Canon 50D vs Panasonic G80
The Canon EOS 50D and the Panasonic Lumix DMC-G80 (labelled Panasonic G85 in some countries) are two digital cameras that were revealed to the public, respectively, in August 2008 and September 2016. The 50D is a DSLR, while the G80 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (50D) and a Four Thirds (G80) sensor. The Canon has a resolution of 15.1 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 50D||Panasonic G80|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Micro Four Thirds lenses|
|15.1 MP, APS-C Sensor||15.8 MP, Four Thirds Sensor|
|no Video||4K/30p Video|
|ISO 100-3200 (100-12800)||ISO 200-25600|
|Optical viewfinder||Electronic viewfinder (2360k dots)|
|3.0" LCD, 920k dots||3.0" LCD, 1040k dots|
|Fixed screen (not touch-sensitive)||Swivel touchscreen|
|6.3 shutter flaps per second||9 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Weathersealed body||Weathersealed body|
|800 shots per battery charge||330 shots per battery charge|
|146 x 108 x 74 mm, 822 g||128 x 89 x 74 mm, 505 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 50D and the Panasonic Lumix DMC-G80? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 50D and the Panasonic G80. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G80 is notably smaller (28 percent) than the Canon 50D. Moreover, the G80 is substantially lighter (39 percent) than the 50D. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (50D) and the Micro Four Thirds Lens Catalog (G80). Mirrorless cameras, such as the G80, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon 50D»||5.7 in||4.3 in||2.9 in||29.0 oz||800||Y||Aug 2008||1,299||-||Canon 50D|
|Panasonic G80«||5.0 in||3.5 in||2.9 in||17.8 oz||330||Y||Sep 2016||899||-||Panasonic G80|
|Canon 90D« »||5.6 in||4.1 in||3.0 in||24.7 oz||1300||Y||Aug 2019||1,199||Canon 90D|
|Canon 80D« »||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199||-||Canon 80D|
|Canon 7D II« »||5.9 in||4.4 in||3.1 in||32.1 oz||670||Y||Sep 2014||1,799||Canon 7D II|
|Canon 70D« »||5.5 in||4.1 in||3.1 in||26.6 oz||920||Y||Jul 2013||1,199||-||Canon 70D|
|Canon 60D« »||5.7 in||4.2 in||3.1 in||26.6 oz||1100||Y||Aug 2010||1,399||-||Canon 60D|
|Canon 7D« »||5.8 in||4.4 in||2.9 in||30.3 oz||800||Y||Sep 2009||1,699||-||Canon 7D|
|Canon T1i« »||5.1 in||3.9 in||2.4 in||18.3 oz||400||n||Mar 2009||799||-||Canon T1i|
|Canon 40D« »||5.7 in||4.3 in||2.9 in||29.0 oz||750||n||Aug 2007||1,299||-||Canon 40D|
|Canon 30D« »||5.7 in||4.2 in||2.9 in||27.7 oz||750||n||Feb 2006||1,399||-||Canon 30D|
|Canon 20D« »||5.7 in||4.2 in||2.8 in||27.2 oz||700||n||Aug 2004||1,499||-||Canon 20D|
|Olympus E-M5 II« »||4.9 in||3.3 in||1.8 in||16.5 oz||310||Y||Feb 2015||1,099||Olympus E-M5 II|
|Panasonic G90« »||5.1 in||3.7 in||3.0 in||18.9 oz||290||Y||Apr 2019||999||Panasonic G90|
|Panasonic GH5« »||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999||Panasonic GH5|
|Panasonic GX80« »||4.8 in||2.8 in||1.7 in||15.0 oz||290||n||Apr 2016||799||Panasonic GX80|
|Panasonic GX8« »||5.2 in||3.1 in||2.5 in||17.2 oz||330||Y||Jul 2015||1,199||-||Panasonic GX8|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G80 was launched at a markedly lower price (by 31 percent) than the 50D, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 50D features an APS-C sensor and the Panasonic G80 a Four Thirds sensor. The sensor area in the G80 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the 50D has a native 3:2 aspect ratio, while the one in the G80 offers a 4:3 aspect.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
Despite having a smaller sensor, the G80 offers a slightly higher resolution of 15.8 megapixels, compared with 15.1 MP of the 50D. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.77μm versus 4.69μm for the 50D). However, it should be noted that the G80 is much more recent (by 8 years) than the 50D, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the G80 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Canon EOS 50D has a native sensitivity range from ISO 100 to ISO 3200, which can be extended to ISO 100-12800. The corresponding ISO settings for the Panasonic Lumix DMC-G80 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the G80 has a markedly higher DXO score than the 50D (overall score 8 points higher), which will translate into better image quality. The advantage is based on 1 bits higher color depth, 1.1 EV in additional dynamic range, and 0.1 stops of reduced low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon 50D»||APS-C||15.1||4752||3168||-||21.8||11.4||696||63||Canon 50D|
|Panasonic G80«||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71||Panasonic G80|
|Canon 90D« »||APS-C||32.3||6960||4640||4K/30p||-||-||-||-||Canon 90D|
|Canon 80D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79||Canon 80D|
|Canon 7D II« »||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70||Canon 7D II|
