Canon 5D Mark II vs Leica V-LUX 3

The Canon EOS 5D Mark II and the Leica V-LUX 3 are two digital cameras that were officially introduced, respectively, in September 2008 and December 2011. The 5D Mark II is a DSLR, while the V-LUX 3 is a fixed lens compact. The cameras are based on a full frame (5D Mark II) and a 1/2.3-inch (V-LUX 3) sensor. The Canon has a resolution of 21 megapixels, whereas the Leica provides 12 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon 5D Mark II		Leica V-LUX 3
Digital single lens reflex		Fixed lens compact camera
Canon EF mount lenses		25-600mm f/2.8-5.2
21 MP – Full Frame sensor		12 MP – 1/2.3" sensor
1080/30p Video		1080/60p Video
ISO 100-6,400 (50 - 25,600)		ISO 100-3,200 (100 - 6,400)
Optical viewfinder		Electronic viewfinder (202k dots)
3.0" LCD – 920k dots		3.0" LCD – 460k dots
Fixed screen (not touch-sensitive)		Swivel screen (not touch-sensitive)
3.9 shutter flaps per second		12 shutter flaps per second
Weathersealed body		not weather sealed
850 shots per battery charge		410 shots per battery charge
152 x 114 x 75 mm, 850 g		124 x 81 x 95 mm, 540 g

Check 5D Mark II offers at
ebay.com
Check V-LUX 3 offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 5D Mark II and the Leica V-LUX 3? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The side-by-side display below illustrates the physical size and weight of the Canon 5D Mark II and the Leica V-LUX 3. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica V-LUX 3 is considerably smaller (42 percent) than the Canon 5D Mark II. It is worth mentioning in this context that the 5D Mark II is splash and dust resistant, while the V-LUX 3 does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the V-LUX 3 has a lens built in, whereas the 5D Mark II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 5D Mark II and their specifications in the Canon EF Lens Catalog.

Concerning battery life, the 5D Mark II gets 850 shots out of its Canon LP-E6 battery, while the V-LUX 3 can take 410 images on a single charge of its Leica BP-DC9 power pack.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

#		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Canon 5D Mark II	152 mm	114 mm	75 mm	850 g	850	Y	Sep 2008	3,499	ebay.com
2.		Leica V-LUX 3	124 mm	81 mm	95 mm	540 g	410	n	Dec 2011	949	ebay.com
3.		Canon 1D X Mark II	158 mm	168 mm	83 mm	1530 g	1210	Y	Feb 2016	5,999	ebay.com
4.		Canon 5D Mark IV	151 mm	116 mm	76 mm	890 g	900	Y	Aug 2016	3,499	amazon.com
5.		Canon 5DS	152 mm	116 mm	76 mm	930 g	700	Y	Feb 2015	3,699	ebay.com
6.		Canon 5DS R	152 mm	116 mm	76 mm	930 g	700	Y	Feb 2015	3,699	ebay.com
7.		Canon 5D Mark III	152 mm	116 mm	76 mm	950 g	950	Y	Mar 2012	3,499	ebay.com
8.		Canon 6D	145 mm	111 mm	71 mm	770 g	1090	Y	Sep 2012	2,099	ebay.com
9.		Canon G1 X	117 mm	81 mm	65 mm	534 g	250	n	Jan 2012	799	ebay.com
10.		Canon 1D X	158 mm	168 mm	83 mm	1551 g	1120	Y	Oct 2011	6,799	ebay.com
11.		Canon 7D	148 mm	111 mm	74 mm	860 g	800	Y	Sep 2009	1,699	ebay.com
12.		Canon 1Ds Mark III	150 mm	160 mm	80 mm	1385 g	1800	Y	Aug 2007	7,999	ebay.com
13.		Canon 5D	152 mm	113 mm	75 mm	895 g	400	Y	Aug 2005	3,299	ebay.com
14.		Leica V-LUX 4	125 mm	87 mm	110 mm	588 g	540	n	Sep 2012	949	ebay.com
15.		Leica V-LUX 2	124 mm	80 mm	95 mm	520 g	410	n	Sep 2010	849	ebay.com
16.		Panasonic FZ200	125 mm	87 mm	110 mm	588 g	540	n	Jul 2012	599	ebay.com
17.		Panasonic FZ100	124 mm	82 mm	92 mm	540 g	410	n	Jul 2010	499	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The V-LUX 3 was launched at a lower price than the 5D Mark II, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon 5D Mark II features a full frame sensor and the Leica V-LUX 3 a 1/2.3-inch sensor. The sensor area in the V-LUX 3 is 97 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 5.6. The sensor in the 5D Mark II has a native 3:2 aspect ratio, while the one in the V-LUX 3 offers a 4:3 aspect.

