Canon 250D vs Nikon Z7 II
The Canon EOS 250D (called Canon SL3 in some regions) and the Nikon Z7 II are two digital cameras that were officially introduced, respectively, in April 2019 and October 2020. The 250D is a DSLR, while the Z7 II is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (250D) and a full frame (Z7 II) sensor. The Canon has a resolution of 24 megapixels, whereas the Nikon provides 45.4 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 250D and the Nikon Z7 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 250D and the Nikon Z7 II are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The 250D can be obtained in two different colors (black, white), while the Z7 II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon Z7 II is notably larger (19 percent) than the Canon 250D. Moreover, the Z7 II is substantially heavier (57 percent) than the 250D. It is noteworthy in this context that the Z7 II is splash and dust-proof, while the 250D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the 250D gets 1070 shots out of its LP-E17 battery, while the Z7 II can take 420 images on a single charge of its EN-EL15c power pack. The power pack in the Z7 II can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon 250D||122 mm||93 mm||70 mm||449 g||1070||n||Apr 2019||599||amazon.com|
|2.||Nikon Z7 II||134 mm||101 mm||70 mm||705 g||420||Y||Oct 2020||2,999||amazon.com|
|3.||Canon 850D||131 mm||103 mm||76 mm||515 g||800||n||Feb 2020||749||amazon.com|
|4.||Canon M50 Mark II||116 mm||88 mm||59 mm||387 g||305||n||Oct 2020||599||amazon.com|
|5.||Canon 2000D||129 mm||101 mm||78 mm||475 g||500||n||Feb 2018||449||amazon.com|
|6.||Canon 4000D||129 mm||102 mm||77 mm||436 g||500||n||Feb 2018||399||amazon.com|
|7.||Canon M50||116 mm||88 mm||59 mm||390 g||235||n||Feb 2018||779||ebay.com|
|8.||Canon 77D||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899||ebay.com|
|9.||Canon 200D||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549||ebay.com|
|10.||Canon 800D||131 mm||100 mm||76 mm||532 g||600||n||Feb 2017||749||ebay.com|
|11.||Canon 760D||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649||ebay.com|
|12.||Fujifilm X-T100||121 mm||83 mm||47 mm||448 g||430||n||May 2018||599||ebay.com|
|13.||Nikon Z6||134 mm||101 mm||67 mm||675 g||310||Y||Aug 2018||1,999||ebay.com|
|14.||Nikon Z7||134 mm||101 mm||67 mm||675 g||330||Y||Aug 2018||3,399||ebay.com|
|15.||Sony A7R IV||129 mm||96 mm||78 mm||665 g||670||Y||Jul 2019||3,499||amazon.com|
|16.||Sony A7R III||127 mm||96 mm||74 mm||650 g||650||Y||Oct 2017||3,199||ebay.com|
|17.||Sony A7R II||127 mm||96 mm||60 mm||625 g||290||Y||Jun 2015||3,199||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The 250D was launched at a markedly lower price (by 80 percent) than the Z7 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 250D features an APS-C sensor and the Nikon Z7 II a full frame sensor. The sensor area in the Z7 II is 158 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 45.4MP, the Z7 II offers a higher resolution than the 250D (24MP), but the Z7 II nevertheless has larger individual pixels (pixel pitch of 4.35μm versus 3.72μm for the 250D) due to its larger sensor. Moreover, the Z7 II is a somewhat more recent model (by 1 year and 6 months) than the 250D, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the Z7 II has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Nikon Z7 II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the Z7 II for good quality output (200 dots per inch) amounts to 41.3 x 27.5 inches or 104.9 x 69.9 cm, for very good quality (250 dpi) 33 x 22 inches or 83.9 x 55.9 cm, and for excellent quality (300 dpi) 27.5 x 18.3 inches or 69.9 x 46.6 cm. The corresponding values for the Canon 250D are 30 x 20 inches or 76.2 x 50.8 cm for good quality, 24 x 16 inches or 61 x 40.6 cm for very good quality, and 20 x 13.3 inches or 50.8 x 33.9 cm for excellent quality prints.
The Canon EOS 250D has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Nikon Z7 II are ISO 64 to ISO 25600, with the possibility to increase the ISO range to 32-102400.
