Canon 5D Mark II vs Olympus E-M1X
The Canon EOS 5D Mark II and the Olympus OM-D E-M1X are two digital cameras that were revealed to the public, respectively, in September 2008 and January 2019. The 5D Mark II is a DSLR, while the E-M1X is a mirrorless interchangeable lens camera. The cameras are based on a full frame (5D Mark II) and a Four Thirds (E-M1X) sensor. The Canon has a resolution of 21 megapixels, whereas the Olympus provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 5D Mark II||Olympus E-M1X|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Micro Four Thirds lenses|
|21 MP, Full Frame Sensor||20.2 MP, Four Thirds Sensor|
|1080/30p Video||4K/30p Video|
|ISO 100-6,400 (50 - 25,600)||ISO 200-25,600|
|Optical viewfinder||Electronic viewfinder (2360k dots)|
|3.0 LCD, 920k dots||3.0 LCD, 1037k dots|
|Fixed screen (not touch-sensitive)||Swivel touchscreen|
|3.9 shutter flaps per second||18 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Weathersealed body||Weathersealed body|
|850 shots per battery charge||870 shots per battery charge|
|152 x 114 x 75 mm, 850 g||144 x 147 x 75 mm, 997 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 5D Mark II and the Olympus OM-D E-M1X? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 5D Mark II and the Olympus E-M1X is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The E-M1X can be obtained in two different colors (black, silver), while the 5D Mark II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M1X is notably larger (22 percent) than the Canon 5D Mark II. Moreover, the E-M1X is markedly heavier (17 percent) than the 5D Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (5D Mark II) and the Micro Four Thirds Lens Catalog (E-M1X). Mirrorless cameras, such as the E-M1X, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the 5D Mark II gets 850 shots out of its LP-E6 battery, while the E-M1X can take 870 images on a single charge of its BLH-1 power pack. As can be seen in the images above, the E-M1X has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the 5D Mark II, Canon provides the BG-E6 vertical grip as an optional accessory (see here on eBay). The power pack in the E-M1X can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 5D Mark II||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499|
|Olympus E-M1X||144 mm||147 mm||75 mm||997 g||870||Y||Jan 2019||2,999|
|Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999|
|Canon 5D Mark IV||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499|
|Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199|
|Canon 5DS||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|Canon 5DS R||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|Canon 5D Mark III||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499|
|Canon 6D||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099|
|Canon 7D||148 mm||111 mm||74 mm||860 g||800||Y||Sep 2009||1,699|
|Canon 1Ds Mark III||150 mm||160 mm||80 mm||1385 g||1800||Y||Aug 2007||7,999|
|Canon 5D||152 mm||113 mm||75 mm||895 g||400||Y||Aug 2005||3,299|
|Olympus E-M1 III||134 mm||91 mm||69 mm||580 g||420||Y||Feb 2020||1,799|
|Olympus E-M5 III||125 mm||85 mm||50 mm||414 g||310||Y||Oct 2019||1,199|
|Olympus E-M1 II||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999|
|Panasonic S1||149 mm||110 mm||97 mm||1017 g||400||Y||Feb 2019||2,499|
|Sony A900||156 mm||117 mm||82 mm||895 g||880||Y||Sep 2008||2,999|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The E-M1X was launched at a somewhat lower price (by 14 percent) than the 5D Mark II, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 5D Mark II features a full frame sensor and the Olympus E-M1X a Four Thirds sensor. The sensor area in the E-M1X is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the 5D Mark II has a native 3:2 aspect ratio, while the one in the E-M1X offers a 4:3 aspect.