With 21MP, the 5D Mark II offers a higher resolution than the V-LUX 3 (12MP), but the 5D Mark II nevertheless has larger individual pixels (pixel pitch of 6.41μm versus 1.53μm for the V-LUX 3) due to its larger sensor. However, the V-LUX 3 is a much more recent model (by 3 years and 2 months) than the 5D Mark II, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the V-LUX 3 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Canon 5D Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 5D Mark II for good quality output (200 dots per inch) amounts to 28.1 x 18.7 inches or 71.3 x 47.5 cm, for very good quality (250 dpi) 22.5 x 15 inches or 57.1 x 38 cm, and for excellent quality (300 dpi) 18.7 x 12.5 inches or 47.5 x 31.7 cm. The corresponding values for the Leica V-LUX 3 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.

The Canon EOS 5D Mark II has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 50-25600. The corresponding ISO settings for the Leica V-LUX 3 are ISO 100 to ISO 3200, with the possibility to increase the ISO range to 100-6400.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.

Sensor Characteristics

#		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon 5D Mark II	Full Frame	21.0	5616	3744	1080/30p	23.7	11.9	1815	79
2.		Leica V-LUX 3	1/2.3	12.0	4000	3000	1080/60p	19.7	11.0	430	42
3.		Canon 1D X Mark II	Full Frame	20.0	5472	3648	4K/60p	24.1	13.5	3207	88
4.		Canon 5D Mark IV	Full Frame	30.1	6720	4480	4K/30p	24.8	13.6	2995	91
5.		Canon 5DS	Full Frame	50.3	8688	5792	1080/30p	24.7	12.4	2381	87
6.		Canon 5DS R	Full Frame	50.3	8688	5792	1080/30p	24.6	12.4	2308	86
7.		Canon 5D Mark III	Full Frame	22.1	5760	3840	1080/30p	24.0	11.7	2293	81
8.		Canon 6D	Full Frame	20.0	5472	3648	1080/30p	23.8	12.1	2340	82
9.		Canon G1 X	1.5-inch	14.2	4352	3264	1080/24p	21.7	10.8	644	60
10.		Canon 1D X	Full Frame	17.9	5184	3456	1080/30p	23.8	11.8	2786	82
11.		Canon 7D	APS-C	17.9	5184	3456	1080/30p	22.0	11.7	854	66
12.		Canon 1Ds Mark III	Full Frame	21.0	5616	3744	none	24.0	12.0	1663	80
13.		Canon 5D	Full Frame	12.7	4368	2912	none	22.9	11.1	1368	71
14.		Leica V-LUX 4	1/2.3	12.0	4000	3000	1080/60p	19.8	11.1	501	43
15.		Leica V-LUX 2	1/2.3	14.0	4320	3240	1080/60i	19.4	10.7	321	39
16.		Panasonic FZ200	1/2.3	12.0	4000	3000	1080/60p	19.1	10.8	114	37
17.		Panasonic FZ100	1/2.3	14.0	4320	3240	1080/60i	19.4	10.7	306	39
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the V-LUX 3 provides a faster frame rate than the 5D Mark II. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/30p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a variety of features. For example, the V-LUX 3 has an electronic viewfinder (202k dots), while the 5D Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The table below summarizes some of the other core capabilities of the Canon 5D Mark II and Leica V-LUX 3 in connection with corresponding information for a sample of similar cameras.

