Canon 40D vs Sony A68
The Canon EOS 40D and the Sony Alpha SLT-A68 are two digital cameras that were revealed to the public, respectively, in August 2007 and November 2015. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with an APS-C sensor. The Canon has a resolution of 10.1 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 40D and the Sony Alpha SLT-A68? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 40D and the Sony A68. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A68 is notably smaller (6 percent) than the Canon 40D. Moreover, the A68 is markedly lighter (26 percent) than the 40D. In this context, it is worth noting that neither the 40D nor the A68 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon 40D||146 mm||108 mm||74 mm||822 g||750||n||Aug 2007||1,299||ebay.com|
|2.||Sony A68||143 mm||104 mm||81 mm||610 g||540||n||Nov 2015||699||ebay.com|
|3.||Canon T3||130 mm||100 mm||78 mm||495 g||700||n||Feb 2011||449||ebay.com|
|4.||Canon 60D||145 mm||106 mm||79 mm||755 g||1100||Y||Aug 2010||1,399||ebay.com|
|5.||Canon 50D||146 mm||108 mm||74 mm||822 g||800||Y||Aug 2008||1,299||ebay.com|
|6.||Canon XS||126 mm||98 mm||65 mm||502 g||500||n||Jun 2008||449||ebay.com|
|7.||Canon XSi||129 mm||98 mm||62 mm||524 g||500||n||Jan 2008||799||ebay.com|
|8.||Canon 30D||144 mm||106 mm||74 mm||785 g||750||n||Feb 2006||1,399||ebay.com|
|9.||Canon XTi||127 mm||84 mm||65 mm||556 g||370||n||Aug 2006||799||ebay.com|
|10.||Canon 20D||144 mm||106 mm||72 mm||770 g||700||n||Aug 2004||1,499||ebay.com|
|11.||Canon 10D||150 mm||107 mm||75 mm||850 g||500||n||Feb 2003||1,999||ebay.com|
|12.||Nikon D90||132 mm||103 mm||77 mm||703 g||850||n||Aug 2008||1,299||ebay.com|
|13.||Pentax K-S1||121 mm||93 mm||70 mm||558 g||410||n||Aug 2014||749||ebay.com|
|14.||Sony A77 II||143 mm||104 mm||81 mm||647 g||480||Y||May 2014||1,199||ebay.com|
|15.||Sony A6000||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599||ebay.com|
|16.||Sony A58||129 mm||95 mm||78 mm||492 g||690||n||Feb 2013||599||ebay.com|
|17.||Sony A77||143 mm||104 mm||81 mm||732 g||470||Y||Aug 2011||1,399||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A68 was launched at a markedly lower price (by 46 percent) than the 40D, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the A68 is 11 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (40D) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 24MP, the A68 offers a higher resolution than the 40D (10.1MP), but the A68 has smaller individual pixels (pixel pitch of 3.91μm versus 5.73μm for the 40D). Yet, the A68 is a much more recent model (by 8 years and 2 months) than the 40D, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A68 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A68 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Canon 40D are 19.4 x 13 inches or 49.4 x 32.9 cm for good quality, 15.6 x 10.4 inches or 39.5 x 26.3 cm for very good quality, and 13 x 8.6 inches or 32.9 x 21.9 cm for excellent quality prints.
The Canon EOS 40D has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 100-3200. The corresponding ISO settings for the Sony Alpha SLT-A68 are ISO 100 to ISO 25600 (no boost).
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A68 offers substantially better image quality than the 40D (overall score 15 points higher). The advantage is based on 2 bits higher color depth, 2.2 EV in additional dynamic range, and 0 stops of reduced low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|14.||Sony A77 II||APS-C||24.0||6000||4000||1080/60p||23.5||12.7||1442||77|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The A68 indeed provides for movie recording, while the 40D does not. The highest resolution format that the A68 can use is 1080/60i.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A68 has an electronic viewfinder (1440k dots), while the 40D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A68 offers a wider field of view (100%) than the one in the 40D (95%), so that a larger proportion of the captured image is visible in the finder. On the other hand, the viewfinder of the 40D has a higher magnification (0.59x vs 0.57x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 40D and Sony A68 in connection with corresponding information for a sample of similar cameras.
