Canon 5D Mark II vs Sony A58
The Canon EOS 5D Mark II and the Sony Alpha SLT-A58 are two digital cameras that were announced, respectively, in September 2008 and February 2013. Both are DSLR (Digital Single Lens Reflex) cameras that are based on a full frame (5D Mark II) and an APS-C (A58) sensor. The Canon has a resolution of 21 megapixels, whereas the Sony provides 19.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 5D Mark II||Sony A58|
|Digital single lens reflex||Digital single lens reflex|
|Canon EF mount lenses||Sony A mount lenses|
|21 MP, Full Frame Sensor||19.8 MP, APS-C Sensor|
|1080/30p Video||1080/60i Video|
|ISO 100-6400 (50-25600)||ISO 100-16000 (100-25600)|
|Optical viewfinder||Electronic viewfinder (1440k dots)|
|3.0" LCD, 920k dots||2.7" LCD, 460k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|3.9 shutter flaps per second||5 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Weathersealed body||Not weather sealed|
|850 shots per battery charge||690 shots per battery charge|
|152 x 114 x 75 mm, 850 g||129 x 95 x 78 mm, 492 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 5D Mark II and the Sony Alpha SLT-A58? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison: Canon 5D Mark II vs Sony A58
The physical size and weight of the Canon 5D Mark II and the Sony A58 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A58 is notably smaller (29 percent) than the Canon 5D Mark II. Moreover, the A58 is substantially lighter (42 percent) than the 5D Mark II. It is worth mentioning in this context that the 5D Mark II is splash and dust resistant, while the A58 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 5D Mark II»||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499||-||Canon 5D Mark II|
|Sony A58«||5.1 in||3.7 in||3.1 in||17.4 oz||690||n||Feb 2013||599||-||Sony A58|
|Canon 1D X Mark II« »||6.2 in||6.6 in||3.3 in||54.0 oz||1210||Y||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 5D Mark IV« »||5.9 in||4.6 in||3.0 in||31.4 oz||900||Y||Aug 2016||3,499||Canon 5D Mark IV|
|Canon 5DS« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699||Canon 5DS|
|Canon 5DS R« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699||Canon 5DS R|
|Canon SL1« »||4.6 in||3.6 in||2.7 in||14.4 oz||380||n||Mar 2013||549||-||Canon SL1|
|Canon T5i« »||5.2 in||3.9 in||3.1 in||20.5 oz||440||n||Mar 2013||649||-||Canon T5i|
|Canon 5D Mark III« »||6.0 in||4.6 in||3.0 in||33.5 oz||950||Y||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 6D« »||5.7 in||4.4 in||2.8 in||27.2 oz||1090||Y||Sep 2012||2,099||-||Canon 6D|
|Canon 1D X« »||6.2 in||6.6 in||3.3 in||54.7 oz||1120||Y||Oct 2011||6,799||-||Canon 1D X|
|Canon 7D« »||5.8 in||4.4 in||2.9 in||30.3 oz||800||Y||Sep 2009||1,699||-||Canon 7D|
|Canon 1Ds Mark III« »||5.9 in||6.3 in||3.1 in||48.9 oz||1800||Y||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Canon 5D« »||6.0 in||4.4 in||3.0 in||31.6 oz||400||Y||Aug 2005||3,299||-||Canon 5D|
|Nikon D5600« »||4.9 in||3.8 in||2.8 in||16.4 oz||970||n||Nov 2016||699||Nikon D5600|
|Nikon D3300« »||4.9 in||3.9 in||3.0 in||15.2 oz||700||n||Jan 2014||499||-||Nikon D3300|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||-||Sony A7 II|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A58 was launched at a markedly lower price (by 83 percent) than the 5D Mark II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Canon 5D Mark II vs Sony A58
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 5D Mark II features a full frame sensor and the Sony A58 an APS-C sensor. The sensor area in the A58 is 58 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 21MP, the 5D Mark II offers a slightly higher resolution than the A58 (19.8MP), but the 5D Mark II nevertheless has larger individual pixels (pixel pitch of 6.41μm versus 4.31μm for the A58) due to its larger sensor. However, the A58 is a much more recent model (by 4 years and 5 months) than the 5D Mark II, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The Canon EOS 5D Mark II has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 50-25600. The corresponding ISO settings for the Sony Alpha SLT-A58 are ISO 100 to ISO 16000, with the possibility to increase the ISO range to 100-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the 5D Mark II has a notably higher overall DXO score than the A58 (overall score 5 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 0.4 bits higher color depth, 0.6 EV of lower dynamic range, and 1.3 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 5D Mark II»||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79||Canon 5D Mark II|
|Sony A58«||APS-C||19.8||5456||3632||1080/60i||23.3||12.5||753||74||Sony A58|
|Canon 1D X Mark II« »||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88||Canon 1D X Mark II|
|Canon 5D Mark IV« »||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91||Canon 5D Mark IV|
|Canon 5DS« »||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87||Canon 5DS|
|Canon 5DS R« »||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86||Canon 5DS R|
|Canon SL1« »||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63||Canon SL1|
|Canon T5i« »||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||681||61||Canon T5i|
|Canon 5D Mark III« »||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81||Canon 5D Mark III|
|Canon 6D« »||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82||Canon 6D|
|Canon 1D X« »||Full Frame||17.9||5184||3456||1080/30p||23.8||11.8||2786||82||Canon 1D X|
|Canon 7D« »||APS-C||17.9||5184||3456||1080/30p||22.0||11.7||854||66||Canon 7D|
|Canon 1Ds Mark III« »||Full Frame||21.0||5616||3744||-||24.0||12.0||1663||80||Canon 1Ds Mark III|
|Canon 5D« »||Full Frame||12.7||4368||2912||-||22.9||11.1||1368||71||Canon 5D|
|Nikon D5600« »||APS-C||24.0||6000||4000||1080/60p||24.1||14.0||1306||84||Nikon D5600|
|Nikon D3300« »||APS-C||24.0||6000||4000||1080/60p||24.3||12.8||1385||82||Nikon D3300|
|Sony A7 II« »||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A58 provides a faster frame rate than the 5D Mark II. It can shoot movie footage at 1080/60i, while the Canon is limited to 1080/30p.