Core Features

#		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon 5D Mark II	optical	Y	3.0 / 920	fixed	n	1/8000s	3.9/s	n	n
2.		Leica V-LUX 3	202	n	3.0 / 460	swivel	n	1/2000s	12.0/s	Y	Y
3.		Canon 1D X Mark II	optical	Y	3.2 / 1620	fixed	Y	1/8000s	16.0/s	n	n
4.		Canon 5D Mark IV	optical	Y	3.2 / 1620	fixed	Y	1/8000s	7.0/s	n	n
5.		Canon 5DS	optical	Y	3.2 / 1040	fixed	n	1/8000s	5.0/s	n	n
6.		Canon 5DS R	optical	Y	3.2 / 1040	fixed	n	1/8000s	5.0/s	n	n
7.		Canon 5D Mark III	optical	Y	3.2 / 1040	fixed	n	1/8000s	6.0/s	n	n
8.		Canon 6D	optical	Y	3.0 / 1040	fixed	n	1/4000s	4.5/s	n	n
9.		Canon G1 X	optical	n	3.0 / 922	swivel	n	1/4000s	1.9/s	Y	Y
10.		Canon 1D X	optical	Y	3.2 / 1040	fixed	n	1/8000s	14.0/s	n	n
11.		Canon 7D	optical	Y	3.0 / 920	fixed	n	1/8000s	8.0/s	Y	n
12.		Canon 1Ds Mark III	optical	Y	3.0 / 230	fixed	n	1/8000s	5.0/s	n	n
13.		Canon 5D	optical	Y	2.5 / 230	fixed	n	1/8000s	3.0/s	n	n
14.		Leica V-LUX 4	1312	n	3.0 / 460	swivel	n	1/4000s	12.0/s	Y	Y
15.		Leica V-LUX 2	202	n	3.0 / 460	swivel	n	1/2000s	11.0/s	Y	Y
16.		Panasonic FZ200	1312	n	3.0 / 460	swivel	n	1/4000s	12.0/s	Y	Y
17.		Panasonic FZ100	202	n	3.0 / 460	swivel	n	1/2000s	11.0/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One feature that is present on the 5D Mark II, but is missing on the V-LUX 3 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.

The 5D Mark II writes its imaging data to Compact Flash cards, while the V-LUX 3 uses SDXC cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 5D Mark II and Leica V-LUX 3 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

#		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon 5D Mark II	Y	mono / mono	Y	-	mini	2.0	-	-	-
2.		Leica V-LUX 3	Y	stereo / -	-	-	mini	2.0	-	-	-
3.		Canon 1D X Mark II	Y	mono / mono	Y	Y	mini	3.0	-	-	-
4.		Canon 5D Mark IV	Y	mono / mono	Y	Y	mini	3.0	Y	Y	-
5.		Canon 5DS	Y	mono / mono	Y	-	mini	3.0	-	-	-
6.		Canon 5DS R	Y	mono / mono	Y	-	mini	3.0	-	-	-
7.		Canon 5D Mark III	Y	mono / mono	Y	Y	mini	2.0	-	-	-
8.		Canon 6D	Y	mono / mono	Y	-	mini	2.0	Y	-	-
9.		Canon G1 X	Y	stereo / mono	-	-	mini	2.0	-	-	-
10.		Canon 1D X	Y	mono / -	Y	-	mini	2.0	-	-	-
11.		Canon 7D	Y	mono / -	Y	-	mini	2.0	-	-	-
12.		Canon 1Ds Mark III	Y	mono / -	-	-	-	2.0	-	-	-
13.		Canon 5D	Y	- / -	-	-	-	2.0	-	-	-
14.		Leica V-LUX 4	Y	stereo / mono	Y	-	mini	2.0	-	-	-
15.		Leica V-LUX 2	Y	stereo / mono	-	-	mini	2.0	-	-	-
16.		Panasonic FZ200	Y	stereo / mono	Y	-	mini	2.0	-	-	-
17.		Panasonic FZ100	Y	stereo / mono	-	-	mini	2.0	-	-	-

It is notable that the 5D Mark II has a microphone port, which is missing on the V-LUX 3. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.