|1.||Canon 40D||optical||Y||3.0 / 230||fixed||n||1/8000s||6.5/s||Y||n|
|2.||Sony A68||1440||Y||2.7 / 460||tilting||n||1/4000s||8.0/s||Y||Y|
|3.||Canon T3||optical||n||2.7 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|4.||Canon 60D||optical||Y||3.0 / 1040||swivel||n||1/8000s||5.3/s||Y||n|
|5.||Canon 50D||optical||Y||3.0 / 920||fixed||n||1/8000s||6.3/s||Y||n|
|6.||Canon XS||optical||n||2.5 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|7.||Canon XSi||optical||n||3.0 / 230||fixed||n||1/4000s||3.5/s||Y||n|
|8.||Canon 30D||optical||Y||2.5 / 230||fixed||n||1/8000s||5.0/s||Y||n|
|9.||Canon XTi||optical||n||2.5 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|10.||Canon 20D||optical||Y||1.8 / 118||fixed||n||1/8000s||5.0/s||Y||n|
|11.||Canon 10D||optical||Y||1.8 / 118||fixed||n||1/4000s||3.0/s||Y||n|
|12.||Nikon D90||optical||Y||3.0 / 920||fixed||n||1/4000s||4.5/s||Y||n|
|13.||Pentax K-S1||optical||n||3.0 / 921||fixed||n||1/6000s||5.4/s||Y||Y|
|14.||Sony A77 II||2359||Y||3.0 / 1229||full-flex||n||1/8000s||12.0/s||Y||Y|
|15.||Sony A6000||1440||n||3.0 / 922||tilting||n||1/4000s||11.0/s||Y||n|
|16.||Sony A58||1440||n||2.7 / 460||tilting||n||1/4000s||5.0/s||Y||Y|
|17.||Sony A77||2359||Y||3.0 / 921||full-flex||n||1/8000s||12.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that differentiates the A68 and the 40D is in-body image stabilization (IBIS). The A68 reduces the risk of handshake-induced blur with all attached lenses, while the 40D offers no blur reduction with lenses that themselves do not provide optical image stabilization.
The 40D writes its imaging data to Compact Flash cards, while the A68 uses SDXC or Memory Stick PRO Duo cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 40D and Sony Alpha SLT-A68 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 40D||Y||- / -||-||-||-||2.0||-||-||-|
|2.||Sony A68||Y||stereo / mono||Y||-||micro||2.0||-||-||-|
|3.||Canon T3||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|4.||Canon 60D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|5.||Canon 50D||Y||- / -||-||-||mini||2.0||-||-||-|
|6.||Canon XS||Y||- / -||-||-||-||2.0||-||-||-|
|7.||Canon XSi||Y||- / -||-||-||mini||2.0||-||-||-|
|8.||Canon 30D||Y||- / -||-||-||-||2.0||-||-||-|
|9.||Canon XTi||Y||- / -||-||-||-||2.0||-||-||-|
|10.||Canon 20D||Y||- / -||-||-||-||1.1||-||-||-|
|11.||Canon 10D||Y||- / -||-||-||-||1.1||-||-||-|
|12.||Nikon D90||Y||mono / mono||-||-||mini||2.0||-||-||-|
|13.||Pentax K-S1||Y||stereo / mono||-||-||micro||2.0||-||-||-|
|14.||Sony A77 II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|15.||Sony A6000||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony A58||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|17.||Sony A77||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
Studio photographers will appreciate that the Canon 40D (unlike the A68) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 40D and the A68 have been discontinued, but can regularly be found used on ebay. The 40D was replaced by the Canon 50D, while the A68 does not have a direct successor. Further information on the features and operation of the 40D and A68 can be found, respectively, in the Canon 40D Manual (free pdf) or the online Sony A68 Manual.
So what conclusions can be drawn? Is the Canon 40D better than the Sony A68 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon EOS 40D:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.59x vs 0.57x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Longer lasting: Can take more shots (750 versus 540) on a single battery charge.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in August 2007).
Advantages of the Sony Alpha SLT-A68:
- More detail: Has more megapixels (24 vs 10.1MP), which boosts linear resolution by 54%.
- Better image quality: Scores substantially higher (15 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (2.2 EV of extra DR).
- Broader imaging potential: Can capture not only stills but also 1080/60i video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- More detailed LCD: Has a higher resolution rear screen (460k vs 230k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster burst: Shoots at higher frequency (8 vs 6.5 flaps/sec) to capture the decisive moment.
