Canon 2000D vs Sony A77 II
The Canon EOS 2000D (called Canon T7 in some regions) and the Sony Alpha SLT-A77 II are two digital cameras that were revealed to the public, respectively, in February 2018 and May 2014. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with an APS-C sensor. Both cameras offer a resolution of 24 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 2000D||Sony A77 II|
|Digital single lens reflex||Digital single lens reflex|
|Canon EF mount lenses||Sony A mount lenses|
|24 MP, APS-C Sensor||24 MP, APS-C Sensor|
|1080/30p Video||1080/60p Video|
|ISO 100-6400 (100-12800)||ISO 100-25600 (50-51200)|
|Optical viewfinder||Electronic viewfinder (2359k dots)|
|3.0" LCD, 920k dots||3.0" LCD, 1229k dots|
|Fixed screen (not touch-sensitive)||Fully flexible screen (no touchscreen)|
|3 shutter flaps per second||12 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Not weather sealed||Weathersealed body|
|500 shots per battery charge||480 shots per battery charge|
|129 x 101 x 78 mm, 475 g||143 x 104 x 81 mm, 647 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS 2000D and the Sony Alpha SLT-A77 II? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 2000D and the Sony A77 II. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A77 II is notably larger (14 percent) than the Canon 2000D. Moreover, the A77 II is substantially heavier (36 percent) than the 2000D. It is noteworthy in this context that the A77 II is splash and dust-proof, while the 2000D does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 2000D»||129 mm||101 mm||78 mm||475 g||500||n||Feb 2018||449||Canon 2000D|
|Sony A77 II«||143 mm||104 mm||81 mm||647 g||480||Y||May 2014||1,199||Sony A77 II|
|Canon 4000D« »||129 mm||102 mm||77 mm||436 g||500||n||Feb 2018||399||Canon 4000D|
|Canon 77D« »||131 mm||100 mm||76 mm||540 g||600||n||Feb 2017||899||Canon 77D|
|Canon 200D« »||122 mm||93 mm||70 mm||453 g||650||n||Jun 2017||549||Canon 200D|
|Canon 800D« »||131 mm||100 mm||76 mm||532 g||600||n||Feb 2017||749||Canon 800D|
|Canon G9 X Mark II« »||98 mm||58 mm||31 mm||206 g||235||n||Jan 2017||529||Canon G9 X Mark II|
|Canon M100« »||108 mm||67 mm||35 mm||302 g||295||n||Aug 2017||499||Canon M100|
|Canon 1300D« »||129 mm||101 mm||78 mm||485 g||500||n||Mar 2016||449||Canon 1300D|
|Canon 750D« »||132 mm||101 mm||78 mm||555 g||440||n||Feb 2015||749||Canon 750D|
|Canon 760D« »||132 mm||101 mm||78 mm||565 g||440||n||Feb 2015||649||Canon 760D|
|Canon G3 X« »||123 mm||77 mm||105 mm||733 g||300||Y||Jun 2015||999||Canon G3 X|
|Canon 1200D« »||130 mm||100 mm||78 mm||480 g||500||n||Feb 2014||449||Canon 1200D|
|Nikon D7200« »||136 mm||107 mm||76 mm||765 g||1110||Y||Mar 2015||1,199||Nikon D7200|
|Sony A68« »||143 mm||104 mm||81 mm||610 g||540||n||Nov 2015||699||Sony A68|
|Sony A7 II« »||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999||Sony A7 II|
|Sony A77« »||143 mm||104 mm||81 mm||732 g||470||Y||Aug 2011||1,399||Sony A77|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The 2000D was launched at a markedly lower price (by 63 percent) than the A77 II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature an APS-C sensor, but their sensors differ slightly in size. The sensor area in the A77 II is 11 percent bigger. As a result of these sensor size differences, the cameras have format factors, respectively, of 1.6 (2000D) and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Even though the A77 II has a larger sensor, both cameras offer the same resolution of 24 megapixels. This implies that the A77 II has a lower pixel density and larger individual pixels (with a pixel pitch of 3.91μm versus 3.72μm for the 2000D), which gives it a potential advantage in terms of light gathering capacity. It should, however, be noted that the 2000D is much more recent (by 3 years and 9 months) than the A77 II, and its sensor will have benefitted from technological advances during this time that at least partly compensate for the smaller pixel size.
