Canon 200D vs Panasonic G85
The Canon EOS 200D (called Canon SL2 in some regions) and the Panasonic Lumix DMC-G85 (labelled Panasonic G80 in some countries) are two digital cameras that were announced, respectively, in June 2017 and September 2016. The 200D is a DSLR, while the G85 is a mirrorless interchangeable lens camera. The cameras are based on an APS-C (200D) and a Four Thirds (G85) sensor. The Canon has a resolution of 24 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 200D and the Panasonic Lumix DMC-G85? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 200D and the Panasonic G85 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter.
The 200D can be obtained in two different colors (black, white), while the G85 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon 200D and the Panasonic G85 are of equal size. However, the G85 is markedly heavier (11 percent) than the 200D. It is noteworthy in this context that the G85 is splash and dust-proof, while the 200D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (200D) and the Micro Four Thirds Lens Catalog (G85). Mirrorless cameras, such as the G85, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon 200D||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549|
|2.||Panasonic G85||128 mm||89 mm||74 mm||505 g||330||Y||Sep 2016||899|
|3.||Canon 250D||122 mm||93 mm||70 mm||449 g||1070||n||Apr 2019||599|
|4.||Canon 2000D||129 mm||101 mm||78 mm||475 g||500||n||Feb 2018||449|
|5.||Canon 77D||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899|
|6.||Canon 800D||131 mm||100 mm||76 mm||532 g||600||n||Feb 2017||749|
|7.||Canon G9 X Mark II||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529|
|8.||Canon M100||108 mm||67 mm||35 mm||302 g||295||n||Aug 2017||499|
|9.||Canon M5||116 mm||89 mm||61 mm||427 g||295||n||Sep 2016||979|
|10.||Canon 760D||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649|
|11.||Canon 100D||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549|
|12.||Nikon D3400||124 mm||98 mm||76 mm||445 g||1200||n||Aug 2016||499|
|13.||Olympus E-M1 II||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999|
|14.||Olympus E-M5 II||124 mm||85 mm||45 mm||469 g||310||Y||Feb 2015||1,099|
|15.||Olympus E-P5||122 mm||69 mm||37 mm||420 g||330||n||May 2013||999|
|16.||Panasonic G95||130 mm||94 mm||77 mm||536 g||290||Y||Apr 2019||999|
|17.||Panasonic GX85||122 mm||71 mm||44 mm||426 g||290||n||Apr 2016||799|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The 200D was launched at a markedly lower price (by 39 percent) than the G85, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 200D features an APS-C sensor and the Panasonic G85 a Four Thirds sensor. The sensor area in the G85 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the 200D has a native 3:2 aspect ratio, while the one in the G85 offers a 4:3 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 24MP, the 200D offers a higher resolution than the G85 (15.8MP), but the 200D has marginally smaller individual pixels (pixel pitch of 3.72μm versus 3.77μm for the G85). However, the 200D is a somewhat more recent model (by 9 months) than the G85, and its sensor might have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the G85 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Canon 200D implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 200D for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Panasonic G85 are 23 x 17.2 inches or 58.3 x 43.8 cm for good quality, 18.4 x 13.8 inches or 46.7 x 35 cm for very good quality, and 15.3 x 11.5 inches or 38.9 x 29.2 cm for excellent quality prints.
The 200D has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 200D has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Panasonic Lumix DMC-G85 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the 200D has a notably higher overall DXO score than the G85 (overall score 8 points higher), which gives it an advantage in terms of imaging quality. This advantage is based on 0.8 bits higher color depth, 0.9 EV in additional dynamic range, and 0.7 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|2.||Panasonic G85||Four Thirds||15.8||4592||3448||4K/30p||22.8||12.5||656||71|
|7.||Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|13.||Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|14.||Olympus E-M5 II||Four Thirds||15.9||4608||3456||1080/60p||23.0||12.5||842||73|
|15.||Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|16.||Panasonic G95||Four Thirds||20.2||5184||3888||4K/30p||23.2||13.0||1273||75|
|17.||Panasonic GX85||Four Thirds||15.8||4592||3448||4K/30p||22.9||12.6||662||71|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the G85 provides a better video resolution than the 200D. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the G85 has an electronic viewfinder (2360k dots), while the 200D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the G85 offers a wider field of view (100%) than the one in the 200D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the G85 has a higher magnification (0.74x vs 0.54x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 200D, the Panasonic G85, and comparable cameras.
