Canon 500D vs Panasonic FZ330

The Canon EOS 500D (called Canon T1i in some regions) and the Panasonic Lumix DMC-FZ330 (labelled Panasonic FZ300 in some countries) are two digital cameras that were announced, respectively, in March 2009 and July 2015. The 500D is a DSLR, while the FZ330 is a fixed lens compact. The cameras are based on an APS-C (500D) and a 1/2.3-inch (FZ330) sensor. The Canon has a resolution of 15.1 megapixels, whereas the Panasonic provides 12 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon 500D		Panasonic FZ330
Digital single lens reflex		Fixed lens compact camera
Canon EF mount lenses		25-600mm f/2.8
15.1 MP – APS-C sensor		12 MP – 1/2.3" sensor
1080/20p Video		4K/30p Video
ISO 100-6,400 (100 - 12,800)		ISO 100-6,400
Optical viewfinder		Electronic viewfinder (1440k dots)
3.0" LCD – 920k dots		3.0" LCD – 1040k dots
Fixed screen (not touch-sensitive)		Swivel touchscreen
3.4 shutter flaps per second		12 shutter flaps per second
not weather sealed		Weathersealed body
400 shots per battery charge		380 shots per battery charge
129 x 98 x 62 mm, 520 g		132 x 92 x 117 mm, 691 g

Check 500D offers at
ebay.com
Check FZ330 price at
amazon.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 500D and the Panasonic Lumix DMC-FZ330? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

The physical size and weight of the Canon 500D and the Panasonic FZ330 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ330 is somewhat smaller (4 percent) than the Canon 500D. It is noteworthy in this context that the FZ330 is splash and dust-proof, while the 500D does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ330 has a lens built in, whereas the 500D is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 500D and their specifications in the Canon EF Lens Catalog.

Concerning battery life, the 500D gets 400 shots out of its Canon LP-E5 battery, while the FZ330 can take 380 images on a single charge of its Panasonic DMW-BLC12 power pack.

The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Canon 500D	129 mm	98 mm	62 mm	520 g	400	n	Mar 2009	799	ebay.com
2.		Panasonic FZ330	132 mm	92 mm	117 mm	691 g	380	Y	Jul 2015	599	amazon.com
3.		Canon 450D	129 mm	98 mm	62 mm	524 g	500	n	Jan 2008	799	ebay.com
4.		Canon 550D	129 mm	98 mm	62 mm	530 g	440	n	Feb 2010	699	ebay.com
5.		Canon 600D	133 mm	100 mm	80 mm	570 g	440	n	Feb 2011	599	ebay.com
6.		Canon 650D	133 mm	100 mm	79 mm	575 g	440	n	Jun 2012	849	ebay.com
7.		Canon 700D	133 mm	100 mm	79 mm	580 g	440	n	Mar 2013	649	ebay.com
8.		Canon 750D	132 mm	101 mm	78 mm	555 g	440	n	Feb 2015	749	ebay.com
9.		Canon 760D	132 mm	101 mm	78 mm	565 g	440	n	Feb 2015	649	ebay.com
10.		Canon 1200D	130 mm	100 mm	78 mm	480 g	500	n	Feb 2014	449	ebay.com
11.		Canon G1 X	117 mm	81 mm	65 mm	534 g	250	n	Jan 2012	799	ebay.com
12.		Canon G1 X Mark II	116 mm	74 mm	66 mm	553 g	240	n	Feb 2014	799	ebay.com
13.		Canon G3 X	123 mm	77 mm	105 mm	733 g	300	Y	Jun 2015	999	ebay.com
14.		Canon SX60	128 mm	93 mm	114 mm	650 g	340	n	Sep 2014	549	ebay.com
15.		Panasonic FZ150	124 mm	82 mm	92 mm	528 g	410	n	Aug 2011	499	ebay.com
16.		Panasonic FZ200	125 mm	87 mm	110 mm	588 g	540	n	Jul 2012	599	ebay.com
17.		Panasonic LX5	110 mm	65 mm	43 mm	271 g	400	n	Jul 2010	499	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The FZ330 was launched at a lower price than the 500D, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.

Sensor comparison

The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.

Of the two cameras under consideration, the Canon 500D features an APS-C sensor and the Panasonic FZ330 a 1/2.3-inch sensor. The sensor area in the FZ330 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 5.6. The sensor in the 500D has a native 3:2 aspect ratio, while the one in the FZ330 offers a 4:3 aspect.

With 15.1MP, the 500D offers a higher resolution than the FZ330 (12MP), but the 500D nevertheless has larger individual pixels (pixel pitch of 4.69μm versus 1.53μm for the FZ330) due to its larger sensor. However, the FZ330 is a much more recent model (by 6 years and 3 months) than the 500D, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the FZ330 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Canon 500D implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 500D for good quality output (200 dots per inch) amounts to 23.8 x 15.8 inches or 60.4 x 40.2 cm, for very good quality (250 dpi) 19 x 12.7 inches or 48.3 x 32.2 cm, and for excellent quality (300 dpi) 15.8 x 10.6 inches or 40.2 x 26.8 cm. The corresponding values for the Panasonic FZ330 are 20 x 15 inches or 50.8 x 38.1 cm for good quality, 16 x 12 inches or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inches or 33.9 x 25.4 cm for excellent quality prints.