The Canon EOS 2000D has a native sensitivity range from ISO 100 to ISO 6400, which can be extended to ISO 100-12800. The corresponding ISO settings for the Sony Alpha SLT-A77 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 2000D||APS-C||24.0||6000||4000||1080/30p||22.6||11.9||1009||71||Canon 2000D|
|Sony A77 II||APS-C||24.0||6000||4000||1080/60p||..||..||..||..||Sony A77 II|
|Canon 4000D||APS-C||17.9||5184||3456||1080/30p||21.9||11.4||695||63||Canon 4000D|
|Canon 77D||APS-C||24.0||6000||4000||1080/60p||23.6||13.3||971||78||Canon 77D|
|Canon 200D||APS-C||24.0||6000||4000||1080/60p||23.6||13.4||1041||79||Canon 200D|
|Canon 800D||APS-C||24.0||6000||4000||1080/60p||..||..||..||..||Canon 800D|
|Canon G9 X Mark II||1-inch||20.0||5472||3648||1080/60p||21.9||12.5||522||65||Canon G9 X Mark II|
|Canon M100||APS-C||24.0||6000||4000||1080/60p||23.5||12.9||1272||78||Canon M100|
|Canon 1300D||APS-C||17.9||5184||3456||1080/30p||..||..||..||..||Canon 1300D|
|Canon 750D||APS-C||24.0||6000||4000||1080/30p||22.7||12.0||919||71||Canon 750D|
|Canon 760D||APS-C||24.0||6000||4000||1080/30p||22.6||12.0||915||70||Canon 760D|
|Canon G3 X||1-inch||20.0||5472||3648||1080/60p||21.4||12.3||521||63||Canon G3 X|
|Canon 1200D||APS-C||17.9||5184||3456||1080/30p||21.9||11.3||724||63||Canon 1200D|
|Nikon D7200||APS-C||24.0||6000||4000||1080/60p||24.5||14.6||1333||87||Nikon D7200|
|Sony A68||APS-C||24.0||6000||4000||1080/60i||24.1||13.5||701||79||Sony A68|
|Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Sony A77||APS-C||24.0||6000||4000||1080/60p||24.0||13.2||801||78||Sony A77|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A77 II provides a faster frame rate than the 2000D. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the A77 II has an electronic viewfinder (2359k dots), while the 2000D has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinder in the A77 II offers a wider field of view (100%) than the one in the 2000D (95%), so that a larger proportion of the captured image is visible in the finder. In addition, the viewfinder of the A77 II has a higher magnification (0.73x vs 0.50x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 2000D and Sony A77 II along with similar information for a selection of comparators.
|Canon 2000D||optical||n||3.0||920||fixed||n||1/4000s||3.0||Y||n||Canon 2000D|
|Sony A77 II||2359||Y||3.0||1229||full-flex||n||1/8000s||12.0||Y||Y||Sony A77 II|
|Canon 4000D||optical||n||2.7||230||fixed||n||1/4000s||3.0||Y||n||Canon 4000D|
|Canon 77D||optical||Y||3.0||1040||swivel||Y||1/4000s||6.0||Y||n||Canon 77D|
|Canon 200D||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 200D|
|Canon 800D||optical||n||3.0||1040||swivel||Y||1/4000s||6.0||Y||n||Canon 800D|
|Canon G9 X Mark II||none||n||3.0||1040||fixed||Y||1/2000s||8.2||Y||Y||Canon G9 X Mark II|
|Canon M100||none||n||3.0||1040||tilting||Y||1/4000s||6.1||Y||n||Canon M100|
|Canon 1300D||optical||n||3.0||920||fixed||n||1/4000s||3.0||Y||n||Canon 1300D|
|Canon 750D||optical||n||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 750D|
|Canon 760D||optical||Y||3.0||1040||swivel||Y||1/4000s||5.0||Y||n||Canon 760D|
|Canon G3 X||optional||n||3.2||1620||tilting||Y||1/2000s||5.9||Y||Y||Canon G3 X|
|Canon 1200D||optical||n||3.0||460||fixed||n||1/4000s||3.0||Y||n||Canon 1200D|
|Nikon D7200||optical||Y||3.2||1229||fixed||n||1/8000s||6.0||Y||n||Nikon D7200|
|Sony A68||1440||Y||2.7||460||tilting||n||1/4000s||8.0||Y||Y||Sony A68|
|Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y||Sony A7 II|
|Sony A77||2359||Y||3.0||921||full-flex||n||1/8000s||12.0||Y||Y||Sony A77|
One feature that differentiates the A77 II and the 2000D is in-body image stabilization (IBIS). The A77 II reduces the risk of handshake-induced blur with all attached lenses, while the 2000D has to rely on optical image stabilization in OIS-equipped lenses to achieve the same effect.The A77 II has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 2000D does not have a selfie-screen.
The 2000D writes its imaging data to SDXC cards, while the A77 II uses SDXC or Memory Stick PRO Duo cards. The A77 II supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the 2000D cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS 2000D and Sony Alpha SLT-A77 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 2000D||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon 2000D|
|Sony A77 II||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Sony A77 II|
|Canon 4000D||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon 4000D|
|Canon 77D||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 77D|
|Canon 200D||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 200D|
|Canon 800D||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 800D|
|Canon G9 X Mark II||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon G9 X Mark II|
|Canon M100||-||stereo||mono||-||-||mini||2.0||Y||Y||Y||Canon M100|
|Canon 1300D||Y||mono||mono||-||-||mini||2.0||Y||Y||-||Canon 1300D|
|Canon 750D||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon 750D|
|Canon 760D||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Canon 760D|
|Canon G3 X||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon G3 X|
|Canon 1200D||Y||mono||mono||-||-||mini||2.0||-||-||-||Canon 1200D|
|Nikon D7200||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Nikon D7200|
|Sony A68||Y||stereo||mono||Y||-||micro||2.0||-||-||-||Sony A68|
|Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Sony A77||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Sony A77|
It is notable that the A77 II has a microphone port, which can help to improve the quality of audio recordings by attaching an external microphone. The 2000D does not feature such a mic input.
