Canon 4000D vs Olympus E-M5 III
The Canon EOS 4000D (called Canon T100 in some regions) and the Olympus OM-D E-M5 Mark III are two digital cameras that were revealed to the public, respectively, in February 2018 and October 2019. The 4000D is a DSLR, while the E-M5 III is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (4000D) and a Four Thirds (E-M5 III) sensor. The Canon has a resolution of 17.9 megapixels, whereas the Olympus provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 4000D||Olympus E-M5 III|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Micro Four Thirds lenses|
|17.9 MP, APS-C Sensor||20.2 MP, Four Thirds Sensor|
|1080/30p Video||4k/24p Video|
|ISO 100-6400 (100-12800)||ISO 200-25600|
|Optical viewfinder||Electronic viewfinder (2360k dots)|
|2.7" LCD, 230k dots||3.0" LCD, 1040k dots|
|Fixed screen (not touch-sensitive)||Swivel touchscreen|
|3 shutter flaps per second||10 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Not weather sealed||Weathersealed body|
|500 shots per battery charge||310 shots per battery charge|
|129 x 102 x 77 mm, 436 g||125 x 85 x 50 mm, 414 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 4000D and the Olympus OM-D E-M5 Mark III? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 4000D and the Olympus E-M5 III. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The E-M5 III can be obtained in two different colors (black, silver), while the 4000D is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-M5 III is notably smaller (19 percent) than the Canon 4000D. Moreover, the E-M5 III is markedly lighter (5 percent) than the 4000D. It is noteworthy in this context that the E-M5 III is splash and dust-proof, while the 4000D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (4000D) and the Micro Four Thirds Lens Catalog (E-M5 III). Mirrorless cameras, such as the E-M5 III, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the 4000D gets 500 shots out of its LP-E10 battery, while the E-M5 III can take 310 images on a single charge of its BLS-50 power pack. The power pack in the E-M5 III can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 4000D»||5.1 in||4.0 in||3.0 in||15.4 oz||500||n||Feb 2018||399||Canon 4000D|
|Olympus E-M5 III«||4.9 in||3.3 in||2.0 in||14.6 oz||310||Y||Oct 2019||1,199||Olympus E-M5 III|
|Canon 2000D« »||5.1 in||4.0 in||3.1 in||16.8 oz||500||n||Feb 2018||449||Canon 2000D|
|Canon 200D« »||4.8 in||3.7 in||2.8 in||16.0 oz||650||n||Jun 2017||549||Canon 200D|
|Canon G9 X Mark II« »||3.9 in||2.3 in||1.2 in||7.3 oz||235||n||Jan 2017||529||Canon G9 X Mark II|
|Canon 1300D« »||5.1 in||4.0 in||3.1 in||17.1 oz||500||n||Mar 2016||449||Canon 1300D|
|Canon 1200D« »||5.1 in||3.9 in||3.1 in||16.9 oz||500||n||Feb 2014||449||Canon 1200D|
|Canon 100D« »||4.6 in||3.6 in||2.7 in||14.4 oz||380||n||Mar 2013||549||Canon 100D|
|Canon 700D« »||5.2 in||3.9 in||3.1 in||20.5 oz||440||n||Mar 2013||649||Canon 700D|
|Canon 1100D« »||5.1 in||3.9 in||3.1 in||17.5 oz||700||n||Feb 2011||449||Canon 1100D|
|Canon 550D« »||5.1 in||3.9 in||2.4 in||18.7 oz||440||n||Feb 2010||699||Canon 550D|
|Canon 500D« »||5.1 in||3.9 in||2.4 in||18.3 oz||400||n||Mar 2009||799||Canon 500D|
|Olympus PEN-F« »||4.9 in||2.8 in||1.5 in||15.1 oz||330||n||Jan 2016||1,199||Olympus PEN-F|
|Olympus E-M5 II« »||4.9 in||3.3 in||1.8 in||16.5 oz||310||Y||Feb 2015||1,099||Olympus E-M5 II|
|Olympus E-M1« »||5.1 in||3.7 in||2.5 in||17.5 oz||350||Y||Sep 2013||1,399||Olympus E-M1|
|Olympus E-M5« »||4.8 in||3.5 in||1.7 in||15.0 oz||360||Y||Feb 2012||1,299||Olympus E-M5|
|Panasonic GX8« »||5.2 in||3.1 in||2.5 in||17.2 oz||330||Y||Jul 2015||1,199||Panasonic GX8|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The 4000D was launched at a markedly lower price (by 67 percent) than the E-M5 III, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 4000D features an APS-C sensor and the Olympus E-M5 III a Four Thirds sensor. The sensor area in the E-M5 III is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the 4000D has a native 3:2 aspect ratio, while the one in the E-M5 III offers a 4:3 aspect.
