Canon 1Ds vs Panasonic FT7
The Canon EOS-1Ds and the Panasonic Lumix DC-FT7 (labelled Panasonic TS7 in some countries) are two digital cameras that were officially introduced, respectively, in September 2002 and May 2018. The 1Ds is a DSLR, while the FT7 is a fixed lens compact. The cameras are based on a full frame (1Ds) and a 1/2.3-inch (FT7) sensor. The Canon has a resolution of 11 megapixels, whereas the Panasonic provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 1Ds||Panasonic FT7|
|Digital single lens reflex||Fixed lens compact camera|
|Canon EF mount lenses||28-128mm f/3.3-5.9|
|11 MP, Full Frame Sensor||20.2 MP, 1/2.3" Sensor|
|no Video||4K/30p Video|
|ISO 100-1250||ISO 80-3200 (80-6400)|
|Optical viewfinder||Electronic viewfinder (1170k dots)|
|2.0" LCD, 120k dots||3.0" LCD, 1040k dots|
|Fixed screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|3 shutter flaps per second||10 shutter flaps per second|
|Weathersealed body||Waterproof body (31m)|
|600 shots per battery charge||300 shots per battery charge|
|156 x 158 x 80 mm, 1265 g||117 x 76 x 37 mm, 319 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1Ds and the Panasonic Lumix DC-FT7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 1Ds and the Panasonic FT7 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The FT7 can be obtained in three different colors (black, blue, orange), while the 1Ds is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic FT7 is considerably smaller (64 percent) than the Canon 1Ds. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments. More than that, the FT7 is water-proof up to 31m and can, thus, be used for underwater photography.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the FT7 has a lens built in, whereas the 1Ds is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 1Ds and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the 1Ds gets 600 shots out of its NP-E3 battery, while the FT7 can take 300 images on a single charge of its DMW-BCM13 power pack. As can be seen in the images above, the 1Ds has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The power pack in the FT7 can be charged via the USB port, which can be very convenient when travelling.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 1Ds»||6.1 in||6.2 in||3.1 in||44.6 oz||600||Y||Sep 2002||8,999||-||Canon 1Ds|
|Panasonic FT7«||4.6 in||3.0 in||1.5 in||11.3 oz||300||Y||May 2018||449||Panasonic FT7|
|Canon SX740« »||4.3 in||2.5 in||1.6 in||10.5 oz||265||n||Jul 2018||399||Canon SX740|
|Canon SX730« »||4.3 in||2.5 in||1.6 in||10.6 oz||250||n||Apr 2017||399||-||Canon SX730|
|Canon 1D X Mark II« »||6.2 in||6.6 in||3.3 in||54.0 oz||1210||Y||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 1D C« »||6.2 in||6.5 in||3.3 in||54.5 oz||1120||Y||Apr 2012||14,999||-||Canon 1D C|
|Canon 1D Mark IV« »||6.1 in||6.2 in||3.1 in||43.4 oz||1500||Y||Oct 2009||4,999||-||Canon 1D Mark IV|
|Canon 1D Mark III« »||6.1 in||6.2 in||3.1 in||40.7 oz||2200||Y||Feb 2007||4,499||-||Canon 1D Mark III|
|Canon 1Ds Mark III« »||5.9 in||6.3 in||3.1 in||48.9 oz||1800||Y||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||6.1 in||6.2 in||3.1 in||55.2 oz||1200||Y||Aug 2005||3,999||-||Canon 1D Mark II N|
|Canon 5D« »||6.0 in||4.4 in||3.0 in||31.6 oz||400||Y||Aug 2005||3,299||-||Canon 5D|
|Canon 1D Mark II« »||6.1 in||6.2 in||3.1 in||54.1 oz||1200||Y||Jan 2004||4,499||-||Canon 1D Mark II|
|Canon 1Ds Mark II« »||6.1 in||6.2 in||3.1 in||42.9 oz||1200||Y||Sep 2004||7,999||-||Canon 1Ds Mark II|
|Fujifilm XF10« »||4.4 in||2.5 in||1.6 in||9.8 oz||330||n||Jul 2018||499||Fujifilm XF10|
|Nikon D2Xs« »||6.2 in||5.9 in||3.4 in||44.2 oz||3800||Y||Jun 2006||4,699||-||Nikon D2Xs|
|Panasonic TZ95« »||4.4 in||2.7 in||1.7 in||11.5 oz||380||n||Feb 2019||449||Panasonic TZ95|
|Panasonic TZ90« »||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449||-||Panasonic TZ90|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The FT7 was launched at a lower price than the 1Ds, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 1Ds features a full frame sensor and the Panasonic FT7 a 1/2.3-inch sensor. The sensor area in the FT7 is 97 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 5.6. The sensor in the 1Ds has a native 3:2 aspect ratio, while the one in the FT7 offers a 4:3 aspect.
