Canon 300D vs Fujifilm GFX 100
The Canon EOS 300D (called Canon Rebel in some regions) and the Fujifilm GFX 100 are two digital cameras that were announced, respectively, in August 2003 and May 2019. The 300D is a DSLR, while the GFX 100 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (300D) and a medium format (GFX 100) sensor. The Canon has a resolution of 6.3 megapixels, whereas the Fujifilm provides 101.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 300D and the Fujifilm GFX 100? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 300D and the Fujifilm GFX 100 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 100 is considerably larger (60 percent) than the Canon 300D. Moreover, the GFX 100 is substantially heavier (103 percent) than the 300D. It is noteworthy in this context that the GFX 100 is splash and dust-proof, while the 300D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the 300D gets 400 shots out of its BP-511 battery, while the GFX 100 can take 800 images on a single charge of its NP-T125 power pack. As can be seen in the images above, the GFX 100 has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the 300D, Canon provides the BG-E1 vertical grip as an optional accessory (see here on eBay). The power pack in the GFX 100 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon 300D||142 mm||99 mm||72 mm||649 g||400||n||Aug 2003||899|
|2.||Fujifilm GFX 100||156 mm||144 mm||75 mm||1320 g||800||Y||May 2019||9,999|
|3.||Canon 77D||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899|
|4.||Canon G1 X Mark II||116 mm||74 mm||66 mm||553 g||240||n||Feb 2014||799|
|5.||Canon 700D||133 mm||100 mm||79 mm||580 g||440||n||Mar 2013||649|
|6.||Canon 650D||133 mm||100 mm||79 mm||575 g||440||n||Jun 2012||849|
|7.||Canon G1 X||117 mm||81 mm||65 mm||534 g||250||n||Jan 2012||799|
|8.||Canon 400D||127 mm||84 mm||65 mm||556 g||370||n||Aug 2006||799|
|9.||Canon 350D||127 mm||94 mm||64 mm||540 g||400||n||Feb 2005||899|
|10.||Canon 20D||144 mm||106 mm||72 mm||770 g||700||n||Aug 2004||1,499|
|11.||Canon 10D||150 mm||107 mm||75 mm||850 g||500||n||Feb 2003||1,999|
|12.||Fujifilm GFX 100S||150 mm||104 mm||87 mm||900 g||460||Y||Jan 2021||5,999|
|13.||Fujifilm GFX 50R||161 mm||97 mm||66 mm||775 g||400||Y||Sep 2018||4,499|
|14.||Fujifilm GFX 50S||148 mm||94 mm||91 mm||740 g||400||Y||Sep 2016||6,499|
|15.||Nikon D70||140 mm||111 mm||78 mm||679 g||400||n||Jan 2004||999|
|16.||Pentax 645Z||156 mm||117 mm||123 mm||1550 g||650||Y||Apr 2014||8,499|
|17.||Pentax 645D||156 mm||117 mm||119 mm||1480 g||800||Y||Mar 2010||9,995|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The 300D was launched at a markedly lower price (by 91 percent) than the GFX 100, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 300D features an APS-C sensor and the Fujifilm GFX 100 a medium format sensor. The sensor area in the GFX 100 is 320 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 0.79. The sensor in the 300D has a native 3:2 aspect ratio, while the one in the GFX 100 offers a 4:3 aspect.
With 101.8MP, the GFX 100 offers a higher resolution than the 300D (6.3MP), but the GFX 100 has smaller individual pixels (pixel pitch of 3.76μm versus 7.38μm for the 300D). Yet, the GFX 100 is a much more recent model (by 15 years and 9 months) than the 300D, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX 100 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm GFX 100 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the GFX 100 for good quality output (200 dots per inch) amounts to 58.2 x 43.7 inches or 147.9 x 110.9 cm, for very good quality (250 dpi) 46.6 x 34.9 inches or 118.3 x 88.8 cm, and for excellent quality (300 dpi) 38.8 x 29.1 inches or 98.6 x 74 cm. The corresponding values for the Canon 300D are 15.4 x 10.2 inches or 39 x 26 cm for good quality, 12.3 x 8.2 inches or 31.2 x 20.8 cm for very good quality, and 10.2 x 6.8 inches or 26 x 17.3 cm for excellent quality prints.