Despite having a smaller sensor, the E-M5 III offers a higher resolution of 20.2 megapixels, compared with 17.9 MP of the 4000D. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.34μm versus 4.31μm for the 4000D). However, it should be noted that the E-M5 III is a somewhat more recent model (by 1 year and 7 months) than the 4000D, and its sensor might have benefitted from technological advances during this time that partly offset its pixel-size disadvantage. Coming back to sensor resolution, it should be mentioned that the E-M5 III has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The E-M5 III has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
Unlike the 4000D, the E-M5 III has the capacity to capture high quality composite images (80MP) by combining multiple shots after shifting its sensor by miniscule distances. This multi-shot, pixel-shift mode is most suitable for photography of stationary objects (landscapes, studio scenes).
The Canon EOS 4000D has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Olympus OM-D E-M5 Mark III are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 64-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon 4000D||APS-C||17.9||5184||3456||1080/30p||21.9||11.4||695||63||Canon 4000D|
|Olympus E-M5 III||Four Thirds||20.2||5184||3888||4k/24p||..||..||..||..||Olympus E-M5 III|
|Canon 2000D||APS-C||24.0||6000||4000||1080/30p||22.6||11.9||1009||71||Canon 2000D|
|Canon 200D||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79||Canon 200D|
|Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65||Canon G9 X Mark II|
|Canon 1300D||APS-C||17.9||5184||3456||1080/30p||..||..||..||..||Canon 1300D|
|Canon 1200D||APS-C||17.9||5184||3456||1080/30p||21.9||11.3||724||63||Canon 1200D|
|Canon 100D||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63||Canon 100D|
|Canon 700D||APS-C||17.9||5184||3456||1080/30p||21.7||11.2||681||61||Canon 700D|
|Canon 1100D||APS-C||12.2||4272||2848||720/30p||21.9||11.0||755||62||Canon 1100D|
|Canon 550D||APS-C||17.9||5184||3456||1080/30p||22.1||11.5||784||66||Canon 550D|
|Canon 500D||APS-C||15.1||4752||3168||1080/20p||21.7||11.5||663||63||Canon 500D|
|Olympus PEN-F||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74||Olympus PEN-F|
|Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73||Olympus E-M5 II|
|Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73||Olympus E-M1|
|Olympus E-M5||Four Thirds||15.9||4608||3456||1080/60i||22.8||12.3||826||71||Olympus E-M5|
|Panasonic GX8||Four Thirds||20.2||5184||3888||4K/30p||23.5||12.6||806||75||Panasonic GX8|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the E-M5 III provides a better video resolution than the 4000D. It can shoot movie footage at 4k/24p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the E-M5 III has an electronic viewfinder (2360k dots), while the 4000D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the E-M5 III offers a wider field of view (100%) than the one in the 4000D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the E-M5 III has a higher magnification (0.68x vs 0.50x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 4000D, the Olympus E-M5 III, and comparable cameras.
|Canon 4000D||optical||n||2.7||230||fixed||n||1/4000s||3.0||Y||n||Canon 4000D|
|Olympus E-M5 III||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y||Olympus E-M5 III|
|Canon 2000D||optical||n||3.0||920||fixed||n||1/4000s||3.0||Y||n||Canon 2000D|
|Canon 200D||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 200D|
|Canon G9 X Mark II||none||n||3.0||1040||fixed||Y||1/2000s||8.2||Y||Y||Canon G9 X Mark II|
|Canon 1300D||optical||n||3.0||920||fixed||n||1/4000s||3.0||Y||n||Canon 1300D|
|Canon 1200D||optical||n||3.0||460||fixed||n||1/4000s||3.0||Y||n||Canon 1200D|
|Canon 100D||optical||n||3.0||1040||fixed||Y||1/4000s||4.9||Y||n||Canon 100D|
|Canon 700D||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 700D|
|Canon 1100D||optical||n||2.7||230||fixed||n||1/4000s||3.0||Y||n||Canon 1100D|
|Canon 550D||optical||n||3.0||1040||fixed||n||1/4000s||3.7||Y||n||Canon 550D|
|Canon 500D||optical||n||3.0||920||fixed||n||1/4000s||3.4||Y||n||Canon 500D|
|Olympus PEN-F||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y||Olympus PEN-F|
|Olympus E-M5 II||2360||n||3.0||1037||swivel||Y||1/8000s||10.0||n||Y||Olympus E-M5 II|
|Olympus E-M1||2360||n||3.0||1037||tilting||Y||1/8000s||10.0||n||Y||Olympus E-M1|
|Olympus E-M5||1440||n||3.0||610||tilting||Y||1/4000s||9.0||n||Y||Olympus E-M5|
|Panasonic GX8||2360||n||3.0||1040||swivel||Y||1/8000s||10.0||n||Y||Panasonic GX8|
One difference between the cameras concerns the presence of an on-board flash. The 4000D has one, while the E-M5 III does not. While the built-in flash of the 4000D is not very powerful, it can at times be useful as a fill-in light.The E-M5 III has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 4000D does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the E-M5 III is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Olympus E-M5 III has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the 4000D and the E-M5 III write their files to SDXC cards. The E-M5 III supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the 4000D cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 4000D and Olympus OM-D E-M5 Mark III and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 4000D||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon 4000D|