|Canon 70D« »||APS-C||20.0||5472||3648||1080/30p||22.5||11.6||926||68||Canon 70D|
|Canon 60D« »||APS-C||17.9||5184||3456||1080/30p||22.2||11.5||813||66||Canon 60D|
|Canon 7D« »||APS-C||17.9||5184||3456||1080/30p||22.0||11.7||854||66||Canon 7D|
|Canon T1i« »||APS-C||15.1||4752||3168||1080/20p||21.7||11.5||663||63||Canon T1i|
|Canon 40D« »||APS-C||10.1||3888||2592||-||22.1||11.3||703||64||Canon 40D|
|Canon 30D« »||APS-C||8.2||3504||2336||-||21.5||10.8||736||59||Canon 30D|
|Canon 20D« »||APS-C||8.2||3504||2336||-||21.9||11.0||721||62||Canon 20D|
|Olympus E-M5 II« »||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73||Olympus E-M5 II|
|Panasonic G90« »||Four Thirds||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic G90|
|Panasonic GH5« »||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77||Panasonic GH5|
|Panasonic GX80« »||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71||Panasonic GX80|
|Panasonic GX8« »||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75||Panasonic GX8|
Many modern cameras cannot only take still pictures, but also record videos. The G80 indeed provides for movie recording, while the 50D does not. The highest resolution format that the G80 can use is 4K/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the G80 has an electronic viewfinder (2360k dots), while the 50D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the G80 offers a wider field of view (100%) than the one in the 50D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the G80 has a higher magnification (0.74x vs 0.59x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 50D, the Panasonic G80, and comparable cameras.
|Canon 50D»||optical||Y||3.0||920||fixed||n||1/8000s||6.3||Y||n||Canon 50D|
|Panasonic G80«||2360||n||3.0||1040||swivel||Y||1/4000s||9.0||Y||Y||Panasonic G80|
|Canon 90D« »||optical||Y||3.0||1040||swivel||Y||1/8000s||11||Y||n||Canon 90D|
|Canon 80D« »||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 80D|
|Canon 7D II« »||optical||Y||3.0||1040||fixed||n||1/8000s||10.0||Y||n||Canon 7D II|
|Canon 70D« »||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 70D|
|Canon 60D« »||optical||Y||3.0||1040||swivel||n||1/8000s||5.3||Y||n||Canon 60D|
|Canon 7D« »||optical||Y||3.0||920||fixed||n||1/8000s||8.0||Y||n||Canon 7D|
|Canon T1i« »||optical||n||3.0||920||fixed||n||1/4000s||3.4||Y||n||Canon T1i|
|Canon 40D« »||optical||Y||3.0||230||fixed||n||1/8000s||6.5||Y||n||Canon 40D|
|Canon 30D« »||optical||Y||2.5||230||fixed||n||1/8000s||5.0||Y||n||Canon 30D|
|Canon 20D« »||optical||Y||1.8||118||fixed||n||1/8000s||5.0||Y||n||Canon 20D|
|Olympus E-M5 II« »||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y||Olympus E-M5 II|
|Panasonic G90« »||2360||n||3.0||1240||swivel||Y||1/4000s||9.0||Y||Y||Panasonic G90|
|Panasonic GH5« »||3680||n||3.2||1620||swivel||Y||1/8000s||12.0||n||Y||Panasonic GH5|
|Panasonic GX80« »||2765||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||Y||Panasonic GX80|
|Panasonic GX8« »||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y||Panasonic GX8|
One feature that is present on the 50D, but is missing on the G80 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The G80 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 50D does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G80 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G80 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 50D writes its imaging data to Compact Flash cards, while the G80 uses SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 50D and Panasonic Lumix DMC-G80 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 50D»||Y||-||-||-||-||mini||2.0||-||-||-||Canon 50D|
|Panasonic G80«||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Panasonic G80|
|Canon 90D« »||Y||stereo||mono||Y||Y||mini||2.0||Y||-||Y||Canon 90D|
|Canon 80D« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon 80D|
|Canon 7D II« »||Y||stereo||mono||Y||Y||mini||3.0||-||-||-||Canon 7D II|
|Canon 70D« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Canon 70D|
|Canon 60D« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 60D|
|Canon 7D« »||Y||mono||-||Y||-||mini||2.0||-||-||-||Canon 7D|
|Canon T1i« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon T1i|
|Canon 40D« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 40D|
|Canon 30D« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 30D|
|Canon 20D« »||Y||-||-||-||-||-||1.1||-||-||-||Canon 20D|
|Olympus E-M5 II« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M5 II|
|Panasonic G90« »||Y||stereo||mono||Y||Y||micro||2.0||Y||-||Y||Panasonic G90|
|Panasonic GH5« »||Y||stereo||mono||Y||Y||full||3.1||Y||-||Y||Panasonic GH5|
|Panasonic GX80« »||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic GX80|
|Panasonic GX8« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic GX8|
It is notable that the G80 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 50D does not offer wifi capability.
