Canon 50D vs Sony NEX-7
The Canon EOS 50D and the Sony Alpha NEX-7 are two enthusiast cameras that were revealed to the public, respectively, in August 2008 and August 2011. The 50D is a DSLR, while the NEX-7 is a mirrorless interchangeable lens camera. Both cameras are equipped with an APS-C sensor. The Canon has a resolution of 15.1 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 50D and the Sony Alpha NEX-7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 50D and the Sony NEX-7. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony NEX-7 is considerably smaller (49 percent) than the Canon 50D. Moreover, the NEX-7 is substantially lighter (51 percent) than the 50D. It is worth mentioning in this context that the 50D is splash and dust resistant, while the NEX-7 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (50D) and the Sony E-Mount Lens Catalog (NEX-7). Mirrorless cameras, such as the NEX-7, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon 50D||146 mm||108 mm||74 mm||822 g||800||Y||Aug 2008||1,299||ebay.com|
|2.||Sony NEX-7||120 mm||67 mm||43 mm||400 g||430||n||Aug 2011||1,349||ebay.com|
|3.||Canon 90D||141 mm||105 mm||77 mm||701 g||1300||Y||Aug 2019||1,199||amazon.com|
|4.||Canon 80D||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199||ebay.com|
|5.||Canon 7D II||149 mm||112 mm||78 mm||910 g||670||Y||Sep 2014||1,799||ebay.com|
|6.||Canon 70D||139 mm||104 mm||79 mm||755 g||920||Y||Jul 2013||1,199||ebay.com|
|7.||Canon 60D||145 mm||106 mm||79 mm||755 g||1100||Y||Aug 2010||1,399||ebay.com|
|8.||Canon 7D||148 mm||111 mm||74 mm||860 g||800||Y||Sep 2009||1,699||ebay.com|
|9.||Canon T1i||129 mm||98 mm||62 mm||520 g||400||n||Mar 2009||799||ebay.com|
|10.||Canon 40D||146 mm||108 mm||74 mm||822 g||750||n||Aug 2007||1,299||ebay.com|
|11.||Canon 30D||144 mm||106 mm||74 mm||785 g||750||n||Feb 2006||1,399||ebay.com|
|12.||Canon 20D||144 mm||106 mm||72 mm||770 g||700||n||Aug 2004||1,499||ebay.com|
|13.||Fujifilm X100||126 mm||75 mm||54 mm||445 g||300||n||Sep 2010||1,199||ebay.com|
|14.||Sony A6400||120 mm||67 mm||50 mm||403 g||410||Y||Jan 2019||899||amazon.com|
|15.||Sony A6000||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599||ebay.com|
|16.||Sony A3000||128 mm||91 mm||85 mm||411 g||470||n||Aug 2013||329||ebay.com|
|17.||Sony RX1||113 mm||65 mm||70 mm||482 g||270||n||Sep 2012||2,799||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The 50D was somewhat cheaper (by 4 percent) than the NEX-7 at launch, but both cameras fall into the same price category. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the NEX-7 is 10 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (50D) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the NEX-7 offers a higher resolution than the 50D (15.1MP), but the NEX-7 has smaller individual pixels (pixel pitch of 3.90μm versus 4.69μm for the 50D). Yet, the NEX-7 is a much more recent model (by 2 years and 11 months) than the 50D, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony NEX-7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the NEX-7 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Canon 50D are 23.8 x 15.8 inches or 60.4 x 40.2 cm for good quality, 19 x 12.7 inches or 48.3 x 32.2 cm for very good quality, and 15.8 x 10.6 inches or 40.2 x 26.8 cm for excellent quality prints.
The Canon EOS 50D has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 100-12800. The corresponding ISO settings for the Sony Alpha NEX-7 are ISO 100 to ISO 16000 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the NEX-7 offers substantially better image quality than the 50D (overall score 18 points higher). The advantage is based on 2.3 bits higher color depth, 2 EV in additional dynamic range, and 0.5 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|5.||Canon 7D II||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70|
|17.||Sony RX1||Full Frame||24.0||6000||4000||1080/60p||25.1||14.3||2534||93|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. The NEX-7 indeed provides for movie recording, while the 50D does not. The highest resolution format that the NEX-7 can use is 1080/60i.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the NEX-7 has an electronic viewfinder (2359k dots), while the 50D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the NEX-7 offers a wider field of view (100%) than the one in the 50D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the NEX-7 has a higher magnification (0.73x vs 0.59x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 50D and Sony NEX-7 in connection with corresponding information for a sample of similar cameras.
