Canon 550D vs Pentax K-3 II
The Canon EOS 550D (called Canon T2i in some regions) and the Pentax K-3 II are two digital cameras that were officially introduced, respectively, in February 2010 and April 2015. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with an APS-C sensor. The Canon has a resolution of 17.9 megapixels, whereas the Pentax provides 24.1 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 550D and the Pentax K-3 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 550D and the Pentax K-3 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The K-3 II can be obtained in two different colors (black, silver), while the 550D is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-3 II is somewhat larger (4 percent) than the Canon 550D. Moreover, the K-3 II is substantially heavier (51 percent) than the 550D. It is noteworthy in this context that the K-3 II is splash and dust-proof, while the 550D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon 550D||129 mm||98 mm||62 mm||530 g||440||n||Feb 2010||699|
|2.||Pentax K-3 II||131 mm||100 mm||77 mm||800 g||720||Y||Apr 2015||1,099|
|3.||Canon 4000D||129 mm||102 mm||77 mm||436 g||500||n||Feb 2018||399|
|4.||Canon 750D||132 mm||101 mm||78 mm||555 g||440||n||Feb 2015||749|
|5.||Canon 760D||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|6.||Canon 1200D||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449|
|7.||Canon 700D||133 mm||100 mm||79 mm||580 g||440||n||Mar 2013||649|
|8.||Canon 650D||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849|
|9.||Canon 600D||133 mm||100 mm||80 mm||570 g||440||n||Feb 2011||599|
|10.||Canon 1100D||130 mm||100 mm||78 mm||495 g||700||n||Feb 2011||449|
|11.||Canon 500D||129 mm||98 mm||62 mm||520 g||400||n||Mar 2009||799|
|12.||Nikon D5100||128 mm||97 mm||79 mm||560 g||660||n||Apr 2011||749|
|13.||Pentax K-3 III||135 mm||104 mm||74 mm||820 g||800||Y||Mar 2021||1,999|
|14.||Pentax KP||132 mm||101 mm||76 mm||703 g||390||Y||Jan 2017||1,099|
|15.||Pentax K-70||126 mm||93 mm||74 mm||688 g||410||Y||Jun 2016||649|
|16.||Pentax K-3||131 mm||100 mm||77 mm||800 g||560||Y||Oct 2013||1,299|
|17.||Pentax K-5||131 mm||97 mm||73 mm||760 g||740||Y||Sep 2010||1,099|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The 550D was launched at a markedly lower price (by 36 percent) than the K-3 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the K-3 II is 11 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (550D) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24.1MP, the K-3 II offers a higher resolution than the 550D (17.9MP), but the K-3 II has smaller individual pixels (pixel pitch of 3.90μm versus 4.31μm for the 550D). Yet, the K-3 II is a much more recent model (by 5 years and 2 months) than the 550D, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the K-3 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Pentax K-3 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-3 II for good quality output (200 dots per inch) amounts to 30.1 x 20 inches or 76.4 x 50.8 cm, for very good quality (250 dpi) 24.1 x 16 inches or 61.1 x 40.6 cm, and for excellent quality (300 dpi) 20.1 x 13.3 inches or 50.9 x 33.9 cm. The corresponding values for the Canon 550D are 25.9 x 17.3 inches or 65.8 x 43.9 cm for good quality, 20.7 x 13.8 inches or 52.7 x 35.1 cm for very good quality, and 17.3 x 11.5 inches or 43.9 x 29.3 cm for excellent quality prints.
Unlike the 550D, the K-3 II has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon EOS 550D has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Pentax K-3 II are ISO 100 to ISO 51200 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the K-3 II offers substantially better image quality than the 550D (overall score 14 points higher). The advantage is based on 1.5 bits higher color depth, 2.1 EV in additional dynamic range, and 0.5 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Pentax K-3 II||APS-C||24.1||6016||4000||1080/60i||23.6||13.6||1106||80|
|13.||Pentax K-3 III||APS-C||25.6||6192||4128||4K/30p||24.2||13.7||2083||85|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the K-3 II provides a faster frame rate than the 550D. It can shoot movie footage at 1080/60i, while the Canon is limited to 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. The 550D and the K-3 II are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the K-3 II offers a wider field of view (100%) than the one in the 550D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the K-3 II has a higher magnification (0.63x vs 0.54x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 550D and Pentax K-3 II along with similar information for a selection of comparators.
