Canon 250D vs Panasonic G90
The Canon EOS 250D (called Canon SL3 in some regions) and the Panasonic Lumix DC-G90 (labelled Panasonic G95 in some countries) are two digital cameras that were announced in April 2019. The 250D is a DSLR, while the G90 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (250D) and a Four Thirds (G90) sensor. The Canon has a resolution of 24 megapixels, whereas the Panasonic provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 250D and the Panasonic Lumix DC-G90? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The physical size and weight of the Canon 250D and the Panasonic G90 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The 250D can be obtained in two different colors (black, white), while the G90 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G90 is notably larger (8 percent) than the Canon 250D. Moreover, the G90 is markedly heavier (19 percent) than the 250D. It is noteworthy in this context that the G90 is splash and dust-proof, while the 250D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (250D) and the Micro Four Thirds Lens Catalog (G90). Mirrorless cameras, such as the G90, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the 250D gets 1070 shots out of its Canon LP-E17 battery, while the G90 can take 290 images on a single charge of its Panasonic DMW-BLC12 power pack. The power pack in the G90 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 250D | 122 mm | 93 mm | 70 mm | 449 g | 1070 | n | Apr 2019 | 599 | amazon.com | |
2. | Panasonic G90 | 130 mm | 94 mm | 77 mm | 536 g | 290 | Y | Apr 2019 | 999 | ebay.com | |
3. | Canon 77D | 131 mm | 100 mm | 76 mm | 540 g | 600 | n | Feb 2017 | 899 | ebay.com | |
4. | Canon 200D | 122 mm | 93 mm | 70 mm | 453 g | 650 | n | Jun 2017 | 549 | ebay.com | |
5. | Canon 760D | 132 mm | 101 mm | 78 mm | 565 g | 440 | n | Feb 2015 | 649 | ebay.com | |
6. | Canon 800D | 131 mm | 100 mm | 76 mm | 532 g | 600 | n | Feb 2017 | 749 | ebay.com | |
7. | Canon 850D | 131 mm | 103 mm | 76 mm | 515 g | 800 | n | Feb 2020 | 749 | ebay.com | |
8. | Canon 2000D | 129 mm | 101 mm | 78 mm | 475 g | 500 | n | Feb 2018 | 449 | amazon.com | |
9. | Canon 4000D | 129 mm | 102 mm | 77 mm | 436 g | 500 | n | Feb 2018 | 399 | amazon.com | |
10. | Canon M50 | 116 mm | 88 mm | 59 mm | 390 g | 235 | n | Feb 2018 | 779 | ebay.com | |
11. | Canon M50 Mark II | 116 mm | 88 mm | 59 mm | 387 g | 305 | n | Oct 2020 | 599 | ebay.com | |
12. | Fujifilm X-T100 | 121 mm | 83 mm | 47 mm | 448 g | 430 | n | May 2018 | 599 | ebay.com | |
13. | Olympus E-M1 III | 134 mm | 91 mm | 69 mm | 580 g | 420 | Y | Feb 2020 | 1,799 | ebay.com | |
14. | Olympus E-M5 II | 124 mm | 85 mm | 45 mm | 469 g | 310 | Y | Feb 2015 | 1,099 | ebay.com | |
15. | Olympus E-M5 III | 125 mm | 85 mm | 50 mm | 414 g | 310 | Y | Oct 2019 | 1,199 | ebay.com | |
16. | Panasonic G80 | 128 mm | 89 mm | 74 mm | 505 g | 330 | Y | Sep 2016 | 899 | ebay.com | |
17. | Panasonic GX8 | 133 mm | 78 mm | 63 mm | 487 g | 330 | Y | Jul 2015 | 1,199 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The 250D was launched at a markedly lower price (by 40 percent) than the G90, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 250D features an APS-C sensor and the Panasonic G90 a Four Thirds sensor. The sensor area in the G90 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the 250D has a native 3:2 aspect ratio, while the one in the G90 offers a 4:3 aspect.
With 24MP, the 250D offers a higher resolution than the G90 (20.2MP), but the 250D nevertheless has larger individual pixels (pixel pitch of 3.72μm versus 3.34μm for the G90) due to its larger sensor. It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the G90 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon 250D implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 250D for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic G90 are 25.9 x 19.4 inches or 65.8 x 49.4 cm for good quality, 20.7 x 15.6 inches or 52.7 x 39.5 cm for very good quality, and 17.3 x 13 inches or 43.9 x 32.9 cm for excellent quality prints.
