Canon 500D vs Fujifilm GFX 50S

The Canon EOS 500D (called Canon T1i in some regions) and the Fujifilm GFX 50S are two digital cameras that were officially introduced, respectively, in March 2009 and September 2016. The 500D is a DSLR, while the GFX 50S is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (500D) and a medium format (GFX 50S) sensor. The Canon has a resolution of 15.1 megapixels, whereas the Fujifilm provides 51.1 MP.

Below is an overview of the main specs of the two cameras as a starting point for the comparison.

Headline Specifications

Canon 500D		Fujifilm GFX 50S
Digital single lens reflex		Mirrorless system camera
Canon EF mount lenses		Fujifilm G mount lenses
15.1 MP – APS-C sensor		51.1 MP – Medium Format sensor
1080/20p Video		1080/30p Video
ISO 100-6,400 (100 - 12,800)		ISO 100-12,800 (50 - 102,400)
Optical viewfinder		Viewfinder optional
3.0" LCD – 920k dots		3.2" LCD – 2360k dots
Fixed screen (not touch-sensitive)		Fully flexible touchscreen
3.4 shutter flaps per second		3 shutter flaps per second
not weather sealed		Weathersealed body
400 shots per battery charge		400 shots per battery charge
129 x 98 x 62 mm, 520 g		148 x 94 x 91 mm, 740 g

Check 500D offers at
ebay.com
Check GFX 50S offers at
ebay.com

Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 500D and the Fujifilm GFX 50S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.

Body comparison

An illustration of the physical size and weight of the Canon 500D and the Fujifilm GFX 50S is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.

If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50S is notably larger (10 percent) than the Canon 500D. Moreover, the GFX 50S is substantially heavier (42 percent) than the 500D. It is noteworthy in this context that the GFX 50S is splash and dust-proof, while the 500D does not feature any corresponding weather-sealing.

The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.

The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.

Body Specifications

		Camera Model	Camera Width	Camera Height	Camera Depth	Camera Weight	Battery Life	Weather Sealing	Camera Launch	Launch Price (USD)	Street Price
1.		Canon 500D	129 mm	98 mm	62 mm	520 g	400	n	Mar 2009	799	ebay.com
2.		Fujifilm GFX 50S	148 mm	94 mm	91 mm	740 g	400	Y	Sep 2016	6,499	ebay.com
3.		Canon 450D	129 mm	98 mm	62 mm	524 g	500	n	Jan 2008	799	ebay.com
4.		Canon 550D	129 mm	98 mm	62 mm	530 g	440	n	Feb 2010	699	ebay.com
5.		Canon 600D	133 mm	100 mm	80 mm	570 g	440	n	Feb 2011	599	ebay.com
6.		Canon 650D	133 mm	100 mm	79 mm	575 g	440	n	Jun 2012	849	ebay.com
7.		Canon 700D	133 mm	100 mm	79 mm	580 g	440	n	Mar 2013	649	ebay.com
8.		Canon 750D	132 mm	101 mm	78 mm	555 g	440	n	Feb 2015	749	ebay.com
9.		Canon 760D	132 mm	101 mm	78 mm	565 g	440	n	Feb 2015	649	ebay.com
10.		Canon 1200D	130 mm	100 mm	78 mm	480 g	500	n	Feb 2014	449	ebay.com
11.		Canon G1 X	117 mm	81 mm	65 mm	534 g	250	n	Jan 2012	799	ebay.com
12.		Canon G1 X Mark II	116 mm	74 mm	66 mm	553 g	240	n	Feb 2014	799	ebay.com
13.		Fujifilm GFX 50R	161 mm	97 mm	66 mm	775 g	400	Y	Sep 2018	4,499	ebay.com
14.		Fujifilm GFX 50S II	150 mm	104 mm	87 mm	900 g	440	Y	Sep 2021	3,999	amazon.com
15.		Hasselblad X1D II	148 mm	97 mm	70 mm	766 g	..	Y	Jun 2019	5,750	ebay.com
16.		Leica M10	139 mm	80 mm	39 mm	660 g	210	Y	Jan 2017	6,595	ebay.com
17.		Leica SL	147 mm	104 mm	39 mm	847 g	400	Y	Oct 2015	7,450	ebay.com
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
Convert to Imperial

Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The 500D was launched at a markedly lower price (by 88 percent) than the GFX 50S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.

Sensor comparison

The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.