|1.||Canon 50D||optical||Y||3.0 / 920||fixed||n||1/8000s||6.3/s||Y||n|
|2.||Sony NEX-7||2359||n||3.0 / 921||tilting||n||1/4000s||10.0/s||Y||n|
|3.||Canon 90D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||11.0/s||Y||n|
|4.||Canon 80D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0/s||Y||n|
|5.||Canon 7D II||optical||Y||3.0 / 1040||fixed||n||1/8000s||10.0/s||Y||n|
|6.||Canon 70D||optical||Y||3.0 / 1040||swivel||Y||1/8000s||7.0/s||Y||n|
|7.||Canon 60D||optical||Y||3.0 / 1040||swivel||n||1/8000s||5.3/s||Y||n|
|8.||Canon 7D||optical||Y||3.0 / 920||fixed||n||1/8000s||8.0/s||Y||n|
|9.||Canon T1i||optical||n||3.0 / 920||fixed||n||1/4000s||3.4/s||Y||n|
|10.||Canon 40D||optical||Y||3.0 / 230||fixed||n||1/8000s||6.5/s||Y||n|
|11.||Canon 30D||optical||Y||2.5 / 230||fixed||n||1/8000s||5.0/s||Y||n|
|12.||Canon 20D||optical||Y||1.8 / 118||fixed||n||1/8000s||5.0/s||Y||n|
|13.||Fujifilm X100||1440||n||2.8 / 460||fixed||n||1/4000s||5.0/s||Y||n|
|14.||Sony A6400||2359||n||3.0 / 922||tilting||Y||1/4000s||11.0/s||Y||n|
|15.||Sony A6000||1440||n||3.0 / 922||tilting||n||1/4000s||11.0/s||Y||n|
|16.||Sony A3000||202||n||3.0 / 230||fixed||n||1/4000s||2.5/s||Y||n|
|17.||Sony RX1||optional||n||3.0 / 1229||fixed||n||1/4000s||5.0/s||Y||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the 50D, but is missing on the NEX-7 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The 50D writes its imaging data to Compact Flash cards, while the NEX-7 uses SDXC or Memory Stick PRO Duo cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 50D and Sony Alpha NEX-7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 50D||Y||- / -||-||-||mini||2.0||-||-||-|
|2.||Sony NEX-7||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|3.||Canon 90D||Y||stereo / mono||Y||Y||mini||2.0||Y||-||Y|
|4.||Canon 80D||Y||stereo / mono||Y||Y||mini||2.0||Y||Y||-|
|5.||Canon 7D II||Y||stereo / mono||Y||Y||mini||3.0||-||-||-|
|6.||Canon 70D||Y||stereo / mono||Y||-||mini||2.0||Y||-||-|
|7.||Canon 60D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|8.||Canon 7D||Y||mono / -||Y||-||mini||2.0||-||-||-|
|9.||Canon T1i||Y||mono / mono||-||-||mini||2.0||-||-||-|
|10.||Canon 40D||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Canon 30D||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Canon 20D||Y||- / -||-||-||-||1.1||-||-||-|
|13.||Fujifilm X100||Y||stereo / -||-||-||mini||2.0||-||-||-|
|14.||Sony A6400||Y||stereo / mono||Y||-||micro||2.0||Y||Y||Y|
|15.||Sony A6000||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony A3000||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|17.||Sony RX1||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
Studio photographers will appreciate that the Canon 50D (unlike the NEX-7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 50D and the NEX-7 have been discontinued, but can regularly be found used on ebay. The 50D was replaced by the Canon 60D, while the NEX-7 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what conclusions can be drawn? Which of the two cameras – the Canon 50D or the Sony NEX-7 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon EOS 50D:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Longer lasting: Can take more shots (800 versus 430) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in August 2008).
Reasons to prefer the Sony Alpha NEX-7:
- More detail: Has more megapixels (24 vs 15.1MP), which boosts linear resolution by 26%.
- Better image quality: Scores substantially higher (18 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2.3 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (0.5 stops ISO advantage).
