Canon 500D vs Sony A77 II
The Canon EOS 500D (called Canon T1i in some regions) and the Sony Alpha SLT-A77 II are two digital cameras that were revealed to the public, respectively, in March 2009 and May 2014. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with an APS-C sensor. The Canon has a resolution of 15.1 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 500D||Sony A77 II|
|Digital single lens reflex||Digital single lens reflex|
|Canon EF mount lenses||Sony A mount lenses|
|15.1 MP, APS-C Sensor||24 MP, APS-C Sensor|
|1080/20p Video||1080/60p Video|
|ISO 100-6400 (100-12800)||ISO 100-25600 (50-51200)|
|Optical viewfinder||Electronic viewfinder (2359k dots)|
|3.0" LCD, 920k dots||3.0" LCD, 1229k dots|
|Fixed screen (not touch-sensitive)||Fully flexible screen (no touchscreen)|
|3.4 shutter flaps per second||12 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Not weather sealed||Weathersealed body|
|400 shots per battery charge||480 shots per battery charge|
|129 x 98 x 62 mm, 520 g||143 x 104 x 81 mm, 647 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 500D and the Sony Alpha SLT-A77 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 500D and the Sony A77 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A77 II is notably larger (18 percent) than the Canon 500D. Moreover, the A77 II is markedly heavier (24 percent) than the 500D. It is noteworthy in this context that the A77 II is splash and dust-proof, while the 500D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon 500D»||5.1 in||3.9 in||2.4 in||18.3 oz||400||n||Mar 2009||799||Canon 500D|
|Sony A77 II«||5.6 in||4.1 in||3.2 in||22.8 oz||480||Y||May 2014||1,199||Sony A77 II|
|Canon 750D« »||5.2 in||4.0 in||3.1 in||19.6 oz||440||n||Feb 2015||749||Canon 750D|
|Canon 760D« »||5.2 in||4.0 in||3.1 in||19.9 oz||440||n||Feb 2015||649||Canon 760D|
|Canon 1200D« »||5.1 in||3.9 in||3.1 in||16.9 oz||500||n||Feb 2014||449||Canon 1200D|
|Canon G1 X Mark II« »||4.6 in||2.9 in||2.6 in||19.5 oz||240||n||Feb 2014||799||Canon G1 X Mark II|
|Canon 700D« »||5.2 in||3.9 in||3.1 in||20.5 oz||440||n||Mar 2013||649||Canon 700D|
|Canon 650D« »||5.2 in||3.9 in||3.1 in||20.3 oz||440||n||Jun 2012||849||Canon 650D|
|Canon G1 X« »||4.6 in||3.2 in||2.6 in||18.8 oz||250||n||Jan 2012||799||Canon G1 X|
|Canon 600D« »||5.2 in||3.9 in||3.1 in||20.1 oz||440||n||Feb 2011||599||Canon 600D|
|Canon 550D« »||5.1 in||3.9 in||2.4 in||18.7 oz||440||n||Feb 2010||699||Canon 550D|
|Canon 450D« »||5.1 in||3.9 in||2.4 in||18.5 oz||500||n||Jan 2008||799||Canon 450D|
|Nikon D7200« »||5.4 in||4.2 in||3.0 in||27.0 oz||1110||Y||Mar 2015||1,199||Nikon D7200|
|Nikon D7100« »||5.4 in||4.2 in||3.0 in||27.0 oz||950||Y||Feb 2013||1,199||Nikon D7100|
|Sony A68« »||5.6 in||4.1 in||3.2 in||21.5 oz||540||n||Nov 2015||699||Sony A68|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||Sony A7 II|
|Sony A77« »||5.6 in||4.1 in||3.2 in||25.8 oz||470||Y||Aug 2011||1,399||Sony A77|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The 500D was launched at a markedly lower price (by 33 percent) than the A77 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the A77 II is 11 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (500D) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 24MP, the A77 II offers a higher resolution than the 500D (15.1MP), but the A77 II has smaller individual pixels (pixel pitch of 3.91μm versus 4.69μm for the 500D). Yet, the A77 II is a much more recent model (by 5 years and 1 month) than the 500D, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A77 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A77 II for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Canon 500D are 23.8 x 15.8 inch or 60.4 x 40.2 cm for good quality, 19 x 12.7 inch or 48.3 x 32.2 cm for very good quality, and 15.8 x 10.6 inch or 40.2 x 26.8 cm for excellent quality prints.
