Canon 4000D vs Panasonic FZ150
The Canon EOS 4000D (called Canon T100 in some regions) and the Panasonic Lumix DMC-FZ150 are two digital cameras that were revealed to the public, respectively, in February 2018 and August 2011. The 4000D is a DSLR, while the FZ150 is a fixed lens compact. The cameras are based on an APS-C (4000D) and a 1/2.3-inch (FZ150) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Panasonic provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 4000D||Panasonic FZ150|
|Digital single lens reflex||Fixed lens compact camera|
|Canon EF mount lenses||25-600mm f/2.8-5.2|
|17.9 MP, APS-C Sensor||12 MP, 1/2.3" Sensor|
|1080/30p Video||1080/60p Video|
|ISO 100-6400 (100-12800)||ISO 100-3200 (100-6400)|
|Optical viewfinder||Electronic viewfinder (202k dots)|
|2.7" LCD, 230k dots||3.0" LCD, 460k dots|
|Fixed screen (not touch-sensitive)||Swivel screen (not touch-sensitive)|
|3 shutter flaps per second||12 shutter flaps per second|
|500 shots per battery charge||410 shots per battery charge|
|129 x 102 x 77 mm, 436 g||124 x 82 x 92 mm, 528 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 4000D and the Panasonic Lumix DMC-FZ150? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 4000D and the Panasonic FZ150 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ150 is notably smaller (23 percent) than the Canon 4000D. In this context, it is worth noting that neither the 4000D nor the FZ150 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ150 has a lens built in, whereas the 4000D is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 4000D and their specifications in the Canon EF Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 4000D»||5.1 in||4.0 in||3.0 in||15.4 oz||500||n||Feb 2018||399||Canon 4000D|
|Panasonic FZ150«||4.9 in||3.2 in||3.6 in||18.6 oz||410||n||Aug 2011||499||-||Panasonic FZ150|
|Canon 2000D« »||5.1 in||4.0 in||3.1 in||16.8 oz||500||n||Feb 2018||449||Canon 2000D|
|Canon 200D« »||4.8 in||3.7 in||2.8 in||16.0 oz||650||n||Jun 2017||549||-||Canon 200D|
|Canon G9 X Mark II« »||3.9 in||2.3 in||1.2 in||7.3 oz||235||n||Jan 2017||529||Canon G9 X Mark II|
|Canon 1300D« »||5.1 in||4.0 in||3.1 in||17.1 oz||500||n||Mar 2016||449||-||Canon 1300D|
|Canon 1200D« »||5.1 in||3.9 in||3.1 in||16.9 oz||500||n||Feb 2014||449||-||Canon 1200D|
|Canon SX60« »||5.0 in||3.7 in||4.5 in||22.9 oz||340||n||Sep 2014||549||-||Canon SX60|
|Canon 100D« »||4.6 in||3.6 in||2.7 in||14.4 oz||380||n||Mar 2013||549||-||Canon 100D|
|Canon 700D« »||5.2 in||3.9 in||3.1 in||20.5 oz||440||n||Mar 2013||649||-||Canon 700D|
|Canon SX50« »||4.8 in||3.4 in||4.2 in||21.0 oz||315||n||Sep 2012||429||-||Canon SX50|
|Canon 1100D« »||5.1 in||3.9 in||3.1 in||17.5 oz||700||n||Feb 2011||449||-||Canon 1100D|
|Canon 550D« »||5.1 in||3.9 in||2.4 in||18.7 oz||440||n||Feb 2010||699||-||Canon 550D|
|Canon 500D« »||5.1 in||3.9 in||2.4 in||18.3 oz||400||n||Mar 2009||799||-||Canon 500D|
|Panasonic FZ200« »||4.9 in||3.4 in||4.3 in||20.7 oz||540||n||Jul 2012||599||-||Panasonic FZ200|
|Panasonic FZ100« »||4.9 in||3.2 in||3.6 in||19.0 oz||410||n||Jul 2010||499||-||Panasonic FZ100|
|Panasonic LX5« »||4.3 in||2.6 in||1.7 in||9.6 oz||400||n||Jul 2010||499||-||Panasonic LX5|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 4000D features an APS-C sensor and the Panasonic FZ150 a 1/2.3-inch sensor. The sensor area in the FZ150 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 5.6. The sensor in the 4000D has a native 3:2 aspect ratio, while the one in the FZ150 offers a 4:3 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 17.9MP, the 4000D offers a higher resolution than the FZ150 (12MP), but the 4000D nevertheless has larger individual pixels (pixel pitch of 4.31μm versus 1.53μm for the FZ150) due to its larger sensor. Moreover, the 4000D is a much more recent model (by 6 years and 6 months) than the FZ150, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the FZ150 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon 4000D implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 4000D for good quality output (200 dots per inch) amounts to 25.9 x 17.3 inch or 65.8 x 43.9 cm, for very good quality (250 dpi) 20.7 x 13.8 inch or 52.7 x 35.1 cm, and for excellent quality (300 dpi) 17.3 x 11.5 inch or 43.9 x 29.3 cm. The corresponding values for the Panasonic FZ150 are 20 x 15 inch or 50.8 x 38.1 cm for good quality, 16 x 12 inch or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inch or 33.9 x 25.4 cm for excellent quality prints.