Of the two cameras under consideration, the Canon 500D features an APS-C sensor and the Fujifilm GFX 50S a medium format sensor. The sensor area in the GFX 50S is 337 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 0.79. The sensor in the 500D has a native 3:2 aspect ratio, while the one in the GFX 50S offers a 4:3 aspect.

With 51.1MP, the GFX 50S offers a higher resolution than the 500D (15.1MP), but the GFX 50S nevertheless has larger individual pixels (pixel pitch of 5.33μm versus 4.69μm for the 500D) due to its larger sensor. Moreover, the GFX 50S is a much more recent model (by 7 years and 5 months) than the 500D, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 50S has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.

The resolution advantage of the Fujifilm GFX 50S implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 50S for good quality output (200 dots per inch) amounts to 41.3 x 31 inches or 104.9 x 78.6 cm, for very good quality (250 dpi) 33 x 24.8 inches or 83.9 x 62.9 cm, and for excellent quality (300 dpi) 27.5 x 20.6 inches or 69.9 x 52.4 cm. The corresponding values for the Canon 500D are 23.8 x 15.8 inches or 60.4 x 40.2 cm for good quality, 19 x 12.7 inches or 48.3 x 32.2 cm for very good quality, and 15.8 x 10.6 inches or 40.2 x 26.8 cm for excellent quality prints.

The Canon EOS 500D has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Fujifilm GFX 50S are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.

Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.

For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.

Sensor Characteristics

		Camera Model	Sensor Class	Resolution (MP)	Horiz. Pixels	Vert. Pixels	Video Format	DXO Portrait	DXO Landscape	DXO Sports	DXO Overall
1.		Canon 500D	APS-C	15.1	4752	3168	1080/20p	21.7	11.5	663	63
2.		Fujifilm GFX 50S	Medium Format	51.1	8256	6192	1080/30p	25.4	14.1	2977	96
3.		Canon 450D	APS-C	12.2	4272	2848	none	21.9	10.8	692	61
4.		Canon 550D	APS-C	17.9	5184	3456	1080/30p	22.1	11.5	784	66
5.		Canon 600D	APS-C	17.9	5184	3456	1080/30p	22.1	11.5	793	65
6.		Canon 650D	APS-C	17.9	5184	3456	1080/30p	21.7	11.2	722	62
7.		Canon 700D	APS-C	17.9	5184	3456	1080/30p	21.7	11.2	681	61
8.		Canon 750D	APS-C	24.0	6000	4000	1080/30p	22.7	12.0	919	71
9.		Canon 760D	APS-C	24.0	6000	4000	1080/30p	22.6	12.0	915	70
10.		Canon 1200D	APS-C	17.9	5184	3456	1080/30p	21.9	11.3	724	63
11.		Canon G1 X	1.5-inch	14.2	4352	3264	1080/24p	21.7	10.8	644	60
12.		Canon G1 X Mark II	1.5-inch	13.0	4160	3120	1080/30p	21.5	10.8	581	58
13.		Fujifilm GFX 50R	Medium Format	51.1	8256	6192	1080/30p	25.7	14.4	3169	98
14.		Fujifilm GFX 50S II	Medium Format	51.1	8256	6192	1080/30p	25.9	14.8	3456	100
15.		Hasselblad X1D II	Medium Format	51.3	8272	6200	1080/25p	25.7	14.5	3234	99
16.		Leica M10	Full Frame	23.8	5952	3992	none	24.4	13.2	2133	86
17.		Leica SL	Full Frame	24.0	6000	4000	4K/30p	25.0	13.4	1821	88
Note: DXO values in italics represent estimates based on sensor size and age.

Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the GFX 50S provides a faster frame rate than the 500D. It can shoot movie footage at 1080/30p, while the Canon is limited to 1080/20p.

Feature comparison

Apart from body and sensor, cameras can and do differ across a range of features. For example, the 500D has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GFX 50S relies on live view and the rear LCD for framing. That said, the GFX 50S can be equipped with an optional viewfinder – the EVF-TL1. The table below summarizes some of the other core capabilities of the Canon 500D and Fujifilm GFX 50S in connection with corresponding information for a sample of similar cameras.

