Canon 4000D vs Sony A7S
The Canon EOS 4000D (called Canon T100 in some regions) and the Sony Alpha A7S are two digital cameras that were announced, respectively, in February 2018 and April 2014. The 4000D is a DSLR, while the A7S is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (4000D) and a full frame (A7S) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Sony provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 4000D and the Sony Alpha A7S? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 4000D and the Sony A7S. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7S is notably smaller (9 percent) than the Canon 4000D. However, the A7S is markedly heavier (12 percent) than the 4000D. It is noteworthy in this context that the A7S is splash and dust-proof, while the 4000D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (4000D) and the Sony FE Lens Catalog (A7S). Mirrorless cameras, such as the A7S, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the 4000D gets 500 shots out of its LP-E10 battery, while the A7S can take 380 images on a single charge of its NP-FW50 power pack. The power pack in the A7S can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon 4000D||129 mm||102 mm||77 mm||436 g||500||n||Feb 2018||399|
|2.||Sony A7S||127 mm||94 mm||48 mm||489 g||380||Y||Apr 2014||2,499|
|3.||Canon 2000D||129 mm||101 mm||78 mm||475 g||500||n||Feb 2018||449|
|4.||Canon 200D||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549|
|5.||Canon G9 X Mark II||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529|
|6.||Canon 1300D||129 mm||101 mm||78 mm||485 g||500||n||Mar 2016||449|
|7.||Canon 1200D||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449|
|8.||Canon 100D||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549|
|9.||Canon 700D||133 mm||100 mm||79 mm||580 g||440||n||Mar 2013||649|
|10.||Canon 1100D||130 mm||100 mm||78 mm||495 g||700||n||Feb 2011||449|
|11.||Canon 550D||129 mm||98 mm||62 mm||530 g||440||n||Feb 2010||699|
|12.||Canon 500D||129 mm||98 mm||62 mm||520 g||400||n||Mar 2009||799|
|13.||Nikon Df||144 mm||110 mm||67 mm||760 g||1400||Y||Nov 2013||2,749|
|14.||Sony A7S II||127 mm||96 mm||60 mm||627 g||370||Y||Sep 2015||2,999|
|15.||Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999|
|16.||Sony A7||127 mm||94 mm||48 mm||474 g||340||Y||Oct 2013||1,699|
|17.||Sony A7R||127 mm||94 mm||48 mm||465 g||340||Y||Oct 2013||2,299|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 4000D was launched at a markedly lower price (by 84 percent) than the A7S, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 4000D features an APS-C sensor and the Sony A7S a full frame sensor. The sensor area in the A7S is 158 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of underlying technology, both cameras are build around CMOS sensors.
Despite having a smaller sensor, the Canon 4000D offers a higher resolution of 17.9 megapixels, compared with 12 MP of the Sony A7S. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.31μm versus 8.45μm for the A7S). However, it should be noted that the 4000D is much more recent (by 3 years and 10 months) than the A7S, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Canon 4000D implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 4000D for good quality output (200 dots per inch) amounts to 25.9 x 17.3 inches or 65.8 x 43.9 cm, for very good quality (250 dpi) 20.7 x 13.8 inches or 52.7 x 35.1 cm, and for excellent quality (300 dpi) 17.3 x 11.5 inches or 43.9 x 29.3 cm. The corresponding values for the Sony A7S are 21.2 x 14.2 inches or 53.8 x 36 cm for good quality, 17 x 11.3 inches or 43.1 x 28.8 cm for very good quality, and 14.1 x 9.4 inches or 35.9 x 24 cm for excellent quality prints.
The Canon EOS 4000D has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Sony Alpha A7S are ISO 100 to ISO 102400, with the possibility to increase the ISO range to 50-409600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under consideration, the A7S offers substantially better image quality than the 4000D (overall score 24 points higher). The advantage is based on 2 bits higher color depth, 1.8 EV in additional dynamic range, and 2.4 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Sony A7S||Full Frame||12.0||4240||2832||1080/60p||23.9||13.2||3702||87|
|5.||Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|13.||Nikon Df||Full Frame||16.2||4928||3280||none||24.6||13.1||3279||89|
|14.||Sony A7S II||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85|
|15.||Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|16.||Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
|17.||Sony A7R||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A7S provides a faster frame rate than the 4000D. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A7S has an electronic viewfinder (2400k dots), while the 4000D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A7S offers a wider field of view (100%) than the one in the 4000D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A7S has a higher magnification (0.71x vs 0.50x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The table below summarizes some of the other core capabilities of the Canon 4000D and Sony A7S in connection with corresponding information for a sample of similar cameras.
