Canon 20D vs Panasonic FZ330
The Canon EOS 20D and the Panasonic Lumix DMC-FZ330 (labelled Panasonic FZ300 in some countries) are two digital cameras that were announced, respectively, in August 2004 and July 2015. The 20D is a DSLR, while the FZ330 is a fixed lens compact. The cameras are based on an APS-C (20D) and a 1/2.3-inch (FZ330) sensor. The Canon has a resolution of 8.2 megapixels, whereas the Panasonic provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 20D||Panasonic FZ330|
|Digital single lens reflex||Fixed lens compact camera|
|Canon EF mount lenses||25-600mm f/2.8|
|8.2 MP, APS-C Sensor||12 MP, 1/2.3" Sensor|
|no Video||4K/30p Video|
|ISO 100-1600 (100-3200)||ISO 100-6400|
|Optical viewfinder||Electronic viewfinder (1440k dots)|
|1.8" LCD, 118k dots||3.0" LCD, 1040k dots|
|Fixed screen (not touch-sensitive)||Swivel touchscreen|
|5 shutter flaps per second||12 shutter flaps per second|
|Not weather sealed||Weathersealed body|
|700 shots per battery charge||380 shots per battery charge|
|144 x 106 x 72 mm, 770 g||132 x 92 x 117 mm, 691 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 20D and the Panasonic Lumix DMC-FZ330? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 20D and the Panasonic FZ330 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FZ330 is notably smaller (20 percent) than the Canon 20D. It is noteworthy in this context that the FZ330 is splash and dust-proof, while the 20D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FZ330 has a lens built in, whereas the 20D is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 20D and their specifications in the Canon EF Lens Catalog.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 20D»||5.7 in||4.2 in||2.8 in||27.2 oz||700||n||Aug 2004||1,499||-||Canon 20D|
|Panasonic FZ330«||5.2 in||3.6 in||4.6 in||24.4 oz||380||Y||Jul 2015||599||Panasonic FZ330|
|Canon G3 X« »||4.8 in||3.0 in||4.1 in||25.9 oz||300||Y||Jun 2015||999||Canon G3 X|
|Canon 7D II« »||5.9 in||4.4 in||3.1 in||32.1 oz||670||Y||Sep 2014||1,799||Canon 7D II|
|Canon SX60« »||5.0 in||3.7 in||4.5 in||22.9 oz||340||n||Sep 2014||549||-||Canon SX60|
|Canon 60D« »||5.7 in||4.2 in||3.1 in||26.6 oz||1100||Y||Aug 2010||1,399||-||Canon 60D|
|Canon 7D« »||5.8 in||4.4 in||2.9 in||30.3 oz||800||Y||Sep 2009||1,699||-||Canon 7D|
|Canon 50D« »||5.7 in||4.3 in||2.9 in||29.0 oz||800||Y||Aug 2008||1,299||-||Canon 50D|
|Canon 40D« »||5.7 in||4.3 in||2.9 in||29.0 oz||750||n||Aug 2007||1,299||-||Canon 40D|
|Canon 30D« »||5.7 in||4.2 in||2.9 in||27.7 oz||750||n||Feb 2006||1,399||-||Canon 30D|
|Canon XT« »||5.0 in||3.7 in||2.5 in||19.0 oz||400||n||Feb 2005||899||-||Canon XT|
|Canon 10D« »||5.9 in||4.2 in||3.0 in||30.0 oz||500||n||Feb 2003||1,999||-||Canon 10D|
|Canon Rebel« »||5.6 in||3.9 in||2.8 in||22.9 oz||400||n||Aug 2003||899||-||Canon Rebel|
|Nikon D200« »||5.8 in||4.4 in||2.9 in||32.5 oz||400||Y||Nov 2005||1,699||-||Nikon D200|
|Panasonic FZ200« »||4.9 in||3.4 in||4.3 in||20.7 oz||540||n||Jul 2012||599||-||Panasonic FZ200|
|Panasonic FZ150« »||4.9 in||3.2 in||3.6 in||18.6 oz||410||n||Aug 2011||499||-||Panasonic FZ150|
|Panasonic LX5« »||4.3 in||2.6 in||1.7 in||9.6 oz||400||n||Jul 2010||499||-||Panasonic LX5|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The FZ330 was launched at a lower price than the 20D, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 20D features an APS-C sensor and the Panasonic FZ330 a 1/2.3-inch sensor. The sensor area in the FZ330 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 5.6. The sensor in the 20D has a native 3:2 aspect ratio, while the one in the FZ330 offers a 4:3 aspect.
