Canon 250D vs 80D
The Canon EOS 250D (called Canon SL3 in some regions) and the Canon EOS 80D are two digital cameras that were revealed to the public, respectively, in April 2019 and February 2016. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 250D||Canon 80D|
|Digital single lens reflex||Digital single lens reflex|
|Canon EF mount lenses||Canon EF mount lenses|
|24 MP, APS-C Sensor||24 MP, APS-C Sensor|
|4K/25p Video||1080/60p Video|
|ISO 100-25600 (100-51200)||ISO 100-16000 (100-25600)|
|Optical viewfinder||Optical viewfinder|
|3.0" LCD, 1040k dots||3.0" LCD, 1040k dots|
|Swivel touchscreen||Swivel touchscreen|
|5 shutter flaps per second||7 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|1070 shots per battery charge||960 shots per battery charge|
|122 x 93 x 70 mm, 449 g||139 x 105 x 79 mm, 730 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 250D and the Canon EOS 80D? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 250D and the Canon 80D are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The 250D can be obtained in two different colors (black, white), while the 80D is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 80D is notably larger (29 percent) than the Canon 250D. Moreover, the 80D is substantially heavier (63 percent) than the 250D. It is noteworthy in this context that the 80D is splash and dust-proof, while the 250D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. In this particular case, both cameras feature the same lens mount, so that they can use the same lenses. You can compare the optics available in the Canon EF Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 250D»||122 mm||93 mm||70 mm||449 g||1070||n||Apr 2019||599||Canon 250D|
|Canon 80D«||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199||Canon 80D|
|Canon 850D« »||131 mm||103 mm||76 mm||515 g||800||n||Feb 2020||749||Canon 850D|
|Canon 90D« »||141 mm||105 mm||77 mm||701 g||1300||Y||Aug 2019||1,199||Canon 90D|
|Canon 2000D« »||129 mm||101 mm||78 mm||475 g||500||n||Feb 2018||449||Canon 2000D|
|Canon 4000D« »||129 mm||102 mm||77 mm||436 g||500||n||Feb 2018||399||Canon 4000D|
|Canon M50« »||116 mm||88 mm||59 mm||390 g||235||n||Feb 2018||779||Canon M50|
|Canon SX70« »||127 mm||91 mm||117 mm||608 g||325||n||Sep 2018||549||Canon SX70|
|Canon 6D Mark II« »||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Canon 77D« »||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899||Canon 77D|
|Canon 200D« »||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549||Canon 200D|
|Canon 800D« »||131 mm||100 mm||76 mm||532 g||600||n||Feb 2017||749||Canon 800D|
|Canon 760D« »||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649||Canon 760D|
|Canon G3 X« »||123 mm||77 mm||105 mm||733 g||300||Y||Jun 2015||999||Canon G3 X|
|Canon 70D« »||139 mm||104 mm||79 mm||755 g||920||Y||Jul 2013||1,199||Canon 70D|
|Fujifilm X-T100« »||121 mm||83 mm||47 mm||448 g||430||n||May 2018||599||Fujifilm X-T100|
|Nikon D7500« »||136 mm||104 mm||73 mm||720 g||950||Y||Apr 2017||1,299||Nikon D7500|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 250D was launched at a markedly lower price (by 50 percent) than the 80D, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the 80D is 2 percent bigger. They nevertheless have the same format factor of 1.6. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of chip-set technology, the 250D uses a more advanced image processing engine (DIGIC 8) than the 80D (DIGIC 6), with benefits for noise reduction, color accuracy, and processing speed.
Even though the 80D has a slightly larger sensor, both cameras offer the same resolution of 24 megapixels. This implies that the 80D has a lower pixel density and marginally larger individual pixels (with a pixel pitch of 3.75μm versus 3.72μm for the 250D), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the 250D is much more recent (by 3 years and 1 month) than the 80D, and its sensor will have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size.