The Canon EOS 500D has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Sony Alpha SLT-A77 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 500D||APS-C||15.1||4752||3168||1080/20p||21.7||11.5||663||63||Canon 500D|
|Sony A77 II||APS-C||24.0||6000||4000||1080/60p||..||..||..||..||Sony A77 II|
|Canon 750D||APS-C||24.0||6000||4000||1080/30p||22.7||12.0||919||71||Canon 750D|
|Canon 760D||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70||Canon 760D|
|Canon 1200D||APS-C||17.9||5184||3456||1080/30p||21.9||11.3||724||63||Canon 1200D|
|Canon G1 X Mark II||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58||Canon G1 X Mark II|
|Canon 700D||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||681||61||Canon 700D|
|Canon 650D||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||722||62||Canon 650D|
|Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60||Canon G1 X|
|Canon 600D||APS-C||17.9||5184||3456||1080/30p||22.1||11.5||793||65||Canon 600D|
|Canon 550D||APS-C||17.9||5184||3456||1080/30p||22.1||11.5||784||66||Canon 550D|
|Canon 450D||APS-C||12.2||4272||2848||none||21.9||10.8||692||61||Canon 450D|
|Nikon D7200||APS-C||24.0||6000||4000||1080/60p||24.5||14.6||1333||87||Nikon D7200|
|Nikon D7100||APS-C||24.0||6000||4000||1080/60p||24.2||13.7||1256||83||Nikon D7100|
|Sony A68||APS-C||24.0||6000||4000||1080/60i||24.1||13.5||701||79||Sony A68|
|Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A77||APS-C||24.0||6000||4000||1080/60p||24.0||13.2||801||78||Sony A77|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the A77 II provides a faster frame rate than the 500D. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/20p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A77 II has an electronic viewfinder (2359k dots), while the 500D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A77 II offers a wider field of view (100%) than the one in the 500D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A77 II has a higher magnification (0.73x vs 0.54x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 500D and Sony A77 II along with similar information for a selection of comparators.
|Canon 500D||optical||n||3.0||920||fixed||n||1/4000s||3.4||Y||n||Canon 500D|
|Sony A77 II||2359||Y||3.0||1229||full-flex||n||1/8000s||12.0||Y||Y||Sony A77 II|
|Canon 750D||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 750D|
|Canon 760D||optical||Y||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 760D|
|Canon 1200D||optical||n||3.0||460||fixed||n||1/4000s||3.0||Y||n||Canon 1200D|
|Canon G1 X Mark II||optional||n||3.0||1040||tilting||Y||1/4000s||5.2||Y||Y||Canon G1 X Mark II|
|Canon 700D||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 700D|
|Canon 650D||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 650D|
|Canon G1 X||optical||n||3.0||922||Swivel||n||1/4000s||1.9||Y||Y||Canon G1 X|
|Canon 600D||optical||n||3.0||1040||swivel||n||1/4000s||3.7||Y||n||Canon 600D|
|Canon 550D||optical||n||3.0||1040||fixed||n||1/4000s||3.7||Y||n||Canon 550D|
|Canon 450D||optical||n||3.0||230||fixed||n||1/4000s||3.5||Y||n||Canon 450D|
|Nikon D7200||optical||Y||3.2||1229||fixed||n||1/8000s||6.0||Y||n||Nikon D7200|
|Nikon D7100||optical||Y||3.2||1229||fixed||n||1/8000s||6.0||Y||n||Nikon D7100|
|Sony A68||1440||Y||2.7||460||tilting||n||1/4000s||8.0||Y||Y||Sony A68|
|Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Sony A77||2359||Y||3.0||921||full-flex||n||1/8000s||12.0||Y||Y||Sony A77|
One feature that differentiates the A77 II and the 500D is in-body image stabilization (IBIS). The A77 II reduces the risk of handshake-induced blur with all attached lenses, while the 500D has to rely on optical image stabilization in OIS-equipped lenses to achieve the same effect.The A77 II has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 500D does not have a selfie-screen.