Studio photographers will appreciate that the Canon 50D (unlike the G80) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 50D and the G80 have been discontinued, but can regularly be found used on eBay. The 50D was replaced by the Canon 60D, while the G80 was followed by the Panasonic G90. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what conclusions can be drawn? Is there a clear favorite between the Canon 50D and the Panasonic G80? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon EOS 50D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Longer lasting: Can take more shots (800 versus 330) on a single battery charge.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in August 2008).
Reasons to prefer the Panasonic Lumix DMC-G80:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Scores markedly higher (8 points) in the DXO overall evaluation.
- More dynamic range: Captures a broader range of light and dark details (1.1 EV of extra DR).
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.59x).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (9 vs 6.3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (128x89mm vs 146x108mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 317g or 39 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced into a lower priced category (31 percent cheaper at launch).
- More modern: Reflects 8 years of technical progress since the 50D launch.
If the count of relative strengths (bullet points above) is taken as a measure, the G80 is the clear winner of the contest (21 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 50D and the Panasonic G80 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the 50D and the G80 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 50D»||+ +||+ +||4.5/5||5/5||4.5/5||Aug 2008||1,299||-||Canon 50D|
|Panasonic G80«||+ +||84/100||5/5||4.5/5||4.5/5||Sep 2016||899||-||Panasonic G80|
|Canon 90D« »||-||-||-||-||-||Aug 2019||1,199||Canon 90D|
|Canon 80D« »||+ +||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199||-||Canon 80D|
|Canon 7D II« »||+||84/100||4/5||5/5||4.5/5||Sep 2014||1,799||Canon 7D II|
|Canon 70D« »||+ +||83/100||4.5/5||4.5/5||5/5||Jul 2013||1,199||-||Canon 70D|
|Canon 60D« »||+||79/100||4/5||5/5||4.5/5||Aug 2010||1,399||-||Canon 60D|
|Canon 7D« »||+ +||84/100||4.5/5||5/5||4.5/5||Sep 2009||1,699||-||Canon 7D|
|Canon T1i« »||+ +||74/100||4.5/5||5/5||4.5/5||Mar 2009||799||-||Canon T1i|
|Canon 40D« »||+ +||+ +||4.5/5||o||4.5/5||Aug 2007||1,299||-||Canon 40D|
|Canon 30D« »||+ +||+ +||o||o||-||Feb 2006||1,399||-||Canon 30D|
|Canon 20D« »||-||+ +||-||o||-||Aug 2004||1,499||-||Canon 20D|
|Olympus E-M5 II« »||+ +||81/100||5/5||4.5/5||5/5||Feb 2015||1,099||Olympus E-M5 II|
|Panasonic G90« »||+||83/100||4.5/5||-||4.5/5||Apr 2019||999||Panasonic G90|
|Panasonic GH5« »||+ +||85/100||4.5/5||5/5||5/5||Jan 2017||1,999||Panasonic GH5|
|Panasonic GX80« »||+ +||82/100||5/5||4.5/5||5/5||Apr 2016||799||Panasonic GX80|
|Panasonic GX8« »||+||82/100||4.5/5||5/5||4.5/5||Jul 2015||1,199||-||Panasonic GX8|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1Ds vs Panasonic G80
- Canon 2000D vs Panasonic G80
- Canon 50D vs Canon G3 X
- Canon 50D vs Canon T2i
- Canon 50D vs Fujifilm X-T30
- Canon 50D vs Panasonic FZ100
- Canon 50D vs Panasonic L10
- Canon 50D vs Sony A7 III
- Canon 50D vs Sony HX95
- Fujifilm X-Pro2 vs Panasonic G80
- Fujifilm X-T2 vs Panasonic G80
- Nikon 1 V3 vs Panasonic G80
Specifications: Canon 50D vs Panasonic G80
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 50D||Panasonic G80|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||August 2008||September 2016|
|Launch Price||USD 1299||USD 899|
|Sensor Specs||Canon 50D||Panasonic G80|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||15.1 Megapixels||15.8 Megapixels|
|Image Resolution||4752 x 3168 pixels||4592 x 3448 pixels|
|Pixel Pitch||4.69 μm||3.77 μm|
|Pixel Density||4.53 MP/cm2||7.04 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||100-3200 ISO||200-25600 ISO|
|ISO Boost||100-12800 ISO||100-25600 ISO|
|Image Processor||DIGIC 4||Venus|
|DXO Sensor Quality (score)||63||71|
|DXO Color Depth (bits)||21.8||22.8|
|DXO Dynamic Range (EV)||11.4||12.5|
|DXO Low Light (ISO)||696||656|
|Screen Specs||Canon 50D||Panasonic G80|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||920k dots||1040k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 50D||Panasonic G80|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/4000/s|
|Continuous Shooting||6.3 shutter flaps/s||9 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon 50D||Panasonic G80|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Canon 50D||Panasonic G80|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||800 shots per charge||330 shots per charge|
146 x 108 x 74 mm
(5.7 x 4.3 x 2.9 in)
128 x 89 x 74 mm
(5.0 x 3.5 x 2.9 in)
|Camera Weight||822 g (29.0 oz)||505 g (17.8 oz)|
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