Despite having a smaller sensor, the FZ330 offers a higher resolution of 12 megapixels, compared with 8.2 MP of the 20D. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.53μm versus 6.42μm for the 20D). However, it should be noted that the FZ330 is much more recent (by 10 years and 10 months) than the 20D, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the FZ330 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Panasonic FZ330 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FZ330 for good quality output (200 dots per inch) amounts to 20 x 15 inch or 50.8 x 38.1 cm, for very good quality (250 dpi) 16 x 12 inch or 40.6 x 30.5 cm, and for excellent quality (300 dpi) 13.3 x 10 inch or 33.9 x 25.4 cm. The corresponding values for the Canon 20D are 17.5 x 11.7 inch or 44.5 x 29.7 cm for good quality, 14 x 9.3 inch or 35.6 x 23.7 cm for very good quality, and 11.7 x 7.8 inch or 29.7 x 19.8 cm for excellent quality prints.
The Canon EOS 20D has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 100-3200. The corresponding ISO settings for the Panasonic Lumix DMC-FZ330 are ISO 100 to ISO 6400 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the 20D provides substantially higher image quality than the FZ330, with an overall score that is 24 points higher. This advantage is based on 2.6 bits higher color depth, and 2.9 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon 20D»||APS-C||8.2||3504||2336||-||21.9||11.0||721||62||Canon 20D|
|Panasonic FZ330«||1/2.3||12.0||4000||3000||4K/30p||19.3||11.0||97||38||Panasonic FZ330|
|Canon G3 X« »||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63||Canon G3 X|
|Canon 7D II« »||APS-C||20.0||5472||3648||1080/60p||22.4||11.8||1082||70||Canon 7D II|
|Canon SX60« »||1/2.3||14.2||4608||3072||1080/60p||19.2||10.8||127||39||Canon SX60|
|Canon 60D« »||APS-C||17.9||5184||3456||1080/30p||22.2||11.5||813||66||Canon 60D|
|Canon 7D« »||APS-C||17.9||5184||3456||1080/30p||22.0||11.7||854||66||Canon 7D|
|Canon 50D« »||APS-C||15.1||4752||3168||-||21.8||11.4||696||63||Canon 50D|
|Canon 40D« »||APS-C||10.1||3888||2592||-||22.1||11.3||703||64||Canon 40D|
|Canon 30D« »||APS-C||8.2||3504||2336||-||21.5||10.8||736||59||Canon 30D|
|Canon XT« »||APS-C||8.0||3456||2304||-||21.8||10.8||637||60||Canon XT|
|Canon 10D« »||APS-C||6.3||3072||2048||-||21.1||10.9||571||57||Canon 10D|
|Canon Rebel« »||APS-C||6.3||3072||2048||-||21.0||10.8||544||55||Canon Rebel|
|Nikon D200« »||APS-C||10.0||3872||2592||-||22.3||11.5||583||64||Nikon D200|
|Panasonic FZ200« »||1/2.3||12.0||4000||3000||1080/60p||19.1||10.8||114||37||Panasonic FZ200|
|Panasonic FZ150« »||1/2.3||12.0||4000||3000||1080/60p||19.4||10.9||132||40||Panasonic FZ150|
|Panasonic LX5« »||1/1.7||10.0||3648||2736||720/60p||19.6||10.8||132||41||Panasonic LX5|
Many modern cameras are not only capable of taking still images, but can also record movies. The FZ330 indeed provides for movie recording, while the 20D does not. The highest resolution format that the FZ330 can use is 4K/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the FZ330 has an electronic viewfinder (1440k dots), while the 20D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the FZ330 offers a wider field of view (100%) than the one in the 20D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the FZ330 has a higher magnification (0.70x vs 0.56x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 20D and Panasonic FZ330 along with similar information for a selection of comparators.