|1.||Canon 550D||optical||n||3.0 / 1040||fixed||n||1/4000s||3.7/s||Y||n|
|2.||Pentax K-3 II||optical||Y||3.2 / 1037||fixed||n||1/8000s||8.3/s||n||Y|
|3.||Canon 4000D||optical||n||2.7 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|4.||Canon 750D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|5.||Canon 760D||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|6.||Canon 1200D||optical||n||3.0 / 460||fixed||n||1/4000s||3.0/s||Y||n|
|7.||Canon 700D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|8.||Canon 650D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|9.||Canon 600D||optical||n||3.0 / 1040||swivel||n||1/4000s||3.7/s||Y||n|
|10.||Canon 1100D||optical||n||2.7 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|11.||Canon 500D||optical||n||3.0 / 920||fixed||n||1/4000s||3.4/s||Y||n|
|12.||Nikon D5100||optical||n||3.0 / 921||swivel||n||1/4000s||4.0/s||Y||n|
|13.||Pentax K-3 III||optical||Y||3.2 / 1620||fixed||Y||1/8000s||12.0/s||n||Y|
|14.||Pentax KP||optical||n||3.0 / 921||tilting||n||1/6000s||7.0/s||Y||Y|
|15.||Pentax K-70||optical||n||3.0 / 921||swivel||n||1/6000s||6.0/s||Y||Y|
|16.||Pentax K-3||optical||Y||3.2 / 1037||fixed||n||1/8000s||8.3/s||Y||Y|
|17.||Pentax K-5||optical||Y||3.0 / 921||fixed||n||1/8000s||7.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The 550D has one, while the K-3 II does not. While the built-in flash of the 550D is not very powerful, it can at times be useful as a fill-in light.
The Pentax K-3 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the 550D and the K-3 II write their files to SDXC cards. The K-3 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the 550D only has one slot. The K-3 II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the 550D cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 550D and Pentax K-3 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 550D||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|2.||Pentax K-3 II||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|3.||Canon 4000D||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|4.||Canon 750D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|5.||Canon 760D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|6.||Canon 1200D||Y||mono / mono||-||-||mini||2.0||-||-||-|
|7.||Canon 700D||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|8.||Canon 650D||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|9.||Canon 600D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|10.||Canon 1100D||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Canon 500D||Y||mono / mono||-||-||mini||2.0||-||-||-|
|12.||Nikon D5100||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|13.||Pentax K-3 III||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|14.||Pentax KP||Y||stereo / mono||Y||-||-||2.0||Y||-||-|
|15.||Pentax K-70||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|16.||Pentax K-3||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|17.||Pentax K-5||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
It is notable that the K-3 II has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The 550D lacks such a headphone port.
Studio photographers will appreciate that the Pentax K-3 II (unlike the 550D) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the K-3 II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the 550D and the K-3 II have been discontinued, but can regularly be found used on eBay. The 550D was replaced by the Canon 600D, while the K-3 II was followed by the Pentax K-3 III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Pentax websites.
So what conclusions can be drawn? Is the Canon 550D better than the Pentax K-3 II or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon EOS 550D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Less heavy: Is lighter (by 270g or 34 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (36 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in February 2010).
Arguments in favor of the Pentax K-3 II:
- More detail: Has more megapixels (24.1 vs 17.9MP), which boosts linear resolution by 16%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Scores substantially higher (14 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.5 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.1 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.5 stops ISO advantage).
- Better video: Provides higher movie framerates (1080/60i versus 1080/30p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.63x vs 0.54x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (8.3 vs 3.7 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (720 versus 440) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 5 years and 2 months of technical progress since the 550D launch.