The Canon EOS 4000D has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Panasonic Lumix DMC-FZ150 are ISO 100 to ISO 3200, with the possibility to increase the ISO range to 100-6400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the 4000D provides substantially higher image quality than the FZ150, with an overall score that is 23 points higher. This advantage is based on 2.5 bits higher color depth, 0.5 EV in additional dynamic range, and 2.4 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon 4000D»||APS-C||17.9||5184||3456||1080/30p||21.9||11.4||695||63||Canon 4000D|
|Panasonic FZ150«||1/2.3||12.0||4000||3000||1080/60p||19.4||10.9||132||40||Panasonic FZ150|
|Canon 2000D« »||APS-C||24.0||6000||4000||1080/30p||22.6||11.9||1009||71||Canon 2000D|
|Canon 200D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79||Canon 200D|
|Canon G9 X Mark II« »||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65||Canon G9 X Mark II|
|Canon 1300D« »||APS-C||17.9||5184||3456||1080/30p||-||-||-||-||Canon 1300D|
|Canon 1200D« »||APS-C||17.9||5184||3456||1080/30p||21.9||11.3||724||63||Canon 1200D|
|Canon SX60« »||1/2.3||14.2||4608||3072||1080/60p||19.2||10.8||127||39||Canon SX60|
|Canon 100D« »||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63||Canon 100D|
|Canon 700D« »||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||681||61||Canon 700D|
|Canon SX50« »||1/2.3||12.0||4000||3000||1080/24p||20.3||11.2||179||47||Canon SX50|
|Canon 1100D« »||APS-C||12.2||4272||2848||720/30p||21.9||11.0||755||62||Canon 1100D|
|Canon 550D« »||APS-C||17.9||5184||3456||1080/30p||22.1||11.5||784||66||Canon 550D|
|Canon 500D« »||APS-C||15.1||4752||3168||1080/20p||21.7||11.5||663||63||Canon 500D|
|Panasonic FZ200« »||1/2.3||12.0||4000||3000||1080/60p||19.1||10.8||114||37||Panasonic FZ200|
|Panasonic FZ100« »||1/2.3||14.0||4320||3240||1080/60i||-||-||-||-||Panasonic FZ100|
|Panasonic LX5« »||1/1.7||10.0||3648||2736||720/60p||19.6||10.8||132||41||Panasonic LX5|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the FZ150 provides a faster frame rate than the 4000D. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the FZ150 has an electronic viewfinder (202k dots), while the 4000D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The adjacent table lists some of the other core features of the Canon 4000D and Panasonic FZ150 along with similar information for a selection of comparators.