The 250D has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 250D has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Panasonic Lumix DC-G90 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 250D | APS-C | 24.0 | 6000 | 4000 | 4K/25p | 23.9 | 13.4 | 1791 | 82 | |
2. | Panasonic G90 | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.2 | 13.0 | 1273 | 75 | |
3. | Canon 77D | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.6 | 13.3 | 971 | 78 | |
4. | Canon 200D | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.6 | 13.4 | 1041 | 79 | |
5. | Canon 760D | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 22.6 | 12.0 | 915 | 70 | |
6. | Canon 800D | APS-C | 24.0 | 6000 | 4000 | 1080/60p | 23.7 | 13.1 | 1586 | 80 | |
7. | Canon 850D | APS-C | 24.0 | 6000 | 4000 | 4K/24p | 24.0 | 13.5 | 1873 | 83 | |
8. | Canon 2000D | APS-C | 24.0 | 6000 | 4000 | 1080/30p | 22.6 | 11.9 | 1009 | 71 | |
9. | Canon 4000D | APS-C | 17.9 | 5184 | 3456 | 1080/30p | 21.9 | 11.4 | 695 | 63 | |
10. | Canon M50 | APS-C | 24.0 | 6000 | 4000 | 4K/24p | 23.8 | 13.3 | 1684 | 81 | |
11. | Canon M50 Mark II | APS-C | 24.0 | 6000 | 4000 | 4K/24p | 24.0 | 13.6 | 1939 | 83 | |
12. | Fujifilm X-T100 | APS-C | 24.0 | 6000 | 4000 | 4K/15p | 24.0 | 13.4 | 1829 | 83 | |
13. | Olympus E-M1 III | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.3 | 13.1 | 1356 | 76 | |
14. | Olympus E-M5 II | Four Thirds | 15.9 | 4608 | 3456 | 1080/60p | 23.0 | 12.5 | 842 | 73 | |
15. | Olympus E-M5 III | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.3 | 13.1 | 1324 | 76 | |
16. | Panasonic G80 | Four Thirds | 15.8 | 4592 | 3448 | 4K/30p | 22.8 | 12.5 | 656 | 71 | |
17. | Panasonic GX8 | Four Thirds | 20.2 | 5184 | 3888 | 4K/30p | 23.5 | 12.6 | 806 | 75 | |
Note: DXO values in italics represent estimates based on sensor size and age. |
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the G90 provides a faster frame rate than the 250D. It can shoot movie footage at 4K/30p, while the Canon is limited to 4K/25p.
Feature comparison
Beyond body and sensor, cameras can and do differ across a range of features. For example, the G90 has an electronic viewfinder (2360k dots), while the 250D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the G90 offers a wider field of view (100%) than the one in the 250D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the G90 has a higher magnification (0.74x vs 0.54x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 250D, the Panasonic G90, and comparable cameras.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 250D | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
2. | Panasonic G90 | 2360 | n | 3.0 / 1240 | swivel | Y | 1/4000s | 9.0/s | Y | Y | |
3. | Canon 77D | optical | Y | 3.0 / 1040 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
4. | Canon 200D | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
5. | Canon 760D | optical | Y | 3.0 / 1040 | swivel | Y | 1/4000s | 5.0/s | Y | n | |
6. | Canon 800D | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
7. | Canon 850D | optical | n | 3.0 / 1040 | swivel | Y | 1/4000s | 7.5/s | Y | n | |
8. | Canon 2000D | optical | n | 3.0 / 920 | fixed | n | 1/4000s | 3.0/s | Y | n | |
9. | Canon 4000D | optical | n | 2.7 / 230 | fixed | n | 1/4000s | 3.0/s | Y | n | |
10. | Canon M50 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 10.0/s | Y | n | |
11. | Canon M50 Mark II | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 10.0/s | Y | n | |
12. | Fujifilm X-T100 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 6.0/s | Y | n | |
13. | Olympus E-M1 III | 2360 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 18.0/s | n | Y | |
14. | Olympus E-M5 II | 2360 | n | 3.0 / 1037 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
15. | Olympus E-M5 III | 2360 | n | 3.0 / 1040 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
16. | Panasonic G80 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/4000s | 9.0/s | Y | Y | |
17. | Panasonic GX8 | 2360 | n | 3.0 / 1040 | swivel | Y | 1/8000s | 10.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One feature that differentiates the G90 and the 250D is in-body image stabilization (IBIS). The G90 reduces the risk of handshake-induced blur with all attached lenses, while the 250D offers no blur reduction with lenses that themselves do not provide optical image stabilization.
Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G90 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon 250D and the Panasonic G90 both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the 250D and the G90 write their files to SDXC cards. The G90 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the 250D can use UHS-I cards (up to 104 MB/s).