If the count of individual advantages (bullet points above) is taken as a guide, the K-3 II is the clear winner of the contest (25 : 5 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 550D and the Pentax K-3 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the 550D and the K-3 II in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 550D||..||+ +||..||77/100||4/5||4.5/5||Feb 2010||699|
|2.||Pentax K-3 II||4.5/5||..||..||..||5/5||5/5||Apr 2015||1,099|
|3.||Canon 4000D||..||o||3/5||..||3.5/5||3.5/5||Feb 2018||399|
|4.||Canon 750D||5/5||..||..||75/100||4.5/5||4.5/5||Feb 2015||749|
|5.||Canon 760D||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649|
|6.||Canon 1200D||3/5||+||..||..||4/5||4.5/5||Feb 2014||449|
|7.||Canon 700D||..||..||..||76/100||4.5/5||4.5/5||Mar 2013||649|
|8.||Canon 650D||4/5||+ +||..||77/100||4.5/5||4.5/5||Jun 2012||849|
|9.||Canon 600D||3/5||o||..||77/100||4.5/5||4.5/5||Feb 2011||599|
|10.||Canon 1100D||..||80/100||..||69/100||4/5||4.5/5||Feb 2011||449|
|11.||Canon 500D||..||+ +||..||74/100||4.5/5||4.5/5||Mar 2009||799|
|12.||Nikon D5100||5/5||+ +||..||76/100||4.5/5||4.5/5||Apr 2011||749|
|13.||Pentax K-3 III||4/5||..||3/5||..||4.5/5||..||Mar 2021||1,999|
|14.||Pentax KP||4/5||..||3/5||82/100||5/5||4.5/5||Jan 2017||1,099|
|15.||Pentax K-70||4.5/5||..||..||79/100||4.5/5||4.5/5||Jun 2016||649|
|16.||Pentax K-3||4/5||..||..||83/100||5/5||5/5||Oct 2013||1,299|
|17.||Pentax K-5||4/5||..||..||83/100||5/5||4.5/5||Sep 2010||1,099|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 550D vs Canon 760D
- Canon 550D vs Canon G7 X Mark II
- Canon 550D vs Canon SX710
- Canon 550D vs Olympus E-PL6
- Canon 550D vs Panasonic TZ100
- Canon 550D vs Sony A7R II
- Canon T6 vs Pentax K-3 II
- Kodak S-1 vs Pentax K-3 II
- Leica M Typ 240 vs Pentax K-3 II
- Pentax K-3 II vs Ricoh WG-60
- Pentax K-3 II vs Sony A7R III
- Pentax K-3 II vs Sony HX90V
Specifications: Canon 550D vs Pentax K-3 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 550D||Pentax K-3 II|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Pentax K mount lenses|
|Launch Date||February 2010||April 2015|
|Launch Price||USD 699||USD 1,099|
|Sensor Specs||Canon 550D||Pentax K-3 II|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.3 x 14.9 mm||23.5 x 15.6 mm|
|Sensor Area||332.27 mm2||366.6 mm2|
|Sensor Diagonal||26.8 mm||28.2 mm|
|Sensor Resolution||17.9 Megapixels||24.1 Megapixels|
|Image Resolution||5184 x 3456 pixels||6016 x 4000 pixels|
|Pixel Pitch||4.31 μm||3.90 μm|
|Pixel Density||5.39 MP/cm2||6.56 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||1080/60i Video|
|ISO Setting||100 - 6,400 ISO||100 - 51,200 ISO|
|ISO Boost||100 - 12,800 ISO||no Enhancement|
|Image Processor||DIGIC 4||PRIME III|
|DXO Sensor Quality (score)||66||80|
|DXO Color Depth (bits)||22.1||23.6|
|DXO Dynamic Range (EV)||11.5||13.6|
|DXO Low Light (ISO)||784||1106|
|Screen Specs||Canon 550D||Pentax K-3 II|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||95%||100%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||1040k dots||1037k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon 550D||Pentax K-3 II|
|Focus System||Phase-detect AF||Phase-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||3.7 shutter flaps/s||8.3 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||200 000 actuations|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon 550D||Pentax K-3 II|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 3.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||no Wifi|
|Geotagging||no internal GPS||GPS built-in|
|Body Specs||Canon 550D||Pentax K-3 II|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||440 shots per charge||720 shots per charge|
129 x 98 x 62 mm
(5.1 x 3.9 x 2.4 in)
131 x 100 x 77 mm
(5.2 x 3.9 x 3.0 in)
|Camera Weight||530 g (18.7 oz)||800 g (28.2 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.