|Canon 4000D»||optical||n||2.7||230||fixed||n||1/4000s||3.0||Y||n||Canon 4000D|
|Panasonic FZ150«||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Panasonic FZ150|
|Canon 2000D« »||optical||n||3.0||920||fixed||n||1/4000s||3.0||Y||n||Canon 2000D|
|Canon 200D« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 200D|
|Canon G9 X Mark II« »||-||n||3.0||1040||fixed||Y||1/2000s||8.2||Y||Y||Canon G9 X Mark II|
|Canon 1300D« »||optical||n||3.0||920||fixed||n||1/4000s||3.0||Y||n||Canon 1300D|
|Canon 1200D« »||optical||n||3.0||460||fixed||n||1/4000s||3.0||Y||n||Canon 1200D|
|Canon SX60« »||922||n||3.0||922||swivel||n||1/2000s||6.4||Y||Y||Canon SX60|
|Canon 100D« »||optical||n||3.0||1040||fixed||Y||1/4000s||4.9||Y||n||Canon 100D|
|Canon 700D« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 700D|
|Canon SX50« »||202||n||3.0||461||swivel||n||1/2000s||2.2||Y||Y||Canon SX50|
|Canon 1100D« »||optical||n||2.7||230||fixed||n||1/4000s||3.0||Y||n||Canon 1100D|
|Canon 550D« »||optical||n||3.0||1040||fixed||n||1/4000s||3.7||Y||n||Canon 550D|
|Canon 500D« »||optical||n||3.0||920||fixed||n||1/4000s||3.4||Y||n||Canon 500D|
|Panasonic FZ200« »||1312||n||3.0||460||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ200|
|Panasonic FZ100« »||202||n||3.0||460||swivel||n||1/2000s||11.0||Y||Y||Panasonic FZ100|
|Panasonic LX5« »||-||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y||Panasonic LX5|
Concerning the storage of imaging data, both the 4000D and the FZ150 write their files to SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 4000D and Panasonic Lumix DMC-FZ150 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 4000D»||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon 4000D|
|Panasonic FZ150«||Y||stereo||-||-||-||mini||2.0||-||-||-||Panasonic FZ150|
|Canon 2000D« »||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon 2000D|
|Canon 200D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 200D|
|Canon G9 X Mark II« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon G9 X Mark II|
|Canon 1300D« »||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon 1300D|
|Canon 1200D« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon 1200D|
|Canon SX60« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon SX60|
|Canon 100D« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 100D|
|Canon 700D« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon 700D|
|Canon SX50« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon SX50|
|Canon 1100D« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon 1100D|
|Canon 550D« »||Y||stereo||-||Y||-||mini||2.0||-||-||-||Canon 550D|
|Canon 500D« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon 500D|
|Panasonic FZ200« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic FZ200|
|Panasonic FZ100« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic FZ100|
|Panasonic LX5« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Panasonic LX5|
It is notable that the 4000D offers wifi support, while the FZ150 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
The 4000D is a recent model that features in the current product line-up of Canon. In contrast, the FZ150 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the FZ150 was succeeded by the Panasonic FZ200. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what is the bottom line? Which of the two cameras – the Canon 4000D or the Panasonic FZ150 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS 4000D:
- More detail: Offers more megapixels (17.9 vs 12MP) with a 25% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores substantially higher (23 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (2.5 bits more color depth).
- Better low-light sensitivity: Requires less light for good images (2.4 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Faster shutter: Has higher mechanical shutter speed (1/4000s vs 1/2000s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (500 versus 410) on a single battery charge.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More modern: Reflects 6 years and 6 months of technical progress since the FZ150 launch.
Advantages of the Panasonic Lumix DMC-FZ150:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (460k vs 230k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 3 flaps/sec) to capture the decisive moment.
- Ready to shoot: Comes with an integrated lens, while the 4000D requires a separate lens.
- More compact: Is smaller (124x82mm vs 129x102mm) and will fit more readily into a bag.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More heavily discounted: Has been around for much longer (launched in August 2011).