The 500D writes its imaging data to SDHC cards, while the A77 II uses SDXC or Memory Stick PRO Duo cards. The A77 II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the 500D cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 500D and Sony Alpha SLT-A77 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 500D||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon 500D|
|Sony A77 II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Sony A77 II|
|Canon 750D||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon 750D|
|Canon 760D||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon 760D|
|Canon 1200D||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon 1200D|
|Canon G1 X Mark II||Y||stereo||mono||-||-||mini||2.0||Y||Y||-||Canon G1 X Mark II|
|Canon 700D||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon 700D|
|Canon 650D||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon 650D|
|Canon G1 X||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G1 X|
|Canon 600D||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 600D|
|Canon 550D||Y||stereo||none||Y||-||mini||2.0||-||-||-||Canon 550D|
|Canon 450D||Y||none||none||-||-||mini||2.0||-||-||-||Canon 450D|
|Nikon D7200||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Nikon D7200|
|Nikon D7100||Y||stereo||mono||Y||Y||mini||2.0||-||-||-||Nikon D7100|
|Sony A68||Y||stereo||mono||Y||-||micro||2.0||-||-||-||Sony A68|
|Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A77||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony A77|
It is notable that the A77 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 500D does not offer wifi capability.
Studio photographers will appreciate that the Sony A77 II (unlike the 500D) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The A77 II is a recent model that features in the current product line-up of Sony. In contrast, the 500D has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 500D was succeeded by the Canon 550D. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So how do things add up? Which of the two cameras – the Canon 500D or the Sony A77 II – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon EOS 500D:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More compact: Is smaller (129x98mm vs 143x104mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 127g or 20 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced category (33 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in March 2009).
Arguments in favor of the Sony Alpha SLT-A77 II:
- More detail: Has more megapixels (24 vs 15.1MP), which boosts linear resolution by 26%.
- Better video: Provides higher movie framerates (1080/60p versus 1080/20p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.73x vs 0.54x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 920k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 3.4 flaps/sec) to capture the decisive moment.
- Longer lasting: Gets more shots (480 versus 400) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 5 years and 1 month of technical progress since the 500D launch.
If the count of relative strengths (bullet points above) is taken as a measure, the A77 II is the clear winner of the contest (20 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 500D and the Sony A77 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the 500D or the A77 II perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 500D vs Canon Rebel
- Canon 500D vs Leica M10
- Canon 500D vs Nikon D800
- Canon 500D vs Olympus E-520
- Canon G7 X Mark II vs Sony A77 II
- Leica M Typ 240 vs Sony A77 II
- Nikon 1 V3 vs Sony A77 II
- Olympus E-300 vs Sony A77 II
- Pentax K-3 II vs Sony A77 II
- Pentax MX-1 vs Sony A77 II
- Sony A5000 vs Sony A77 II
- Sony A77 II vs Sony A7R
Specifications: Canon 500D vs Sony A77 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 500D||Sony A77 II|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Sony A mount lenses|
|Launch Date||March 2009||May 2014|
|Launch Price||USD 799||USD 1199|
|Sensor Specs||Canon 500D||Sony A77 II|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.3 x 14.9 mm||23.5 x 15.6 mm|
|Sensor Area||332.27 mm2||366.6 mm2|
|Sensor Diagonal||26.8 mm||28.2 mm|
|Sensor Resolution||15.1 Megapixels||24 Megapixels|
|Image Resolution||4752 x 3168 pixels||6000 x 4000 pixels|
|Pixel Pitch||4.69 μm||3.91 μm|
|Pixel Density||4.53 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/20p Video||1080/60p Video|
|ISO Setting||100-6400 ISO||100-25600 ISO|
|ISO Boost||100-12800 ISO||50-51200 ISO|
|Image Processor||DIGIC 4||BIONZ X|
|DXO Sensor Quality (score)||63||..|
|DXO Color Depth (bits)||21.7||..|
|DXO Dynamic Range (EV)||11.5||..|
|DXO Low Light (ISO)||663||..|
|Screen Specs||Canon 500D||Sony A77 II|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2359k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||920k dots||1229k dots|
|LCD Attachment||Fixed screen||Fully flexible screen|
|Shooting Specs||Canon 500D||Sony A77 II|
|Focus System||Phase-detect AF||Phase-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||3.4 shutter flaps/s||12 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||150 000 actuations|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDHC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon 500D||Sony A77 II|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Canon 500D||Sony A77 II|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||400 shots per charge||480 shots per charge|
129 x 98 x 62 mm
(5.1 x 3.9 x 2.4 in)
143 x 104 x 81 mm
(5.6 x 4.1 x 3.2 in)
|Camera Weight||520 g (18.3 oz)||647 g (22.8 oz)|
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