|1.||Canon 200D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|2.||Panasonic G85||2360||n||3.0 / 1040||swivel||Y||1/4000s||9.0||Y||Y|
|3.||Canon 250D||optical||n||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|4.||Canon 2000D||optical||n||3.0 / 920||fixed||n||1/4000s||3.0||Y||n|
|5.||Canon 77D||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.0||Y||n|
|6.||Canon 800D||optical||n||3.0 / 1040||swivel||Y||1/4000s||6.0||Y||n|
|7.||Canon G9 X Mark II||none||n||3.0 / 1040||fixed||Y||1/2000s||8.2||Y||Y|
|8.||Canon M100||none||n||3.0 / 1040||tilting||Y||1/4000s||6.1||Y||n|
|9.||Canon M5||2360||n||3.2 / 1620||tilting||Y||1/4000s||9.0||Y||n|
|10.||Canon 760D||optical||Y||3.0 / 1040||swivel||Y||1/4000s||5.0||Y||n|
|11.||Canon 100D||optical||n||3.0 / 1040||fixed||Y||1/4000s||4.9||Y||n|
|12.||Nikon D3400||optical||n||3.0 / 921||fixed||n||1/4000s||5.0||Y||n|
|13.||Olympus E-M1 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||18.0||n||Y|
|14.||Olympus E-M5 II||2360||n||3.0 / 1037||swivel||Y||1/8000s||10.0||n||Y|
|15.||Olympus E-P5||optional||n||3.0 / 1037||tilting||Y||1/8000s||9.0||Y||Y|
|16.||Panasonic G95||2360||n||3.0 / 1240||swivel||Y||1/4000s||9.0||Y||Y|
|17.||Panasonic GX85||2765||n||3.0 / 1040||tilting||Y||1/4000s||8.0||Y||Y|
One feature that differentiates the G85 and the 200D is in-body image stabilization (IBIS). The G85 reduces the risk of handshake-induced blur with all attached lenses, while the 200D offers no blur reduction with lenses that themselves do not provide optical image stabilization.Both cameras have an articulated rear screen that can be turned to be front-facing. This feature will be particularly appreciated by vloggers and photographers who are interested in taking selfies.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the G85 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Panasonic G85 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
Concerning the storage of imaging data, both the 200D and the G85 write their files to SDXC cards. The G85 supports UHS-II cards (Ultra High Speed data transfer of up to 312 MB/s), while the 200D can use UHS-I cards (up to 104 MB/s).
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 200D and Panasonic Lumix DMC-G85 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 200D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|2.||Panasonic G85||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|3.||Canon 250D||Y||stereo / mono||Y||-||mini||2.0||Y||-||Y|
|4.||Canon 2000D||Y||mono / mono||-||-||mini||2.0||Y||Y||-|
|5.||Canon 77D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|6.||Canon 800D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|7.||Canon G9 X Mark II||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|8.||Canon M100||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|9.||Canon M5||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|10.||Canon 760D||Y||stereo / mono||Y||-||mini||2.0||Y||Y||-|
|11.||Canon 100D||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|12.||Nikon D3400||Y||mono / mono||-||-||mini||2.0||-||-||Y|
|13.||Olympus E-M1 II||Y||stereo / mono||Y||Y||micro||3.0||Y||-||-|
|14.||Olympus E-M5 II||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|15.||Olympus E-P5||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
|16.||Panasonic G95||Y||stereo / mono||Y||Y||micro||2.0||Y||-||Y|
|17.||Panasonic GX85||Y||stereo / mono||-||-||micro||2.0||Y||-||-|
Both the 200D and the G85 have been discontinued, but can regularly be found used on eBay. The G85 was replaced by the Panasonic G95, while the 200D was followed by the Canon 250D. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So how do things add up? Which of the two cameras – the Canon 200D or the Panasonic G85 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon EOS 200D:
- More detail: Offers more megapixels (24 vs 15.8MP) with a 26% higher linear resolution.
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Scores markedly higher (8 points) in the DXO overall assessment.
- More dynamic range: Captures a larger spectrum of light and dark details (0.9 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (0.7 stops ISO advantage).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Less heavy: Is lighter (by 52g or 10 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (650 versus 330) on a single battery charge.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (39 percent cheaper at launch).
- More modern: Is somewhat more recent (announced 9 months after the G85).
Reasons to prefer the Panasonic Lumix DMC-G85:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.74x vs 0.54x).
- Faster burst: Shoots at higher frequency (9 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster buffer clearing: Supports a more advanced SD data transfer standard (UHS-II vs UHS-I).
- More heavily discounted: Has been on the market for longer (launched in September 2016).