Studio photographers will appreciate that the Canon 5D Mark II (unlike the V-LUX 3) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the 5D Mark II and the V-LUX 3 have been discontinued, but can regularly be found used on ebay. The 5D Mark II was replaced by the Canon 5D Mark III, while the V-LUX 3 was followed by the Leica V-LUX 4. Further information on the features and operation of the 5D Mark II and V-LUX 3 can be found, respectively, in the Canon 5D Mark II Manual (free pdf) or the online Leica V-LUX 3 Manual.

Review summary

So how do things add up? Is the Canon 5D Mark II better than the Leica V-LUX 3 or vice versa? Below is a summary of the relative strengths of each of the two contestants.

Advantages of the Canon EOS 5D Mark II:

• More detail: Offers more megapixels (21 vs 12MP) with a 35% higher linear resolution.
• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
• Richer colors: The pixel size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• Easier setting verification: Features an LCD display on top to control shooting parameters.
• More detailed LCD: Has a higher resolution rear screen (920k vs 460k dots).
• Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
• More flexible: Can take a variety of interchangeable lenses, including specialty optics.
• Longer lasting: Can take more shots (850 versus 410) on a single battery charge.
• Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• More heavily discounted: Has been available for much longer (launched in September 2008).

Reasons to prefer the Leica V-LUX 3:

• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
• More framing info: Has an electronic viewfinder that displays shooting data.
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (12 vs 3.9 flaps/sec) to capture the decisive moment.
• Ready to shoot: Comes with an integrated lens, while the 5D Mark II requires a separate lens.
• More compact: Is smaller (124x81mm vs 152x114mm) and will fit more readily into a bag.
• Less heavy: Has a lower weight even though it has a lens built in (unlike the 5D Mark II).
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
• More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More modern: Reflects 3 years and 2 months of technical progress since the 5D Mark II launch.

If the count of relative strengths (bullet points above) is taken as a measure, the 5D Mark II emerges as the winner of the contest (16 : 14 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon 5D Mark II and the Leica V-LUX 3 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 5D Mark II or the V-LUX 3. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

#		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Canon 5D Mark II	4/5	91/100	..	79/100	4/5	..	Sep 2008	3,499	ebay.com
2.		Leica V-LUX 3	..	..	..	..	..	..	Dec 2011	949	ebay.com
3.		Canon 1D X Mark II	..	..	4.5/5	89/100	4.5/5	4.5/5	Feb 2016	5,999	ebay.com
4.		Canon 5D Mark IV	4.5/5	+ +	4/5	87/100	4.5/5	4.5/5	Aug 2016	3,499	amazon.com
5.		Canon 5DS	..	+	..	83/100	4.5/5	4.5/5	Feb 2015	3,699	ebay.com
6.		Canon 5DS R	5/5	+	..	83/100	5/5	4.5/5	Feb 2015	3,699	ebay.com
7.		Canon 5D Mark III	..	+ +	..	82/100	4.5/5	4.5/5	Mar 2012	3,499	ebay.com
8.		Canon 6D	5/5	+ +	..	83/100	4.5/5	4.5/5	Sep 2012	2,099	ebay.com
9.		Canon G1 X	5/5	+	..	76/100	4/5	4.5/5	Jan 2012	799	ebay.com
10.		Canon 1D X	5/5	..	..	..	4.5/5	4.5/5	Oct 2011	6,799	ebay.com
11.		Canon 7D	5/5	+ +	..	84/100	4.5/5	4.5/5	Sep 2009	1,699	ebay.com
12.		Canon 1Ds Mark III	..	..	..	+ +	4.5/5	..	Aug 2007	7,999	ebay.com
13.		Canon 5D	..	88/100	..	+ +	o	..	Aug 2005	3,299	ebay.com
14.		Leica V-LUX 4	..	..	..	..	..	..	Sep 2012	949	ebay.com
15.		Leica V-LUX 2	..	..	..	..	..	..	Sep 2010	849	ebay.com
16.		Panasonic FZ200	3/5	+ +	..	80/100	4.5/5	4.5/5	Jul 2012	599	ebay.com
17.		Panasonic FZ100	..	+	..	..	4.5/5	4.5/5	Jul 2010	499	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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