Canon 500D vs Pentax K-1 II
The Canon EOS 500D (called Canon T1i in some regions) and the Pentax K-1 II are two digital cameras that were revealed to the public, respectively, in March 2009 and February 2018. Both are DSLR (Digital Single Lens Reflex) cameras that are based on an APS-C (500D) and a full frame (K-1 II) sensor. The Canon has a resolution of 15.1 megapixels, whereas the Pentax provides 36.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 500D and the Pentax K-1 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Canon 500D and the Pentax K-1 II. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The K-1 II can be obtained in two different colors (black, silver), while the 500D is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax K-1 II is notably larger (19 percent) than the Canon 500D. Moreover, the K-1 II is substantially heavier (94 percent) than the 500D. It is noteworthy in this context that the K-1 II is splash and dust-proof, while the 500D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the 500D gets 400 shots out of its Canon LP-E5 battery, while the K-1 II can take 670 images on a single charge of its Pentax D-LI90 power pack.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
# | Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 500D | 129 mm | 98 mm | 62 mm | 520 g | 400 | n | Mar 2009 | 799 | ebay.com | |
2. | Pentax K-1 II | 137 mm | 110 mm | 86 mm | 1010 g | 670 | Y | Feb 2018 | 1,999 | amazon.com | |
3. | Canon 750D | 132 mm | 101 mm | 78 mm | 555 g | 440 | n | Feb 2015 | 749 | ebay.com | |
4. | Canon 760D | 132 mm | 101 mm | 78 mm | 565 g | 440 | n | Feb 2015 | 649 | ebay.com | |
5. | Canon 1200D | 130 mm | 100 mm | 78 mm | 480 g | 500 | n | Feb 2014 | 449 | ebay.com | |
6. | Canon G1 X Mark II | 116 mm | 74 mm | 66 mm | 553 g | 240 | n | Feb 2014 | 799 | ebay.com | |
7. | Canon 700D | 133 mm | 100 mm | 79 mm | 580 g | 440 | n | Mar 2013 | 649 | ebay.com | |
8. | Canon 650D | 133 mm | 100 mm | 79 mm | 575 g | 440 | n | Jun 2012 | 849 | ebay.com | |
9. | Canon G1 X | 117 mm | 81 mm | 65 mm | 534 g | 250 | n | Jan 2012 | 799 | ebay.com | |
10. | Canon 600D | 133 mm | 100 mm | 80 mm | 570 g | 440 | n | Feb 2011 | 599 | ebay.com | |
11. | Canon 550D | 129 mm | 98 mm | 62 mm | 530 g | 440 | n | Feb 2010 | 699 | ebay.com | |
12. | Canon 450D | 129 mm | 98 mm | 62 mm | 524 g | 500 | n | Jan 2008 | 799 | ebay.com | |
13. | Panasonic S1R | 149 mm | 110 mm | 97 mm | 1016 g | 380 | Y | Feb 2019 | 3,699 | amazon.com | |
14. | Pentax K-1 | 137 mm | 110 mm | 86 mm | 1010 g | 760 | Y | Feb 2016 | 1,799 | ebay.com | |
15. | Sony A7R III | 127 mm | 96 mm | 74 mm | 650 g | 650 | Y | Oct 2017 | 3,199 | ebay.com | |
16. | Sony A99 II | 143 mm | 104 mm | 76 mm | 849 g | 490 | Y | Sep 2016 | 3,199 | ebay.com | |
17. | Sony A850 | 156 mm | 117 mm | 82 mm | 895 g | 880 | Y | Aug 2009 | 1,999 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will naturally be influenced heavily by the price. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The 500D was launched at a markedly lower price (by 60 percent) than the K-1 II, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 500D features an APS-C sensor and the Pentax K-1 II a full frame sensor. The sensor area in the K-1 II is 160 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 36.2MP, the K-1 II offers a higher resolution than the 500D (15.1MP), but the K-1 II nevertheless has larger individual pixels (pixel pitch of 4.88μm versus 4.69μm for the 500D) due to its larger sensor. Moreover, the K-1 II is a much more recent model (by 8 years and 11 months) than the 500D, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the K-1 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Pentax K-1 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the K-1 II for good quality output (200 dots per inch) amounts to 36.8 x 24.6 inches or 93.5 x 62.4 cm, for very good quality (250 dpi) 29.4 x 19.6 inches or 74.8 x 49.9 cm, and for excellent quality (300 dpi) 24.5 x 16.4 inches or 62.3 x 41.6 cm. The corresponding values for the Canon 500D are 23.8 x 15.8 inches or 60.4 x 40.2 cm for good quality, 19 x 12.7 inches or 48.3 x 32.2 cm for very good quality, and 15.8 x 10.6 inches or 40.2 x 26.8 cm for excellent quality prints.
