Canon 30D vs Panasonic FZ100
The Canon EOS 30D and the Panasonic Lumix DMC-FZ100 are two digital cameras that were announced, respectively, in February 2006 and July 2010. The 30D is a DSLR, while the FZ100 is a fixed lens compact. The cameras are based on an APS-C (30D) and a 1/2.3-inch (FZ100) sensor. The Canon has a resolution of 8.2 megapixels, whereas the Panasonic provides 14 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 30D||Panasonic FZ100|
|Digital single lens reflex||Fixed lens compact camera|
|Canon EF mount lenses||25-600mm f/2.8-5.2|
|8.2 MP, APS-C Sensor||14 MP, 1/2.3" Sensor|
|no Video||1080/60i Video|
|ISO 100-1600 (100-3200)||ISO 100-1600 (100-6400)|
|Optical viewfinder||Electronic viewfinder (202k dots)|
|2.5" LCD, 230k dots||3.0" LCD, 460k dots|
|Fixed screen (not touch-sensitive)||Swivel screen (not touch-sensitive)|
|5 shutter flaps per second||11 shutter flaps per second|
|750 shots per battery charge||410 shots per battery charge|
|144 x 106 x 74 mm, 785 g||124 x 82 x 92 mm, 540 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 30D and the Panasonic Lumix DMC-FZ100? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 30D and the Panasonic FZ100 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ100 is considerably smaller (33 percent) than the Canon 30D. In this context, it is worth noting that neither the 30D nor the FZ100 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ100 has a lens built in, whereas the 30D is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 30D and their specifications in the Canon EF Lens Catalog.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 30D»||5.7 in||4.2 in||2.9 in||27.7 oz||750||n||Feb 2006||1,399||-||Canon 30D|
|Panasonic FZ100«||4.9 in||3.2 in||3.6 in||19.0 oz||410||n||Jul 2010||499||-||Panasonic FZ100|
|Canon SX60« »||5.0 in||3.7 in||4.5 in||22.9 oz||340||n||Sep 2014||549||-||Canon SX60|
|Canon 70D« »||5.5 in||4.1 in||3.1 in||26.6 oz||920||Y||Jul 2013||1,199||-||Canon 70D|
|Canon SX50« »||4.8 in||3.4 in||4.2 in||21.0 oz||315||n||Sep 2012||429||-||Canon SX50|
|Canon 60D« »||5.7 in||4.2 in||3.1 in||26.6 oz||1100||Y||Aug 2010||1,399||-||Canon 60D|
|Canon 7D« »||5.8 in||4.4 in||2.9 in||30.3 oz||800||Y||Sep 2009||1,699||-||Canon 7D|
|Canon 50D« »||5.7 in||4.3 in||2.9 in||29.0 oz||800||Y||Aug 2008||1,299||-||Canon 50D|
|Canon 40D« »||5.7 in||4.3 in||2.9 in||29.0 oz||750||n||Aug 2007||1,299||-||Canon 40D|
|Canon XTi« »||5.0 in||3.3 in||2.6 in||19.6 oz||370||n||Aug 2006||799||-||Canon XTi|
|Canon XT« »||5.0 in||3.7 in||2.5 in||19.0 oz||400||n||Feb 2005||899||-||Canon XT|
|Canon 20D« »||5.7 in||4.2 in||2.8 in||27.2 oz||700||n||Aug 2004||1,499||-||Canon 20D|
|Canon 10D« »||5.9 in||4.2 in||3.0 in||30.0 oz||500||n||Feb 2003||1,999||-||Canon 10D|
|Canon Rebel« »||5.6 in||3.9 in||2.8 in||22.9 oz||400||n||Aug 2003||899||-||Canon Rebel|
|Leica V-LUX 3« »||4.9 in||3.2 in||3.7 in||19.0 oz||410||n||Dec 2011||949||-||Leica V-LUX 3|
|Panasonic FZ200« »||4.9 in||3.4 in||4.3 in||20.7 oz||540||n||Jul 2012||599||-||Panasonic FZ200|
|Panasonic FZ150« »||4.9 in||3.2 in||3.6 in||18.6 oz||410||n||Aug 2011||499||-||Panasonic FZ150|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The FZ100 was launched at a lower price than the 30D, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 30D features an APS-C sensor and the Panasonic FZ100 a 1/2.3-inch sensor. The sensor area in the FZ100 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 5.6. The sensor in the 30D has a native 3:2 aspect ratio, while the one in the FZ100 offers a 4:3 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
Despite having a smaller sensor, the FZ100 offers a higher resolution of 14 megapixels, compared with 8.2 MP of the 30D. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.41μm versus 6.42μm for the 30D). However, it should be noted that the FZ100 is much more recent (by 4 years and 4 months) than the 30D, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the FZ100 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic FZ100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FZ100 for good quality output (200 dots per inch) amounts to 21.6 x 16.2 inch or 54.9 x 41.1 cm, for very good quality (250 dpi) 17.3 x 13 inch or 43.9 x 32.9 cm, and for excellent quality (300 dpi) 14.4 x 10.8 inch or 36.6 x 27.4 cm. The corresponding values for the Canon 30D are 17.5 x 11.7 inch or 44.5 x 29.7 cm for good quality, 14 x 9.3 inch or 35.6 x 23.7 cm for very good quality, and 11.7 x 7.8 inch or 29.7 x 19.8 cm for excellent quality prints.
