Canon 1Ds vs Sony A7C
The Canon EOS-1Ds and the Sony Alpha A7C are two digital cameras that were officially introduced, respectively, in September 2002 and September 2020. The 1Ds is a DSLR, while the A7C is a mirrorless interchangeable lens camera. Both cameras are equipped with a full frame sensor. The Canon has a resolution of 11 megapixels, whereas the Sony provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1Ds and the Sony Alpha A7C? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 1Ds and the Sony A7C. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The A7C can be obtained in two different colors (black, silver), while the 1Ds is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7C is considerably smaller (64 percent) than the Canon 1Ds. Moreover, the A7C is substantially lighter (60 percent) than the 1Ds. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (1Ds) and the Sony FE Lens Catalog (A7C). Mirrorless cameras, such as the A7C, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the 1Ds gets 600 shots out of its NP-E3 battery, while the A7C can take 740 images on a single charge of its NP-FZ100 power pack. As can be seen in the images above, the 1Ds has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The power pack in the A7C can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon 1Ds||156 mm||158 mm||80 mm||1265 g||600||Y||Sep 2002||8,999|
|2.||Sony A7C||124 mm||71 mm||60 mm||509 g||740||Y||Sep 2020||1,799|
|3.||Canon 1D X Mark II||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999|
|4.||Canon 1D C||158 mm||164 mm||83 mm||1545 g||1120||Y||Apr 2012||14,999|
|5.||Canon 1D Mark IV||156 mm||157 mm||80 mm||1230 g||1500||Y||Oct 2009||4,999|
|6.||Canon 1D Mark III||156 mm||157 mm||80 mm||1155 g||2200||Y||Feb 2007||4,499|
|7.||Canon 1Ds Mark III||150 mm||160 mm||80 mm||1385 g||1800||Y||Aug 2007||7,999|
|8.||Canon 1D Mark II N||156 mm||158 mm||80 mm||1565 g||1200||Y||Aug 2005||3,999|
|9.||Canon 5D||152 mm||113 mm||75 mm||895 g||400||Y||Aug 2005||3,299|
|10.||Canon 1D Mark II||156 mm||158 mm||80 mm||1535 g||1200||Y||Jan 2004||4,499|
|11.||Canon 1Ds Mark II||156 mm||158 mm||80 mm||1215 g||1200||Y||Sep 2004||7,999|
|12.||Nikon D2Xs||158 mm||150 mm||86 mm||1252 g||3800||Y||Jun 2006||4,699|
|13.||Olympus E-M1 II||134 mm||91 mm||67 mm||574 g||440||Y||Sep 2016||1,999|
|14.||Sony A9||127 mm||96 mm||63 mm||673 g||650||Y||Apr 2017||4,499|
|15.||Sony A6500||120 mm||67 mm||53 mm||453 g||350||Y||Oct 2016||1,399|
|16.||Sony A7 II||127 mm||96 mm||60 mm||599 g||350||Y||Nov 2014||1,999|
|17.||Sony A7||127 mm||94 mm||48 mm||474 g||340||Y||Oct 2013||1,699|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A7C was launched at a markedly lower price (by 80 percent) than the 1Ds, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. The sensor area in the A7C is 1 percent smaller. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the A7C offers a higher resolution of 24 megapixels, compared with 11 MP of the 1Ds. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 5.94μm versus 8.83μm for the 1Ds). However, it should be noted that the A7C is much more recent (by 17 years and 11 months) than the 1Ds, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Sony A7C implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the A7C for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Canon 1Ds are 20.3 x 13.5 inches or 51.6 x 34.3 cm for good quality, 16.3 x 10.8 inches or 41.3 x 27.5 cm for very good quality, and 13.5 x 9 inches or 34.4 x 22.9 cm for excellent quality prints.
The A7C has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS-1Ds has a native sensitivity range from ISO 100 to ISO 1250, which can be extended to ISO 50-1250. The corresponding ISO settings for the Sony Alpha A7C are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-204800.
