Canon 200D vs Panasonic LX15
The Canon EOS 200D (called Canon SL2 in some regions) and the Panasonic Lumix DMC-LX15 (labelled Panasonic LX10 in some countries) are two digital cameras that were revealed to the public, respectively, in June 2017 and September 2016. The 200D is a DSLR, while the LX15 is a fixed lens compact. The cameras are based on an APS-C (200D) and an one-inch (LX15) sensor. The Canon has a resolution of 24 megapixels, whereas the Panasonic provides 20 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 200D and the Panasonic Lumix DMC-LX15? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 200D and the Panasonic LX15 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The 200D can be obtained in two different colors (black, white), while the LX15 is also available in two color-versions, but different ones (black, silver).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic LX15 is considerably smaller (44 percent) than the Canon 200D. In this context, it is worth noting that neither the 200D nor the LX15 are weather-sealed.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the LX15 has a lens built in, whereas the 200D is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 200D and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the 200D gets 650 shots out of its LP-E17 battery, while the LX15 can take 260 images on a single charge of its DMW-BLH7 power pack. The power pack in the LX15 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon 200D||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549|
|2.||Panasonic LX15||106 mm||60 mm||42 mm||310 g||260||n||Sep 2016||699|
|3.||Canon 250D||122 mm||93 mm||70 mm||449 g||1070||n||Apr 2019||599|
|4.||Canon 2000D||129 mm||101 mm||78 mm||475 g||500||n||Feb 2018||449|
|5.||Canon 77D||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899|
|6.||Canon 800D||131 mm||100 mm||76 mm||532 g||600||n||Feb 2017||749|
|7.||Canon G9 X Mark II||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529|
|8.||Canon M100||108 mm||67 mm||35 mm||302 g||295||n||Aug 2017||499|
|9.||Canon G7 X Mark II||106 mm||61 mm||42 mm||319 g||265||n||Feb 2016||699|
|10.||Canon M5||116 mm||89 mm||61 mm||427 g||295||n||Sep 2016||979|
|11.||Canon 760D||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|12.||Canon G5 X||112 mm||76 mm||44 mm||353 g||210||n||Oct 2015||799|
|13.||Canon 100D||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549|
|14.||Nikon D3400||124 mm||98 mm||76 mm||445 g||1200||n||Aug 2016||499|
|15.||Panasonic TZ200||111 mm||65 mm||45 mm||340 g||370||n||Feb 2018||799|
|16.||Panasonic TZ90||112 mm||67 mm||41 mm||322 g||380||n||Apr 2017||449|
|17.||Panasonic TZ100||111 mm||65 mm||44 mm||312 g||300||n||Jan 2016||699|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 200D features an APS-C sensor and the Panasonic LX15 an one-inch sensor. The sensor area in the LX15 is 65 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2. The LX15 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
With 24MP, the 200D offers a higher resolution than the LX15 (20MP), but the 200D nevertheless has larger individual pixels (pixel pitch of 3.72μm versus 2.41μm for the LX15) due to its larger sensor. Moreover, the 200D is a somewhat more recent model (by 9 months) than the LX15, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 200D implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 200D for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic LX15 are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
The 200D has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 200D has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Panasonic Lumix DMC-LX15 are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
| DXO |
|7.||Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|9.||Canon G7 X Mark II||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
|12.||Canon G5 X||1-inch||20.0||5472||3648||1080/60p||..||..||..||..|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the LX15 provides a better video resolution than the 200D. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the 200D has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the LX15 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Canon 200D and Panasonic LX15 in connection with corresponding information for a sample of similar cameras.
|7.||Canon G9 X Mark II||none||n||3.0||1040||fixed||Y||1/2000s||8.2||Y||Y|
|9.||Canon G7 X Mark II||none||n||3.0||1040||tilting||Y||1/2000s||8.0||Y||Y|
|12.||Canon G5 X||2360||n||3.0||1040||swivel||Y||1/2000s||5.9||Y||Y|
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the LX15 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic LX15 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the 200D and the LX15 write their files to SDXC cards. Both cameras can use UHS-I cards, which provide for Ultra High Speed data transfer of up to 104 MB/s.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 200D and Panasonic Lumix DMC-LX15 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|7.||Canon G9 X Mark II||-||stereo||mono||-||-||micro||2.0||Y||Y||Y|
|9.||Canon G7 X Mark II||-||stereo||mono||-||-||micro||2.0||Y||Y||-|
|12.||Canon G5 X||Y||stereo||mono||-||-||mini||2.0||Y||Y||-|
It is notable that the 200D has a hotshoe, while the LX15 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
The LX15 is a recent model that features in the current product line-up of Panasonic. In contrast, the 200D has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the 200D was succeeded by the Canon 250D. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what conclusions can be drawn? Which of the two cameras – the Canon 200D or the Panasonic LX15 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon EOS 200D:
- More detail: Offers more megapixels (24 vs 20MP) with a 10% higher linear resolution.
