Canon 50D vs Sony RX0 II
The Canon EOS 50D and the Sony Cyber-shot DSC-RX0II are two digital cameras that were officially introduced, respectively, in August 2008 and March 2019. The 50D is a DSLR, while the RX0 II is a fixed lens compact. The cameras are based on an APS-C (50D) and an one-inch (RX0 II) sensor. The Canon has a resolution of 15.1 megapixels, whereas the Sony provides 15.4 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 50D||Sony RX0 II|
|Digital single lens reflex||Fixed lens compact camera|
|Canon EF mount lenses||24mm f/4.0|
|15.1 MP, APS-C Sensor||15.4 MP, 1" Sensor|
|no Video||4K/30p Video|
|ISO 100-3200 (100-12800)||ISO 80-12800|
|Optical viewfinder||No viewfinder, LCD framing|
|3.0" LCD, 920k dots||1.5" LCD, 230k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|6.3 shutter flaps per second||5.5 shutter flaps per second|
|Weathersealed body||Waterproof body (10m)|
|800 shots per battery charge||240 shots per battery charge|
|146 x 108 x 74 mm, 822 g||59 x 41 x 35 mm, 132 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 50D and the Sony Cyber-shot DSC-RX0II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 50D and the Sony RX0 II. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX0 II is considerably smaller (85 percent) than the Canon 50D. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments. More than that, the RX0 II is water-proof up to 10m and can, thus, be used for underwater photography.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX0 II has a lens built in, whereas the 50D is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 50D and their specifications in the Canon EF Lens Catalog.
The power pack in the RX0 II can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 50D»||5.7 in||4.3 in||2.9 in||29.0 oz||800||Y||Aug 2008||1,299||Canon 50D|
|Sony RX0 II«||2.3 in||1.6 in||1.4 in||4.7 oz||240||Y||Mar 2019||699||Sony RX0 II|
|Canon 90D« »||5.6 in||4.1 in||3.0 in||24.7 oz||1300||Y||Aug 2019||1,199||Canon 90D|
|Canon 80D« »||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199||Canon 80D|
|Canon 7D II« »||5.9 in||4.4 in||3.1 in||32.1 oz||670||Y||Sep 2014||1,799||Canon 7D II|
|Canon 70D« »||5.5 in||4.1 in||3.1 in||26.6 oz||920||Y||Jul 2013||1,199||Canon 70D|
|Canon 60D« »||5.7 in||4.2 in||3.1 in||26.6 oz||1100||Y||Aug 2010||1,399||Canon 60D|
|Canon 7D« »||5.8 in||4.4 in||2.9 in||30.3 oz||800||Y||Sep 2009||1,699||Canon 7D|
|Canon T1i« »||5.1 in||3.9 in||2.4 in||18.3 oz||400||n||Mar 2009||799||Canon T1i|
|Canon 40D« »||5.7 in||4.3 in||2.9 in||29.0 oz||750||n||Aug 2007||1,299||Canon 40D|
|Canon 30D« »||5.7 in||4.2 in||2.9 in||27.7 oz||750||n||Feb 2006||1,399||Canon 30D|
|Canon 20D« »||5.7 in||4.2 in||2.8 in||27.2 oz||700||n||Aug 2004||1,499||Canon 20D|
|Sony ZV-1« »||4.1 in||2.4 in||1.7 in||10.4 oz||260||n||May 2020||799||Sony ZV-1|
|Sony RX10 IV« »||5.2 in||3.7 in||5.7 in||38.6 oz||400||Y||Sep 2017||1,699||Sony RX10 IV|
|Sony RX0« »||2.3 in||1.6 in||1.2 in||3.9 oz||240||Y||Aug 2017||699||Sony RX0|
|Sony RX10 III« »||5.2 in||3.7 in||5.0 in||37.1 oz||420||Y||Mar 2016||1,499||Sony RX10 III|
|Sony RX10 II« »||5.1 in||3.5 in||4.0 in||28.7 oz||400||Y||Jun 2015||1,299||Sony RX10 II|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The RX0 II was launched at a lower price than the 50D, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 50D features an APS-C sensor and the Sony RX0 II an one-inch sensor. The sensor area in the RX0 II is 65 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the RX0 II offers a slightly higher resolution of 15.4 megapixels, compared with 15.1 MP of the 50D. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.74μm versus 4.69μm for the 50D). However, it should be noted that the RX0 II is much more recent (by 10 years and 7 months) than the 50D, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The Canon EOS 50D has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 100-12800. The corresponding ISO settings for the Sony Cyber-shot DSC-RX0II are ISO 80 to ISO 12800 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 50D||APS-C||15.1||4752||3168||none||21.8||11.4||696||63||Canon 50D|
|Sony RX0 II||1-inch||15.4||4800||3200||4K/30p||..||..||..||..||Sony RX0 II|
|Canon 90D||APS-C||32.3||6960||4640||4K/30p||..||..||..||..||Canon 90D|
|Canon 80D||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79||Canon 80D|
|Canon 7D II||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70||Canon 7D II|
|Canon 70D||APS-C||20.0||5472||3648||1080/30p||22.5||11.6||926||68||Canon 70D|
|Canon 60D||APS-C||17.9||5184||3456||1080/30p||22.2||11.5||813||66||Canon 60D|
|Canon 7D||APS-C||17.9||5184||3456||1080/30p||22.0||11.7||854||66||Canon 7D|
|Canon T1i||APS-C||15.1||4752||3168||1080/20p||21.7||11.5||663||63||Canon T1i|
|Canon 40D||APS-C||10.1||3888||2592||none||22.1||11.3||703||64||Canon 40D|
|Canon 30D||APS-C||8.2||3504||2336||none||21.5||10.8||736||59||Canon 30D|