The Canon EOS 30D has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 100-3200. The corresponding ISO settings for the Panasonic Lumix DMC-FZ100 are ISO 100 to ISO 1600, with the possibility to increase the ISO range to 100-6400.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 30D»||APS-C||8.2||3504||2336||-||21.5||10.8||736||59||Canon 30D|
|Panasonic FZ100«||1/2.3||14.0||4320||3240||1080/60i||-||-||-||-||Panasonic FZ100|
|Canon SX60« »||1/2.3||14.2||4608||3072||1080/60p||19.2||10.8||127||39||Canon SX60|
|Canon 70D« »||APS-C||20.0||5472||3648||1080/30p||22.5||11.6||926||68||Canon 70D|
|Canon SX50« »||1/2.3||12.0||4000||3000||1080/24p||20.3||11.2||179||47||Canon SX50|
|Canon 60D« »||APS-C||17.9||5184||3456||1080/30p||22.2||11.5||813||66||Canon 60D|
|Canon 7D« »||APS-C||17.9||5184||3456||1080/30p||22.0||11.7||854||66||Canon 7D|
|Canon 50D« »||APS-C||15.1||4752||3168||-||21.8||11.4||696||63||Canon 50D|
|Canon 40D« »||APS-C||10.1||3888||2592||-||22.1||11.3||703||64||Canon 40D|
|Canon XTi« »||APS-C||10.1||3888||2592||-||22.1||11.0||664||62||Canon XTi|
|Canon XT« »||APS-C||8.0||3456||2304||-||21.8||10.8||637||60||Canon XT|
|Canon 20D« »||APS-C||8.2||3504||2336||-||21.9||11.0||721||62||Canon 20D|
|Canon 10D« »||APS-C||6.3||3072||2048||-||21.1||10.9||571||57||Canon 10D|
|Canon Rebel« »||APS-C||6.3||3072||2048||-||21.0||10.8||544||55||Canon Rebel|
|Leica V-LUX 3« »||1/2.3||12.0||4000||3000||1080/60p||-||-||-||-||Leica V-LUX 3|
|Panasonic FZ200« »||1/2.3||12.0||4000||3000||1080/60p||19.1||10.8||114||37||Panasonic FZ200|
|Panasonic FZ150« »||1/2.3||12.0||4000||3000||1080/60p||19.4||10.9||132||40||Panasonic FZ150|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The FZ100 indeed provides for movie recording, while the 30D does not. The highest resolution format that the FZ100 can use is 1080/60i.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the FZ100 has an electronic viewfinder (202k dots), while the 30D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The adjacent table lists some of the other core features of the Canon 30D and Panasonic FZ100 along with similar information for a selection of comparators.