|1.||Canon 4000D||optical||n||2.7 / 230||fixed||n||1/4000s||3.0||Y||n|
|2.||Sony A7S||2400||n||3.0 / 921||tilting||n||1/8000s||5.0||n||n|
|3.||Canon 2000D||optical||n||3.0 / 920||fixed||n||1/4000s||3.0||Y||n|
|4.||Canon 200D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|5.||Canon G9 X Mark II||none||n||3.0 / 1040||fixed||Y||1/2000s||8.2||Y||Y|
|6.||Canon 1300D||optical||n||3.0 / 920||fixed||n||1/4000s||3.0||Y||n|
|7.||Canon 1200D||optical||n||3.0 / 460||fixed||n||1/4000s||3.0||Y||n|
|8.||Canon 100D||optical||n||3.0 / 1040||fixed||Y||1/4000s||4.9||Y||n|
|9.||Canon 700D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|10.||Canon 1100D||optical||n||2.7 / 230||fixed||n||1/4000s||3.0||Y||n|
|11.||Canon 550D||optical||n||3.0 / 1040||fixed||n||1/4000s||3.7||Y||n|
|12.||Canon 500D||optical||n||3.0 / 920||fixed||n||1/4000s||3.4||Y||n|
|13.||Nikon Df||optical||Y||3.2 / 921||fixed||n||1/4000s||5.5||n||n|
|14.||Sony A7S II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0||n||Y|
|15.||Sony A7 II||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0||n||Y|
|16.||Sony A7||2400||n||3.0 / 1230||tilting||n||1/8000s||5.0||n||n|
|17.||Sony A7R||2400||n||3.0 / 1230||tilting||n||1/8000s||4.0||n||n|
One difference between the cameras concerns the presence of an on-board flash. The 4000D has one, while the A7S does not. While the built-in flash of the 4000D is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7S is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The 4000D writes its imaging data to SDXC cards, while the A7S uses SDXC or Memory Stick PRO Duo cards. The A7S supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the 4000D cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 4000D and Sony Alpha A7S and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 4000D||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|2.||Sony A7S||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|3.||Canon 2000D||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|4.||Canon 200D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|5.||Canon G9 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|6.||Canon 1300D||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|7.||Canon 1200D||Y||mono / mono||-||-||mini||2.0||-||-||-|
|8.||Canon 100D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|9.||Canon 700D||Y||stereo / mono||Y||-||mini||2.0||-||-||-|
|10.||Canon 1100D||Y||stereo / mono||-||-||mini||2.0||-||-||-|
|11.||Canon 550D||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|12.||Canon 500D||Y||mono / mono||-||-||mini||2.0||-||-||-|
|13.||Nikon Df||Y||- / -||-||-||mini||2.0||-||-||-|
|14.||Sony A7S II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|15.||Sony A7 II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|16.||Sony A7||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
|17.||Sony A7R||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the A7S has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The 4000D lacks such a headphone port.
The 4000D is a recent model that features in the current product line-up of Canon. In contrast, the A7S has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the A7S was succeeded by the Sony A7S II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So how do things add up? Is the Canon 4000D better than the Sony A7S or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS 4000D:
- More detail: Offers more megapixels (17.9 vs 12MP) with a 22% higher linear resolution.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Less heavy: Is lighter (by 53g or 11 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (500 versus 380) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (84 percent cheaper at launch).
- More modern: Reflects 3 years and 10 months of technical progress since the A7S launch.
Reasons to prefer the Sony Alpha A7S:
- Better image quality: Scores substantially higher (24 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.8 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (2.4 stops ISO advantage).
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.71x vs 0.50x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (921k vs 230k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (5 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More heavily discounted: Has been around for much longer (launched in April 2014).
