Canon 20D vs Sony A850
The Canon EOS 20D and the Sony Alpha A850 are two digital cameras that were revealed to the public, respectively, in August 2004 and August 2009. Both are DSLR (Digital Single Lens Reflex) cameras that are based on an APS-C (20D) and a full frame (A850) sensor. The Canon has a resolution of 8.2 megapixels, whereas the Sony provides 24.4 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 20D||Sony A850|
|Digital single lens reflex||Digital single lens reflex|
|Canon EF mount lenses||Sony A mount lenses|
|8.2 MP, APS-C Sensor||24.4 MP, Full Frame Sensor|
|no Video||no Video|
|ISO 100-1600 (100-3200)||ISO 200-3200 (100-6400)|
|Optical viewfinder||Optical viewfinder|
|1.8" LCD, 118k dots||3.0" LCD, 922k dots|
|Fixed screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|5 shutter flaps per second||3 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Not weather sealed||Weathersealed body|
|700 shots per battery charge||880 shots per battery charge|
|144 x 106 x 72 mm, 770 g||156 x 117 x 82 mm, 895 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 20D and the Sony Alpha A850? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 20D and the Sony A850. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A850 is notably larger (20 percent) than the Canon 20D. Moreover, the A850 is markedly heavier (16 percent) than the 20D. It is noteworthy in this context that the A850 is splash and dust-proof, while the 20D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 20D»||5.7 in||4.2 in||2.8 in||27.2 oz||700||n||Aug 2004||1,499||Canon 20D|
|Sony A850«||6.1 in||4.6 in||3.2 in||31.6 oz||880||Y||Aug 2009||1,999||Sony A850|
|Canon 7D II« »||5.9 in||4.4 in||3.1 in||32.1 oz||670||Y||Sep 2014||1,799||Canon 7D II|
|Canon 60D« »||5.7 in||4.2 in||3.1 in||26.6 oz||1100||Y||Aug 2010||1,399||Canon 60D|
|Canon 7D« »||5.8 in||4.4 in||2.9 in||30.3 oz||800||Y||Sep 2009||1,699||Canon 7D|
|Canon 50D« »||5.7 in||4.3 in||2.9 in||29.0 oz||800||Y||Aug 2008||1,299||Canon 50D|
|Canon 40D« »||5.7 in||4.3 in||2.9 in||29.0 oz||750||n||Aug 2007||1,299||Canon 40D|
|Canon 30D« »||5.7 in||4.2 in||2.9 in||27.7 oz||750||n||Feb 2006||1,399||Canon 30D|
|Canon XT« »||5.0 in||3.7 in||2.5 in||19.0 oz||400||n||Feb 2005||899||Canon XT|
|Canon 10D« »||5.9 in||4.2 in||3.0 in||30.0 oz||500||n||Feb 2003||1,999||Canon 10D|
|Canon Rebel« »||5.6 in||3.9 in||2.8 in||22.9 oz||400||n||Aug 2003||899||Canon Rebel|
|Nikon D750« »||5.6 in||4.4 in||3.1 in||26.5 oz||1230||Y||Sep 2014||2,299||Nikon D750|
|Nikon D200« »||5.8 in||4.4 in||2.9 in||32.5 oz||400||Y||Nov 2005||1,699||Nikon D200|
|Sony A7 II« »||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||Sony A7 II|
|Sony A7« »||5.0 in||3.7 in||1.9 in||16.7 oz||340||Y||Oct 2013||1,699||Sony A7|
|Sony A99« »||5.8 in||4.4 in||3.1 in||28.6 oz||500||Y||Sep 2012||2,799||Sony A99|
|Sony A900« »||6.1 in||4.6 in||3.2 in||31.6 oz||880||Y||Sep 2008||2,999||Sony A900|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The 20D was launched at a somewhat lower price (by 25 percent) than the A850, which makes it more attractive for photographers on a tight budget. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 20D features an APS-C sensor and the Sony A850 a full frame sensor. The sensor area in the A850 is 155 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 24.4MP, the A850 offers a higher resolution than the 20D (8.2MP), but the A850 has smaller individual pixels (pixel pitch of 5.94μm versus 6.42μm for the 20D). Yet, the A850 is a much more recent model (by 5 years) than the 20D, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Sony A850 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A850 for good quality output (200 dots per inch) amounts to 30.2 x 20.2 inch or 76.8 x 51.2 cm, for very good quality (250 dpi) 24.2 x 16.1 inch or 61.4 x 41 cm, and for excellent quality (300 dpi) 20.2 x 13.4 inch or 51.2 x 34.1 cm. The corresponding values for the Canon 20D are 17.5 x 11.7 inch or 44.5 x 29.7 cm for good quality, 14 x 9.3 inch or 35.6 x 23.7 cm for very good quality, and 11.7 x 7.8 inch or 29.7 x 19.8 cm for excellent quality prints.