Despite having a smaller sensor, the FT7 offers a higher resolution of 20.2 megapixels, compared with 11 MP of the 1Ds. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 8.83μm for the 1Ds). However, it should be noted that the FT7 is much more recent (by 15 years and 7 months) than the 1Ds, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic FT7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the FT7 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inch or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inch or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inch or 43.9 x 32.9 cm. The corresponding values for the Canon 1Ds are 20.3 x 13.5 inch or 51.6 x 34.3 cm for good quality, 16.3 x 10.8 inch or 41.3 x 27.5 cm for very good quality, and 13.5 x 9 inch or 34.4 x 22.9 cm for excellent quality prints.
The Canon EOS-1Ds has a native sensitivity range from ISO 100 to ISO 1250, which can be extended to ISO 50-1250. The corresponding ISO settings for the Panasonic Lumix DC-FT7 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon 1Ds»||Full Frame||11.0||4064||2704||-||21.8||11.0||954||63||Canon 1Ds|
|Panasonic FT7«||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic FT7|
|Canon SX740« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Canon SX740|
|Canon SX730« »||1/2.3||20.2||5184||3888||1080/60p||-||-||-||-||Canon SX730|
|Canon 1D X Mark II« »||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88||Canon 1D X Mark II|
|Canon 1D C« »||Full Frame||17.9||5184||3456||4K/24p||-||-||-||-||Canon 1D C|
|Canon 1D Mark IV« »||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74||Canon 1D Mark IV|
|Canon 1D Mark III« »||APS-H||10.1||3888||2592||-||22.7||11.7||1078||71||Canon 1D Mark III|
|Canon 1Ds Mark III« »||Full Frame||21.0||5616||3744||-||24.0||12.0||1663||80||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||APS-H||8.2||3504||2336||-||22.3||11.2||975||66||Canon 1D Mark II N|
|Canon 5D« »||Full Frame||12.7||4368||2912||-||22.9||11.1||1368||71||Canon 5D|
|Canon 1D Mark II« »||APS-H||8.2||3504||2336||-||22.3||11.1||1003||66||Canon 1D Mark II|
|Canon 1Ds Mark II« »||Full Frame||16.6||4992||3328||-||23.3||11.3||1480||74||Canon 1Ds Mark II|
|Fujifilm XF10« »||APS-C||24.0||6000||4000||4K/15p||-||-||-||-||Fujifilm XF10|
|Nikon D2Xs« »||APS-C||12.2||4288||2848||-||22.2||10.9||489||59||Nikon D2Xs|
|Panasonic TZ95« »||1/2.3||20.2||5184||3888||4K/30p||-||-||-||-||Panasonic TZ95|
|Panasonic TZ90« »||1/2.3||20.2||5184||3888||4K/30p||19.1||10.6||106||36||Panasonic TZ90|
Many modern cameras are not only capable of taking still images, but can also record movies. The FT7 indeed provides for movie recording, while the 1Ds does not. The highest resolution format that the FT7 can use is 4K/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the FT7 has an electronic viewfinder (1170k dots), while the 1Ds has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the 1Ds has a higher magnification than the one of the FT7 (0.70x vs 0.45x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 1Ds, the Panasonic FT7, and comparable cameras.