If the number of relative strengths (bullet points above) is taken as a guide, the match-up finishes in a tie (12 points each). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 4000D and the Panasonic FZ150 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the 4000D and the FZ150 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 4000D»||o||-||3.5/5||-||3.5/5||Feb 2018||399||Canon 4000D|
|Panasonic FZ150«||+ +||76/100||4/5||5/5||4.5/5||Aug 2011||499||-||Panasonic FZ150|
|Canon 2000D« »||o||-||3.5/5||-||3.5/5||Feb 2018||449||Canon 2000D|
|Canon 200D« »||+ +||78/100||4.5/5||4.5/5||4.5/5||Jun 2017||549||-||Canon 200D|
|Canon G9 X Mark II« »||-||75/100||4.5/5||4.5/5||4.5/5||Jan 2017||529||Canon G9 X Mark II|
|Canon 1300D« »||o||73/100||4/5||3.5/5||4/5||Mar 2016||449||-||Canon 1300D|
|Canon 1200D« »||+||-||4/5||4/5||4.5/5||Feb 2014||449||-||Canon 1200D|
|Canon SX60« »||+ +||75/100||4/5||-||4.5/5||Sep 2014||549||-||Canon SX60|
|Canon 100D« »||+||78/100||4/5||4/5||4/5||Mar 2013||549||-||Canon 100D|
|Canon 700D« »||-||76/100||4.5/5||4.5/5||4.5/5||Mar 2013||649||-||Canon 700D|
|Canon SX50« »||+ +||72/100||4.5/5||-||4.5/5||Sep 2012||429||-||Canon SX50|
|Canon 1100D« »||80/100||69/100||4/5||4/5||4.5/5||Feb 2011||449||-||Canon 1100D|
|Canon 550D« »||+ +||77/100||4/5||5/5||4.5/5||Feb 2010||699||-||Canon 550D|
|Canon 500D« »||+ +||74/100||4.5/5||5/5||4.5/5||Mar 2009||799||-||Canon 500D|
|Panasonic FZ200« »||+ +||80/100||4.5/5||4.5/5||4.5/5||Jul 2012||599||-||Panasonic FZ200|
|Panasonic FZ100« »||+||-||4.5/5||-||4.5/5||Jul 2010||499||-||Panasonic FZ100|
|Panasonic LX5« »||+||73/100||4.5/5||5/5||4.5/5||Jul 2010||499||-||Panasonic LX5|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 4000D vs Olympus XZ-2
- Canon 4000D vs Panasonic L1
- Canon 4000D vs Sony RX0
- Canon 4000D vs Sony RX0 II
- Canon 4000D vs Sony RX100 III
- Canon M10 vs Panasonic FZ150
- Canon XTi vs Panasonic FZ150
- Leica CL vs Panasonic FZ150
- Nikon D60 vs Panasonic FZ150
- Panasonic FZ100 vs Panasonic FZ150
- Panasonic FZ150 vs Panasonic G90
- Panasonic FZ150 vs Sony A7S II
Specifications: Canon 4000D vs Panasonic FZ150
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 4000D||Panasonic FZ150|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||25-600mm f/2.8-5.2|
|Launch Date||February 2018||August 2011|
|Launch Price||USD 399||USD 499|
|Sensor Specs||Canon 4000D||Panasonic FZ150|
|Sensor Format||APS-C Sensor||1/2.3" Sensor|
|Sensor Size||22.3 x 14.9 mm||6.17 x 4.55 mm|
|Sensor Area||332.27 mm2||28.0735 mm2|
|Sensor Diagonal||26.8 mm||7.7 mm|
|Sensor Resolution||17.9 Megapixels||12 Megapixels|
|Image Resolution||5184 x 3456 pixels||4000 x 3000 pixels|
|Pixel Pitch||4.31 μm||1.53 μm|
|Pixel Density||5.39 MP/cm2||42.74 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||1080/60p Video|
|ISO Setting||100-6400 ISO||100-3200 ISO|
|ISO Boost||100-12800 ISO||100-6400 ISO|
|Image Processor||DIGIC 4+||Venus FHD|
|DXO Sensor Quality (score)||63||40|
|DXO Color Depth (bits)||21.9||19.4|
|DXO Dynamic Range (EV)||11.4||10.9|
|DXO Low Light (ISO)||695||132|
|Screen Specs||Canon 4000D||Panasonic FZ150|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||202k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.7 inch||3.0 inch|
|LCD Resolution||230k dots||460k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Shooting Specs||Canon 4000D||Panasonic FZ150|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||3 shutter flaps/s||12 shutter flaps/s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Canon 4000D||Panasonic FZ150|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Body Specs||Canon 4000D||Panasonic FZ150|
|Battery Life (CIPA)||500 shots per charge||410 shots per charge|
129 x 102 x 77 mm
(5.1 x 4.0 x 3.0 in)
124 x 82 x 92 mm
(4.9 x 3.2 x 3.6 in)
|Camera Weight||436 g (15.4 oz)||528 g (18.6 oz)|
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