If the count of individual advantages (bullet points above) is taken as a guide, the match-up finishes in a tie (13 points each). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 200D and the Panasonic G85 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 200D or the G85. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 200D||4/5||+ +||4/5||78/100||4.5/5||4.5/5||Jun 2017||549|
|2.||Panasonic G85||..||+ +||..||84/100||5/5||4.5/5||Sep 2016||899|
|3.||Canon 250D||..||o||4.5/5||79/100||4/5||4/5||Apr 2019||599|
|4.||Canon 2000D||..||o||..||..||3.5/5||3.5/5||Feb 2018||449|
|5.||Canon 77D||4.5/5||..||4/5||82/100||4.5/5||4/5||Feb 2017||899|
|6.||Canon 800D||4.5/5||..||3.5/5||80/100||4.5/5||4/5||Feb 2017||749|
|7.||Canon G9 X Mark II||4/5||..||4/5||75/100||4.5/5||4.5/5||Jan 2017||529|
|8.||Canon M100||3/5||+||..||..||4/5||3.5/5||Aug 2017||499|
|9.||Canon M5||4/5||+||4/5||82/100||4/5||4/5||Sep 2016||979|
|10.||Canon 760D||5/5||+||..||77/100||4.5/5||4.5/5||Feb 2015||649|
|11.||Canon 100D||4/5||+||..||78/100||4/5||4/5||Mar 2013||549|
|12.||Nikon D3400||4/5||+||4/5||76/100||4/5||4.5/5||Aug 2016||499|
|13.||Olympus E-M1 II||5/5||+ +||5/5||85/100||4.5/5||4.5/5||Sep 2016||1,999|
|14.||Olympus E-M5 II||5/5||+ +||4.5/5||81/100||5/5||5/5||Feb 2015||1,099|
|15.||Olympus E-P5||5/5||+ +||..||78/100||4.5/5||5/5||May 2013||999|
|16.||Panasonic G95||4.5/5||+||4.5/5||83/100||4.5/5||4.5/5||Apr 2019||999|
|17.||Panasonic GX85||4.5/5||+ +||..||82/100||5/5||5/5||Apr 2016||799|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 200D vs Canon G9 X Mark II
- Canon 200D vs Fujifilm X-A7
- Canon 200D vs Nikon P950
- Canon 200D vs Olympus E-300
- Canon 200D vs Panasonic FZ200
- Canon 200D vs Panasonic G7
- Canon 6D vs Panasonic G85
- Canon SX740 vs Panasonic G85
- Leica V-LUX 3 vs Panasonic G85
- Nikon D50 vs Panasonic G85
- Nikon Df vs Panasonic G85
- Panasonic FZ100 vs Panasonic G85
Specifications: Canon 200D vs Panasonic G85
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 200D||Panasonic G85|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||June 2017||September 2016|
|Launch Price||USD 549||USD 899|
|Sensor Specs||Canon 200D||Panasonic G85|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||15.8 Megapixels|
|Image Resolution||6000 x 4000 pixels||4592 x 3448 pixels|
|Pixel Pitch||3.72 μm||3.77 μm|
|Pixel Density||7.22 MP/cm2||7.04 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/60p Video||4K/30p Video|
|ISO Setting||100 - 25,600 ISO||200 - 25,600 ISO|
|ISO Boost||100 - 51,200 ISO||100 - 25,600 ISO|
|Image Processor||DIGIC 7||Venus|
|DXO Sensor Quality (score)||79||71|
|DXO Color Depth (bits)||23.6||22.8|
|DXO Dynamic Range (EV)||13.4||12.5|
|DXO Low Light (ISO)||1041||656|
|Screen Specs||Canon 200D||Panasonic G85|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2360k dots|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||1040k dots||1040k dots|
|LCD Attachment||Swivel screen||Swivel screen|
|Shooting Specs||Canon 200D||Panasonic G85|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000s||1/4000s|
|Continuous Shooting||5 shutter flaps/s||9 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Built-in Flash||Built-in Flash|
|Storage Medium||SDXC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||UHS-I||UHS-II|
|Connectivity Specs||Canon 200D||Panasonic G85|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon 200D||Panasonic G85|
|Environmental Sealing||not weather sealed||Weathersealed body|
|Battery Life (CIPA)||650 shots per charge||330 shots per charge|
122 x 93 x 70 mm
(4.8 x 3.7 x 2.8 in)
128 x 89 x 74 mm
(5.0 x 3.5 x 2.9 in)
|Camera Weight||453 g (16.0 oz)||505 g (17.8 oz)|
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