With 21MP, the 5D Mark II offers a slightly higher resolution than the E-M1X (20.2MP), but the 5D Mark II nevertheless has larger individual pixels (pixel pitch of 6.41μm versus 3.34μm for the E-M1X) due to its larger sensor. However, the E-M1X is a much more recent model (by 10 years and 4 months) than the 5D Mark II, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the E-M1X has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The E-M1X has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the 5D Mark II, the E-M1X has the capacity to capture high quality composite images (80MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon EOS 5D Mark II has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 50-25600. The corresponding ISO settings for the Olympus OM-D E-M1X are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 64-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|Olympus E-M1X||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|Canon 5D Mark IV||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|Canon 5DS R||Full Frame||50.3||8688||5792||1080/30p||24.6||12.4||2308||86|
|Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81|
|Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|Canon 1Ds Mark III||Full Frame||21.0||5616||3744||none||24.0||12.0||1663||80|
|Canon 5D||Full Frame||12.7||4368||2912||none||22.9||11.1||1368||71|
|Olympus E-M1 III||Four Thirds||20.2||5184||3888||4K/30p||..||..||..||..|
|Olympus E-M5 III||Four Thirds||20.2||5184||3888||4k/24p||..||..||..||..|
|Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|Panasonic S1||Full Frame||24.0||6000||4000||4K/60p||25.2||14.5||3333||95|
|Sony A900||Full Frame||24.4||6048||4032||none||23.7||12.3||1431||79|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the E-M1X provides a better video resolution than the 5D Mark II. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the E-M1X has an electronic viewfinder (2360k dots), while the 5D Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the E-M1X offers a wider field of view (100%) than the one in the 5D Mark II (98%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the E-M1X has a higher magnification (0.83x vs 0.71x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 5D Mark II, the Olympus E-M1X, and comparable cameras.
|Canon 5D Mark II||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n|
|Canon 6D Mark II||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n|
|Canon 5D Mark IV||optical||Y||3.2||1620||fixed||Y||1/8000s||7.0||n||n|
|Canon 5DS R||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n|
|Canon 5D Mark III||optical||Y||3.2||1040||fixed||n||1/8000s||6.0||n||n|
|Canon 1Ds Mark III||optical||Y||3.0||230||fixed||n||1/8000s||5.0||n||n|
|Olympus E-M1 III||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y|
|Olympus E-M5 III||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y|
|Olympus E-M1 II||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y|
One feature that is present on the 5D Mark II, but is missing on the E-M1X is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The E-M1X has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 5D Mark II does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M1X is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Olympus E-M1X has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 5D Mark II writes its imaging data to Compact Flash cards, while the E-M1X uses SDXC cards. The E-M1X features dual card slots, which can be very useful in case a memory card fails. In contrast, the 5D Mark II only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D Mark II and Olympus OM-D E-M1X and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Canon 5D Mark II||Y||mono||mono||Y||-||mini||2.0||-||-||-|
|Canon 6D Mark II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y|
|Canon 5D Mark IV||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-|
|Canon 5DS R||Y||mono||mono||Y||-||mini||3.0||-||-||-|
|Canon 5D Mark III||Y||mono||mono||Y||Y||mini||2.0||-||-||-|
|Canon 1Ds Mark III||Y||-||-||-||-||-||2.0||-||-||-|
|Olympus E-M1 III||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y|
|Olympus E-M5 III||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y|
|Olympus E-M1 II||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-|
It is notable that the E-M1X offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 5D Mark II does not provide wifi capability.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Travel and landscape photographers will find it useful that the E-M1X has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
The E-M1X is a recent model that features in the current product line-up of Olympus. In contrast, the 5D Mark II has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the 5D Mark II was succeeded by the Canon 5D Mark III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Olympus websites.
So what is the bottom line? Is the Canon 5D Mark II better than the Olympus E-M1X or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon EOS 5D Mark II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More compact: Is smaller (152x114mm vs 144x147mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 147g or 15 percent) and hence easier to carry around.
- More heavily discounted: Has been available for much longer (launched in September 2008).
Arguments in favor of the Olympus OM-D E-M1X:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 98%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.83x vs 0.71x).
- More detailed LCD: Has a higher resolution rear screen (1037k vs 920k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (18 vs 3.9 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More affordable: Was released into a lower priced segment (14 percent cheaper at launch).
- More modern: Reflects 10 years and 4 months of technical progress since the 5D Mark II launch.