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- Longer lasting: Can take more shots (650 versus 260) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Is somewhat more recent (announced 9 months after the LX15).
Reasons to prefer the Panasonic Lumix DMC-LX15:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- Faster burst: Shoots at higher frequency (10 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with an integrated lens, while the 200D requires a separate lens.
- More compact: Is smaller (106x60mm vs 122x93mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 200D).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More heavily discounted: Has been on the market for longer (launched in September 2016).
If the count of relative strengths (bullet points above) is taken as a measure, the 200D is the clear winner of the match-up (15 : 11 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 200D and the Panasonic LX15 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the 200D or the LX15 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 200D||4/5||+ +||78/100||4.5/5||4.5/5||Jun 2017||549|
|2.||Panasonic LX15||..||+ +||81/100||4/5||4.5/5||Sep 2016||699|
|3.||Canon 250D||..||o||79/100||4/5||4/5||Apr 2019||599|
|4.||Canon 2000D||..||o||..||3.5/5||3.5/5||Feb 2018||449|
|5.||Canon 77D||4.5/5||..||82/100||4.5/5||4/5||Feb 2017||899|
|6.||Canon 800D||4.5/5||..||80/100||4.5/5||4/5||Feb 2017||749|
|7.||Canon G9 X Mark II||4/5||..||75/100||4.5/5||4.5/5||Jan 2017||529|
|8.||Canon M100||3/5||+||..||4/5||3.5/5||Aug 2017||499|
|9.||Canon G7 X Mark II||4.5/5||+ +||81/100||4.5/5||4.5/5||Feb 2016||699|
|10.||Canon M5||4/5||+||82/100||4/5||4/5||Sep 2016||979|
|11.||Canon 760D||5/5||+||77/100||4.5/5||4.5/5||Feb 2015||649|
|12.||Canon G5 X||5/5||+ +||78/100||4.5/5||4.5/5||Oct 2015||799|
|13.||Canon 100D||4/5||+||78/100||4/5||4/5||Mar 2013||549|
|14.||Nikon D3400||4/5||+||76/100||4/5||4.5/5||Aug 2016||499|
|15.||Panasonic TZ200||..||+ +||81/100||4.5/5||4.5/5||Feb 2018||799|
|16.||Panasonic TZ90||..||+ +||..||4/5||4/5||Apr 2017||449|
|17.||Panasonic TZ100||4.5/5||+ +||82/100||4.5/5||4.5/5||Jan 2016||699|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
Specifications: Canon 200D vs Panasonic LX15
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 200D||Panasonic LX15|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||24-72mm f/1.4-2.8|
|Launch Date||June 2017||September 2016|
|Launch Price||USD 549||USD 699|
|Sensor Specs||Canon 200D||Panasonic LX15|
|Sensor Format||APS-C Sensor||1" Sensor|
|Sensor Size||22.3 x 14.9 mm||13.2 x 8.8 mm|
|Sensor Area||332.27 mm2||116.16 mm2|
|Sensor Diagonal||26.8 mm||15.9 mm|
|Sensor Resolution||24 Megapixels||20 Megapixels|
|Image Resolution||6000 x 4000 pixels||5472 x 3648 pixels|
|Pixel Pitch||3.72 μm||2.41 μm|
|Pixel Density||7.22 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100 - 25,600 ISO||125 - 12,800 ISO|
|ISO Boost||100 - 51,200 ISO||80 - 25,600 ISO|
|Image Processor||DIGIC 7||Venus|
|DXO Sensor Quality (score)||79||..|
|DXO Color Depth (bits)||23.6||..|
|DXO Dynamic Range (EV)||13.4||..|
|DXO Low Light (ISO)||1041||..|
|Screen Specs||Canon 200D||Panasonic LX15|
|Viewfinder Type||Optical viewfinder||no viewfinder|
|Viewfinder Field of View||95%|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Swivel screen||Tilting screen|
|Shooting Specs||Canon 200D||Panasonic LX15|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||5 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-I|
|Connectivity Specs||Canon 200D||Panasonic LX15|
|External Flash||Hotshoe||no Hotshoe|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon 200D||Panasonic LX15|
|Battery Life (CIPA)||650 shots per charge||260 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
122 x 93 x 70 mm
(4.8 x 3.7 x 2.8 in)
106 x 60 x 42 mm
(4.2 x 2.4 x 1.7 in)
|Camera Weight||453 g (16.0 oz)||310 g (10.9 oz)|
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