|Canon 30D»||optical||Y||2.5||230||fixed||n||1/8000s||5.0||Y||n||Canon 30D|
|Panasonic FZ100«||202||n||3.0||460||swivel||n||1/2000s||11.0||Y||Y||Panasonic FZ100|
|Canon SX60« »||922||n||3.0||922||swivel||n||1/2000s||6.4||Y||Y||Canon SX60|
|Canon 70D« »||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 70D|
|Canon SX50« »||202||n||3.0||461||swivel||n||1/2000s||2.2||Y||Y||Canon SX50|
|Canon 60D« »||optical||Y||3.0||1040||swivel||n||1/8000s||5.3||Y||n||Canon 60D|
|Canon 7D« »||optical||Y||3.0||920||fixed||n||1/8000s||8.0||Y||n||Canon 7D|
|Canon 50D« »||optical||Y||3.0||920||fixed||n||1/8000s||6.3||Y||n||Canon 50D|
|Canon 40D« »||optical||Y||3.0||230||fixed||n||1/8000s||6.5||Y||n||Canon 40D|
|Canon XTi« »||optical||n||2.5||230||fixed||n||1/4000s||3.0||Y||n||Canon XTi|
|Canon XT« »||optical||n||1.8||115||fixed||n||1/4000s||3.0||Y||n||Canon XT|
|Canon 20D« »||optical||Y||1.8||118||fixed||n||1/8000s||5.0||Y||n||Canon 20D|
|Canon 10D« »||optical||Y||1.8||118||fixed||n||1/4000s||3.0||Y||n||Canon 10D|
|Canon Rebel« »||optical||n||1.8||118||fixed||n||1/4000s||2.5||Y||n||Canon Rebel|
|Leica V-LUX 3« »||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Leica V-LUX 3|
|Panasonic FZ200« »||1312||n||3.0||460||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ200|
|Panasonic FZ150« »||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Panasonic FZ150|
One feature that is present on the 30D, but is missing on the FZ100 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The FZ100 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 30D does not have a selfie-screen.
The 30D writes its imaging data to Compact Flash cards, while the FZ100 uses SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 30D and Panasonic Lumix DMC-FZ100 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 30D»||Y||-||-||-||-||-||2.0||-||-||-||Canon 30D|
|Panasonic FZ100«||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic FZ100|
|Canon SX60« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon SX60|
|Canon 70D« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Canon 70D|
|Canon SX50« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon SX50|
|Canon 60D« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 60D|
|Canon 7D« »||Y||mono||-||Y||-||mini||2.0||-||-||-||Canon 7D|
|Canon 50D« »||Y||-||-||-||-||mini||2.0||-||-||-||Canon 50D|
|Canon 40D« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 40D|
|Canon XTi« »||Y||-||-||-||-||-||2.0||-||-||-||Canon XTi|
|Canon XT« »||Y||-||-||-||-||-||2.0||-||-||-||Canon XT|
|Canon 20D« »||Y||-||-||-||-||-||1.1||-||-||-||Canon 20D|
|Canon 10D« »||Y||-||-||-||-||-||1.1||-||-||-||Canon 10D|
|Canon Rebel« »||Y||-||-||-||-||-||1.1||-||-||-||Canon Rebel|
|Leica V-LUX 3« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Leica V-LUX 3|
|Panasonic FZ200« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic FZ200|
|Panasonic FZ150« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Panasonic FZ150|
Studio photographers will appreciate that the Canon 30D (unlike the FZ100) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 30D and the FZ100 have been discontinued, but can regularly be found used on eBay. The 30D was replaced by the Canon 40D, while the FZ100 was followed by the Panasonic FZ150. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So how do things add up? Is there a clear favorite between the Canon 30D and the Panasonic FZ100? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon EOS 30D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (750 versus 410) on a single battery charge.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in February 2006).
Arguments in favor of the Panasonic Lumix DMC-FZ100:
- More detail: Has more megapixels (14 vs 8.2MP), which boosts linear resolution by 28%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Broader imaging potential: Can capture not only stills but also 1080/60i video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.5") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (460k vs 230k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (11 vs 5 flaps/sec) to capture the decisive moment.
- Ready to shoot: Comes with an integrated lens, while the 30D requires a separate lens.
- More compact: Is smaller (124x82mm vs 144x106mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 30D).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 4 years and 4 months of technical progress since the 30D launch.