The Canon EOS 20D has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 100-3200. The corresponding ISO settings for the Sony Alpha A850 are ISO 200 to ISO 3200, with the possibility to increase the ISO range to 100-6400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the A850 offers substantially better image quality than the 20D (overall score 17 points higher). The advantage is based on 1.9 bits higher color depth, 1.2 EV in additional dynamic range, and 1 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon 20D||APS-C||8.2||3504||2336||none||21.9||11.0||721||62||Canon 20D|
|Sony A850||Full Frame||24.4||6048||4032||none||23.8||12.2||1415||79||Sony A850|
|Canon 7D II||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70||Canon 7D II|
|Canon 60D||APS-C||17.9||5184||3456||1080/30p||22.2||11.5||813||66||Canon 60D|
|Canon 7D||APS-C||17.9||5184||3456||1080/30p||22.0||11.7||854||66||Canon 7D|
|Canon 50D||APS-C||15.1||4752||3168||none||21.8||11.4||696||63||Canon 50D|
|Canon 40D||APS-C||10.1||3888||2592||none||22.1||11.3||703||64||Canon 40D|
|Canon 30D||APS-C||8.2||3504||2336||none||21.5||10.8||736||59||Canon 30D|
|Canon XT||APS-C||8.0||3456||2304||none||21.8||10.8||637||60||Canon XT|
|Canon 10D||APS-C||6.3||3072||2048||none||21.1||10.9||571||57||Canon 10D|
|Canon Rebel||APS-C||6.3||3072||2048||none||21.0||10.8||544||55||Canon Rebel|
|Nikon D750||Full Frame||24.2||6016||4016||1080/60p||24.8||14.5||2956||93||Nikon D750|
|Nikon D200||APS-C||10.0||3872||2592||none||22.3||11.5||583||64||Nikon D200|
|Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90||Sony A7|
|Sony A99||Full Frame||24.0||6000||4000||1080/60p||25.0||14.0||1555||89||Sony A99|
|Sony A900||Full Frame||24.4||6048||4032||none||23.7||12.3||1431||79||Sony A900|
Apart from body and sensor, cameras can and do differ across a range of features. The 20D and the A850 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinder in the A850 offers a wider field of view (98%) than the one in the 20D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A850 has a higher magnification (0.74x vs 0.56x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 20D, the Sony A850, and comparable cameras.
|Canon 20D||optical||Y||1.8||118||fixed||n||1/8000s||5.0||Y||n||Canon 20D|
|Sony A850||optical||Y||3.0||922||fixed||n||1/8000s||3.0||n||Y||Sony A850|
|Canon 7D II||optical||Y||3.0||1040||fixed||n||1/8000s||10.0||Y||n||Canon 7D II|
|Canon 60D||optical||Y||3.0||1040||swivel||n||1/8000s||5.3||Y||n||Canon 60D|
|Canon 7D||optical||Y||3.0||920||fixed||n||1/8000s||8.0||Y||n||Canon 7D|
|Canon 50D||optical||Y||3.0||920||fixed||n||1/8000s||6.3||Y||n||Canon 50D|
|Canon 40D||optical||Y||3.0||230||fixed||n||1/8000s||6.5||Y||n||Canon 40D|
|Canon 30D||optical||Y||2.5||230||fixed||n||1/8000s||5.0||Y||n||Canon 30D|
|Canon XT||optical||n||1.8||115||fixed||n||1/4000s||3.0||Y||n||Canon XT|
|Canon 10D||optical||Y||1.8||118||fixed||n||1/4000s||3.0||Y||n||Canon 10D|
|Canon Rebel||optical||n||1.8||118||fixed||n||1/4000s||2.5||Y||n||Canon Rebel|
|Nikon D750||optical||Y||3.2||1229||tilting||n||1/4000s||6.0||Y||n||Nikon D750|
|Nikon D200||optical||Y||2.5||230||fixed||n||1/8000s||5.0||Y||n||Nikon D200|
|Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Sony A7||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||n||Sony A7|
|Sony A99||2359||Y||3.0||1229||full-flex||n||1/8000s||6.0||n||Y||Sony A99|
|Sony A900||optical||Y||3.0||922||fixed||n||1/8000s||5.0||n||Y||Sony A900|
One difference between the cameras concerns the presence of an on-board flash. The 20D has one, while the A850 does not. While the built-in flash of the 20D is not very powerful, it can at times be useful as a fill-in light.