Core Features

		Camera Model	Viewfinder (Type or 000 dots)	Control Panel (yes/no)	LCD Specifications (inch/000 dots)	LCD Attach- ment	Touch Screen (yes/no)	Max Shutter Speed *	Max Shutter Flaps *	Built-in Flash (yes/no)	Built-in Image Stab
1.		Canon 500D	optical	n	3.0 / 920	fixed	n	1/4000s	3.4/s	Y	n
2.		Fujifilm GFX 50S	optional	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	n
3.		Canon 450D	optical	n	3.0 / 230	fixed	n	1/4000s	3.5/s	Y	n
4.		Canon 550D	optical	n	3.0 / 1040	fixed	n	1/4000s	3.7/s	Y	n
5.		Canon 600D	optical	n	3.0 / 1040	swivel	n	1/4000s	3.7/s	Y	n
6.		Canon 650D	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
7.		Canon 700D	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
8.		Canon 750D	optical	n	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
9.		Canon 760D	optical	Y	3.0 / 1040	swivel	Y	1/4000s	5.0/s	Y	n
10.		Canon 1200D	optical	n	3.0 / 460	fixed	n	1/4000s	3.0/s	Y	n
11.		Canon G1 X	optical	n	3.0 / 922	swivel	n	1/4000s	1.9/s	Y	Y
12.		Canon G1 X Mark II	optional	n	3.0 / 1040	tilting	Y	1/4000s	5.2/s	Y	Y
13.		Fujifilm GFX 50R	3690	n	3.2 / 2360	tilting	Y	1/4000s	3.0/s	n	n
14.		Fujifilm GFX 50S II	3690	Y	3.2 / 2360	full-flex	Y	1/4000s	3.0/s	n	Y
15.		Hasselblad X1D II	3690	n	3.6 / 2360	fixed	Y	1/2000s	2.7/s	n	n
16.		Leica M10	optical	n	3.0 / 1037	fixed	n	1/4000s	5.0/s	n	n
17.		Leica SL	4400	Y	3.0 / 1040	fixed	Y	1/8000s	11.0/s	n	n
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.

One difference between the cameras concerns the presence of an on-board flash. The 500D has one, while the GFX 50S does not. While the built-in flash of the 500D is not very powerful, it can at times be useful as a fill-in light.

The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 50S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).

The Fujifilm GFX 50S has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.

The 500D writes its imaging data to SDHC cards, while the GFX 50S uses SDXC cards. The GFX 50S features dual card slots, which can be very useful in case a memory card fails. In contrast, the 500D only has one slot. The GFX 50S supports UHS-II cards (on both slots), while the 500D cannot take advantage of Ultra High Speed SD cards.

Connectivity comparison

For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 500D and Fujifilm GFX 50S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.

Input-Output Connections

		Camera Model	Hotshoe Port	Internal Mic / Speaker	Microphone Port	Headphone Port	HDMI Port	USB Port	WiFi Support	NFC Support	Bluetooth Support
1.		Canon 500D	Y	mono / mono	-	-	mini	2.0	-	-	-
2.		Fujifilm GFX 50S	Y	stereo / mono	Y	Y	micro	3.0	Y	-	-
3.		Canon 450D	Y	- / -	-	-	mini	2.0	-	-	-
4.		Canon 550D	Y	stereo / -	Y	-	mini	2.0	-	-	-
5.		Canon 600D	Y	mono / mono	Y	-	mini	2.0	-	-	-
6.		Canon 650D	Y	stereo / mono	Y	-	mini	2.0	-	-	-
7.		Canon 700D	Y	stereo / mono	Y	-	mini	2.0	-	-	-
8.		Canon 750D	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
9.		Canon 760D	Y	stereo / mono	Y	-	mini	2.0	Y	Y	-
10.		Canon 1200D	Y	mono / mono	-	-	mini	2.0	-	-	-
11.		Canon G1 X	Y	stereo / mono	-	-	mini	2.0	-	-	-
12.		Canon G1 X Mark II	Y	stereo / mono	-	-	mini	2.0	Y	Y	-
13.		Fujifilm GFX 50R	Y	stereo / mono	Y	Y	micro	3.0	Y	-	Y
14.		Fujifilm GFX 50S II	Y	stereo / mono	Y	Y	micro	3.2	Y	-	-
15.		Hasselblad X1D II	Y	stereo / mono	Y	Y	-	3.0	Y	-	-
16.		Leica M10	Y	- / -	-	-	-	-	Y	-	-
17.		Leica SL	Y	stereo / mono	Y	Y	full	3.0	Y	-	-

It is notable that the GFX 50S offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 500D does not provide wifi capability.

Studio photographers will appreciate that the Fujifilm GFX 50S (unlike the 500D) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.

Both the 500D and the GFX 50S have been discontinued, but can regularly be found used on ebay. The 500D was replaced by the Canon 550D, while the GFX 50S was followed by the Fujifilm GFX 50S II. Further information on the features and operation of the 500D and GFX 50S can be found, respectively, in the Canon 500D Manual (free pdf) or the online Fujifilm GFX 50S Manual.

