Canon 200D vs Olympus E-450
The Canon EOS 200D (called Canon SL2 in some regions) and the Olympus E-450 are two digital cameras that were announced, respectively, in June 2017 and March 2009. Both are DSLR (Digital Single Lens Reflex) cameras that are based on an APS-C (200D) and a Four Thirds (E-450) sensor. The Canon has a resolution of 24 megapixels, whereas the Olympus provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 200D||Olympus E-450|
|Digital single lens reflex||Digital single lens reflex|
|Canon EF mount lenses||Four Thirds lenses|
|24 MP, APS-C Sensor||10 MP, Four Thirds Sensor|
|1080/60p Video||no Video|
|ISO 100-25600 (100-51200)||ISO 100-1600|
|Optical viewfinder||Optical viewfinder|
|3.0" LCD, 1040k dots||2.7" LCD, 215k dots|
|Swivel touchscreen||Fixed screen (not touch-sensitive)|
|5 shutter flaps per second||3.5 shutter flaps per second|
|650 shots per battery charge||500 shots per battery charge|
|122 x 93 x 70 mm, 453 g||130 x 91 x 53 mm, 440 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 200D and the Olympus E-450? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 200D and the Olympus E-450. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The 200D can be obtained in two different colors (black, white), while the E-450 is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-450 is somewhat larger (4 percent) than the Canon 200D. However, the E-450 is slightly lighter (3 percent) than the 200D. In this context, it is worth noting that neither the 200D nor the E-450 are weather-sealed.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (200D) and the Four Thirds Lens Catalog (E-450).
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 200D»||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549||-||Canon 200D|
|Olympus E-450«||130 mm||91 mm||53 mm||440 g||500||n||Mar 2009||499||-||Olympus E-450|
|Canon 250D« »||122 mm||93 mm||70 mm||449 g||1070||n||Apr 2019||599||Canon 250D|
|Canon 2000D« »||129 mm||101 mm||78 mm||475 g||500||n||Feb 2018||449||Canon 2000D|
|Canon 77D« »||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899||Canon 77D|
|Canon 800D« »||131 mm||100 mm||76 mm||532 g||600||n||Feb 2017||749||Canon 800D|
|Canon G9 X Mark II« »||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529||Canon G9 X Mark II|
|Canon M100« »||108 mm||67 mm||35 mm||302 g||295||n||Aug 2017||499||Canon M100|
|Canon M5« »||116 mm||89 mm||61 mm||427 g||295||n||Sep 2016||979||Canon M5|
|Canon 760D« »||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649||-||Canon 760D|
|Canon 100D« »||117 mm||91 mm||69 mm||407 g||380||n||Mar 2013||549||-||Canon 100D|
|Nikon D3400« »||124 mm||98 mm||76 mm||445 g||1200||n||Aug 2016||499||-||Nikon D3400|
|Olympus E-600« »||130 mm||94 mm||60 mm||535 g||500||n||Aug 2009||449||-||Olympus E-600|
|Olympus E-620« »||130 mm||94 mm||60 mm||521 g||500||n||Feb 2009||699||-||Olympus E-620|
|Olympus E-420« »||130 mm||91 mm||53 mm||440 g||500||n||Mar 2008||599||-||Olympus E-420|
|Olympus E-520« »||136 mm||92 mm||68 mm||535 g||750||n||May 2008||699||-||Olympus E-520|
|Olympus E-410« »||130 mm||91 mm||53 mm||435 g||500||n||Mar 2007||699||-||Olympus E-410|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-450 was somewhat cheaper (by 9 percent) than the 200D at launch, but both cameras fall into the same price category. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 200D features an APS-C sensor and the Olympus E-450 a Four Thirds sensor. The sensor area in the E-450 is 32 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.6 and 2.0. The sensor in the 200D has a native 3:2 aspect ratio, while the one in the E-450 offers a 4:3 aspect.