For many cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A7C offers substantially better image quality than the 1Ds (overall score 32 points higher). The advantage is based on 3.2 bits higher color depth, 3.7 EV in additional dynamic range, and 1.8 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
| DXO |
|1.||Canon 1Ds||Full Frame||11.0||4064||2704||none||21.8||11.0||954||63|
|2.||Sony A7C||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3407||95|
|3.||Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|4.||Canon 1D C||Full Frame||17.9||5184||3456||4K/24p||..||..||..||..|
|5.||Canon 1D Mark IV||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74|
|6.||Canon 1D Mark III||APS-H||10.1||3888||2592||none||22.7||11.7||1078||71|
|7.||Canon 1Ds Mark III||Full Frame||21.0||5616||3744||none||24.0||12.0||1663||80|
|8.||Canon 1D Mark II N||APS-H||8.2||3504||2336||none||22.3||11.2||975||66|
|9.||Canon 5D||Full Frame||12.7||4368||2912||none||22.9||11.1||1368||71|
|10.||Canon 1D Mark II||APS-H||8.2||3504||2336||none||22.3||11.1||1003||66|
|11.||Canon 1Ds Mark II||Full Frame||16.6||4992||3328||none||23.3||11.3||1480||74|
|13.||Olympus E-M1 II||Four Thirds||20.2||5184||3888||4K/30p||23.7||12.8||1312||80|
|14.||Sony A9||Full Frame||24.0||6000||4000||4K/30p||24.9||13.3||3517||92|
|16.||Sony A7 II||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90|
|17.||Sony A7||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90|
Many modern cameras cannot only take still pictures, but also record videos. The A7C indeed provides for movie recording, while the 1Ds does not. The highest resolution format that the A7C can use is 4K/30p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the A7C has an electronic viewfinder (2360k dots), while the 1Ds has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the 1Ds has a higher magnification than the one of the A7C (0.70x vs 0.59x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 1Ds and Sony A7C along with similar information for a selection of comparators.
|3.||Canon 1D X Mark II||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n|
|4.||Canon 1D C||optical||Y||3.2||1040||fixed||n||1/8000s||14.0||n||n|
|5.||Canon 1D Mark IV||optical||Y||3.0||920||fixed||n||1/8000s||10.0||n||n|
|6.||Canon 1D Mark III||optical||Y||3.0||230||fixed||n||1/8000s||10.0||n||n|
|7.||Canon 1Ds Mark III||optical||Y||3.0||230||fixed||n||1/8000s||5.0||n||n|
|8.||Canon 1D Mark II N||optical||Y||2.5||230||fixed||n||1/8000s||8.5||n||n|
|10.||Canon 1D Mark II||optical||Y||2.0||230||fixed||n||1/8000s||8.3||n||n|
|11.||Canon 1Ds Mark II||optical||Y||2.0||230||fixed||n||1/8000s||4.0||n||n|
|13.||Olympus E-M1 II||2360||n||3.0||1037||swivel||Y||1/8000s||18.0||n||Y|
|16.||Sony A7 II||2400||n||3.0||1230||tilting||n||1/8000s||5.0||n||Y|
One feature that is present on the 1Ds, but is missing on the A7C is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The A7C has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 1Ds does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the A7C is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Sony A7C has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 1Ds writes its imaging data to Compact Flash cards, while the A7C uses SDXC or Memory Stick PRO Duo cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1Ds and Sony Alpha A7C and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
| NFC |
|3.||Canon 1D X Mark II||Y||mono||mono||Y||Y||mini||3.0||-||-||-|
|4.||Canon 1D C||Y||mono||mono||Y||Y||mini||2.0||-||-||-|
|5.||Canon 1D Mark IV||Y||stereo||-||Y||-||mini||2.0||-||-||-|
|6.||Canon 1D Mark III||Y||-||-||-||-||-||2.0||-||-||-|
|7.||Canon 1Ds Mark III||Y||mono||-||-||-||-||2.0||-||-||-|
|8.||Canon 1D Mark II N||Y||-||-||-||-||-||1.1||-||-||-|
|10.||Canon 1D Mark II||Y||-||-||-||-||-||1.1||-||-||-|
|11.||Canon 1Ds Mark II||Y||-||-||-||-||-||2.0||-||-||-|
|13.||Olympus E-M1 II||Y||stereo||mono||Y||Y||micro||3.0||Y||-||-|
|16.||Sony A7 II||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-|
It is notable that the A7C offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 1Ds does not provide wifi capability.
Studio photographers will appreciate that the Canon 1Ds (unlike the A7C) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The A7C is a recent model that features in the current product line-up of Sony. In contrast, the 1Ds has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the 1Ds was succeeded by the Canon 1Ds Mark II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So how do things add up? Is there a clear favorite between the Canon 1Ds and the Sony A7C? Which camera is better? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon EOS-1Ds:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.59x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in September 2002).