Review summary

So what conclusions can be drawn? Is the Canon 500D better than the Fujifilm GFX 50S or vice versa? The listing below highlights the relative strengths of the two models.

Advantages of the Canon EOS 500D:

• Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
• Easier framing: Has an optical viewfinder for image composition and settings control.
• Faster burst: Shoots at higher frequency (3.4 vs 3 flaps/sec) to capture the decisive moment.
• Less heavy: Is lighter (by 220g or 30 percent) and hence easier to carry around.
• Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
• More affordable: Was introduced into a lower priced category (88 percent cheaper at launch).
• More heavily discounted: Has been available for much longer (launched in March 2009).

Reasons to prefer the Fujifilm GFX 50S:

• More detail: Has more megapixels (51.1 vs 15.1MP), which boosts linear resolution by 81%.
• Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
• Better image quality: Is equipped with a larger and more technologically advanced sensor.
• Richer colors: The sensor size advantage translates into images with better, more accurate colors.
• More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
• Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
• Better video: Provides higher movie framerates (1080/30p versus 1080/20p).
• Better sound: Can connect to an external microphone for higher quality sound recording.
• Better sound control: Has a headphone port that enables audio monitoring while recording.
• Easier setting verification: Features a control panel on top to check shooting parameters.
• Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
• More detailed LCD: Has a higher resolution rear screen (2360k vs 920k dots).
• More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
• Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
• Less disturbing: Has an electronic shutter option for completely silent shooting.
• Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
• Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
• More legacy lens friendly: Can use many non-native lenses via adapters.
• Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
• Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
• Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
• Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
• Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
• More modern: Reflects 7 years and 5 months of technical progress since the 500D launch.

If the number of relative strengths (bullet points above) is taken as a guide, the GFX 50S is the clear winner of the contest (24 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.

How about other alternatives? Do the specifications of the Canon 500D and the Fujifilm GFX 50S place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.

In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the 500D or the GFX 50S perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.

Expert reviews

This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.

Expert Camera Reviews

		Camera   Model	AP   score	CL   score	DCW   score	DPR   score	EPZ   score	PB   score	Camera Launch	Launch Price (USD)	Street Price
1.		Canon 500D	..	+ +	..	74/100	4.5/5	4.5/5	Mar 2009	799	ebay.com
2.		Fujifilm GFX 50S	..	..	4.5/5	85/100	5/5	4.5/5	Sep 2016	6,499	ebay.com
3.		Canon 450D	..	+ +	..	+ +	4/5	4.5/5	Jan 2008	799	ebay.com
4.		Canon 550D	..	+ +	..	77/100	4/5	4.5/5	Feb 2010	699	ebay.com
5.		Canon 600D	3/5	o	..	77/100	4.5/5	4.5/5	Feb 2011	599	ebay.com
6.		Canon 650D	4/5	+ +	..	77/100	4.5/5	4.5/5	Jun 2012	849	ebay.com
7.		Canon 700D	..	..	..	76/100	4.5/5	4.5/5	Mar 2013	649	ebay.com
8.		Canon 750D	5/5	..	..	75/100	4.5/5	4.5/5	Feb 2015	749	ebay.com
9.		Canon 760D	5/5	+	..	77/100	4.5/5	4.5/5	Feb 2015	649	ebay.com
10.		Canon 1200D	3/5	+	..	..	4/5	4.5/5	Feb 2014	449	ebay.com
11.		Canon G1 X	5/5	+	..	76/100	4/5	4.5/5	Jan 2012	799	ebay.com
12.		Canon G1 X Mark II	3/5	+	..	77/100	4/5	4.5/5	Feb 2014	799	ebay.com
13.		Fujifilm GFX 50R	5/5	..	5/5	84/100	4.5/5	4.5/5	Sep 2018	4,499	ebay.com
14.		Fujifilm GFX 50S II	5/5	..	5/5	87/100	..	5/5	Sep 2021	3,999	amazon.com
15.		Hasselblad X1D II	..	..	4/5	..	4/5	4/5	Jun 2019	5,750	ebay.com
16.		Leica M10	4.5/5	..	..	..	4/5	4.5/5	Jan 2017	6,595	ebay.com
17.		Leica SL	4/5	..	4/5	84/100	4.5/5	4/5	Oct 2015	7,450	ebay.com
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.

The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.

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Other camera comparisons

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