Feature comparison: Canon 5D Mark II vs Sony A58
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A58 has an electronic viewfinder (1440k dots), while the 5D Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A58 offers a wider field of view (100%) than the one in the 5D Mark II (98%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the 5D Mark II has a higher magnification (0.71x vs 0.57x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 5D Mark II, the Sony A58, and comparable cameras.
|Canon 5D Mark II»||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n||Canon 5D Mark II|
|Sony A58«||1440||n||2.7||460||tilting||n||1/4000s||5.0||Y||Y||Sony A58|
|Canon 1D X Mark II« »||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n||Canon 1D X Mark II|
|Canon 5D Mark IV« »||optical||Y||3.2||1620||fixed||Y||1/8000s||7.0||n||n||Canon 5D Mark IV|
|Canon 5DS« »||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS|
|Canon 5DS R« »||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS R|
|Canon SL1« »||optical||n||3.0||1040||fixed||Y||1/4000s||4.9||Y||n||Canon SL1|
|Canon T5i« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon T5i|
|Canon 5D Mark III« »||optical||Y||3.2||1040||fixed||n||1/8000s||6.0||n||n||Canon 5D Mark III|
|Canon 6D« »||optical||Y||3.0||1040||fixed||n||1/4000s||4.5||n||n||Canon 6D|
|Canon 1D X« »||optical||Y||3.2||1040||fixed||n||1/8000s||14.0||n||n||Canon 1D X|
|Canon 7D« »||optical||Y||3.0||920||fixed||n||1/8000s||8.0||Y||n||Canon 7D|
|Canon 1Ds Mark III« »||optical||Y||3.0||230||fixed||n||1/8000s||5.0||n||n||Canon 1Ds Mark III|
|Canon 5D« »||optical||Y||2.5||230||fixed||n||1/8000s||3.0||n||n||Canon 5D|
|Nikon D5600« »||optical||n||3.2||1037||swivel||Y||1/4000s||5.0||Y||n||Nikon D5600|
|Nikon D3300« »||optical||n||3.0||921||fixed||n||1/4000s||5.0||Y||n||Nikon D3300|
|Sony A7 II« »||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
One feature that is present on the 5D Mark II, but is missing on the A58 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The 5D Mark II writes its imaging data to Compact Flash cards, while the A58 uses SDXC or Memory Stick PRO Duo cards.
Connectivity comparison: Canon 5D Mark II vs Sony A58
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D Mark II and Sony Alpha SLT-A58 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 5D Mark II»||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 5D Mark II|
|Sony A58«||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony A58|
|Canon 1D X Mark II« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Canon 1D X Mark II|
|Canon 5D Mark IV« »||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-||Canon 5D Mark IV|
|Canon 5DS« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS|
|Canon 5DS R« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS R|
|Canon SL1« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon SL1|
|Canon T5i« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon T5i|
|Canon 5D Mark III« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 5D Mark III|
|Canon 6D« »||Y||mono||mono||Y||-||mini||2.0||Y||-||-||Canon 6D|
|Canon 1D X« »||Y||mono||-||Y||-||mini||2.0||-||-||-||Canon 1D X|
|Canon 7D« »||Y||mono||-||Y||-||mini||2.0||-||-||-||Canon 7D|
|Canon 1Ds Mark III« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1Ds Mark III|
|Canon 5D« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 5D|
|Nikon D5600« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Nikon D5600|
|Nikon D3300« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Nikon D3300|
|Sony A7 II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
Studio photographers will appreciate that the Canon 5D Mark II (unlike the A58) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 5D Mark II and the A58 have been discontinued, but can regularly be found used on eBay. The 5D Mark II was replaced by the Canon 5D Mark III, while the A58 was followed by the Sony A68. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
Review summary: Canon 5D Mark II vs Sony A58
So what is the bottom line? Is there a clear favorite between the Canon 5D Mark II and the Sony A58? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon EOS 5D Mark II:
- Better image quality: Scores markedly higher (5 points) in the DXO overall assessment.