In terms of underlying technology, the 250D is build around a CMOS sensor, while the Z7 II uses a BSI-CMOS imager. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|2.||Nikon Z7 II||Full Frame||45.4||8256||5504||4K/60p||26.3||14.7||2841||100|
|4.||Canon M50 Mark II||APS-C||24.0||6000||4000||4K/24p||24.0||13.6||1939||83|
|13.||Nikon Z6||Full Frame||24.3||6048||4024||4K/30p||25.3||14.3||3299||95|
|14.||Nikon Z7||Full Frame||45.4||8256||5504||4K/30p||26.3||14.6||2668||99|
|15.||Sony A7R IV||Full Frame||60.2||9504||6336||4K/30p||26.0||14.8||3344||99|
|16.||Sony A7R III||Full Frame||42.2||7952||5304||4K/30p||26.0||14.7||3523||100|
|17.||Sony A7R II||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the Z7 II provides a faster frame rate than the 250D. It can shoot movie footage at 4K/60p, while the Canon is limited to 4K/25p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the Z7 II has an electronic viewfinder (3690k dots), while the 250D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the Z7 II offers a wider field of view (100%) than the one in the 250D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the Z7 II has a higher magnification (0.80x vs 0.54x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 250D, the Nikon Z7 II, and comparable cameras.
|1.||Canon 250D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|2.||Nikon Z7 II||3690||Y||3.2 / 2100||tilting||Y||1/8000s||10.0/s||n||Y|
|3.||Canon 850D||optical||n||3.0 / 1040||swivel||Y||1/4000s||7.5/s||Y||n|
|4.||Canon M50 Mark II||2360||n||3.0 / 1040||swivel||Y||1/4000s||10.0/s||Y||n|
|5.||Canon 2000D||optical||n||3.0 / 920||fixed||n||1/4000s||3.0/s||Y||n|
|6.||Canon 4000D||optical||n||2.7 / 230||fixed||n||1/4000s||3.0/s||Y||n|
|7.||Canon M50||2360||n||3.0 / 1040||swivel||Y||1/4000s||10.0/s||Y||n|
|8.||Canon 77D||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.0/s||Y||n|
|9.||Canon 200D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|10.||Canon 800D||optical||n||3.0 / 1040||swivel||Y||1/4000s||6.0/s||Y||n|
|11.||Canon 760D||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0/s||Y||n|
|12.||Fujifilm X-T100||2360||n||3.0 / 1040||swivel||Y||1/4000s||6.0/s||Y||n|
|13.||Nikon Z6||3690||Y||3.2 / 2100||tilting||Y||1/8000s||12.0/s||n||Y|
|14.||Nikon Z7||3690||Y||3.2 / 2100||tilting||Y||1/8000s||9.0/s||n||Y|
|15.||Sony A7R IV||5760||n||3.0 / 1440||tilting||Y||1/8000s||10.0/s||n||Y|
|16.||Sony A7R III||3686||n||3.0 / 1440||tilting||Y||1/8000s||10.0/s||n||Y|
|17.||Sony A7R II||2400||n||3.0 / 1229||tilting||n||1/8000s||5.0/s||n||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One difference between the cameras concerns the presence of an on-board flash. The 250D has one, while the Z7 II does not. While the built-in flash of the 250D is not very powerful, it can at times be useful as a fill-in light.The 250D has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the Z7 II does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the Z7 II is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon 250D and the Nikon Z7 II both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 250D writes its imaging data to SDXC cards, while the Z7 II uses CFexpress (type B) or SDXC cards. The Z7 II features dual card slots, which can be very useful in case a memory card fails. In contrast, the 250D only has one slot. The Z7 II supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the 250D can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 250D and Nikon Z7 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 250D||Y||stereo / mono||Y||-||mini||2.0||Y||-||Y|
|2.||Nikon Z7 II||Y||stereo / mono||Y||Y||micro||3.2||Y||-||Y|
|3.||Canon 850D||Y||stereo / mono||Y||-||mini||2.0||Y||-||Y|
|4.||Canon M50 Mark II||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|5.||Canon 2000D||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|6.||Canon 4000D||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|7.||Canon M50||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|8.||Canon 77D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|9.||Canon 200D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|10.||Canon 800D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|11.||Canon 760D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|12.||Fujifilm X-T100||Y||stereo / mono||Y||-||micro||2.0||Y||-||Y|
|13.||Nikon Z6||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|14.||Nikon Z7||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|15.||Sony A7R IV||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|16.||Sony A7R III||Y||stereo / mono||Y||Y||micro||3.1||Y||Y||Y|
|17.||Sony A7R II||Y||stereo / mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the Z7 II has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The 250D lacks such a headphone port.
Both the 250D and the Z7 II are recent models that are part of the current product line-up. The 250D replaced the earlier Canon 200D, while the Z7 II followed on from the Nikon Z7. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Nikon websites.
So what is the bottom line? Is the Canon 250D better than the Nikon Z7 II or vice versa? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon EOS 250D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (122x93mm vs 134x101mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 256g or 36 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (1070 versus 420) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (80 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in April 2019).
Reasons to prefer the Nikon Z7 II:
- More detail: Has more megapixels (45.4 vs 24MP), which boosts linear resolution by 38%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher movie framerates (4K/60p versus 4K/25p).