|Canon 20D||APS-C||8.2||3504||2336||none||21.9||11.0||721||62||Canon 20D|
|Sony ZV-1||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Sony ZV-1|
|Sony RX10 IV||1-inch||20.0||5472||3648||4K/30p||..||..||..||..||Sony RX10 IV|
|Sony RX0||1-inch||15.4||4800||3200||1080/60p||22.4||12.4||548||68||Sony RX0|
|Sony RX10 III||1-inch||20.0||5472||3648||4K/30p||23.1||12.6||472||70||Sony RX10 III|
|Sony RX10 II||1-inch||20.0||5472||3648||4K/30p||23.0||12.6||531||70||Sony RX10 II|
Many modern cameras are not only capable of taking still images, but can also record movies. The RX0 II indeed provides for movie recording, while the 50D does not. The highest resolution format that the RX0 II can use is 4K/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the 50D has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the RX0 II relies on live view and the rear LCD for framing. The following table reports on some other key feature differences and similarities of the Canon 50D, the Sony RX0 II, and comparable cameras.
|Canon 50D||optical||Y||3.0||920||fixed||n||1/8000s||6.3||Y||n||Canon 50D|
|Sony RX0 II||none||n||1.5||230||tilting||n||..||5.5||n||n||Sony RX0 II|
|Canon 90D||optical||Y||3.0||1040||swivel||Y||1/8000s||11.0||Y||n||Canon 90D|
|Canon 80D||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 80D|
|Canon 7D II||optical||Y||3.0||1040||fixed||n||1/8000s||10.0||Y||n||Canon 7D II|
|Canon 70D||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 70D|
|Canon 60D||optical||Y||3.0||1040||swivel||n||1/8000s||5.3||Y||n||Canon 60D|
|Canon 7D||optical||Y||3.0||920||fixed||n||1/8000s||8.0||Y||n||Canon 7D|
|Canon T1i||optical||n||3.0||920||fixed||n||1/4000s||3.4||Y||n||Canon T1i|
|Canon 40D||optical||Y||3.0||230||fixed||n||1/8000s||6.5||Y||n||Canon 40D|
|Canon 30D||optical||Y||2.5||230||fixed||n||1/8000s||5.0||Y||n||Canon 30D|
|Canon 20D||optical||Y||1.8||118||fixed||n||1/8000s||5.0||Y||n||Canon 20D|
|Sony ZV-1||none||n||3.0||922||swivel||Y||1/2000s||24.0||n||Y||Sony ZV-1|
|Sony RX10 IV||2359||Y||3.0||1440||tilting||Y||1/2000s||24.0||Y||Y||Sony RX10 IV|
|Sony RX0||none||n||1.5||230||fixed||n||..||5.5||n||n||Sony RX0|
|Sony RX10 III||2359||Y||3.0||1229||tilting||n||1/2000s||14.0||Y||Y||Sony RX10 III|
|Sony RX10 II||2359||Y||3.0||1229||tilting||n||1/3200s||14.0||Y||Y||Sony RX10 II|
One difference between the cameras concerns the presence of an on-board flash. The 50D has one, while the RX0 II does not. While the built-in flash of the 50D is not very powerful, it can at times be useful as a fill-in light.The RX0 II has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 50D does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the RX0 II only has electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The 50D writes its imaging data to Compact Flash cards, while the RX0 II uses micro SDXC or Memory Stick Micro cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 50D and Sony Cyber-shot DSC-RX0II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 50D||Y||none||none||-||-||mini||2.0||-||-||-||Canon 50D|
|Sony RX0 II||-||stereo||mono||Y||-||micro||2.0||Y||-||Y||Sony RX0 II|
|Canon 90D||Y||stereo||mono||Y||Y||mini||2.0||Y||-||Y||Canon 90D|
|Canon 80D||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon 80D|
|Canon 7D II||Y||stereo||mono||Y||Y||mini||3.0||-||-||-||Canon 7D II|
|Canon 70D||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Canon 70D|
|Canon 60D||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 60D|
|Canon 7D||Y||mono||none||Y||-||mini||2.0||-||-||-||Canon 7D|
|Canon T1i||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon T1i|
|Canon 40D||Y||none||none||-||-||none||2.0||-||-||-||Canon 40D|
|Canon 30D||Y||none||none||-||-||none||2.0||-||-||-||Canon 30D|
|Canon 20D||Y||none||none||-||-||none||1.1||-||-||-||Canon 20D|
|Sony ZV-1||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Sony ZV-1|
|Sony RX10 IV||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 IV|
|Sony RX0||-||stereo||mono||Y||-||micro||2.0||Y||-||Y||Sony RX0|
|Sony RX10 III||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 III|
|Sony RX10 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony RX10 II|
It is notable that the 50D has a hotshoe, while the RX0 II does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Canon 50D (unlike the RX0 II) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The RX0 II is a recent model that features in the current product line-up of Sony. In contrast, the 50D has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 50D was succeeded by the Canon 60D. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what conclusions can be drawn? Is there a clear favorite between the Canon 50D and the Sony RX0 II? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon EOS 50D:
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.0" vs 1.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (920k vs 230k dots).
