Canon 200D versus Fujifilm X-H1
The Canon EOS 200D (called Canon SL2 in some regions) and the Fujifilm X-H1 are two digital cameras that were officially introduced, respectively, in June 2017 and February 2018. The 200D is a DSLR, while the X-H1 is a mirrorless interchangeable lens camera. Both cameras are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixel. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Canon 200D vs Fujifilm X-H1
The side-by-side display below illustrates the physical size and weight of the Canon 200D and the Fujifilm X-H1. Three consecutive perspectives from the front, the top, and the back are presented. All size dimensions are rounded to the nearest millimeter. You can also use the toggle button to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the 200D – represents the basis or 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-H1 is notably larger (20 percent) than the Canon 200D. Moreover, the X-H1 is substantially heavier (49 percent) than the 200D. It is noteworthy in this context that the X-H1 is splash and dust-proof, while the 200D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can find an overview of optics for the two cameras in the Canon EF Lens Catalog (200D) and the Fujinon X Lens Catalog (X-H1). Mirrorless cameras, such as the X-H1, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications|
|Canon 200D»||4.8 in||3.7 in||2.8 in||16.0 oz||650||n||Jun 2017||549|
|Fujifilm X-H1«||5.5 in||3.8 in||3.4 in||23.7 oz||310||Y||Feb 2018||1,899|
|Canon 2000D« »||5.1 in||4.0 in||3.1 in||16.8 oz||500||n||Feb 2018||449|
|Canon G9 X Mark II« »||3.9 in||2.3 in||1.2 in||7.3 oz||235||n||Jan 2017||529|
|Canon 800D« »||5.2 in||3.9 in||3.0 in||18.8 oz||600||n||Feb 2017||749|
|Canon 6D Mark II« »||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999|
|Canon 77D« »||5.2 in||3.9 in||3.0 in||19.0 oz||600||n||Feb 2017||899|
|Canon M100« »||4.3 in||2.6 in||1.4 in||10.7 oz||295||n||Aug 2017||499|
|Canon 80D« »||5.5 in||4.1 in||3.1 in||25.8 oz||960||Y||Feb 2016||1,199|
|Canon M5« »||4.6 in||3.5 in||2.4 in||15.1 oz||295||n||Sep 2016||979|
|Canon 750D« »||5.2 in||4.0 in||3.1 in||19.6 oz||440||n||Feb 2015||749||-|
|Canon 100D« »||4.6 in||3.6 in||2.7 in||14.4 oz||380||n||Mar 2013||549||-|
|Fujifilm X-Pro2« »||5.6 in||3.3 in||1.8 in||17.5 oz||350||Y||Jan 2016||1,699|
|Nikon D3400« »||4.9 in||3.9 in||3.0 in||15.7 oz||1200||n||Aug 2016||499|
|Panasonic G9« »||5.4 in||3.8 in||3.6 in||23.2 oz||400||Y||Nov 2017||1,699|
|Panasonic GH5« »||5.5 in||3.9 in||3.4 in||25.6 oz||410||Y||Jan 2017||1,999|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The 200D was launched at a markedly lower price (by 71 percent) than the X-H1, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Canon 200D vs Fujifilm X-H1
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the X-H1 is 11 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (200D) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Even though the X-H1 has a larger sensor, both cameras offer the same resolution of 24 megapixel. This implies that the X-H1 has a lower pixel density and larger individual pixels (with a pixel pitch of 3.92μm versus 3.72μm for the 200D), which gives it a potential advantage in terms of light gathering capacity. In addition, the X-H1 is a somewhat more recent model (by 7 months) than the 200D, and its sensor might have benefitted from technological advances during this time. Coming back to sensor resolution, it should be mentioned that the X-H1 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 2000D« »||APS-C||24.0||6000||4000||1080/30p||22.6||11.9||1009||71|
|Canon G9 X Mark II« »||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65|
|Canon 800D« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Canon 6D Mark II« »||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|Canon 77D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.3||971||78|
|Canon M100« »||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78|
|Canon 80D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79|
|Canon M5« »||APS-C||24.0||6000||4000||1080/60p||23.4||12.4||1262||77|
|Canon 750D« »||APS-C||24.0||6000||4000||1080/60p||22.7||12.0||919||71|
|Canon 100D« »||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63|
|Fujifilm X-Pro2« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Nikon D3400« »||APS-C||24.0||6000||4000||1080/60p||24.8||13.9||1192||86|
|Panasonic G9« »||Four Thirds||20.2||5184||3888||4K/60p||-||-||-||-|
|Panasonic GH5« »||Four Thirds||20.2||5184||3888||4K/60p||23.9||13.0||807||77|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96|
Many modern cameras are not only capable of taking still images, but can also record movies. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, but the X-H1 provides a better video resolution than the 200D. It can shoot movie footage at 4K/30p, while the Canon is limited to 1080/60p.