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 250D and Panasonic Lumix DC-G90 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 250D | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | Y | |
2. | Panasonic G90 | Y | stereo / mono | Y | Y | micro | 2.0 | Y | - | Y | |
3. | Canon 77D | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
4. | Canon 200D | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
5. | Canon 760D | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | - | |
6. | Canon 800D | Y | stereo / mono | Y | - | mini | 2.0 | Y | Y | Y | |
7. | Canon 850D | Y | stereo / mono | Y | - | mini | 2.0 | Y | - | Y | |
8. | Canon 2000D | Y | mono / mono | - | - | mini | 2.0 | Y | Y | - | |
9. | Canon 4000D | Y | mono / mono | - | - | mini | 2.0 | Y | Y | - | |
10. | Canon M50 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
11. | Canon M50 Mark II | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
12. | Fujifilm X-T100 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
13. | Olympus E-M1 III | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
14. | Olympus E-M5 II | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
15. | Olympus E-M5 III | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | Y | |
16. | Panasonic G80 | Y | stereo / mono | Y | - | micro | 2.0 | Y | - | - | |
17. | Panasonic GX8 | Y | stereo / mono | Y | - | micro | 2.0 | Y | Y | - |
It is notable that the G90 has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The 250D lacks such a headphone port.
The 250D is a recent model that features in the current product line-up of Canon. In contrast, the G90 has been discontinued (but can be found pre-owned on ebay). There has not been a direct replacement model for the G90 from Panasonic. Further information on the features and operation of the 250D and G90 can be found, respectively, in the Canon 250D Manual (free pdf) or the online Panasonic G90 Manual.
Review summary
So what conclusions can be drawn? Which of the two cameras – the Canon 250D or the Panasonic G90 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon EOS 250D:
- More detail: Offers more megapixels (24 vs 20.2MP) with a 11% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Less heavy: Is lighter (by 87g or 16 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (1070 versus 290) on a single battery charge.
- More affordable: Was introduced into a lower priced category (40 percent cheaper at launch).
Reasons to prefer the Panasonic Lumix DC-G90:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher movie framerates (4K/30p versus 4K/25p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.54x).
- More detailed LCD: Has a higher resolution rear screen (1240k vs 1040k dots).
- Faster burst: Shoots at higher frequency (9 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
If the number of relative strengths (bullet points above) is taken as a guide, the G90 emerges as the winner of the match-up (14 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 250D and the Panasonic G90 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the 250D and the G90 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 250D | 4/5 | o | 4.5/5 | 79/100 | 4/5 | 4/5 | Apr 2019 | 599 | amazon.com | |
2. | Panasonic G90 | 4.5/5 | + | 4.5/5 | 83/100 | 4.5/5 | 4.5/5 | Apr 2019 | 999 | ebay.com | |
3. | Canon 77D | 4.5/5 | .. | 4/5 | 82/100 | 4.5/5 | 4/5 | Feb 2017 | 899 | ebay.com | |
4. | Canon 200D | 4/5 | + + | 4/5 | 78/100 | 4.5/5 | 4.5/5 | Jun 2017 | 549 | ebay.com | |
5. | Canon 760D | 5/5 | + | .. | 77/100 | 4.5/5 | 4.5/5 | Feb 2015 | 649 | ebay.com | |
6. | Canon 800D | 4.5/5 | .. | 3.5/5 | 80/100 | 4.5/5 | 4/5 | Feb 2017 | 749 | ebay.com | |
7. | Canon 850D | 4/5 | + | 3/5 | 80/100 | 4/5 | 3.5/5 | Feb 2020 | 749 | ebay.com | |
8. | Canon 2000D | 3/5 | o | 3.5/5 | .. | 3.5/5 | 3.5/5 | Feb 2018 | 449 | amazon.com | |
9. | Canon 4000D | 2.5/5 | o | 3/5 | .. | 3.5/5 | 3.5/5 | Feb 2018 | 399 | amazon.com | |
10. | Canon M50 | .. | + | 4/5 | 79/100 | .. | 3.5/5 | Feb 2018 | 779 | ebay.com | |
