5D Mark II» Full Frame 21.0 5616 37441080/30p23.711.9181579Canon 5D Mark II
Sony A6500« APS-C 24.0 6000 40004K/30p24.513.7140585Sony A6500
Canon 1D X Mark II« » Full Frame 20.0 5472 36484K/60p24.113.5320788Canon 1D X Mark II
Canon 5D Mark IV« » Full Frame 30.1 6720 44804K/30p24.813.6299591Canon 5D Mark IV
Canon 5DS« » Full Frame 50.3 8688 57921080/60p24.712.4238187Canon 5DS
Canon 5DS R« » Full Frame 50.3 8688 57921080/60p24.612.4230886Canon 5DS R
Canon 5D Mark III« » Full Frame 22.1 5760 38401080/30p24.011.7229381Canon 5D Mark III
Canon 6D« » Full Frame 20.0 5472 36481080/30p23.812.1234082Canon 6D
Canon 1D X« » Full Frame 17.9 5184 34561080/30p23.811.8278682Canon 1D X
Canon 7D« » APS-C 17.9 5184 34561080/30p22.011.785466Canon 7D
Canon 1Ds Mark III« » Full Frame 21.0 5616 3744-24.012.0166380Canon 1Ds Mark III
Canon 5D« » Full Frame 12.7 4368 2912-22.911.1136871Canon 5D
Fujifilm X-Pro2« » APS-C 24.0 6000 40001080/60p----Fujifilm X-Pro2
Olympus PEN-F« » Four Thirds 20.2 5184 38881080/60p23.112.489474Olympus PEN-F
Panasonic GX8« » Four Thirds 20.2 5184 38884K/30p23.512.680675Panasonic GX8
Sony A6300« » APS-C 24.0 6000 40004K/30p24.413.7143785Sony A6300
Sony A7« » Full Frame 24.0 6000 40001080/60p24.814.2224890Sony A7

Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A6500 provides a better video resolution than the 5D Mark II. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.

 

Feature comparison: Canon 5D Mark II vs Sony A6500

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A6500 has an electronic viewfinder (2300k dots), while the 5D Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Canon 5D Mark II and Sony A6500 in connection with corresponding information for a sample of similar cameras. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.

Core Features
  Camera
Model
Viewfinder
(Type or
'000 dots)
Control
Panel
(yes/no)
LCD
Size
(inch)
LCD
Resolution
('000 dots)
LCD
Attach-
ment
Touch
Screen
(yes/no)
Shutter
speed
(1/sec)
Shutter
flaps
(1/sec)
Build-in
Flash
(yes/no)
Build-in
Image
Stab
Camera
Model
Canon 5D Mark II»optical Y 3.0 920 fixed n 8000 3.9 n n Canon 5D Mark II
Sony A6500«2300 n 3.0 922 tilting Y 4000 11.0 Y Y Sony A6500
Canon 1D X Mark II« »optical Y 3.2 1620 fixed Y 8000 16.0 n n Canon 1D X Mark II
Canon 5D Mark IV« »optical Y 3.2 1620 fixed Y 8000 7.0 n n Canon 5D Mark IV
Canon 5DS« »optical Y 3.2 1040 fixed n 8000 5.0 n n Canon 5DS
Canon 5DS R« »optical Y 3.2 1040 fixed n 8000 5.0 n n Canon 5DS R
Canon 5D Mark III« »optical Y 3.2 1040 fixed n 8000 6.0 n n Canon 5D Mark III
Canon 6D« »optical Y 3.0 1040 fixed n 4000 4.5 n n Canon 6D
Canon 1D X« »optical Y 3.2 1040 fixed n 8000 14.0 n n Canon 1D X
Canon 7D« »optical Y 3.0 920 fixed n 8000 8.0 Y n Canon 7D
Canon 1Ds Mark III« »optical Y 3.0 230 fixed n 8000 5.0 n n Canon 1Ds Mark III
Canon 5D« »optical Y 2.5 230 fixed n 8000 3.0 n n Canon 5D
Fujifilm X-Pro2« »2360 n 3.0 1620 fixed n 8000 8.0 n n Fujifilm X-Pro2
Olympus PEN-F« »2360 n 3.0 1037 swivel Y 8000 10.0 n Y Olympus PEN-F
Panasonic GX8« »2360 n 3.0 1040 swivel Y 8000 10.0 n Y Panasonic GX8
Sony A6300« »2300 n 3.0 922 tilting n 4000 11.0 Y n Sony A6300
Sony A7« »2400 n 3.0 1230 tilting n 8000 5.0 n n Sony A7

One feature that is present on the 5D Mark II, but is missing on the A6500 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The 5D Mark II writes its imaging data to Compact Flash cards, while the A6500 uses SDXC or Memory Stick PRO Duo cards.