Unlike the 500D, the K-1 II has the capacity to capture high quality composite images by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon EOS 500D has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Pentax K-1 II are ISO 100 to ISO 819200 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
# | Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 500D | APS-C | 15.1 | 4752 | 3168 | 1080/20p | 21.7 | 11.5 | 663 | 63 | |
2. | Pentax K-1 II | Full Frame | 36.2 | 7360 | 4912 | 1080/60i | 25.1 | 14.0 | 2698 | 93 | |
3. | Canon 750D | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 22.7 | 12.0 | 919 | 71 | |
4. | Canon 760D | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 22.6 | 12.0 | 915 | 70 | |
5. | Canon 1200D | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 21.9 | 11.3 | 724 | 63 | |
6. | Canon G1 X Mark II | 1.5-inch | 13.0 | 4160 | 3120 | 1080/30p | 21.5 | 10.8 | 581 | 58 | |
7. | Canon 700D | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 21.7 | 11.2 | 681 | 61 | |
8. | Canon 650D | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 21.7 | 11.2 | 722 | 62 | |
9. | Canon G1 X | 1.5-inch | 14.2 | 4352 | 3264 | 1080/24p | 21.7 | 10.8 | 644 | 60 | |
10. | Canon 600D | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 22.1 | 11.5 | 793 | 65 | |
11. | Canon 550D | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 22.1 | 11.5 | 784 | 66 | |
12. | Canon 450D | APS-C | 12.2 | 4272 | 2848 | none | 21.9 | 10.8 | 692 | 61 | |
13. | Panasonic S1R | Full Frame | 46.7 | 8368 | 5584 | 4K/60p | 26.4 | 14.1 | 3525 | 100 | |
14. | Pentax K-1 | Full Frame | 36.2 | 7360 | 4912 | 1080/60i | 25.4 | 14.6 | 3280 | 96 | |
15. | Sony A7R III | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 14.7 | 3523 | 100 | |
16. | Sony A99 II | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 25.4 | 13.4 | 2317 | 92 | |
17. | Sony A850 | Full Frame | 24.4 | 6048 | 4032 | none | 23.8 | 12.2 | 1415 | 79 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the K-1 II provides a faster frame rate than the 500D. It can shoot movie footage at 1080/60i, while the Canon is limited to 1080/20p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. The 500D and the K-1 II are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the K-1 II offers a wider field of view (100%) than the one in the 500D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the K-1 II has a higher magnification (0.70x vs 0.54x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 500D and Pentax K-1 II along with similar information for a selection of comparators.
# | Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 500D | optical | n | 3.0 / 920 | fixed | n | 1/4000s | 3.4/s | Y | n | |
2. | Pentax K-1 II | optical | Y | 3.2 / 1037 | full-flex | n | 1/8000s | 4.4/s | n | Y | |
3. | Canon 750D | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
4. | Canon 760D | optical | Y | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
5. | Canon 1200D | optical | n | 3.0 / 460 | fixed | n | 1/4000s | 3.0/s | Y | n | |
6. | Canon G1 X Mark II | optional | n | 3.0 / 1040 | tilting | Y | 1/4000s | 5.2/s | Y | Y | |
7. | Canon 700D | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
8. | Canon 650D | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
9. | Canon G1 X | optical | n | 3.0 / 922 | swivel | n | 1/4000s | 1.9/s | Y | Y | |
10. | Canon 600D | optical | n | 3.0 / 1040 | swivel | n | 1/4000s | 3.7/s | Y | n | |
11. | Canon 550D | optical | n | 3.0 / 1040 | fixed | n | 1/4000s | 3.7/s | Y | n | |
12. | Canon 450D | optical | n | 3.0 / 230 | fixed | n | 1/4000s | 3.5/s | Y | n | |
13. | Panasonic S1R | 5760 | Y | 3.2 / 2100 | full-flex | Y | 1/8000s | 9.0/s | n | Y | |
14. | Pentax K-1 | optical | Y | 3.2 / 1037 | full-flex | n | 1/8000s | 4.4/s | n | Y | |
15. | Sony A7R III | 3686 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
16. | Sony A99 II | 2400 | Y | 3.0 / 1229 | full-flex | n | 1/8000s | 12.0/s | n | Y | |
17. | Sony A850 | optical | Y | 3.0 / 922 | fixed | n | 1/8000s | 3.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One difference between the cameras concerns the presence of an on-board flash. The 500D has one, while the K-1 II does not. While the built-in flash of the 500D is not very powerful, it can at times be useful as a fill-in light.