Feature comparison: Canon 200D vs Fujifilm X-H1
Apart from body and sensor, cameras can and do differ across a range of features. For example, the X-H1 has an electronic viewfinder (3690k dots), while the 200D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The adjacent table lists some of the other core features of the Canon 200D and Fujifilm X-H1 along with similar information for a selection of comparators. If you need more detail on the specs, you can find comprehensive listings, for example, in the dpreview camera hub.
|Canon 2000D« »||optical||n||3.0||920||fixed||n||4000||3.0||Y||n|
|Canon G9 X Mark II« »||-||n||3.0||1040||fixed||Y||2000||8.2||Y||Y|
|Canon 800D« »||optical||n||3.0||1040||swivel||Y||4000||6.0||Y||n|
|Canon 6D Mark II« »||optical||Y||3.0||1040||swivel||Y||4000||6.5||n||n|
|Canon 77D« »||optical||Y||3.0||1040||swivel||Y||4000||6.0||Y||n|
|Canon M100« »||-||n||3.0||1040||tilting||Y||4000||6.1||Y||n|
|Canon 80D« »||optical||Y||3.0||1040||swivel||Y||8000||7.0||Y||n|
|Canon M5« »||2360||n||3.2||1620||tilting||Y||4000||9.0||Y||n|
|Canon 750D« »||optical||n||3.0||1040||swivel||Y||4000||5.0||Y||n|
|Canon 100D« »||optical||n||3.0||1040||fixed||Y||4000||4.9||Y||n|
|Fujifilm X-Pro2« »||2360||n||3.0||1620||fixed||n||8000||8.0||n||n|
|Nikon D3400« »||optical||n||3.0||921||fixed||n||4000||5.0||Y||n|
|Panasonic G9« »||3680||Y||3.0||1040||swivel||Y||8000||20.0||n||Y|
|Panasonic GH5« »||3680||n||3.2||1620||swivel||Y||8000||12.0||n||Y|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||8000||10.0||n||Y|
Both the 200D and the X-H1 are current models that good online retailers will have in stock. You can check the latest prices, for example, at amazon. The 200D replaced the earlier Canon 100D, while the X-H1 does not have a direct predecessor.
Review summary: Canon 200D vs Fujifilm X-H1
So how do things add up? Which of the two cameras – the Canon 200D or the Fujifilm X-H1 – has the upper hand? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon EOS 200D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More compact: Is smaller (122x93mm vs 140x97mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 220g or 33 percent) and hence easier to carry around.
- Longer lasting: Can take more shots (650 versus 310) on a single battery charge.
- Easier fill-in: Is equipped with a small onboard flash to brighten deep shadow areas.
- More affordable: Was introduced into a lower priced category (71 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in June 2017).
Advantages of the Fujifilm X-H1:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better video: Provides higher definition movie capture (4K/30p vs 1080/60p).
- More framing info: Has an electronic viewfinder that displays shooting data.
- Easier setting verification: Has a control panel on top to check shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (14 vs 5 flaps/sec) to capture the decisive moment.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Sharper images: Has stabilization technology build-in to reduce the impact of hand-shake.
- More modern: Was introduced somewhat (7 months) more recently.
If the count of relative strengths (bullet points above) is taken as a measure, the X-H1 emerges as the winner of the match-up (10 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the handling experience and imaging performance when actually working with the 200D or the X-H1. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is why expert reviews are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The detailed reviews can be accessed by clicking on the site logo in the table header.
|Canon 200D»||HiRec||78/100||4.5/5||4.5/5||4.5/5||Jun 2017||549|
|Fujifilm X-H1«||Rec||86/100||4.5/5||-||4.5/5||Feb 2018||1,899|
|Canon 2000D« »||rev||-||3.5/5||-||3.5/5||Feb 2018||449|
|Canon G9 X Mark II« »||-||75/100||4.5/5||4.5/5||4.5/5||Jan 2017||529|
|Canon 800D« »||-||80/100||4.5/5||4/5||4/5||Feb 2017||749|
|Canon 6D Mark II« »||Rec||80/100||4.5/5||4/5||4/5||Jun 2017||1,999|
|Canon 77D« »||-||82/100||4.5/5||4.5/5||4/5||Feb 2017||899|
|Canon M100« »||Rec||-||4/5||-||3.5/5||Aug 2017||499|
|Canon 80D« »||HiRec||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199|
|Canon M5« »||Rec||82/100||4/5||4.5/5||4/5||Sep 2016||979|
|Canon 750D« »||-||75/100||4.5/5||4.5/5||4.5/5||Feb 2015||749||-|
|Canon 100D« »||Rec||78/100||4/5||4/5||4/5||Mar 2013||549||-|
|Fujifilm X-Pro2« »||Rec||83/100||4.5/5||4.5/5||4.5/5||Jan 2016||1,699|
|Nikon D3400« »||Rec||76/100||4/5||4.5/5||4.5/5||Aug 2016||499|
|Panasonic G9« »||HiRec||85/100||5/5||-||5/5||Nov 2017||1,699|
|Panasonic GH5« »||HiRec||85/100||4.5/5||5/5||5/5||Jan 2017||1,999|
|Sony A7 III« »||HiRec||89/100||5/5||-||5/5||Feb 2018||1,999|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
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