The GFX 100 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 300D has a native sensitivity range from ISO 100 to ISO 1600. The corresponding ISO settings for the Fujifilm GFX 100 are ISO 100 to ISO 12800, with the possibility to increase the ISO range to 50-102400.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
| DXO |
|2.||Fujifilm GFX 100||Medium Format||101.8||11648||8736||4K/30p||..||..||..||..|
|4.||Canon G1 X Mark II||1.5-inch||13.0||4160||3120||1080/30p||21.5||10.8||581||58|
|7.||Canon G1 X||1.5-inch||14.2||4352||3264||1080/24p||21.7||10.8||644||60|
|12.||Fujifilm GFX 100S||Medium Format||101.8||11648||8736||4K/30p||..||..||..||..|
|13.||Fujifilm GFX 50R||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|14.||Fujifilm GFX 50S||Medium Format||51.1||8256||6192||1080/30p||..||..||..||..|
|16.||Pentax 645Z||Medium Format||51.1||8256||6192||1080/60i||26.0||14.7||4505||101|
|17.||Pentax 645D||Medium Format||39.5||7264||5440||none||24.6||12.6||1262||82|
Many modern cameras cannot only take still pictures, but also record videos. The GFX 100 indeed provides for movie recording, while the 300D does not. The highest resolution format that the GFX 100 can use is 4K/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the 300D has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GFX 100 relies on live view and the rear LCD for framing. That said, the GFX 100 can be equipped with an optional viewfinder – the EVF-GFX2. The adjacent table lists some of the other core features of the Canon 300D and Fujifilm GFX 100 along with similar information for a selection of comparators.
|2.||Fujifilm GFX 100||optional||Y||3.2||2360||tilting||Y||1/4000s||5.0||n||Y|
|4.||Canon G1 X Mark II||optional||n||3.0||1040||tilting||Y||1/4000s||5.2||Y||Y|
|7.||Canon G1 X||optical||n||3.0||922||Swivel||n||1/4000s||1.9||Y||Y|
|12.||Fujifilm GFX 100S||3690||Y||3.2||2360||full-flex||Y||1/4000s||5.0||n||Y|
|13.||Fujifilm GFX 50R||3690||n||3.2||2360||tilting||Y||1/4000s||3.0||n||n|
|14.||Fujifilm GFX 50S||optional||Y||3.2||2360||full-flex||Y||1/4000s||3.0||n||n|
One difference between the cameras concerns the presence of an on-board flash. The 300D has one, while the GFX 100 does not. While the built-in flash of the 300D is not very powerful, it can at times be useful as a fill-in light.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the GFX 100 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm GFX 100 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 300D writes its imaging data to Compact Flash cards, while the GFX 100 uses SDXC cards. The GFX 100 features dual card slots, which can be very useful in case a memory card fails. In contrast, the 300D only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 300D and Fujifilm GFX 100 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|2.||Fujifilm GFX 100||Y||stereo||mono||Y||Y||micro||3.1||Y||-||Y|
|4.||Canon G1 X Mark II||Y||stereo||mono||-||-||mini||2.0||Y||Y||-|
|7.||Canon G1 X||Y||stereo||mono||-||-||mini||2.0||-||-||-|
|12.||Fujifilm GFX 100S||Y||stereo||mono||Y||Y||micro||3.2||Y||-||Y|
|13.||Fujifilm GFX 50R||Y||stereo||mono||Y||Y||micro||3.0||Y||-||Y|
|14.||Fujifilm GFX 50S||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-|
It is notable that the GFX 100 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 300D does not provide wifi capability.
Studio photographers will appreciate that the Fujifilm GFX 100 (unlike the 300D) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The GFX 100 is a recent model that features in the current product line-up of Fujifilm. In contrast, the 300D has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the 300D was succeeded by the Canon 350D. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
So what conclusions can be drawn? Is there a clear favorite between the Canon 300D and the Fujifilm GFX 100? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS 300D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- More compact: Is smaller (142x99mm vs 156x144mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 671g or 51 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (91 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in August 2003).