|Canon 20D»||optical||Y||1.8||118||fixed||n||1/8000s||5.0||Y||n||Canon 20D|
|Panasonic FZ330«||1440||n||3.0||1040||swivel||Y||1/4000s||12.0||Y||Y||Panasonic FZ330|
|Canon G3 X« »||-||n||3.2||1620||tilting||Y||1/2000s||5.9||Y||Y||Canon G3 X|
|Canon 7D II« »||optical||Y||3.0||1040||fixed||n||1/8000s||10.0||Y||n||Canon 7D II|
|Canon SX60« »||922||n||3.0||922||swivel||n||1/2000s||6.4||Y||Y||Canon SX60|
|Canon 60D« »||optical||Y||3.0||1040||swivel||n||1/8000s||5.3||Y||n||Canon 60D|
|Canon 7D« »||optical||Y||3.0||920||fixed||n||1/8000s||8.0||Y||n||Canon 7D|
|Canon 50D« »||optical||Y||3.0||920||fixed||n||1/8000s||6.3||Y||n||Canon 50D|
|Canon 40D« »||optical||Y||3.0||230||fixed||n||1/8000s||6.5||Y||n||Canon 40D|
|Canon 30D« »||optical||Y||2.5||230||fixed||n||1/8000s||5.0||Y||n||Canon 30D|
|Canon XT« »||optical||n||1.8||115||fixed||n||1/4000s||3.0||Y||n||Canon XT|
|Canon 10D« »||optical||Y||1.8||118||fixed||n||1/4000s||3.0||Y||n||Canon 10D|
|Canon Rebel« »||optical||n||1.8||118||fixed||n||1/4000s||2.5||Y||n||Canon Rebel|
|Nikon D200« »||optical||Y||2.5||230||fixed||n||1/8000s||5.0||Y||n||Nikon D200|
|Panasonic FZ200« »||1312||n||3.0||460||swivel||n||1/4000s||12.0||Y||Y||Panasonic FZ200|
|Panasonic FZ150« »||202||n||3.0||460||swivel||n||1/2000s||12.0||Y||Y||Panasonic FZ150|
|Panasonic LX5« »||-||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y||Panasonic LX5|
One feature that is present on the 20D, but is missing on the FZ330 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The FZ330 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 20D does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FZ330 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic FZ330 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 20D writes its imaging data to Compact Flash cards, while the FZ330 uses SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 20D and Panasonic Lumix DMC-FZ330 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 20D»||Y||-||-||-||-||-||1.1||-||-||-||Canon 20D|
|Panasonic FZ330«||Y||stereo||mono||Y||-||mini||2.0||Y||-||-||Panasonic FZ330|
|Canon G3 X« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon G3 X|
|Canon 7D II« »||Y||stereo||mono||Y||Y||mini||3.0||-||-||-||Canon 7D II|
|Canon SX60« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon SX60|
|Canon 60D« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 60D|
|Canon 7D« »||Y||mono||-||Y||-||mini||2.0||-||-||-||Canon 7D|
|Canon 50D« »||Y||-||-||-||-||mini||2.0||-||-||-||Canon 50D|
|Canon 40D« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 40D|
|Canon 30D« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 30D|
|Canon XT« »||Y||-||-||-||-||-||2.0||-||-||-||Canon XT|
|Canon 10D« »||Y||-||-||-||-||-||1.1||-||-||-||Canon 10D|
|Canon Rebel« »||Y||-||-||-||-||-||1.1||-||-||-||Canon Rebel|
|Nikon D200« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D200|
|Panasonic FZ200« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Panasonic FZ200|
|Panasonic FZ150« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Panasonic FZ150|
|Panasonic LX5« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Panasonic LX5|
It is notable that the FZ330 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 20D does not offer wifi capability.
Studio photographers will appreciate that the Canon 20D (unlike the FZ330) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The FZ330 is a recent model that features in the current product line-up of Panasonic. In contrast, the 20D has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 20D was succeeded by the Canon 30D. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what conclusions can be drawn? Is there a clear favorite between the Canon 20D and the Panasonic FZ330? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon EOS 20D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores substantially higher (24 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (2.6 bits more color depth).
- Better low-light sensitivity: Requires less light for good images (2.9 stops ISO advantage).
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (700 versus 380) on a single battery charge.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in August 2004).
Arguments in favor of the Panasonic Lumix DMC-FZ330:
- More detail: Has more megapixels (12 vs 8.2MP), which boosts linear resolution by 19%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.56x).
- Larger screen: Has a bigger rear LCD (3.0" vs 1.8") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 118k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with an integrated lens, while the 20D requires a separate lens.
- More compact: Is smaller (132x92mm vs 144x106mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 20D).
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Faster data transfer: Supports a more advanced USB protocol (2.0 vs 1.1).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 10 years and 10 months of technical progress since the 20D launch.