With 24MP, the 200D offers a higher resolution than the E-450 (10MP), but the 200D has smaller individual pixels (pixel pitch of 3.72μm versus 4.74μm for the E-450). However, the 200D is a much more recent model (by 8 years and 3 months) than the E-450, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 200D implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 200D for good quality output (200 dots per inch) amounts to 30 x 20 inch or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inch or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inch or 50.8 x 33.9 cm. The corresponding values for the Olympus E-450 are 18.2 x 13.7 inch or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inch or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inch or 30.9 x 23.2 cm for excellent quality prints.
The 200D has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS 200D has a native sensitivity range from ISO 100 to ISO 25600, which can be extended to ISO 100-51200. The corresponding ISO settings for the Olympus E-450 are ISO 100 to ISO 1600 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the 200D provides substantially higher image quality than the E-450, with an overall score that is 23 points higher. This advantage is based on 2.1 bits higher color depth, 2.9 EV in additional dynamic range, and 1 stops in additional low light sensitivity. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon 200D»||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79||Canon 200D|
|Olympus E-450«||Four Thirds||10.0||3648||2736||-||21.5||10.5||512||56||Olympus E-450|
|Canon 250D« »||APS-C||24.0||6000||4000||4K/25p||-||-||-||-||Canon 250D|
|Canon 2000D« »||APS-C||24.0||6000||4000||1080/30p||22.6||11.9||1009||71||Canon 2000D|
|Canon 77D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.3||971||78||Canon 77D|
|Canon 800D« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Canon 800D|
|Canon G9 X Mark II« »||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65||Canon G9 X Mark II|
|Canon M100« »||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78||Canon M100|
|Canon M5« »||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77||Canon M5|
|Canon 760D« »||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70||Canon 760D|
|Canon 100D« »||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63||Canon 100D|
|Nikon D3400« »||APS-C||24.0||6000||4000||1080/60p||24.8||13.9||1192||86||Nikon D3400|
|Olympus E-600« »||Four Thirds||12.2||4032||3024||-||21.5||10.3||541||55||Olympus E-600|
|Olympus E-620« »||Four Thirds||12.2||4032||3024||-||21.3||10.3||536||55||Olympus E-620|
|Olympus E-420« »||Four Thirds||10.0||3648||2736||-||21.5||10.4||527||56||Olympus E-420|
|Olympus E-520« »||Four Thirds||10.0||3648||2736||-||21.4||10.4||548||55||Olympus E-520|
|Olympus E-410« »||Four Thirds||10.0||3648||2736||-||21.1||10.0||494||51||Olympus E-410|
Many modern cameras cannot only take still pictures, but also record videos. The 200D indeed provides movie recording capabilities, while the E-450 does not. The highest resolution format that the 200D can use is 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. The 200D and the E-450 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinders of both cameras offer the same field of view (95%), but the viewfinder of the 200D has a higher magnification than the one of the E-450 (0.54x vs 0.46x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 200D, the Olympus E-450, and comparable cameras.
|Canon 200D»||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 200D|
|Olympus E-450«||optical||n||2.7||215||fixed||n||1/4000s||3.5||Y||n||Olympus E-450|
|Canon 250D« »||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 250D|
|Canon 2000D« »||optical||n||3.0||920||fixed||n||1/4000s||3.0||Y||n||Canon 2000D|
|Canon 77D« »||optical||Y||3.0||1040||swivel||Y||1/4000s||6.0||Y||n||Canon 77D|
|Canon 800D« »||optical||n||3.0||1040||swivel||Y||1/4000s||6.0||Y||n||Canon 800D|
|Canon G9 X Mark II« »||-||n||3.0||1040||fixed||Y||1/2000s||8.2||Y||Y||Canon G9 X Mark II|
|Canon M100« »||-||n||3.0||1040||tilting||Y||1/4000s||6.1||Y||n||Canon M100|
|Canon M5« »||2360||n||3.2||1620||tilting||Y||1/4000s||9.0||Y||n||Canon M5|
|Canon 760D« »||optical||Y||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 760D|
|Canon 100D« »||optical||n||3.0||1040||fixed||Y||1/4000s||4.9||Y||n||Canon 100D|
|Nikon D3400« »||optical||n||3.0||921||fixed||n||1/4000s||5.0||Y||n||Nikon D3400|
|Olympus E-600« »||optical||n||2.7||230||swivel||n||1/4000s||4.0||Y||Y||Olympus E-600|
|Olympus E-620« »||optical||n||2.7||230||swivel||n||1/4000s||4.0||Y||Y||Olympus E-620|
|Olympus E-420« »||optical||n||2.7||215||fixed||n||1/4000s||3.5||Y||n||Olympus E-420|
|Olympus E-520« »||optical||n||2.7||215||fixed||n||1/4000s||3.5||Y||Y||Olympus E-520|
|Olympus E-410« »||optical||n||2.5||215||fixed||n||1/4000s||3.0||Y||n||Olympus E-410|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The 200D has a touchscreen, while the E-450 has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.The 200D has an articulated LCD that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in snapping selfies. In contrast, the E-450 does not have a selfie-screen.