|Canon 1Ds»||optical||Y||2.0||120||fixed||n||1/8000s||3.0||n||n||Canon 1Ds|
|Panasonic FT7«||1170||n||3.0||1040||fixed||n||1/1300s||10.0||Y||Y||Panasonic FT7|
|Canon SX740« »||-||n||3.0||922||tilting||n||1/3200s||10.0||Y||Y||Canon SX740|
|Canon SX730« »||-||n||3.0||922||tilting||n||1/3200s||5.9||Y||Y||Canon SX730|
|Canon 1D X Mark II« »||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n||Canon 1D X Mark II|
|Canon 1D C« »||optical||Y||3.2||1040||fixed||n||1/8000s||14.0||n||n||Canon 1D C|
|Canon 1D Mark IV« »||optical||Y||3.0||920||fixed||n||1/8000s||10.0||n||n||Canon 1D Mark IV|
|Canon 1D Mark III« »||optical||Y||3.0||230||fixed||n||1/8000s||10.0||n||n||Canon 1D Mark III|
|Canon 1Ds Mark III« »||optical||Y||3.0||230||fixed||n||1/8000s||5.0||n||n||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||optical||Y||2.5||230||fixed||n||1/8000s||8.5||n||n||Canon 1D Mark II N|
|Canon 5D« »||optical||Y||2.5||230||fixed||n||1/8000s||3.0||n||n||Canon 5D|
|Canon 1D Mark II« »||optical||Y||2.0||230||fixed||n||1/8000s||8.3||n||n||Canon 1D Mark II|
|Canon 1Ds Mark II« »||optical||Y||2.0||230||fixed||n||1/8000s||4.0||n||n||Canon 1Ds Mark II|
|Fujifilm XF10« »||-||n||3.0||1040||fixed||Y||1/4000s||6.0||Y||n||Fujifilm XF10|
|Nikon D2Xs« »||optical||Y||2.5||230||fixed||n||1/8000s||5.0||n||n||Nikon D2Xs|
|Panasonic TZ95« »||2330||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic TZ95|
|Panasonic TZ90« »||1166||n||3.0||1040||tilting||Y||1/2000s||10.0||Y||Y||Panasonic TZ90|
One feature that is present on the 1Ds, but is missing on the FT7 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the FT7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The 1Ds writes its imaging data to Compact Flash cards, while the FT7 uses SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1Ds and Panasonic Lumix DC-FT7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 1Ds»||Y||-||-||-||-||-||FW||-||-||-||Canon 1Ds|
|Panasonic FT7«||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic FT7|
|Canon SX740« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX740|
|Canon SX730« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Canon SX730|
|Canon 1D X Mark II« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Canon 1D X Mark II|
|Canon 1D C« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 1D C|
|Canon 1D Mark IV« »||Y||stereo||-||Y||-||mini||2.0||-||-||-||Canon 1D Mark IV|
|Canon 1D Mark III« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1D Mark III|
|Canon 1Ds Mark III« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||Y||-||-||-||-||-||1.1||-||-||-||Canon 1D Mark II N|
|Canon 5D« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 5D|
|Canon 1D Mark II« »||Y||-||-||-||-||-||1.1||-||-||-||Canon 1D Mark II|
|Canon 1Ds Mark II« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1Ds Mark II|
|Fujifilm XF10« »||-||stereo||mono||Y||-||micro||2.0||Y||-||Y||Fujifilm XF10|
|Nikon D2Xs« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D2Xs|
|Panasonic TZ95« »||-||stereo||mono||-||-||micro||2.0||Y||-||Y||Panasonic TZ95|
|Panasonic TZ90« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Panasonic TZ90|
It is notable that the 1Ds has a hotshoe, while the FT7 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Canon 1Ds (unlike the FT7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The FT7 is a recent model that features in the current product line-up of Panasonic. In contrast, the 1Ds has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 1Ds was succeeded by the Canon 1Ds Mark II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what is the bottom line? Is there a clear favorite between the Canon 1Ds and the Panasonic FT7? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon EOS-1Ds:
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.45x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/1300s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (600 versus 300) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in September 2002).
Arguments in favor of the Panasonic Lumix DC-FT7:
- More detail: Has more megapixels (20.2 vs 11MP), which boosts linear resolution by 33%.
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 120k dots).
- Faster burst: Shoots at higher frequency (10 vs 3 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Comes with an integrated lens, while the 1Ds requires a separate lens.
- More compact: Is smaller (117x76mm vs 156x158mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 1Ds).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 31m).
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 15 years and 7 months of technical progress since the 1Ds launch.