The Canon EOS 500D has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Panasonic Lumix DMC-FZ330 are ISO 100 to ISO 6400 (no boost).

In terms of underlying technology, the 500D is build around a CMOS sensor, while the FZ330 uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the 500D provides substantially higher image quality than the FZ330, with an overall score that is 25 points higher. This advantage is based on 2.4 bits higher color depth, 0.5 EV in additional dynamic range, and 2.8 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon 500D	APS-C	15.1	4752	3168	1080/20p	21.7	11.5	663	63
2.		Panasonic FZ330	1/2.3	12.0	4000	3000	4K/30p	19.3	11.0	97	38
3.		Canon 450D	APS-C	12.2	4272	2848	none	21.9	10.8	692	61
4.		Canon 550D	APS-C	17.9	5184	3456	1080/30p	22.1	11.5	784	66
5.		Canon 600D	APS-C	17.9	5184	3456	1080/30p	22.1	11.5	793	65
6.		Canon 650D	APS-C	17.9	5184	3456	1080/30p	21.7	11.2	722	62
7.		Canon 700D	APS-C	17.9	5184	3456	1080/30p	21.7	11.2	681	61
8.		Canon 750D	APS-C	24.0	6000	4000	1080/30p	22.7	12.0	919	71
9.		Canon 760D	APS-C	24.0	6000	4000	1080/30p	22.6	12.0	915	70
10.		Canon 1200D	APS-C	17.9	5184	3456	1080/30p	21.9	11.3	724	63
11.		Canon G1 X	1.5-inch	14.2	4352	3264	1080/24p	21.7	10.8	644	60
12.		Canon G1 X Mark II	1.5-inch	13.0	4160	3120	1080/30p	21.5	10.8	581	58
13.		Canon G3 X	1-inch	20.0	5472	3648	1080/60p	21.4	12.3	521	63
14.		Canon SX60	1/2.3	14.2	4608	3072	1080/60p	19.2	10.8	127	39
15.		Panasonic FZ150	1/2.3	12.0	4000	3000	1080/60p	19.4	10.9	132	40
16.		Panasonic FZ200	1/2.3	12.0	4000	3000	1080/60p	19.1	10.8	114	37
17.		Panasonic LX5	1/1.7	10.0	3648	2736	720/60p	19.6	10.8	132	41

Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the FZ330 provides a better video resolution than the 500D. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/20p.

Feature comparison

Beyond body and sensor, cameras can and do differ across a range of features. For example, the FZ330 has an electronic viewfinder (1440k dots), while the 500D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the FZ330 offers a wider field of view (100%) than the one in the 500D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the FZ330 has a higher magnification (0.70x vs 0.54x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 500D, the Panasonic FZ330, and comparable cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon 500D	optical	n	3.0 / 920	fixed	n	1/4000s	3.4/s	Y	n
2.		Panasonic FZ330	1440	n	3.0 / 1040	swivel	Y	1/4000s	12.0/s	Y	Y
3.		Canon 450D	optical	n	3.0 / 230	fixed	n	1/4000s	3.5/s	Y	n
4.		Canon 550D	optical	n	3.0 / 1040	fixed	n	1/4000s	3.7/s	Y	n
5.		Canon 600D	optical	n	3.0 / 1040	swivel	n	1/4000s	3.7/s	Y	n
6.		Canon 650D	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
7.		Canon 700D	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
8.		Canon 750D	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
9.		Canon 760D	optical	Y	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
10.		Canon 1200D	optical	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	n
11.		Canon G1 X	optical	n	3.0 / 922	swivel	n	1/4000s	1.9/s	Y	Y
12.		Canon G1 X Mark II	optional	n	3.0 / 1040	tilting	Y	1/4000s	5.2/s	Y	Y
13.		Canon G3 X	optional	n	3.2 / 1620	tilting	Y	1/2000s	5.9/s	Y	Y
14.		Canon SX60	922	n	3.0 / 922	swivel	n	1/2000s	6.4/s	Y	Y
15.		Panasonic FZ150	202	n	3.0 / 460	swivel	n	1/2000s	12.0/s	Y	Y
16.		Panasonic FZ200	1312	n	3.0 / 460	swivel	n	1/4000s	12.0/s	Y	Y
17.		Panasonic LX5	optional	n	3.0 / 460	fixed	n	1/4000s	2.5/s	Y	Y
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The FZ330 has a touchscreen, while the 500D has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ330 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Panasonic FZ330 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The 500D writes its imaging data to SDHC cards, while the FZ330 uses SDXC cards. The FZ330 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the 500D cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 500D and Panasonic Lumix DMC-FZ330 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon 500D	Y	mono / mono	-	-	mini	2.0	-	-	-
2.		Panasonic FZ330	Y	stereo / mono	Y	-	mini	2.0	Y	-	-
3.		Canon 450D	Y	- / -	-	-	mini	2.0	-	-	-
4.		Canon 550D	Y	stereo / -	Y	-	mini	2.0	-	-	-
5.		Canon 600D	Y	mono / mono	Y	-	mini	2.0	-	-	-
6.		Canon 650D	Y	stereo / mono	Y	-	mini	2.0	-	-	-
7.		Canon 700D	Y	stereo / mono	Y	-	mini	2.0	-	-	-
8.		Canon 750D	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
9.		Canon 760D	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
10.		Canon 1200D	Y	mono / mono	-	-	mini	2.0	-	-	-
11.		Canon G1 X	Y	stereo / mono	-	-	mini	2.0	-	-	-
12.		Canon G1 X Mark II	Y	stereo / mono	-	-	mini	2.0	Y	Y	-
13.		Canon G3 X	Y	stereo / mono	Y	Y	mini	2.0	Y	Y	-
14.		Canon SX60	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
15.		Panasonic FZ150	Y	stereo / -	-	-	mini	2.0	-	-	-
16.		Panasonic FZ200	Y	stereo / mono	Y	-	mini	2.0	-	-	-
17.		Panasonic LX5	Y	mono / mono	-	-	mini	2.0	-	-	-