Advantages of the Fujifilm GFX 100:
- More detail: Has more megapixels (101.8 vs 6.3MP), which boosts linear resolution by 294%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 1.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 118k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (5 vs 2.5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Gets more shots (800 versus 400) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 1.1).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 15 years and 9 months of technical progress since the 300D launch.
If the number of relative strengths (bullet points above) is taken as a guide, the GFX 100 is the clear winner of the contest (28 : 7 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 300D and the Fujifilm GFX 100 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the 300D and the GFX 100 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 300D||..||..||+ +||..||..||Aug 2003||899|
|2.||Fujifilm GFX 100||4.5/5||+ +||90/100||5/5||4.5/5||May 2019||9,999|
|3.||Canon 77D||4.5/5||..||82/100||4.5/5||4/5||Feb 2017||899|
|4.||Canon G1 X Mark II||3/5||+||77/100||4/5||4.5/5||Feb 2014||799|
|5.||Canon 700D||..||..||76/100||4.5/5||4.5/5||Mar 2013||649|
|6.||Canon 650D||4/5||+ +||77/100||4.5/5||4.5/5||Jun 2012||849|
|7.||Canon G1 X||5/5||+||76/100||4/5||4.5/5||Jan 2012||799|
|8.||Canon 400D||..||+ +||+ +||o||4/5||Aug 2006||799|
|9.||Canon 350D||..||80/100||+ +||o||..||Feb 2005||899|
|10.||Canon 20D||..||..||+ +||..||..||Aug 2004||1,499|
|11.||Canon 10D||..||..||+ +||..||..||Feb 2003||1,999|
|12.||Fujifilm GFX 100S||5/5||..||90/100||..||5/5||Jan 2021||5,999|
|13.||Fujifilm GFX 50R||5/5||..||84/100||4.5/5||4.5/5||Sep 2018||4,499|
|14.||Fujifilm GFX 50S||..||..||85/100||5/5||4.5/5||Sep 2016||6,499|
|15.||Nikon D70||..||..||+ +||..||..||Jan 2004||999|
|16.||Pentax 645Z||5/5||..||..||4.5/5||5/5||Apr 2014||8,499|
|17.||Pentax 645D||5/5||..||..||..||..||Mar 2010||9,995|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
Specifications: Canon 300D vs Fujifilm GFX 100
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 300D||Fujifilm GFX 100|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Fujifilm G mount lenses|
|Launch Date||August 2003||May 2019|
|Launch Price||USD 899||USD 9,999|
|Sensor Specs||Canon 300D||Fujifilm GFX 100|
|Sensor Format||APS-C Sensor||Medium Format Sensor|
|Sensor Size||22.7 x 15.1 mm||43.8 x 32.9 mm|
|Sensor Area||342.77 mm2||1441.02 mm2|
|Sensor Diagonal||27.3 mm||54.8 mm|
|Sensor Resolution||6.3 Megapixels||101.8 Megapixels|
|Image Resolution||3072 x 2048 pixels||11648 x 8736 pixels|
|Pixel Pitch||7.38 μm||3.76 μm|
|Pixel Density||1.84 MP/cm2||7.06 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||100 - 1,600 ISO||100 - 12,800 ISO|
|ISO Boost||no Enhancement||50 - 102,400 ISO|
|Image Processor||DIGIC||X-Processor 4|
|DXO Sensor Quality (score)||55||..|
|DXO Color Depth (bits)||21.0||..|
|DXO Dynamic Range (EV)||10.8||..|
|DXO Low Light (ISO)||544||..|
|Screen Specs||Canon 300D||Fujifilm GFX 100|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||95%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View|
|Rear LCD Size||1.8inch||3.2inch|
|LCD Resolution||118k dots||2360k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 300D||Fujifilm GFX 100|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||2.5 shutter flaps/s||5 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|Connectivity Specs||Canon 300D||Fujifilm GFX 100|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 1.1||USB 3.1|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon 300D||Fujifilm GFX 100|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||400 shots per charge||800 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
142 x 99 x 72 mm
(5.6 x 3.9 x 2.8 in)
156 x 144 x 75 mm
(6.1 x 5.7 x 3.0 in)
|Camera Weight||649 g (22.9 oz)||1320 g (46.6 oz)|
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