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.80x vs 0.54x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1040k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier travel charging: Can be conveniently charged via its USB port.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More modern: Was introduced somewhat (1 year and 6 months) more recently.
If the count of individual advantages (bullet points above) is taken as a guide, the Z7 II is the clear winner of the contest (25 : 10 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 250D and the Nikon Z7 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the 250D and the Z7 II in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 250D||..||o||4.5/5||79/100||4/5||4/5||Apr 2019||599||amazon.com|
|2.||Nikon Z7 II||4.5/5||..||4.5/5||..||4.5/5||4.5/5||Oct 2020||2,999||amazon.com|
|3.||Canon 850D||4/5||+||3/5||80/100||4/5||3.5/5||Feb 2020||749||amazon.com|
|4.||Canon M50 Mark II||4/5||..||4/5||..||4.5/5||3.5/5||Oct 2020||599||amazon.com|
|5.||Canon 2000D||..||o||..||..||3.5/5||3.5/5||Feb 2018||449||amazon.com|
|6.||Canon 4000D||..||o||3/5||..||3.5/5||3.5/5||Feb 2018||399||amazon.com|
|7.||Canon M50||..||+||4/5||79/100||..||3.5/5||Feb 2018||779||ebay.com|
|8.||Canon 77D||4.5/5||..||4/5||82/100||4.5/5||4/5||Feb 2017||899||ebay.com|
|9.||Canon 200D||4/5||+ +||4/5||78/100||4.5/5||4.5/5||Jun 2017||549||ebay.com|
|10.||Canon 800D||4.5/5||..||3.5/5||80/100||4.5/5||4/5||Feb 2017||749||ebay.com|
|11.||Canon 760D||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649||ebay.com|
|12.||Fujifilm X-T100||4/5||+||4.5/5||79/100||4/5||4.5/5||May 2018||599||ebay.com|
|13.||Nikon Z6||5/5||..||5/5||89/100||4.5/5||5/5||Aug 2018||1,999||ebay.com|
|14.||Nikon Z7||5/5||+||4.8/5||89/100||4.5/5||5/5||Aug 2018||3,399||ebay.com|
|15.||Sony A7R IV||5/5||+||4.5/5||91/100||4.5/5||5/5||Jul 2019||3,499||amazon.com|
|16.||Sony A7R III||..||+ +||4/5||90/100||4.5/5||5/5||Oct 2017||3,199||ebay.com|
|17.||Sony A7R II||5/5||+ +||5/5||90/100||5/5||5/5||Jun 2015||3,199||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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Specifications: Canon 250D vs Nikon Z7 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 250D||Nikon Z7 II|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Nikon Z mount lenses|
|Launch Date||April 2019||October 2020|
|Launch Price||USD 599||USD 2,999|
|Sensor Specs||Canon 250D||Nikon Z7 II|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||22.3 x 14.9 mm||35.9 x 23.9 mm|
|Sensor Area||332.27 mm2||858.01 mm2|
|Sensor Diagonal||26.8 mm||43.1 mm|
|Sensor Resolution||24 Megapixels||45.4 Megapixels|
|Image Resolution||6000 x 4000 pixels||8256 x 5504 pixels|
|Pixel Pitch||3.72 μm||4.35 μm|
|Pixel Density||7.22 MP/cm2||5.30 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/25p Video||4K/60p Video|
|ISO Setting||100 - 25,600 ISO||64 - 25,600 ISO|
|ISO Boost||100 - 51,200 ISO||32 - 102,400 ISO|
|Image Processor||DIGIC 8||DUAL EXPEED 6|
|DXO Sensor Quality (score)||..||100|
|DXO Color Depth (bits)||..||26.3|
|DXO Dynamic Range (EV)||..||14.7|
|DXO Low Light (ISO)||..||2841|
|Screen Specs||Canon 250D||Nikon Z7 II|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||3690k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.2inch|
|LCD Resolution||1040k dots||2100k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Canon 250D||Nikon Z7 II|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||Focus Peaking||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/8000s|
|Continuous Shooting||5 shutter flaps/s||10 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||200 000 actuations|
|Electronic Shutter||no E-Shutter||up to 1/8000s|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||no On-Board Flash|
|Storage Medium||SDXC cards||CFexB or SDXC cards|
|Second Storage Option||Single card slot||Dual card slots|
|UHS card support||UHS-I||UHS-II|
|Connectivity Specs||Canon 250D||Nikon Z7 II|
|USB Connector||USB 2.0||USB 3.2|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Body Specs||Canon 250D||Nikon Z7 II|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||1070 shots per charge||420 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
122 x 93 x 70 mm
(4.8 x 3.7 x 2.8 in)
134 x 101 x 70 mm
(5.3 x 4.0 x 2.8 in)
|Camera Weight||449 g (15.8 oz)||705 g (24.9 oz)|
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