If the count of relative strengths (bullet points above) is taken as a measure, the FT7 emerges as the winner of the match-up (16 : 14 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1Ds and the Panasonic FT7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 1Ds or the FT7. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is where reviews by experts come in. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 1Ds»||-||+ +||-||-||-||Sep 2002||8,999||-||Canon 1Ds|
|Panasonic FT7«||+||-||3.5/5||-||3.5/5||May 2018||449||Panasonic FT7|
|Canon SX740« »||+||-||4/5||-||4/5||Jul 2018||399||Canon SX740|
|Canon SX730« »||+||-||4/5||-||4/5||Apr 2017||399||-||Canon SX730|
|Canon 1D X Mark II« »||-||89/100||4.5/5||5/5||4.5/5||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 1D C« »||-||-||-||-||-||Apr 2012||14,999||-||Canon 1D C|
|Canon 1D Mark IV« »||-||89/100||-||5/5||-||Oct 2009||4,999||-||Canon 1D Mark IV|
|Canon 1D Mark III« »||-||-||-||o||-||Feb 2007||4,499||-||Canon 1D Mark III|
|Canon 1Ds Mark III« »||-||+ +||4.5/5||-||-||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||-||-||-||-||-||Aug 2005||3,999||-||Canon 1D Mark II N|
|Canon 5D« »||88/100||+ +||o||o||-||Aug 2005||3,299||-||Canon 5D|
|Canon 1D Mark II« »||-||+ +||-||o||-||Jan 2004||4,499||-||Canon 1D Mark II|
|Canon 1Ds Mark II« »||-||+ +||-||-||-||Sep 2004||7,999||-||Canon 1Ds Mark II|
|Fujifilm XF10« »||-||75/100||4/5||-||4.5/5||Jul 2018||499||Fujifilm XF10|
|Nikon D2Xs« »||-||-||-||o||-||Jun 2006||4,699||-||Nikon D2Xs|
|Panasonic TZ95« »||-||-||4.5/5||-||-||Feb 2019||449||Panasonic TZ95|
|Panasonic TZ90« »||+ +||-||4/5||-||4/5||Apr 2017||449||-||Panasonic TZ90|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1Ds Mark II vs Fujifilm GFX 50S
- Canon 1Ds Mark II vs Fujifilm X70
- Canon 1Ds Mark II vs Sony A6500
- Canon 1Ds Mark II vs YI M1
- Canon 1Ds Mark III vs Canon 200D
- Canon 1Ds Mark III vs Nikon D40
- Canon 1Ds vs Canon 1Ds Mark III
- Canon 1Ds vs Canon SX530
- Canon 1Ds vs Nikon D810
- Canon 750D vs Panasonic FT7
- Panasonic FT7 vs Panasonic G6
- Panasonic FT7 vs Panasonic TZ200
Specifications: Canon 1Ds vs Panasonic FT7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1Ds||Panasonic FT7|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||28-128mm f/3.3-5.9|
|Launch Date||September 2002||May 2018|
|Launch Price||USD 8999||USD 449|
|Sensor Specs||Canon 1Ds||Panasonic FT7|
|Sensor Format||Full Frame Sensor||1/2.3" Sensor|
|Sensor Size||36.0 x 23.8 mm||6.17 x 4.55 mm|
|Sensor Area||856.8 mm2||28.0735 mm2|
|Sensor Diagonal||43.2 mm||7.7 mm|
|Sensor Resolution||11 Megapixels||20.2 Megapixels|
|Image Resolution||4064 x 2704 pixels||5184 x 3888 pixels|
|Pixel Pitch||8.83 μm||1.18 μm|
|Pixel Density||1.28 MP/cm2||71.80 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||100-1250 ISO||80-3200 ISO|
|ISO Boost||50-1250 ISO||80-6400 ISO|
|DXO Sensor Quality (score)||63||..|
|DXO Color Depth (bits)||21.8||..|
|DXO Dynamic Range (EV)||11.0||..|
|DXO Low Light (ISO)||954||..|
|Screen Specs||Canon 1Ds||Panasonic FT7|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1170k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||2.0 inch||3.0 inch|
|LCD Resolution||120k dots||1040k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon 1Ds||Panasonic FT7|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||3 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon 1Ds||Panasonic FT7|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||Firewire||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Canon 1Ds||Panasonic FT7|
|Environmental Sealing||Weathersealed body||Waterproof body (31m)|
|Battery Life (CIPA)||600 shots per charge||300 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
156 x 158 x 80 mm
(6.1 x 6.2 x 3.1 in)
117 x 76 x 37 mm
(4.6 x 3.0 x 1.5 in)
|Camera Weight||1265 g (44.6 oz)||319 g (11.3 oz)|
Did you notice an error on this page? If so, please get in touch, so that we can correct the information.