The 20D writes its imaging data to Compact Flash cards, while the A850 uses Compact Flash or Memory Stick PRO Duo cards. The A850 features dual card slots, which can be very useful in case a memory card fails. In contrast, the 20D only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 20D and Sony Alpha A850 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 20D||Y||none||none||-||-||none||1.1||-||-||-||Canon 20D|
|Sony A850||Y||none||none||-||-||mini||2.0||-||-||-||Sony A850|
|Canon 7D II||Y||stereo||mono||Y||Y||mini||3.0||-||-||-||Canon 7D II|
|Canon 60D||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 60D|
|Canon 7D||Y||mono||none||Y||-||mini||2.0||-||-||-||Canon 7D|
|Canon 50D||Y||none||none||-||-||mini||2.0||-||-||-||Canon 50D|
|Canon 40D||Y||none||none||-||-||none||2.0||-||-||-||Canon 40D|
|Canon 30D||Y||none||none||-||-||none||2.0||-||-||-||Canon 30D|
|Canon XT||Y||none||none||-||-||none||2.0||-||-||-||Canon XT|
|Canon 10D||Y||none||none||-||-||none||1.1||-||-||-||Canon 10D|
|Canon Rebel||Y||none||none||-||-||none||1.1||-||-||-||Canon Rebel|
|Nikon D750||Y||stereo||mono||Y||Y||mini||2.0||Y||-||-||Nikon D750|
|Nikon D200||Y||none||none||-||-||none||2.0||-||-||-||Nikon D200|
|Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A7||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7|
|Sony A99||Y||stereo||mono||Y||Y||mini||2.0||-||-||-||Sony A99|
|Sony A900||Y||none||none||-||-||mini||2.0||-||-||-||Sony A900|
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Both the 20D and the A850 have been discontinued, but can regularly be found used on eBay. The 20D was replaced by the Canon 30D, while the A850 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what conclusions can be drawn? Which of the two cameras – the Canon 20D or the Sony A850 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon EOS 20D:
- Faster burst: Shoots at higher frequency (5 vs 3 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (144x106mm vs 156x117mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 125g or 14 percent) and hence easier to carry around.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced segment (25 percent cheaper at launch).
- More heavily discounted: Has been available for much longer (launched in August 2004).
Arguments in favor of the Sony Alpha A850:
- More detail: Has more megapixels (24.4 vs 8.2MP), which boosts linear resolution by 73%.
- Better image quality: Scores substantially higher (17 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.9 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.2 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1 stops ISO advantage).
- More complete view: Has a viewfinder with a larger field of view (98% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.56x).
- Larger screen: Has a bigger rear LCD (3.0" vs 1.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (922k vs 118k dots).
- Longer lasting: Gets more shots (880 versus 700) out of a single battery charge.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Faster data transfer: Supports a more advanced USB protocol (2.0 vs 1.1).
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 5 years of technical progress since the 20D launch.
If the number of relative strengths (bullet points above) is taken as a guide, the A850 is the clear winner of the contest (15 : 6 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 20D and the Sony A850 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 20D or the A850. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
Specifications: Canon 20D vs Sony A850
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 20D||Sony A850|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Sony A mount lenses|
|Launch Date||August 2004||August 2009|
|Launch Price||USD 1499||USD 1999|
|Sensor Specs||Canon 20D||Sony A850|
|Sensor Format||APS-C Sensor||Full Frame Sensor|
|Sensor Size||22.5 x 15.0 mm||35.9 x 24.0 mm|
|Sensor Area||337.5 mm2||861.6 mm2|
|Sensor Diagonal||27 mm||43.2 mm|
|Sensor Resolution||8.2 Megapixels||24.4 Megapixels|
|Image Resolution||3504 x 2336 pixels||6048 x 4032 pixels|
|Pixel Pitch||6.42 μm||5.94 μm|
|Pixel Density||2.43 MP/cm2||2.83 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||no Video|
|ISO Setting||100-1600 ISO||200-3200 ISO|
|ISO Boost||100-3200 ISO||100-6400 ISO|
|Image Processor||DIGIC 2||BIONZ|
|DXO Sensor Quality (score)||62||79|
|DXO Color Depth (bits)||21.9||23.8|
|DXO Dynamic Range (EV)||11.0||12.2|
|DXO Low Light (ISO)||721||1415|
|Screen Specs||Canon 20D||Sony A850|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||95%||98%|
|Top-Level Screen||Control Panel||Control Panel|
|Rear LCD Size||1.8 inch||3.0 inch|
|LCD Resolution||118k dots||922k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon 20D||Sony A850|
|Autofocus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||5 shutter flaps/s||3 shutter flaps/s|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||no On-Board Flash|
|Storage Medium||CF cards||CF or MS cards|
|Second Storage Option||Single card slot||Dual card slots|
|Connectivity Specs||Canon 20D||Sony A850|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 1.1||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 20D||Sony A850|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||700 shots per charge||880 shots per charge|
144 x 106 x 72 mm
(5.7 x 4.2 x 2.8 in)
156 x 117 x 82 mm
(6.1 x 4.6 x 3.2 in)
|Camera Weight||770 g (27.2 oz)||895 g (31.6 oz)|
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