11. | Canon M50 Mark II | 4/5 | .. | 4/5 | .. | 4.5/5 | 3.5/5 | Oct 2020 | 599 | ebay.com | |
12. | Fujifilm X-T100 | 4/5 | + | 4.5/5 | 79/100 | 4/5 | 4.5/5 | May 2018 | 599 | ebay.com | |
13. | Olympus E-M1 III | 5/5 | .. | 5/5 | 83/100 | 4.5/5 | 4/5 | Feb 2020 | 1,799 | ebay.com | |
14. | Olympus E-M5 II | 5/5 | + + | 4.5/5 | 81/100 | 5/5 | 5/5 | Feb 2015 | 1,099 | ebay.com | |
15. | Olympus E-M5 III | 5/5 | + | 5/5 | 82/100 | 4.5/5 | 4.5/5 | Oct 2019 | 1,199 | ebay.com | |
16. | Panasonic G80 | .. | + + | .. | 84/100 | 5/5 | 4.5/5 | Sep 2016 | 899 | ebay.com | |
17. | Panasonic GX8 | 5/5 | + | .. | 82/100 | 4.5/5 | 4.5/5 | Jul 2015 | 1,199 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D Mark II N vs Panasonic G90
- Canon 250D vs Canon SX1
- Canon 250D vs Canon SX720
- Canon 250D vs Leica V-LUX 4
- Canon 250D vs Olympus E-3
- Canon 250D vs Panasonic GF1
- Canon 250D vs Sony A6400
- Fujifilm GFX 100 vs Panasonic G90
- Fujifilm X100T vs Panasonic G90
- Leica SL vs Panasonic G90
- Panasonic FZ1000 II vs Panasonic G90
- Panasonic G90 vs Pentax K-3
Specifications: Canon 250D vs Panasonic G90
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon 250D | Panasonic G90 |
---|---|---|
Camera Type | Digital single lens reflex | Mirrorless system camera |
Camera Lens | Canon EF mount lenses | Micro Four Thirds lenses |
Launch Date | April 2019 | April 2019 |
Launch Price | USD 599 | USD 999 |
Sensor Specs | Canon 250D | Panasonic G90 |
Sensor Technology | CMOS | CMOS |
Sensor Format | APS-C Sensor | Four Thirds Sensor |
Sensor Size | 22.3 x 14.9 mm | 17.3 x 13.0 mm |
Sensor Area | 332.27 mm2 | 224.9 mm2 |
Sensor Diagonal | 26.8 mm | 21.6 mm |
Crop Factor | 1.6x | 2.0x |
Sensor Resolution | 24 Megapixels | 20.2 Megapixels |
Image Resolution | 6000 x 4000 pixels | 5184 x 3888 pixels |
Pixel Pitch | 3.72 μm | 3.34 μm |
Pixel Density | 7.22 MP/cm2 | 8.96 MP/cm2 |
Moiré control | Anti-Alias filter | no AA filter |
Movie Capability | 4K/25p Video | 4K/30p Video |
ISO Setting | 100 - 25,600 ISO | 200 - 25,600 ISO |
ISO Boost | 100 - 51,200 ISO | 100 - 25,600 ISO |
Image Processor | DIGIC 8 | Venus |
Screen Specs | Canon 250D | Panasonic G90 |
Viewfinder Type | Optical viewfinder | Electronic viewfinder |
Viewfinder Field of View | 95% | 100% |
Viewfinder Magnification | 0.54x | 0.74x |
Viewfinder Resolution | 2360k dots | |
LCD Framing | Live View | Live View |
Rear LCD Size | 3.0inch | 3.0inch |
LCD Resolution | 1040k dots | 1240k dots |
LCD Attachment | Swivel screen | Swivel screen |
Touch Input | Touchscreen | Touchscreen |
Shooting Specs | Canon 250D | Panasonic G90 |
Focus System | Phase-detect AF | Contrast-detect AF |
Manual Focusing Aid | Focus Peaking | Focus Peaking |
Max Shutter Speed (mechanical) | 1/4000s | 1/4000s |
Continuous Shooting | 5 shutter flaps/s | 9 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/16000s |
Time-Lapse Photography | Intervalometer built-in | Intervalometer built-in |
Image Stabilization | Lens stabilization only | In-body stabilization |
Fill Flash | Built-in Flash | Built-in Flash |
Storage Medium | SDXC cards | SDXC cards |
Single or Dual Card Slots | Single card slot | Single card slot |
UHS card support | UHS-I | UHS-II |
Connectivity Specs | Canon 250D | Panasonic G90 |
External Flash | Hotshoe | Hotshoe |
USB Connector | USB 2.0 | USB 2.0 |
HDMI Port | mini HDMI | micro HDMI |
Microphone Port | External MIC port | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | Wifi built-in | Wifi built-in |
Bluetooth Support | Bluetooth built-in | Bluetooth built-in |
Body Specs | Canon 250D | Panasonic G90 |
Environmental Sealing | not weather sealed | Weathersealed body |
Battery Type | Canon LP-E17 | Panasonic DMW-BLC12 |
Battery Life (CIPA) | 1070 shots per charge | 290 shots per charge |
In-Camera Charging | no USB charging | USB charging |
Body Dimensions |
122 x 93 x 70 mm (4.8 x 3.7 x 2.8 in) |
130 x 94 x 77 mm (5.1 x 3.7 x 3.0 in) |
Camera Weight | 449 g (15.8 oz) | 536 g (18.9 oz) |
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