The Pentax K-1 II has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 500D writes its imaging data to SDHC cards, while the K-1 II uses SDXC cards. The K-1 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the 500D only has one slot. The K-1 II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the 500D cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 500D and Pentax K-1 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
# | Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 500D | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
2. | Pentax K-1 II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | - | - | |
3. | Canon 750D | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
4. | Canon 760D | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
5. | Canon 1200D | Y | mono / mono | - | - | mini | 2.0 | - | - | - | |
6. | Canon G1 X Mark II | Y | stereo / mono | - | - | mini | 2.0 | Y | Y | - | |
7. | Canon 700D | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
8. | Canon 650D | Y | stereo / mono | Y | - | mini | 2.0 | - | - | - | |
9. | Canon G1 X | Y | stereo / mono | - | - | mini | 2.0 | - | - | - | |
10. | Canon 600D | Y | mono / mono | Y | - | mini | 2.0 | - | - | - | |
11. | Canon 550D | Y | stereo / - | Y | - | mini | 2.0 | - | - | - | |
12. | Canon 450D | Y | - / - | - | - | mini | 2.0 | - | - | - | |
13. | Panasonic S1R | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
14. | Pentax K-1 | Y | stereo / mono | Y | Y | micro | 2.0 | Y | - | - | |
15. | Sony A7R III | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
16. | Sony A99 II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | Y | |
17. | Sony A850 | Y | - / - | - | - | mini | 2.0 | - | - | - |
It is notable that the K-1 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 500D does not provide wifi capability.
Studio photographers will appreciate that the Pentax K-1 II (unlike the 500D) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the K-1 II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
The K-1 II is a recent model that features in the current product line-up of Pentax. In contrast, the 500D has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the 500D was succeeded by the Canon 550D. Further information on the features and operation of the 500D and K-1 II can be found, respectively, in the Canon 500D Manual (free pdf) or the online Pentax K-1 II Manual.
Review summary
So what conclusions can be drawn? Is the Canon 500D better than the Pentax K-1 II or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon EOS 500D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- More compact: Is smaller (129x98mm vs 137x110mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 490g or 49 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (60 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in March 2009).
Arguments in favor of the Pentax K-1 II:
- More detail: Has more megapixels (36.2 vs 15.1MP), which boosts linear resolution by 55%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher movie framerates (1080/60i versus 1080/20p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.54x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1037k vs 920k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (4.4 vs 3.4 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (670 versus 400) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More modern: Reflects 8 years and 11 months of technical progress since the 500D launch.
If the count of individual advantages (bullet points above) is taken as a guide, the K-1 II is the clear winner of the contest (28 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 500D and the Pentax K-1 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the 500D or the K-1 II perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
# | Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
|
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 500D | .. | + + | .. | 74/100 | 4.5/5 | 4.5/5 | Mar 2009 | 799 | ebay.com | |
2. | Pentax K-1 II | .. | .. | 4.5/5 | 79/100 | 4.5/5 | 4.5/5 | Feb 2018 | 1,999 | amazon.com | |
3. | Canon 750D | 5/5 | .. | .. | 75/100 | 4.5/5 | 4.5/5 | Feb 2015 | 749 | ebay.com | |
4. | Canon 760D | 5/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Feb 2015 | 649 | ebay.com | |
5. | Canon 1200D | 3/5 | + | .. | .. | 4/5 | 4.5/5 | Feb 2014 | 449 | ebay.com | |