Input-Output Connections
  Camera
Model
Hotshoe
Port
Internal
Microphone
Internal
Speaker
Microphone
Port
Headphone
Port
HDMI
Port
USB
Type
WiFi
Support
NFC
Support
Bluetooth
Support
Camera
Model
Canon 5D Mark II»YmonomonoY-mini2.0---Canon 5D Mark II
Sony A6500«YstereomonoY-micro2.0YY-Sony A6500
Canon 1D X Mark II« »YmonomonoYYmini3.0---Canon 1D X Mark II
Canon 5D Mark IV« »YmonomonoYYmini3.0YY-Canon 5D Mark IV
Canon 5DS« »YmonomonoY-mini3.0---Canon 5DS
Canon 5DS R« »YmonomonoY-mini3.0---Canon 5DS R
Canon 5D Mark III« »YmonomonoYYmini2.0---Canon 5D Mark III
Canon 6D« »YmonomonoY-mini2.0Y--Canon 6D
Canon 1D X« »Ymono-Y-mini2.0---Canon 1D X
Canon 7D« »Ymono-Y-mini2.0---Canon 7D
Canon 1Ds Mark III« »Y-----2.0---Canon 1Ds Mark III
Canon 5D« »Y-----2.0---Canon 5D
Fujifilm X-Pro2« »YstereomonoY-micro2.0Y--Fujifilm X-Pro2
Olympus PEN-F« »Ystereomono--micro2.0Y--Olympus PEN-F
Panasonic GX8« »YstereomonoY-micro2.0YY-Panasonic GX8
Sony A6300« »YstereomonoY-micro2.0YY-Sony A6300
Sony A7« »YstereomonoYYmicro2.0YY-Sony A7

The A6500 is a current model that online retailers, such as amazon, will have in stock. In contrast, the 5D Mark II has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 5D Mark II was succeeded by the Canon 5D Mark III.

Review summary: Canon 5D Mark II vs Sony A6500

So what conclusions can be drawn? Which of the two cameras – the Canon 5D Mark II or the Sony A6500 – has the upper hand? A synthesis of the relative strong points of each of the models is listed below.

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Reasons to prefer the Canon EOS 5D Mark II:

  • Better low-light sensitivity: Requires less light for good images (0.4 stops ISO advantage).
  • Brighter framing: Features an optical viewfinder for clear, lag-free composition.
  • Easier setting verification: Features an LCD display on top to control shooting parameters.
  • Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
  • Longer lasting: Can take more shots (850 versus 350) on a single battery charge.
  • More heavily discounted: Has been available for much longer (launched in September 2008).

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Advantages of the Sony Alpha A6500:

  • More detail: Has more megapixels (24 vs 21MP), which boosts linear resolution by 7%.
  • Better image quality: Scores markedly higher (6 points) in the DXO overall evaluation.
  • More dynamic range: Captures a broader range of light and dark details (1.8 EV of extra DR).
  • Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
  • More framing info: Has an electronic viewfinder that displays shooting data.
  • More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
  • Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
  • Faster burst: Shoots at higher frequency (11 vs 3.9 flaps/sec) to capture the decisive moment.
  • More compact: Is smaller (120x67mm vs 152x114mm) and will fit more readily into a bag.
  • Less heavy: Has a lower weight (by 397g or 47 percent) and is thus easier to take along.
  • Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
  • More legacy lens friendly: Can use many non-native lenses via adapters.
  • Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
  • Easier file upload: Has wifi build in for automatic backup or image transfer to the web.
  • Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
  • More affordable: Was introduced into a lower priced category (60 percent cheaper at launch).
  • More modern: Reflects 8 years of technical progress since the 5D Mark II launch.

If the count of relative strengths (bullet points above) is taken as a measure, the A6500 is the clear winner of the contest (17 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision.

5D Mark II 06:17 A6500

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the 5D Mark II or the A6500. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is where reviews by experts come in. The table below summarizes the assessments of some of the best known camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The detailed reviews can be accessed by clicking on the site logo in the table header.

Review Scores
  Camera
Model
cameralabs dpreview ephotozine imaging-resource photographyblog Camera
Launch
(announced)
Launch
Price
(USD)
Street
Price
(USD)
Used
Price
(USD)
Camera
Model
Canon 5D Mark II»91/10079/1004/55/5- Sep 2008 3,499- i Canon 5D Mark II
Sony A6500«HiRec85/1004.5/55/54.5/5 Oct 2016 1,399 i i Sony A6500
Canon 1D X Mark II« »-89/1004.5/55/54.5/5 Feb 2016 5,999 i i Canon 1D X Mark II
Canon 5D Mark IV« »HiRec87/1004.5/55/54.5/5 Aug 2016 3,499 i i Canon 5D Mark IV
Canon 5DS« »Rec83/1004.5/55/54.5/5 Feb 2015 3,699 i i Canon 5DS
Canon 5DS R« »Rec83/1005/55/54.5/5 Feb 2015 3,699 i i Canon 5DS R
Canon 5D Mark III« »HiRec82/1004.5/55/54.5/5 Mar 2012 3,499- i Canon 5D Mark III
Canon 6D« »HiRec83/1004.5/54.5/54.5/5 Sep 2012 2,099- i Canon 6D
Canon 1D X« »--4.5/54.5/54.5/5 Oct 2011 6,799- i Canon 1D X
Canon 7D« »HiRec84/1004.5/55/54.5/5 Sep 2009 1,699- i Canon 7D
Canon 1Ds Mark III« »-HiRec4.5/5-- Aug 2007 7,999- i Canon 1Ds Mark III
Canon 5D« »88/100HiRecrevrev- Aug 2005 3,299- i Canon 5D
Fujifilm X-Pro2« »Rec83/1004.5/54.5/54.5/5 Jan 2016 1,699 i i Fujifilm X-Pro2
Olympus PEN-F« »-82/1004.5/54.5/55/5 Jan 2016 1,199 i i Olympus PEN-F
Panasonic GX8« »Rec82/1004.5/55/54.5/5 Jul 2015 1,199- i Panasonic GX8
Sony A6300« »Rec85/1005/55/55/5 Feb 2016 999- i Sony A6300
Sony A7« »HiRec80/1005/54.5/55/5 Oct 2013 1,699- i Sony A7

The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

 

Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting. If the camera you are interested in is not available, kindly get in touch, and I will try to add information on that model to the database.

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