Studio photographers will appreciate that the Sony A77 II (unlike the 2000D) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 2000D and the A77 II are recent models that are part of the current product line-up. The A77 II replaced the earlier Sony A77, while the 2000D followed on from the Canon 1300D. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what is the bottom line? Is the Canon 2000D better than the Sony A77 II or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon EOS 2000D:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More compact: Is smaller (129x101mm vs 143x104mm) and thus needs less room in the bag.
- Less heavy: Is lighter (by 172g or 27 percent) and hence easier to carry around.
- More affordable: Was introduced into a lower priced category (63 percent cheaper at launch).
- More modern: Reflects 3 years and 9 months of technical progress since the A77 II launch.
Advantages of the Sony Alpha SLT-A77 II:
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More complete view: Has a viewfinder with a larger field of view (100% vs 95%).
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.73x vs 0.50x).
- Easier setting verification: Features a control panel on top to check shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 920k dots).
- More flexible LCD: Has a full-flex screen for odd-angle shots in portrait or landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (12 vs 3 flaps/sec) to capture the decisive moment.
- Better sealing: Is splash and dust sealed for shooting in inclement weather conditions.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More heavily discounted: Has been around for much longer (launched in May 2014).
If the count of relative strengths (bullet points above) is taken as a measure, the A77 II is the clear winner of the contest (16 : 5 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 2000D and the Sony A77 II place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the 2000D or the A77 II perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 2000D vs Canon SL3
- Canon 2000D vs Leica X1
- Canon 2000D vs Olympus E-520
- Canon 2000D vs Panasonic FZ330
- Canon 5D Mark II vs Sony A77 II
- Canon 7D II vs Sony A77 II
- Canon XTi vs Sony A77 II
- Fujifilm X-H1 vs Sony A77 II
- Nikon D1X vs Sony A77 II
- Nikon D5300 vs Sony A77 II
- Nikon D800 vs Sony A77 II
- Sony A77 II vs Sony NEX-F3
Specifications: Canon 2000D vs Sony A77 II
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 2000D||Sony A77 II|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Sony A mount lenses|
|Launch Date||February 2018||May 2014|
|Launch Price||USD 449||USD 1199|
|Sensor Specs||Canon 2000D||Sony A77 II|
|Sensor Format||APS-C Sensor||APS-C Sensor|
|Sensor Size||22.3 x 14.9 mm||23.5 x 15.6 mm|
|Sensor Area||332.27 mm2||366.6 mm2|
|Sensor Diagonal||26.8 mm||28.2 mm|
|Sensor Resolution||24 Megapixels||24 Megapixels|
|Image Resolution||6000 x 4000 pixels||6000 x 4000 pixels|
|Pixel Pitch||3.72 μm||3.91 μm|
|Pixel Density||7.22 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60p Video|
|ISO Setting||100-6400 ISO||100-25600 ISO|
|ISO Boost||100-12800 ISO||50-51200 ISO|
|Image Processor||DIGIC 4+||BIONZ X|
|DXO Sensor Quality (score)||71||..|
|DXO Color Depth (bits)||22.6||..|
|DXO Dynamic Range (EV)||11.9||..|
|DXO Low Light (ISO)||1009||..|
|Screen Specs||Canon 2000D||Sony A77 II|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||95%||100%|
|Viewfinder Resolution||2359k dots|
|Top-Level Screen||no Top Display||Control Panel|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||920k dots||1229k dots|
|LCD Attachment||Fixed screen||Fully flexible screen|
|Shooting Specs||Canon 2000D||Sony A77 II|
|Focus System||Phase-detect AF||Phase-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/4000/s||1/8000/s|
|Continuous Shooting||3 shutter flaps/s||12 shutter flaps/s|
|Shutter Life Expectancy||100 000 actuations||150 000 actuations|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||Build-in Flash||Build-in Flash|
|Storage Medium||SDXC cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon 2000D||Sony A77 II|
|Studio Flash||no PC Sync||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||NFC built-in||NFC built-in|
|Body Specs||Canon 2000D||Sony A77 II|
|Environmental Sealing||Not weather sealed||Weathersealed body|
|Battery Life (CIPA)||500 shots per charge||480 shots per charge|
129 x 101 x 78 mm
(5.1 x 4.0 x 3.1 in)
143 x 104 x 81 mm
(5.6 x 4.1 x 3.2 in)
|Camera Weight||475 g (16.8 oz)||647 g (22.8 oz)|
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