The 200D writes its imaging data to SDXC cards, while the E-450 uses Compact Flash or xD Picture cards. The E-450 features dual card slots, which can be very useful in case a memory card fails. In contrast, the 200D only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 200D and Olympus E-450 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 200D»||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 200D|
|Olympus E-450«||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-450|
|Canon 250D« »||Y||stereo||mono||Y||-||mini||2.0||Y||-||Y||Canon 250D|
|Canon 2000D« »||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon 2000D|
|Canon 77D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 77D|
|Canon 800D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 800D|
|Canon G9 X Mark II« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon G9 X Mark II|
|Canon M100« »||-||stereo||mono||-||-||mini||2.0||Y||Y||Y||Canon M100|
|Canon M5« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon M5|
|Canon 760D« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon 760D|
|Canon 100D« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 100D|
|Nikon D3400« »||Y||mono||mono||-||-||mini||2.0||-||-||Y||Nikon D3400|
|Olympus E-600« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-600|
|Olympus E-620« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-620|
|Olympus E-420« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-420|
|Olympus E-520« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-520|
|Olympus E-410« »||Y||-||-||-||-||-||2.0||-||-||-||Olympus E-410|
It is notable that the 200D offers wifi support, while the E-450 does not. Wifi can be a very convenient means to transfer image data to an off-camera location.
Both the 200D and the E-450 have been discontinued, but can regularly be found used on eBay. The 200D was replaced by the Canon 250D, while the E-450 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Olympus websites.
So what is the bottom line? Is the Canon 200D better than the Olympus E-450 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Arguments in favor of the Canon EOS 200D:
- More detail: Offers more megapixels (24 vs 10MP) with a 58% higher linear resolution.
- Better image quality: Scores substantially higher (23 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (2.1 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (2.9 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (1 stops ISO advantage).
- Broader imaging potential: Can record not only still images but also 1080/60p movies.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.54x vs 0.46x).
- Larger screen: Has a bigger rear LCD (3.0" vs 2.7") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 215k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (5 vs 3.5 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (650 versus 500) on a single battery charge.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More modern: Reflects 8 years and 3 months of technical progress since the E-450 launch.
Reasons to prefer the Olympus E-450:
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been around for much longer (launched in March 2009).