- Faster burst: Shoots at higher frequency (6.3 vs 5.5 flaps/sec) to capture the decisive moment.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (800 versus 240) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in August 2008).
Reasons to prefer the Sony Cyber-shot DSC-RX0II:
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Comes with an integrated lens, while the 50D requires a separate lens.
- More compact: Is smaller (59x41mm vs 146x108mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 50D).
- Easier travel charging: Can be conveniently charged via its USB port.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 10m).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 10 years and 7 months of technical progress since the 50D launch.
If the count of relative strengths (bullet points above) is taken as a measure, the RX0 II comes out slightly ahead of the 50D (12 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 50D and the Sony RX0 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Prime Lens Compact Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the 50D and the RX0 II in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1300D vs Sony RX0 II
- Canon 1Ds Mark III vs Sony RX0 II
- Canon 50D vs Fujifilm X-T20
- Canon 50D vs Leica D-LUX 5
- Canon 50D vs Nikon D100
- Canon 50D vs Nikon D7000
- Canon 50D vs Nikon W300
- Canon 50D vs Olympus E-PM1
- Canon 50D vs Panasonic GH5s
- Canon R vs Sony RX0 II
- Canon SX70 vs Sony RX0 II
- Nikon D850 vs Sony RX0 II
Specifications: Canon 50D vs Sony RX0 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 50D||Sony RX0 II|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||24mm f/4.0|
|Launch Date||August 2008||March 2019|
|Launch Price||USD 1299||USD 699|
|Sensor Specs||Canon 50D||Sony RX0 II|
|Sensor Format||APS-C Sensor||1" Sensor|
|Sensor Size||22.3 x 14.9 mm||13.2 x 8.8 mm|
|Sensor Area||332.27 mm2||116.16 mm2|
|Sensor Diagonal||26.8 mm||15.9 mm|
|Sensor Resolution||15.1 Megapixels||15.4 Megapixels|
|Image Resolution||4752 x 3168 pixels||4800 x 3200 pixels|
|Pixel Pitch||4.69 μm||2.74 μm|
|Pixel Density||4.53 MP/cm2||13.22 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||100-3200 ISO||80-12800 ISO|
|ISO Boost||100-12800 ISO||no Enhancement|
|Image Processor||DIGIC 4||BIONZ X|
|DXO Sensor Quality (score)||63||..|
|DXO Color Depth (bits)||21.8||..|
|DXO Dynamic Range (EV)||11.4||..|
|DXO Low Light (ISO)||696||..|
|Screen Specs||Canon 50D||Sony RX0 II|
|Viewfinder Type||Optical viewfinder||No viewfinder|
|Viewfinder Field of View||95%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||1.5 inch|
|LCD Resolution||920k dots||230k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Canon 50D||Sony RX0 II|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||..|
|Continuous Shooting||6.3 shutter flaps/s||5.5 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||CF cards||mMS or mSDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon 50D||Sony RX0 II|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon 50D||Sony RX0 II|
|Environmental Sealing||Weathersealed body||Waterproof body (10m)|
|Battery Life (CIPA)||800 shots per charge||240 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
146 x 108 x 74 mm
(5.7 x 4.3 x 2.9 in)
59 x 41 x 35 mm
(2.3 x 1.6 x 1.4 in)
|Camera Weight||822 g (29.0 oz)||132 g (4.7 oz)|
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