If the count of relative strengths (bullet points above) is taken as a measure, the FZ330 is the clear winner of the contest (23 : 11 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 20D and the Panasonic FZ330 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 20D or the FZ330. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 20D»||-||+ +||-||o||-||Aug 2004||1,499||-||Canon 20D|
|Panasonic FZ330«||+ +||-||4.5/5||4.5/5||4.5/5||Jul 2015||599||Panasonic FZ330|
|Canon G3 X« »||+||-||4.5/5||3.5/5||4/5||Jun 2015||999||Canon G3 X|
|Canon 7D II« »||+||84/100||4/5||5/5||4.5/5||Sep 2014||1,799||Canon 7D II|
|Canon SX60« »||+ +||75/100||4/5||-||4.5/5||Sep 2014||549||-||Canon SX60|
|Canon 60D« »||+||79/100||4/5||5/5||4.5/5||Aug 2010||1,399||-||Canon 60D|
|Canon 7D« »||+ +||84/100||4.5/5||5/5||4.5/5||Sep 2009||1,699||-||Canon 7D|
|Canon 50D« »||+ +||+ +||4.5/5||5/5||4.5/5||Aug 2008||1,299||-||Canon 50D|
|Canon 40D« »||+ +||+ +||4.5/5||o||4.5/5||Aug 2007||1,299||-||Canon 40D|
|Canon 30D« »||+ +||+ +||o||o||-||Feb 2006||1,399||-||Canon 30D|
|Canon XT« »||80/100||+ +||o||o||-||Feb 2005||899||-||Canon XT|
|Canon 10D« »||-||+ +||-||o||-||Feb 2003||1,999||-||Canon 10D|
|Canon Rebel« »||-||+ +||-||o||-||Aug 2003||899||-||Canon Rebel|
|Nikon D200« »||+ +||+ +||o||5/5||-||Nov 2005||1,699||-||Nikon D200|
|Panasonic FZ200« »||+ +||80/100||4.5/5||4.5/5||4.5/5||Jul 2012||599||-||Panasonic FZ200|
|Panasonic FZ150« »||+ +||76/100||4/5||5/5||4.5/5||Aug 2011||499||-||Panasonic FZ150|
|Panasonic LX5« »||+||73/100||4.5/5||5/5||4.5/5||Jul 2010||499||-||Panasonic LX5|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 20D vs Canon G7 X Mark II
- Canon 20D vs Nikon P900
- Canon 20D vs Sony HX95
- Canon 20D vs Sony HX99
- Canon 20D vs Sony RX100
- Canon 750D vs Panasonic FZ330
- Canon SX530 vs Panasonic FZ330
- Canon SX60 vs Panasonic FZ330
- Canon SX730 vs Panasonic FZ330
- Nikon D40 vs Panasonic FZ330
- Olympus E-M10 II vs Panasonic FZ330
- Olympus E-M10 III vs Panasonic FZ330
Specifications: Canon 20D vs Panasonic FZ330
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 20D||Panasonic FZ330|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||25-600mm f/2.8|
|Launch Date||August 2004||July 2015|
|Launch Price||USD 1499||USD 599|
|Sensor Specs||Canon 20D||Panasonic FZ330|
|Sensor Format||APS-C Sensor||1/2.3" Sensor|
|Sensor Size||22.5 x 15.0 mm||6.17 x 4.55 mm|
|Sensor Area||337.5 mm2||28.0735 mm2|
|Sensor Diagonal||27 mm||7.7 mm|
|Sensor Resolution||8.2 Megapixels||12 Megapixels|
|Image Resolution||3504 x 2336 pixels||4000 x 3000 pixels|
|Pixel Pitch||6.42 μm||1.53 μm|
|Pixel Density||2.43 MP/cm2||42.74 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||100-1600 ISO||100-6400 ISO|
|ISO Boost||100-3200 ISO||no Enhancement|
|Image Processor||DIGIC 2||Venus|
|DXO Sensor Quality (score)||62||38|
|DXO Color Depth (bits)||21.9||19.3|
|DXO Dynamic Range (EV)||11.0||11.0|
|DXO Low Light (ISO)||721||97|
|Screen Specs||Canon 20D||Panasonic FZ330|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||1440k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||1.8 inch||3.0 inch|
|LCD Resolution||118k dots||1040k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 20D||Panasonic FZ330|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/4000/s|
|Continuous Shooting||5 shutter flaps/s||12 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon 20D||Panasonic FZ330|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 1.1||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Canon 20D||Panasonic FZ330|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||700 shots per charge||380 shots per charge|
144 x 106 x 72 mm
(5.7 x 4.2 x 2.8 in)
132 x 92 x 117 mm
(5.2 x 3.6 x 4.6 in)
|Camera Weight||770 g (27.2 oz)||691 g (24.4 oz)|
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