If the number of relative strengths (bullet points above) is taken as a guide, the FZ100 emerges as the winner of the match-up (15 : 12 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 30D and the Panasonic FZ100 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the 30D and the FZ100 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 30D»||+ +||+ +||o||o||-||Feb 2006||1,399||-||Canon 30D|
|Panasonic FZ100«||+||-||4.5/5||-||4.5/5||Jul 2010||499||-||Panasonic FZ100|
|Canon SX60« »||+ +||75/100||4/5||-||4.5/5||Sep 2014||549||-||Canon SX60|
|Canon 70D« »||+ +||83/100||4.5/5||4.5/5||5/5||Jul 2013||1,199||-||Canon 70D|
|Canon SX50« »||+ +||72/100||4.5/5||-||4.5/5||Sep 2012||429||-||Canon SX50|
|Canon 60D« »||+||79/100||4/5||5/5||4.5/5||Aug 2010||1,399||-||Canon 60D|
|Canon 7D« »||+ +||84/100||4.5/5||5/5||4.5/5||Sep 2009||1,699||-||Canon 7D|
|Canon 50D« »||+ +||+ +||4.5/5||5/5||4.5/5||Aug 2008||1,299||-||Canon 50D|
|Canon 40D« »||+ +||+ +||4.5/5||o||4.5/5||Aug 2007||1,299||-||Canon 40D|
|Canon XTi« »||+ +||+ +||o||4.5/5||4/5||Aug 2006||799||-||Canon XTi|
|Canon XT« »||80/100||+ +||o||o||-||Feb 2005||899||-||Canon XT|
|Canon 20D« »||-||+ +||-||o||-||Aug 2004||1,499||-||Canon 20D|
|Canon 10D« »||-||+ +||-||o||-||Feb 2003||1,999||-||Canon 10D|
|Canon Rebel« »||-||+ +||-||o||-||Aug 2003||899||-||Canon Rebel|
|Leica V-LUX 3« »||-||-||-||-||-||Dec 2011||949||-||Leica V-LUX 3|
|Panasonic FZ200« »||+ +||80/100||4.5/5||4.5/5||4.5/5||Jul 2012||599||-||Panasonic FZ200|
|Panasonic FZ150« »||+ +||76/100||4/5||5/5||4.5/5||Aug 2011||499||-||Panasonic FZ150|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 30D vs Canon T6s
- Canon 30D vs Fujifilm XP130
- Canon 30D vs Nikon B500
- Canon 30D vs Panasonic GH5s
- Canon 30D vs Sony RX1R
- Fujifilm X-T10 vs Panasonic FZ100
- Leica M Typ 240 vs Panasonic FZ100
- Leica TL vs Panasonic FZ100
- Panasonic FZ100 vs Panasonic G6
- Panasonic FZ100 vs Panasonic LX10
- Panasonic FZ100 vs Sony HX99
- Panasonic FZ100 vs Sony RX0 II
Specifications: Canon 30D vs Panasonic FZ100
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 30D||Panasonic FZ100|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||25-600mm f/2.8-5.2|
|Launch Date||February 2006||July 2010|
|Launch Price||USD 1399||USD 499|
|Sensor Specs||Canon 30D||Panasonic FZ100|
|Sensor Format||APS-C Sensor||1/2.3" Sensor|
|Sensor Size||22.5 x 15.0 mm||6.17 x 4.55 mm|
|Sensor Area||337.5 mm2||28.0735 mm2|
|Sensor Diagonal||27 mm||7.7 mm|
|Sensor Resolution||8.2 Megapixels||14 Megapixels|
|Image Resolution||3504 x 2336 pixels||4320 x 3240 pixels|
|Pixel Pitch||6.42 μm||1.41 μm|
|Pixel Density||2.43 MP/cm2||49.86 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||1080/60i Video|
|ISO Setting||100-1600 ISO||100-1600 ISO|
|ISO Boost||100-3200 ISO||100-6400 ISO|
|Image Processor||DIGIC 2||Venus FHD|
|DXO Sensor Quality (score)||59||..|
|DXO Color Depth (bits)||21.5||..|
|DXO Dynamic Range (EV)||10.8||..|
|DXO Low Light (ISO)||736||..|
|Screen Specs||Canon 30D||Panasonic FZ100|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||202k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||2.5 inch||3.0 inch|
|LCD Resolution||230k dots||460k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Shooting Specs||Canon 30D||Panasonic FZ100|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||5 shutter flaps/s||11 shutter flaps/s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon 30D||Panasonic FZ100|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 30D||Panasonic FZ100|
|Battery Life (CIPA)||750 shots per charge||410 shots per charge|
144 x 106 x 74 mm
(5.7 x 4.2 x 2.9 in)
124 x 82 x 92 mm
(4.9 x 3.2 x 3.6 in)
|Camera Weight||785 g (27.7 oz)||540 g (19.0 oz)|
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