If the number of relative strengths (bullet points above) is taken as a guide, the 200D is the clear winner of the match-up (19 : 2 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 200D and the Olympus E-450 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the 200D or the E-450 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 200D»||+ +||78/100||4.5/5||4.5/5||4.5/5||Jun 2017||549||-||Canon 200D|
|Olympus E-450«||-||-||4/5||-||4/5||Mar 2009||499||-||Olympus E-450|
|Canon 250D« »||o||79/100||4/5||-||4/5||Apr 2019||599||Canon 250D|
|Canon 2000D« »||o||-||3.5/5||-||3.5/5||Feb 2018||449||Canon 2000D|
|Canon 77D« »||-||82/100||4.5/5||4.5/5||4/5||Feb 2017||899||Canon 77D|
|Canon 800D« »||-||80/100||4.5/5||4/5||4/5||Feb 2017||749||Canon 800D|
|Canon G9 X Mark II« »||-||75/100||4.5/5||4.5/5||4.5/5||Jan 2017||529||Canon G9 X Mark II|
|Canon M100« »||+||-||4/5||-||3.5/5||Aug 2017||499||Canon M100|
|Canon M5« »||+||82/100||4/5||4.5/5||4/5||Sep 2016||979||Canon M5|
|Canon 760D« »||+||77/100||4.5/5||4.5/5||4.5/5||Feb 2015||649||-||Canon 760D|
|Canon 100D« »||+||78/100||4/5||4/5||4/5||Mar 2013||549||-||Canon 100D|
|Nikon D3400« »||+||76/100||4/5||4.5/5||4.5/5||Aug 2016||499||-||Nikon D3400|
|Olympus E-600« »||-||-||-||-||4.5/5||Aug 2009||449||-||Olympus E-600|
|Olympus E-620« »||88/100||72/100||4.5/5||o||5/5||Feb 2009||699||-||Olympus E-620|
|Olympus E-420« »||85/100||+ +||4/5||o||4.5/5||Mar 2008||599||-||Olympus E-420|
|Olympus E-520« »||87/100||+ +||4.5/5||4/5||4.5/5||May 2008||699||-||Olympus E-520|
|Olympus E-410« »||86/100||+ +||4/5||o||4.5/5||Mar 2007||699||-||Olympus E-410|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 200D vs Canon 5D
- Canon 200D vs Canon 5DS
- Canon 200D vs Fujifilm X-E2S
- Canon 200D vs Leica V-LUX 4
- Canon 200D vs Nikon D7100
- Canon 200D vs Panasonic GX85
- Canon 200D vs Ricoh GR III
- Canon 200D vs Sony A6100
- Canon 600D vs Olympus E-450
- Nikon D100 vs Olympus E-450
- Nikon D50 vs Olympus E-450
- Nikon P1000 vs Olympus E-450
Specifications: Canon 200D vs Olympus E-450
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 200D||Olympus E-450|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Four Thirds lenses|
|Launch Date||June 2017||March 2009|
|Launch Price||USD 549||USD 499|
|Sensor Specs||Canon 200D||Olympus E-450|
|Sensor Format||APS-C Sensor||Four Thirds Sensor|
|Sensor Size||22.3 x 14.9 mm||17.3 x 13.0 mm|
|Sensor Area||332.27 mm2||224.9 mm2|
|Sensor Diagonal||26.8 mm||21.6 mm|
|Sensor Resolution||24 Megapixels||10 Megapixels|
|Image Resolution||6000 x 4000 pixels||3648 x 2736 pixels|
|Pixel Pitch||3.72 μm||4.74 μm|
|Pixel Density||7.22 MP/cm2||4.44 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/60p Video||no Video|
|ISO Setting||100-25600 ISO||100-1600 ISO|
|ISO Boost||100-51200 ISO||no Enhancement|
|Image Processor||DIGIC 7||TruePic III+|
|DXO Sensor Quality (score)||79||56|
|DXO Color Depth (bits)||23.6||21.5|
|DXO Dynamic Range (EV)||13.4||10.5|
|DXO Low Light (ISO)||1041||512|
|Screen Specs||Canon 200D||Olympus E-450|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||95%||95%|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||2.7 inch|
|LCD Resolution||1040k dots||215k dots|
|LCD Attachment||Swivel screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon 200D||Olympus E-450|
|Autofocus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||5 shutter flaps/s||3.5 shutter flaps/s|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||CF or XD cards|
|Second Storage Option||Single card slot||Dual card slots|
|Connectivity Specs||Canon 200D||Olympus E-450|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||Wifi built-in||no Wifi|
|Near-Field Communication||NFC built-in||no NFC|
|Bluetooth Support||Bluetooth built-in||no Bluetooth|
|Body Specs||Canon 200D||Olympus E-450|
|Battery Life (CIPA)||650 shots per charge||500 shots per charge|
122 x 93 x 70 mm
(4.8 x 3.7 x 2.8 in)
130 x 91 x 53 mm
(5.1 x 3.6 x 2.1 in)
|Camera Weight||453 g (16.0 oz)||440 g (15.5 oz)|
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