|Olympus E-M5 III||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Olympus E-M5 III|
|Canon 2000D||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon 2000D|
|Canon 200D||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 200D|
|Canon G9 X Mark II||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon G9 X Mark II|
|Canon 1300D||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon 1300D|
|Canon 1200D||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon 1200D|
|Canon 100D||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 100D|
|Canon 700D||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Canon 700D|
|Canon 1100D||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon 1100D|
|Canon 550D||Y||stereo||none||Y||-||mini||2.0||-||-||-||Canon 550D|
|Canon 500D||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon 500D|
|Olympus PEN-F||Y||stereo||mono||-||-||micro||2.0||Y||-||-||Olympus PEN-F|
|Olympus E-M5 II||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M5 II|
|Olympus E-M1||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Olympus E-M1|
|Olympus E-M5||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus E-M5|
|Panasonic GX8||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Panasonic GX8|
It is notable that the E-M5 III has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The 4000D does not feature such a mic input.
Studio photographers will appreciate that the Olympus E-M5 III (unlike the 4000D) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 4000D and the E-M5 III are recent models that are part of the current product line-up. The E-M5 III replaced the earlier Olympus E-M5 II, while the 4000D does not have a direct predecessor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Olympus websites.
So what is the bottom line? Is the Canon 4000D better than the Olympus E-M5 III or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon EOS 4000D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Longer lasting: Can take more shots (500 versus 310) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (67 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in February 2018).
Arguments in favor of the Olympus OM-D E-M5 Mark III:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- High quality composites: Can combine several shots after pixel-shifting its sensor.
- Better video: Provides higher definition movie capture (4k/24p vs 1080/30p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.68x vs 0.50x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 230k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (125x85mm vs 129x102mm) and will fit more readily into a bag.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Faster buffer clearing: Has an SD card interface that supports the UHS-II standard.
- More modern: Was introduced somewhat (1 year and 7 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the E-M5 III is the clear winner of the contest (25 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 4000D and the Olympus E-M5 III place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 4000D or the E-M5 III. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 4000D vs Canon 750D
- Canon 4000D vs Canon M200
- Canon 4000D vs Canon M3
- Canon 4000D vs Canon SX530
- Canon 4000D vs Canon SX730
- Canon 4000D vs Canon T7
- Canon 4000D vs Contax N Digital
- Canon 4000D vs Nikon A1000
- Canon 4000D vs Olympus E-P2
- Canon 4000D vs Olympus E-PL10
- Canon 4000D vs Olympus TG-6
- Olympus E-M5 III vs Panasonic GH5s
Specifications: Canon 4000D vs Olympus E-M5 III
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 4000D||Olympus E-M5 III|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||February 2018||October 2019|
|Launch Price||USD 399||USD 1199|
|Sensor Specs||Canon 4000D||Olympus E-M5 III|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||17.9 Megapixels||20.2 Megapixels|
|Image Resolution||5184 x 3456 pixels||5184 x 3888 pixels|
|Pixel Pitch||4.31 μm||3.34 μm|
|Pixel Density||5.39 MP/cm2||8.96 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||4k/24p Video|
|ISO Setting||100-6400 ISO||200-25600 ISO|
|ISO Boost||100-12800 ISO||64-25600 ISO|
|Image Processor||DIGIC 4+||TruePic VIII|
|DXO Sensor Quality (score)||63||..|
|DXO Color Depth (bits)||21.9||..|
|DXO Dynamic Range (EV)||11.4||..|
|DXO Low Light (ISO)||695||..|
|Screen Specs||Canon 4000D||Olympus E-M5 III|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||2.7 inch||3.0 inch|
|LCD Resolution||230k dots||1040k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 4000D||Olympus E-M5 III|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||3 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-II|
|Connectivity Specs||Canon 4000D||Olympus E-M5 III|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon 4000D||Olympus E-M5 III|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||500 shots per charge||310 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
129 x 102 x 77 mm
(5.1 x 4.0 x 3.0 in)
125 x 85 x 50 mm
(4.9 x 3.3 x 2.0 in)
|Camera Weight||436 g (15.4 oz)||414 g (14.6 oz)|
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