The Canon EOS 250D has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Canon EOS 80D are ISO 100 to ISO 16000, with the possibility to increase the ISO range to 100-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 250D||APS-C||24.0||6000||4000||4K/25p||..||..||..||..||Canon 250D|
|Canon 80D||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79||Canon 80D|
|Canon 850D||APS-C||24.0||6000||4000||4K/24p||..||..||..||..||Canon 850D|
|Canon 90D||APS-C||32.3||6960||4640||4K/30p||..||..||..||..||Canon 90D|
|Canon 2000D||APS-C||24.0||6000||4000||1080/30p||22.6||11.9||1009||71||Canon 2000D|
|Canon 4000D||APS-C||17.9||5184||3456||1080/30p||21.9||11.4||695||63||Canon 4000D|
|Canon M50||APS-C||24.0||6000||4000||4K/24p||..||..||..||..||Canon M50|
|Canon SX70||1/2.3||20.2||5184||3888||4K/30p||..||..||..||..||Canon SX70|
|Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Canon 77D||APS-C||24.0||6000||4000||1080/60p||23.6||13.3||971||78||Canon 77D|
|Canon 200D||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79||Canon 200D|
|Canon 800D||APS-C||24.0||6000||4000||1080/60p||..||..||..||..||Canon 800D|
|Canon 760D||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70||Canon 760D|
|Canon G3 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63||Canon G3 X|
|Canon 70D||APS-C||20.0||5472||3648||1080/30p||22.5||11.6||926||68||Canon 70D|
|Fujifilm X-T100||APS-C||24.0||6000||4000||4K/15p||..||..||..||..||Fujifilm X-T100|
|Nikon D7500||APS-C||20.7||5568||3712||4K/30p||24.3||14.0||1483||86||Nikon D7500|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the 250D provides a higher video resolution than the 80D. It can shoot video footage at 4K/25p, while the 80D is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. The 250D and the 80D are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the 80D offers a wider field of view (100%) than the one in the 250D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the 80D has a higher magnification (0.59x vs 0.54x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 250D, the Canon 80D, and comparable cameras.
|Canon 250D||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 250D|
|Canon 80D||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 80D|
|Canon 850D||optical||n||3.0||1040||swivel||Y||1/4000s||7.5||Y||n||Canon 850D|
|Canon 90D||optical||Y||3.0||1040||swivel||Y||1/8000s||11.0||Y||n||Canon 90D|
|Canon 2000D||optical||n||3.0||920||fixed||n||1/4000s||3.0||Y||n||Canon 2000D|
|Canon 4000D||optical||n||2.7||230||fixed||n||1/4000s||3.0||Y||n||Canon 4000D|
|Canon M50||2360||n||3.0||1040||swivel||Y||1/4000s||10.0||Y||n||Canon M50|
|Canon SX70||2360||n||3.0||922||swivel||n||1/2000s||10.0||Y||Y||Canon SX70|
|Canon 6D Mark II||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n||Canon 6D Mark II|
|Canon 77D||optical||Y||3.0||1040||swivel||Y||1/4000s||6.0||Y||n||Canon 77D|
|Canon 200D||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 200D|
|Canon 800D||optical||n||3.0||1040||swivel||Y||1/4000s||6.0||Y||n||Canon 800D|
|Canon 760D||optical||Y||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 760D|
|Canon G3 X||optional||n||3.2||1620||tilting||Y||1/2000s||5.9||Y||Y||Canon G3 X|
|Canon 70D||optical||Y||3.0||1040||swivel||Y||1/8000s||7.0||Y||n||Canon 70D|
|Fujifilm X-T100||2360||n||3.0||1040||full-flex||Y||1/4000s||6.0||Y||n||Fujifilm X-T100|
|Nikon D7500||optical||Y||3.2||922||tilting||Y||1/8000s||8.0||Y||n||Nikon D7500|
One feature that is present on the 80D, but is missing on the 250D is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The Canon 250D and the Canon 80D both have an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the 250D and the 80D write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 250D and Canon EOS 80D and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 250D||Y||stereo||mono||Y||-||mini||2.0||Y||-||Y||Canon 250D|
|Canon 80D||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon 80D|
|Canon 850D||Y||stereo||mono||Y||-||mini||2.0||Y||-||Y||Canon 850D|
|Canon 90D||Y||stereo||mono||Y||Y||mini||2.0||Y||-||Y||Canon 90D|
|Canon 2000D||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon 2000D|
|Canon 4000D||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon 4000D|
|Canon M50||Y||stereo||mono||Y||-||micro||2.0||Y||Y||Y||Canon M50|
|Canon SX70||-||stereo||mono||Y||-||micro||2.0||Y||-||Y||Canon SX70|
|Canon 6D Mark II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Canon 77D||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 77D|
|Canon 200D||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 200D|
|Canon 800D||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 800D|
|Canon 760D||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon 760D|
|Canon G3 X||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon G3 X|
|Canon 70D||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Canon 70D|
|Fujifilm X-T100||Y||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm X-T100|
|Nikon D7500||Y||stereo||mono||Y||Y||mini||2.0||Y||-||Y||Nikon D7500|
It is notable that the 80D has a headphone jack, which makes it possible to attach external headphones and monitor the quality of sound during the recording process. The 250D lacks such a headphone port.