6. | Canon G1 X Mark II | 3/5 | + | .. | 77/100 | 4/5 | 4.5/5 | Feb 2014 | 799 | ebay.com | |
7. | Canon 700D | .. | .. | .. | 76/100 | 4.5/5 | 4.5/5 | Mar 2013 | 649 | ebay.com | |
8. | Canon 650D | 4/5 | + + | .. | 77/100 | 4.5/5 | 4.5/5 | Jun 2012 | 849 | ebay.com | |
9. | Canon G1 X | 5/5 | + | .. | 76/100 | 4/5 | 4.5/5 | Jan 2012 | 799 | ebay.com | |
10. | Canon 600D | 3/5 | o | .. | 77/100 | 4.5/5 | 4.5/5 | Feb 2011 | 599 | ebay.com | |
11. | Canon 550D | .. | + + | .. | 77/100 | 4/5 | 4.5/5 | Feb 2010 | 699 | ebay.com | |
12. | Canon 450D | .. | + + | .. | + + | 4/5 | 4.5/5 | Jan 2008 | 799 | ebay.com | |
13. | Panasonic S1R | 4.5/5 | .. | 4.6/5 | 89/100 | 4.5/5 | 4.5/5 | Feb 2019 | 3,699 | amazon.com | |
14. | Pentax K-1 | 5/5 | .. | .. | 84/100 | 5/5 | 5/5 | Feb 2016 | 1,799 | ebay.com | |
15. | Sony A7R III | .. | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Oct 2017 | 3,199 | ebay.com | |
16. | Sony A99 II | .. | .. | 4.5/5 | 85/100 | 4.5/5 | 4.5/5 | Sep 2016 | 3,199 | ebay.com | |
17. | Sony A850 | 3/5 | .. | .. | 75/100 | .. | 4.5/5 | Aug 2009 | 1,999 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 400D vs Canon 500D
- Canon 500D vs Nikon D100
- Canon 500D vs Panasonic FZ82
- Canon 500D vs Samsung NX30
- Canon 500D vs Sony RX0
- Canon 500D vs Sony RX100
- Canon SX520 vs Pentax K-1 II
- Canon SX620 vs Pentax K-1 II
- Fujifilm X-A5 vs Pentax K-1 II
- Olympus E-M10 II vs Pentax K-1 II
- Panasonic GH3 vs Pentax K-1 II
- Pentax K-1 II vs Sony A7R
Specifications: Canon 500D vs Pentax K-1 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon 500D | Pentax K-1 II |
---|---|---|
Camera Type | Digital single lens reflex | Digital single lens reflex |
Camera Lens | Canon EF mount lenses | Pentax K mount lenses |
Launch Date | March 2009 | February 2018 |
Launch Price | USD 799 | USD 1,999 |
Sensor Specs | Canon 500D | Pentax K-1 II |
Sensor Technology | CMOS | CMOS |
Sensor Format | APS-C Sensor | Full Frame Sensor |
Sensor Size | 22.3 x 14.9 mm | 35.9 x 24.0 mm |
Sensor Area | 332.27 mm2 | 861.6 mm2 |
Sensor Diagonal | 26.8 mm | 43.2 mm |
Crop Factor | 1.6x | 1.0x |
Sensor Resolution | 15.1 Megapixels | 36.2 Megapixels |
Image Resolution | 4752 x 3168 pixels | 7360 x 4912 pixels |
Pixel Pitch | 4.69 μm | 4.88 μm |
Pixel Density | 4.53 MP/cm2 | 4.20 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | 1080/20p Video | 1080/60i Video |
ISO Setting | 100 - 6,400 ISO | 100 - 819,200 ISO |
ISO Boost | 100 - 12,800 ISO | no Enhancement |
Image Processor | DIGIC 4 | PRIME IV |
DXO Sensor Quality (score) | 63 | .. |
DXO Color Depth (bits) | 21.7 | .. |
DXO Dynamic Range (EV) | 11.5 | .. |
DXO Low Light (ISO) | 663 | .. |
Screen Specs | Canon 500D | Pentax K-1 II |
Viewfinder Type | Optical viewfinder | Optical viewfinder |
Viewfinder Field of View | 95% | 100% |
Viewfinder Magnification | 0.54x | 0.70x |
Top-Level Screen | no Top Display | Control Panel |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.2inch |
LCD Resolution | 920k dots | 1037k dots |
LCD Attachment | Fixed screen | Fully flexible screen |
Shooting Specs | Canon 500D | Pentax K-1 II |
Focus System | Phase-detect AF | Phase-detect AF |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/8000s |
Continuous Shooting | 3.4 shutter flaps/s | 4.4 shutter flaps/s |
Shutter Life Expectancy | 100 000 actuations | 300 000 actuations |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Image Stabilization | Lens stabilization only | In-body stabilization |
Fill Flash | Built-in Flash | no On-Board Flash |
Storage Medium | SDHC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Dual card slots |
UHS card support | no | UHS-I |
Connectivity Specs | Canon 500D | Pentax K-1 II |
External Flash | Hotshoe | Hotshoe |
Studio Flash | no PC Sync | PC Sync socket |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | micro HDMI |
Microphone Port | no MIC socket | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | no Wifi | Wifi built-in |
Geotagging | no internal GPS | GPS built-in |
Body Specs | Canon 500D | Pentax K-1 II |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Canon LP-E5 | Pentax D-LI90 |
Battery Life (CIPA) | 400 shots per charge | 670 shots per charge |
Body Dimensions |
129 x 98 x 62 mm (5.1 x 3.9 x 2.4 in) |
137 x 110 x 86 mm (5.4 x 4.3 x 3.4 in) |
Camera Weight | 520 g (18.3 oz) | 1010 g (35.6 oz) |
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