- Less heavy: Has a lower weight (by 212g or 26 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More affordable: Was introduced into a lower priced category (46 percent cheaper at launch).
- More modern: Reflects 8 years and 2 months of technical progress since the 40D launch.
If the count of relative strengths (bullet points above) is taken as a measure, the A68 is the clear winner of the contest (14 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 40D and the Sony A68 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the 40D and the A68 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 40D||..||+ +||..||+ +||4.5/5||4.5/5||Aug 2007||1,299||ebay.com|
|2.||Sony A68||3/5||..||..||..||4/5||4/5||Nov 2015||699||ebay.com|
|3.||Canon T3||..||80/100||..||69/100||4/5||4.5/5||Feb 2011||449||ebay.com|
|4.||Canon 60D||5/5||+||..||79/100||4/5||4.5/5||Aug 2010||1,399||ebay.com|
|5.||Canon 50D||..||+ +||..||+ +||4.5/5||4.5/5||Aug 2008||1,299||ebay.com|
|6.||Canon XS||..||82/100||..||+ +||3.5/5||4.5/5||Jun 2008||449||ebay.com|
|7.||Canon XSi||..||+ +||..||+ +||4/5||4.5/5||Jan 2008||799||ebay.com|
|8.||Canon 30D||..||+ +||..||+ +||o||..||Feb 2006||1,399||ebay.com|
|9.||Canon XTi||..||+ +||..||+ +||o||4/5||Aug 2006||799||ebay.com|
|10.||Canon 20D||..||..||..||+ +||..||..||Aug 2004||1,499||ebay.com|
|11.||Canon 10D||..||..||..||+ +||..||..||Feb 2003||1,999||ebay.com|
|12.||Nikon D90||..||+ +||..||+ +||4/5||4.5/5||Aug 2008||1,299||ebay.com|
|13.||Pentax K-S1||4/5||..||..||..||4.5/5||4/5||Aug 2014||749||ebay.com|
|14.||Sony A77 II||4/5||..||..||80/100||4.5/5||5/5||May 2014||1,199||ebay.com|
|15.||Sony A6000||5/5||+||4.5/5||80/100||4.5/5||5/5||Feb 2014||599||ebay.com|
|16.||Sony A58||3/5||..||..||..||4.5/5||4.5/5||Feb 2013||599||ebay.com|
|17.||Sony A77||5/5||91/100||..||81/100||..||5/5||Aug 2011||1,399||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Canon 40D vs Sony A68
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 40D||Sony A68|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Sony A mount lenses|
|Launch Date||August 2007||November 2015|
|Launch Price||USD 1,299||USD 699|
|Sensor Specs||Canon 40D||Sony A68|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.3 x 14.9 mm||23.5 x 15.6 mm|
|Sensor Area||332.27 mm2||366.6 mm2|
|Sensor Diagonal||26.8 mm||28.2 mm|
|Sensor Resolution||10.1 Megapixels||24 Megapixels|
|Image Resolution||3888 x 2592 pixels||6000 x 4000 pixels|
|Pixel Pitch||5.73 μm||3.91 μm|
|Pixel Density||3.03 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60i Video|
|ISO Setting||100 - 1,600 ISO||100 - 25,600 ISO|
|ISO Boost||100 - 3,200 ISO||no Enhancement|
|Image Processor||DIGIC 3||BIONZ X|
|DXO Sensor Quality (score)||64||79|
|DXO Color Depth (bits)||22.1||24.1|
|DXO Dynamic Range (EV)||11.3||13.5|
|DXO Low Light (ISO)||703||701|
|Screen Specs||Canon 40D||Sony A68|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||1440k dots|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||2.7inch|
|LCD Resolution||230k dots||460k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Canon 40D||Sony A68|
|Focus System||Phase-detect AF||Phase-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/4000s|
|Continuous Shooting||6.5 shutter flaps/s||8 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||100 000 actuations|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||CF cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon 40D||Sony A68|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 40D||Sony A68|
|Battery Life (CIPA)||750 shots per charge||540 shots per charge|
146 x 108 x 74 mm
(5.7 x 4.3 x 2.9 in)
143 x 104 x 81 mm
(5.6 x 4.1 x 3.2 in)
|Camera Weight||822 g (29.0 oz)||610 g (21.5 oz)|
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