If the count of individual advantages (bullet points above) is taken as a guide, the E-M1X is the clear winner of the contest (25 : 6 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 5D Mark II and the Olympus E-M1X place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 5D Mark II or the E-M1X. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 5D Mark II||91/100||79/100||4/5||5/5||..||Sep 2008||3,499|
|Olympus E-M1X||o||..||4.5/5||5/5||..||Jan 2019||2,999|
|Canon 6D Mark II||+||80/100||4.5/5||4/5||4/5||Jun 2017||1,999|
|Canon 5D Mark IV||+ +||87/100||4.5/5||5/5||4.5/5||Aug 2016||3,499|
|Canon 80D||+ +||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199|
|Canon 5DS||+||83/100||4.5/5||5/5||4.5/5||Feb 2015||3,699|
|Canon 5DS R||+||83/100||5/5||5/5||4.5/5||Feb 2015||3,699|
|Canon 5D Mark III||+ +||82/100||4.5/5||5/5||4.5/5||Mar 2012||3,499|
|Canon 6D||+ +||83/100||4.5/5||4.5/5||4.5/5||Sep 2012||2,099|
|Canon 7D||+ +||84/100||4.5/5||5/5||4.5/5||Sep 2009||1,699|
|Canon 1Ds Mark III||..||+ +||4.5/5||..||..||Aug 2007||7,999|
|Canon 5D||88/100||+ +||o||o||..||Aug 2005||3,299|
|Olympus E-M1 III||..||83/100||4.5/5||..||4/5||Feb 2020||1,799|
|Olympus E-M5 III||+||82/100||4.5/5||5/5||4.5/5||Oct 2019||1,199|
|Olympus E-M1 II||+ +||85/100||4.5/5||5/5||4.5/5||Sep 2016||1,999|
|Panasonic S1||+ +||88/100||4.5/5||..||4/5||Feb 2019||2,499|
|Sony A900||+ +||+ +||4.5/5||4/5||5/5||Sep 2008||2,999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 5D Mark II vs Canon 7D
- Canon 5D Mark II vs Fujifilm X-T10
- Canon 5D Mark II vs Olympus XZ-2
- Canon 5D Mark II vs Panasonic GH2
- Canon 5D Mark II vs Samsung NX1
- Canon T5i vs Olympus E-M1X
- Fujifilm X-T30 vs Olympus E-M1X
- Leica M8 vs Olympus E-M1X
- Olympus E-M1X vs Olympus E-P1
- Olympus E-M1X vs Panasonic G80
- Olympus E-M1X vs Pentax K-3 II
- Olympus E-M1X vs Sony NEX-5R
Specifications: Canon 5D Mark II vs Olympus E-M1X
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 5D Mark II||Olympus E-M1X|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||September 2008||January 2019|
|Launch Price||USD 3,499||USD 2,999|
|Sensor Specs||Canon 5D Mark II||Olympus E-M1X|
|Sensor Format||Full Frame Sensor||Four Thirds Sensor|
|Sensor Size||36.0 x 24.0 mm||17.3 x 13.0 mm|
|Sensor Area||864 mm2||224.9 mm2|
|Sensor Diagonal||43.3 mm||21.6 mm|
|Sensor Resolution||21 Megapixels||20.2 Megapixels|
|Image Resolution||5616 x 3744 pixels||5184 x 3888 pixels|
|Pixel Pitch||6.41 μm||3.34 μm|
|Pixel Density||2.43 MP/cm2||8.96 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||4K/30p Video|
|ISO Setting||100 - 6,400 ISO||200 - 25,600 ISO|
|ISO Boost||50 - 25,600 ISO||64 - 25,600 ISO|
|Image Processor||DIGIC 4||Dual TruePic VIII|
|DXO Sensor Quality (score)||79||..|
|DXO Color Depth (bits)||23.7||..|
|DXO Dynamic Range (EV)||11.9||..|
|DXO Low Light (ISO)||1815||..|
|Screen Specs||Canon 5D Mark II||Olympus E-M1X|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||98%||100%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||1037k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 5D Mark II||Olympus E-M1X|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||3.9 shutter flaps/s||18 shutter flaps/s|
|Shutter Life Expectancy||150 000 actuations||200 000 actuations|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|Connectivity Specs||Canon 5D Mark II||Olympus E-M1X|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Geotagging||no internal GPS||GPS built-in|
|Body Specs||Canon 5D Mark II||Olympus E-M1X|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||850 shots per charge||870 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
152 x 114 x 75 mm
(6.0 x 4.5 x 3.0 in)
144 x 147 x 75 mm
(5.7 x 5.8 x 3.0 in)
|Camera Weight||850 g (30.0 oz)||997 g (35.2 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.