- Broader imaging potential: Can capture not only stills but also 1080/60i video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.73x vs 0.59x).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (10 vs 6.3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (120x67mm vs 146x108mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 422g or 51 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More modern: Reflects 2 years and 11 months of technical progress since the 50D launch.
If the count of relative strengths (bullet points above) is taken as a measure, the NEX-7 is the clear winner of the contest (15 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 50D and the Sony NEX-7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the 50D and the NEX-7 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 50D||..||+ +||..||+ +||4.5/5||4.5/5||Aug 2008||1,299||ebay.com|
|2.||Sony NEX-7||5/5||+ +||..||81/100||4.5/5||5/5||Aug 2011||1,349||ebay.com|
|3.||Canon 90D||4/5||+||4.5/5||85/100||4.5/5||4.5/5||Aug 2019||1,199||amazon.com|
|4.||Canon 80D||4/5||+ +||4.5/5||84/100||4.5/5||4.5/5||Feb 2016||1,199||ebay.com|
|5.||Canon 7D II||4.5/5||+||3.5/5||84/100||4/5||4.5/5||Sep 2014||1,799||ebay.com|
|6.||Canon 70D||5/5||+ +||..||83/100||4.5/5||5/5||Jul 2013||1,199||ebay.com|
|7.||Canon 60D||5/5||+||..||79/100||4/5||4.5/5||Aug 2010||1,399||ebay.com|
|8.||Canon 7D||5/5||+ +||..||84/100||4.5/5||4.5/5||Sep 2009||1,699||ebay.com|
|9.||Canon T1i||..||+ +||..||74/100||4.5/5||4.5/5||Mar 2009||799||ebay.com|
|10.||Canon 40D||..||+ +||..||+ +||4.5/5||4.5/5||Aug 2007||1,299||ebay.com|
|11.||Canon 30D||..||+ +||..||+ +||o||..||Feb 2006||1,399||ebay.com|
|12.||Canon 20D||..||..||..||+ +||..||..||Aug 2004||1,499||ebay.com|
|13.||Fujifilm X100||3/5||..||..||75/100||4/5||5/5||Sep 2010||1,199||ebay.com|
|14.||Sony A6400||4/5||+||4/5||85/100||4.5/5||4/5||Jan 2019||899||amazon.com|
|15.||Sony A6000||5/5||+||4.5/5||80/100||4.5/5||5/5||Feb 2014||599||ebay.com|
|16.||Sony A3000||3/5||+||..||..||4/5||4/5||Aug 2013||329||ebay.com|
|17.||Sony RX1||5/5||..||..||79/100||4/5||4.5/5||Sep 2012||2,799||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Canon 50D vs Sony NEX-7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 50D||Sony NEX-7|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Sony E mount lenses|
|Launch Date||August 2008||August 2011|
|Launch Price||USD 1,299||USD 1,349|
|Sensor Specs||Canon 50D||Sony NEX-7|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.3 x 14.9 mm||23.4 x 15.6 mm|
|Sensor Area||332.27 mm2||365.04 mm2|
|Sensor Diagonal||26.8 mm||28.1 mm|
|Sensor Resolution||15.1 Megapixels||24 Megapixels|
|Image Resolution||4752 x 3168 pixels||6000 x 4000 pixels|
|Pixel Pitch||4.69 μm||3.90 μm|
|Pixel Density||4.53 MP/cm2||6.57 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60i Video|
|ISO Setting||100 - 3,200 ISO||100 - 16,000 ISO|
|ISO Boost||100 - 12,800 ISO||no Enhancement|
|Image Processor||DIGIC 4||BIONZ|
|DXO Sensor Quality (score)||63||81|
|DXO Color Depth (bits)||21.8||24.1|
|DXO Dynamic Range (EV)||11.4||13.4|
|DXO Low Light (ISO)||696||1016|
|Screen Specs||Canon 50D||Sony NEX-7|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2359k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||921k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Canon 50D||Sony NEX-7|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/4000s|
|Continuous Shooting||6.3 shutter flaps/s||10 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||150 000 actuations|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||CF cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon 50D||Sony NEX-7|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 50D||Sony NEX-7|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||800 shots per charge||430 shots per charge|
146 x 108 x 74 mm
(5.7 x 4.3 x 2.9 in)
120 x 67 x 43 mm
(4.7 x 2.6 x 1.7 in)
|Camera Weight||822 g (29.0 oz)||400 g (14.1 oz)|
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