- Better low-light sensitivity: Requires less light for good images (1.3 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.57x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (920k vs 460k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Longer lasting: Can take more shots (850 versus 690) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in September 2008).
Arguments in favor of the Sony Alpha SLT-A58:
- More dynamic range: Captures a broader range of light and dark details (0.6 EV of extra DR).
- Better video: Provides higher movie framerates (1080/60i versus 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 98%).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (5 vs 3.9 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (129x95mm vs 152x114mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 358g or 42 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (83 percent cheaper at launch).
- More modern: Reflects 4 years and 5 months of technical progress since the 5D Mark II launch.
If the count of individual advantages (bullet points above) is taken as a guide, the match-up finishes in a tie (12 points each). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 5D Mark II and the Sony A58 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the 5D Mark II and the A58 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews: Canon 5D Mark II vs Sony A58
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 5D Mark II»||91/100||79/100||4/5||5/5||-||Sep 2008||3,499||-||Canon 5D Mark II|
|Sony A58«||-||-||4.5/5||4.5/5||4.5/5||Feb 2013||599||-||Sony A58|
|Canon 1D X Mark II« »||-||89/100||4.5/5||5/5||4.5/5||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 5D Mark IV« »||+ +||87/100||4.5/5||5/5||4.5/5||Aug 2016||3,499||Canon 5D Mark IV|
|Canon 5DS« »||+||83/100||4.5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS|
|Canon 5DS R« »||+||83/100||5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS R|
|Canon SL1« »||+||78/100||4/5||4/5||4/5||Mar 2013||549||-||Canon SL1|
|Canon T5i« »||-||76/100||4.5/5||4.5/5||4.5/5||Mar 2013||649||-||Canon T5i|
|Canon 5D Mark III« »||+ +||82/100||4.5/5||5/5||4.5/5||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 6D« »||+ +||83/100||4.5/5||4.5/5||4.5/5||Sep 2012||2,099||-||Canon 6D|
|Canon 1D X« »||-||-||4.5/5||4.5/5||4.5/5||Oct 2011||6,799||-||Canon 1D X|
|Canon 7D« »||+ +||84/100||4.5/5||5/5||4.5/5||Sep 2009||1,699||-||Canon 7D|
|Canon 1Ds Mark III« »||-||+ +||4.5/5||-||-||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Canon 5D« »||88/100||+ +||o||o||-||Aug 2005||3,299||-||Canon 5D|
|Nikon D5600« »||-||79/100||4.5/5||4.5/5||4/5||Nov 2016||699||Nikon D5600|
|Nikon D3300« »||+||77/100||4.5/5||4.5/5||4.5/5||Jan 2014||499||-||Nikon D3300|
|Sony A7 II« »||+||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-||Sony A7 II|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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Specifications: Canon 5D Mark II vs Sony A58
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 5D Mark II||Sony A58|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Sony A mount lenses|
|Launch Date||September 2008||February 2013|
|Launch Price||USD 3499||USD 599|
|Sensor Specs||Canon 5D Mark II||Sony A58|
|Sensor Format||Full Frame Sensor||APS-C Sensor|
|Sensor Size||36.0 x 24.0 mm||23.5 x 15.6 mm|
|Sensor Area||864 mm2||366.6 mm2|
|Sensor Diagonal||43.3 mm||28.2 mm|
|Sensor Resolution||21 Megapixels||19.8 Megapixels|
|Image Resolution||5616 x 3744 pixels||5456 x 3632 pixels|
|Pixel Pitch||6.41 μm||4.31 μm|
|Pixel Density||2.43 MP/cm2||5.41 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60i Video|
|ISO Setting||100-6400 ISO||100-16000 ISO|
|ISO Boost||50-25600 ISO||100-25600 ISO|
|DXO Sensor Quality (score)||79||74|
|DXO Color Depth (bits)||23.7||23.3|
|DXO Dynamic Range (EV)||11.9||12.5|
|DXO Low Light (ISO)||1815||753|
|Screen Specs||Canon 5D Mark II||Sony A58|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||98%||100%|
|Viewfinder Resolution||1440k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||2.7 inch|
|LCD Resolution||920k dots||460k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Canon 5D Mark II||Sony A58|
|Autofocus System||Phase-detect AF||Phase-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/4000/s|
|Continuous Shooting||3.9 shutter flaps/s||5 shutter flaps/s|
|Shutter Life Expectancy||150 000 actuations||100 000 actuations|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CF cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon 5D Mark II||Sony A58|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 5D Mark II||Sony A58|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Type||LP-E6 power pack||NP-FM500H power pack|
|Battery Life (CIPA)||850 shots per charge||690 shots per charge|
152 x 114 x 75 mm
(6.0 x 4.5 x 3.0 in)
129 x 95 x 78 mm
(5.1 x 3.7 x 3.1 in)
|Camera Weight||850 g (30.0 oz)||492 g (17.4 oz)|
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