Arguments in favor of the Sony Alpha A7C:
- More detail: Has more megapixels (24 vs 11MP), which boosts linear resolution by 48%.
- Better image quality: Scores substantially higher (32 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (3.2 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (3.7 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.8 stops ISO advantage).
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (922k vs 120k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (10 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (124x71mm vs 156x158mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 756g or 60 percent) and is thus easier to take along.
- Longer lasting: Gets more shots (740 versus 600) out of a single battery charge.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced into a lower priced category (80 percent cheaper at launch).
- More modern: Reflects 17 years and 11 months of technical progress since the 1Ds launch.
If the count of relative strengths (bullet points above) is taken as a measure, the A7C is the clear winner of the contest (27 : 7 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1Ds and the Sony A7C place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 1Ds or the A7C. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 1Ds||..||..||+ +||..||..||Sep 2002||8,999|
|2.||Sony A7C||3.5/5||..||86/100||4/5||4/5||Sep 2020||1,799|
|3.||Canon 1D X Mark II||..||..||89/100||4.5/5||4.5/5||Feb 2016||5,999|
|4.||Canon 1D C||..||..||..||..||..||Apr 2012||14,999|
|5.||Canon 1D Mark IV||5/5||..||89/100||..||..||Oct 2009||4,999|
|6.||Canon 1D Mark III||..||..||..||..||..||Feb 2007||4,499|
|7.||Canon 1Ds Mark III||..||..||+ +||4.5/5||..||Aug 2007||7,999|
|8.||Canon 1D Mark II N||..||..||..||..||..||Aug 2005||3,999|
|9.||Canon 5D||..||88/100||+ +||o||..||Aug 2005||3,299|
|10.||Canon 1D Mark II||..||..||+ +||..||..||Jan 2004||4,499|
|11.||Canon 1Ds Mark II||..||..||+ +||..||..||Sep 2004||7,999|
|12.||Nikon D2Xs||..||..||..||..||..||Jun 2006||4,699|
|13.||Olympus E-M1 II||5/5||+ +||85/100||4.5/5||4.5/5||Sep 2016||1,999|
|14.||Sony A9||5/5||+ +||89/100||5/5||5/5||Apr 2017||4,499|
|15.||Sony A6500||5/5||+ +||85/100||4.5/5||4.5/5||Oct 2016||1,399|
|16.||Sony A7 II||5/5||+||82/100||4.5/5||5/5||Nov 2014||1,999|
|17.||Sony A7||5/5||+ +||80/100||5/5||5/5||Oct 2013||1,699|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
Specifications: Canon 1Ds vs Sony A7C
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1Ds||Sony A7C|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Sony E mount lenses|
|Launch Date||September 2002||September 2020|
|Launch Price||USD 8,999||USD 1,799|
|Sensor Specs||Canon 1Ds||Sony A7C|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||36.0 x 23.8 mm||35.6 x 23.8 mm|
|Sensor Area||856.8 mm2||847.28 mm2|
|Sensor Diagonal||43.2 mm||42.8 mm|
|Sensor Resolution||11 Megapixels||24 Megapixels|
|Image Resolution||4064 x 2704 pixels||6000 x 4000 pixels|
|Pixel Pitch||8.83 μm||5.94 μm|
|Pixel Density||1.28 MP/cm2||2.83 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||100 - 1,250 ISO||100 - 51,200 ISO|
|ISO Boost||50 - 1,250 ISO||50 - 204,800 ISO|
|Image Processor||DIGIC||BIONZ X|
|DXO Sensor Quality (score)||63||95|
|DXO Color Depth (bits)||21.8||25.0|
|DXO Dynamic Range (EV)||11.0||14.7|
|DXO Low Light (ISO)||954||3407|
|Screen Specs||Canon 1Ds||Sony A7C|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||2.0inch||3.0inch|
|LCD Resolution||120k dots||922k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 1Ds||Sony A7C|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/4000s|
|Continuous Shooting||3 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/8000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF cards||MS or SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon 1Ds||Sony A7C|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||Firewire||USB 3.2|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon 1Ds||Sony A7C|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||600 shots per charge||740 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
156 x 158 x 80 mm
(6.1 x 6.2 x 3.1 in)
124 x 71 x 60 mm
(4.9 x 2.8 x 2.4 in)
|Camera Weight||1265 g (44.6 oz)||509 g (18.0 oz)|
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