It is notable that the FZ330 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 500D does not provide wifi capability.

The FZ330 is a recent model that features in the current product line-up of Panasonic. In contrast, the 500D has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the 500D was succeeded by the Canon 550D. Further information on the features and operation of the 500D and FZ330 can be found, respectively, in the Canon 500D Manual (free pdf) or the online Panasonic FZ330 Manual.

Review summary

So what conclusions can be drawn? Is there a clear favorite between the Canon 500D and the Panasonic FZ330? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.

Reasons to prefer the Canon EOS 500D:

• More detail: Offers more megapixels (15.1 vs 12MP) with a 14% higher linear resolution.
• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Better image quality: Scores substantially higher (25 points) in the DXO overall assessment.
• Richer colors: Generates images with noticeably better colors (2.4 bits more color depth).
• Better low-light sensitivity: Requires less light for good images (2.8 stops ISO advantage).
• Brighter framing: Features an optical viewfinder for clear, lag-free composition.
• More flexible: Can take a variety of interchangeable lenses, including specialty optics.
• More heavily discounted: Has been available for much longer (launched in March 2009).

Arguments in favor of the Panasonic Lumix DMC-FZ330:

• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better video: Provides higher definition movie capture (4K/30p vs 1080/20p).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• More framing info: Has an electronic viewfinder that displays shooting data.
• More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
• Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.54x).
• More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
• More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
• Faster burst: Shoots at higher frequency (12 vs 3.4 flaps/sec) to capture the decisive moment.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Ready to shoot: Comes with an integrated lens, while the 500D requires a separate lens.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
• More affordable: Was introduced at a lower price, despite coming with a built-in lens.
• More modern: Reflects 6 years and 3 months of technical progress since the 500D launch.

If the number of relative strengths (bullet points above) is taken as a guide, the FZ330 is the clear winner of the contest (20 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon 500D and the Panasonic FZ330 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the 500D or the FZ330 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.

Expert reviews

This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Canon 500D	..	+ +	..	74/100	4.5/5	4.5/5	Mar 2009	799	ebay.com
2.		Panasonic FZ330	..	+ +	..	..	4.5/5	4.5/5	Jul 2015	599	amazon.com
3.		Canon 450D	..	+ +	..	+ +	4/5	4.5/5	Jan 2008	799	ebay.com
4.		Canon 550D	..	+ +	..	77/100	4/5	4.5/5	Feb 2010	699	ebay.com
5.		Canon 600D	3/5	o	..	77/100	4.5/5	4.5/5	Feb 2011	599	ebay.com
6.		Canon 650D	4/5	+ +	..	77/100	4.5/5	4.5/5	Jun 2012	849	ebay.com
7.		Canon 700D	..	..	..	76/100	4.5/5	4.5/5	Mar 2013	649	ebay.com
8.		Canon 750D	5/5	..	..	75/100	4.5/5	4.5/5	Feb 2015	749	ebay.com
9.		Canon 760D	5/5	+	..	77/100	4.5/5	4.5/5	Feb 2015	649	ebay.com
10.		Canon 1200D	3/5	+	..	..	4/5	4.5/5	Feb 2014	449	ebay.com
11.		Canon G1 X	5/5	+	..	76/100	4/5	4.5/5	Jan 2012	799	ebay.com
12.		Canon G1 X Mark II	3/5	+	..	77/100	4/5	4.5/5	Feb 2014	799	ebay.com
13.		Canon G3 X	3.5/5	+	..	..	4.5/5	4/5	Jun 2015	999	ebay.com
14.		Canon SX60	3/5	+ +	..	75/100	4/5	4.5/5	Sep 2014	549	ebay.com
15.		Panasonic FZ150	3/5	+ +	..	76/100	4/5	4.5/5	Aug 2011	499	ebay.com
16.		Panasonic FZ200	3/5	+ +	..	80/100	4.5/5	4.5/5	Jul 2012	599	ebay.com
17.		Panasonic LX5	4/5	+	..	73/100	4.5/5	4.5/5	Jul 2010	499	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.

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Other camera comparisons

Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.

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