If the count of individual advantages (bullet points above) is taken as a guide, the A7S is the clear winner of the contest (21 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 4000D and the Sony A7S place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it says little about, for example, the shooting experience and imaging performance of the 4000D and the A7S in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 4000D||..||o||3/5||..||3.5/5||3.5/5||Feb 2018||399|
|2.||Sony A7S||4/5||..||..||86/100||4.5/5||5/5||Apr 2014||2,499|
|3.||Canon 2000D||..||o||..||..||3.5/5||3.5/5||Feb 2018||449|
|4.||Canon 200D||4/5||+ +||4/5||78/100||4.5/5||4.5/5||Jun 2017||549|
|5.||Canon G9 X Mark II||4/5||..||4/5||75/100||4.5/5||4.5/5||Jan 2017||529|
|6.||Canon 1300D||4/5||o||4/5||73/100||4/5||4/5||Mar 2016||449|
|7.||Canon 1200D||3/5||+||..||..||4/5||4.5/5||Feb 2014||449|
|8.||Canon 100D||4/5||+||..||78/100||4/5||4/5||Mar 2013||549|
|9.||Canon 700D||..||..||..||76/100||4.5/5||4.5/5||Mar 2013||649|
|10.||Canon 1100D||..||80/100||..||69/100||4/5||4.5/5||Feb 2011||449|
|11.||Canon 550D||..||+ +||..||77/100||4/5||4.5/5||Feb 2010||699|
|12.||Canon 500D||..||+ +||..||74/100||4.5/5||4.5/5||Mar 2009||799|
|13.||Nikon Df||4/5||..||..||81/100||4/5||4/5||Nov 2013||2,749|
|14.||Sony A7S II||5/5||+||..||..||4.5/5||5/5||Sep 2015||2,999|
|15.||Sony A7 II||5/5||+||4/5||82/100||4.5/5||5/5||Nov 2014||1,999|
|16.||Sony A7||5/5||+ +||..||80/100||5/5||5/5||Oct 2013||1,699|
|17.||Sony A7R||5/5||+ +||..||82/100||4.5/5||5/5||Oct 2013||2,299|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 4000D vs Canon 5D Mark IV
- Canon 4000D vs Canon SX510
- Canon 4000D vs Nikon Z5
- Canon 4000D vs Olympus E-M10 II
- Canon 4000D vs Panasonic FZ2000
- Canon 4000D vs Panasonic G2
- Leica D-LUX 7 vs Sony A7S
- Leica M Typ 240 vs Sony A7S
- Nikon D800 vs Sony A7S
- Olympus E-520 vs Sony A7S
- Olympus E-M10 II vs Sony A7S
- Panasonic FZ2500 vs Sony A7S
Specifications: Canon 4000D vs Sony A7S
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 4000D||Sony A7S|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Sony E mount lenses|
|Launch Date||February 2018||April 2014|
|Launch Price||USD 399||USD 2,499|
|Sensor Specs||Canon 4000D||Sony A7S|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||22.3 x 14.9 mm||35.8 x 23.9 mm|
|Sensor Area||332.27 mm2||855.62 mm2|
|Sensor Diagonal||26.8 mm||43 mm|
|Sensor Resolution||17.9 Megapixels||12 Megapixels|
|Image Resolution||5184 x 3456 pixels||4240 x 2832 pixels|
|Pixel Pitch||4.31 μm||8.45 μm|
|Pixel Density||5.39 MP/cm2||1.40 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60p Video|
|ISO Setting||100 - 6,400 ISO||100 - 102,400 ISO|
|ISO Boost||100 - 12,800 ISO||50 - 409,600 ISO|
|Image Processor||DIGIC 4+||BIONZ X|
|DXO Sensor Quality (score)||63||87|
|DXO Color Depth (bits)||21.9||23.9|
|DXO Dynamic Range (EV)||11.4||13.2|
|DXO Low Light (ISO)||695||3702|
|Screen Specs||Canon 4000D||Sony A7S|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2400k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.7inch||3.0inch|
|LCD Resolution||230k dots||921k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Canon 4000D||Sony A7S|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||3 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||no E-Shutter||YES|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon 4000D||Sony A7S|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Body Specs||Canon 4000D||Sony A7S|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||500 shots per charge||380 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
129 x 102 x 77 mm
(5.1 x 4.0 x 3.0 in)
127 x 94 x 48 mm
(5.0 x 3.7 x 1.9 in)
|Camera Weight||436 g (15.4 oz)||489 g (17.2 oz)|
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