The 250D is a recent model that features in the current product line-up of Canon. In contrast, the 80D has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 80D was succeeded by the Canon 90D. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon website.
So how do things add up? Which of the two cameras – the Canon 250D or the Canon 80D – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon EOS 250D:
- Better jpgs: Has a more modern image processing engine (DIGIC 8 vs DIGIC 6).
- Better video: Provides higher definition movie capture (4K/25p vs 1080/60p).
- More compact: Is smaller (122x93mm vs 139x105mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 281g or 38 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (1070 versus 960) on a single battery charge.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (50 percent cheaper at launch).
- More modern: Reflects 3 years and 1 month of technical progress since the 80D launch.
Reasons to prefer the Canon EOS 80D:
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.59x vs 0.54x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (7 vs 5 flaps/sec) to capture the decisive moment.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More heavily discounted: Has been around for much longer (launched in February 2016).
If the count of individual advantages (bullet points above) is taken as a guide, the 80D comes out slightly ahead of the 250D (9 : 8 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 250D and the Canon 80D place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 250D or the 80D. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1200D vs Canon 250D
- Canon 250D vs Canon G7 X Mark II
- Canon 250D vs Fujifilm X-A2
- Canon 250D vs Leica D-LUX 5
- Canon 250D vs Nikon P900
- Canon 250D vs Nikon W300
- Canon 250D vs Olympus E-M5 III
- Canon 250D vs Sony NEX-5T
- Canon 80D vs Canon S120
- Canon 80D vs Leica M10
- Canon 80D vs Nikon D3S
- Canon 80D vs Olympus E-510
Specifications: Canon 250D vs Canon 80D
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 250D||Canon 80D|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Canon EF mount lenses|
|Launch Date||April 2019||February 2016|
|Launch Price||USD 599||USD 1199|
|Sensor Specs||Canon 250D||Canon 80D|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.3 x 14.9 mm||22.5 x 15.0 mm|
|Sensor Area||332.27 mm2||337.5 mm2|
|Sensor Diagonal||26.8 mm||27 mm|
|Sensor Resolution||24 Megapixels||24 Megapixels|
|Image Resolution||6000 x 4000 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.72 μm||3.75 μm|
|Pixel Density||7.22 MP/cm2||7.11 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/25p Video||1080/60p Video|
|ISO Setting||100-25600 ISO||100-16000 ISO|
|ISO Boost||100-51200 ISO||100-25600 ISO|
|Image Processor||DIGIC 8||DIGIC 6|
|DXO Sensor Quality (score)||..||79|
|DXO Color Depth (bits)||..||23.6|
|DXO Dynamic Range (EV)||..||13.2|
|DXO Low Light (ISO)||..||1135|
|Screen Specs||Canon 250D||Canon 80D|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||95%||100%|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Shooting Specs||Canon 250D||Canon 80D|
|Autofocus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||5 shutter flaps/s||7 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||100 000 actuations|
|Time-Lapse Photography||Intervalometer built-in||Intervalometer built-in|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon 250D||Canon 80D|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon 250D||Canon 80D|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||1070 shots per charge||960 shots per charge|
122 x 93 x 70 mm
(4.8 x 3.7 x 2.8 in)
139 x 105 x 79 mm
(5.5 x 4.1 x 3.1 in)
|Camera Weight||449 g (15.8 oz)||730 g (25.8 oz)|
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