Canon 1Ds vs Nikon D5
The Canon EOS-1Ds and the Nikon D5 are two professional cameras that were announced, respectively, in September 2002 and January 2016. Both are DSLR (Digital Single Lens Reflex) cameras that are equipped with a full frame sensor. The Canon has a resolution of 11 megapixels, whereas the Nikon provides 20.7 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 1Ds||Nikon D5|
|Digital single lens reflex||Digital single lens reflex|
|Canon EF mount lenses||Nikon F mount lenses|
|11 MP, Full Frame Sensor||20.7 MP, Full Frame Sensor|
|no Video||4K/30p Video|
|ISO 100-1250||ISO 100-102400 (50-3280000)|
|Optical viewfinder||Optical viewfinder|
|2.0" LCD, 120k dots||3.2" LCD, 2359k dots|
|Fixed screen (not touch-sensitive)||Fixed touchscreen|
|3 shutter flaps per second||14 shutter flaps per second|
|Weathersealed body||Weathersealed body|
|600 shots per battery charge||3780 shots per battery charge|
|156 x 158 x 80 mm, 1265 g||160 x 159 x 92 mm, 1415 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1Ds and the Nikon D5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 1Ds and the Nikon D5 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Nikon D5 is somewhat larger (3 percent) than the Canon 1Ds. Moreover, the D5 is markedly heavier (12 percent) than the 1Ds. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Yet, since both cameras are based around a full frame sensor, their respective lenses will tend to have similar dimensions and heft. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (1Ds) and the Nikon Lens Catalog (D5).
Concerning battery life, the 1Ds gets 600 shots out of its NP-E3 battery, while the D5 can take 3780 images on a single charge of its EN-EL18a power pack. As can be seen in the images above, both cameras have a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 1Ds»||156 mm||158 mm||80 mm||1265 g||600||Y||Sep 2002||8,999||-||Canon 1Ds|
|Nikon D5«||160 mm||159 mm||92 mm||1415 g||3780||Y||Jan 2016||6,499||Nikon D5|
|Canon 1D X Mark II« »||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 1D C« »||158 mm||164 mm||83 mm||1545 g||1120||Y||Apr 2012||14,999||-||Canon 1D C|
|Canon 1D Mark IV« »||156 mm||157 mm||80 mm||1230 g||1500||Y||Oct 2009||4,999||-||Canon 1D Mark IV|
|Canon 1D Mark III« »||156 mm||157 mm||80 mm||1155 g||2200||Y||Feb 2007||4,499||-||Canon 1D Mark III|
|Canon 1Ds Mark III« »||150 mm||160 mm||80 mm||1385 g||1800||Y||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||156 mm||158 mm||80 mm||1565 g||1200||Y||Aug 2005||3,999||-||Canon 1D Mark II N|
|Canon 5D« »||152 mm||113 mm||75 mm||895 g||400||Y||Aug 2005||3,299||-||Canon 5D|
|Canon 1D Mark II« »||156 mm||158 mm||80 mm||1535 g||1200||Y||Jan 2004||4,499||-||Canon 1D Mark II|
|Canon 1Ds Mark II« »||156 mm||158 mm||80 mm||1215 g||1200||Y||Sep 2004||7,999||-||Canon 1Ds Mark II|
|Nikon D7500« »||136 mm||104 mm||73 mm||720 g||950||Y||Apr 2017||1,299||Nikon D7500|
|Nikon D4S« »||160 mm||157 mm||91 mm||1350 g||3020||Y||Feb 2014||6,499||-||Nikon D4S|
|Nikon D4« »||160 mm||157 mm||91 mm||1340 g||2600||Y||Jan 2012||5,999||-||Nikon D4|
|Nikon D3X« »||160 mm||157 mm||88 mm||1260 g||4400||Y||Dec 2008||7,999||-||Nikon D3X|
|Nikon D2Xs« »||158 mm||150 mm||86 mm||1252 g||3800||Y||Jun 2006||4,699||-||Nikon D2Xs|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The D5 was launched at a markedly lower price (by 28 percent) than the 1Ds, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
With 20.7MP, the D5 offers a higher resolution than the 1Ds (11MP), but the D5 has smaller individual pixels (pixel pitch of 6.44μm versus 8.83μm for the 1Ds). Yet, the D5 is a much more recent model (by 13 years and 3 months) than the 1Ds, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units.
The resolution advantage of the Nikon D5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D5 for good quality output (200 dots per inch) amounts to 27.9 x 18.6 inch or 71 x 47.1 cm, for very good quality (250 dpi) 22.4 x 14.8 inch or 56.8 x 37.7 cm, and for excellent quality (300 dpi) 18.6 x 12.4 inch or 47.3 x 31.4 cm. The corresponding values for the Canon 1Ds are 20.3 x 13.5 inch or 51.6 x 34.3 cm for good quality, 16.3 x 10.8 inch or 41.3 x 27.5 cm for very good quality, and 13.5 x 9 inch or 34.4 x 22.9 cm for excellent quality prints.
The Canon EOS-1Ds has a native sensitivity range from ISO 100 to ISO 1250, which can be extended to ISO 50-1250. The corresponding ISO settings for the Nikon D5 are ISO 100 to ISO 102400, with the possibility to increase the ISO range to 50-3280000.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the D5 offers substantially better image quality than the 1Ds (overall score 25 points higher). The advantage is based on 3.3 bits higher color depth, 1.3 EV in additional dynamic range, and 1.3 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 1Ds»||Full Frame||11.0||4064||2704||-||21.8||11.0||954||63||Canon 1Ds|
|Nikon D5«||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88||Nikon D5|
|Canon 1D X Mark II« »||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88||Canon 1D X Mark II|
|Canon 1D C« »||Full Frame||17.9||5184||3456||4K/24p||-||-||-||-||Canon 1D C|
|Canon 1D Mark IV« »||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74||Canon 1D Mark IV|
|Canon 1D Mark III« »||APS-H||10.1||3888||2592||-||22.7||11.7||1078||71||Canon 1D Mark III|
|Canon 1Ds Mark III« »||Full Frame||21.0||5616||3744||-||24.0||12.0||1663||80||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||APS-H||8.2||3504||2336||-||22.3||11.2||975||66||Canon 1D Mark II N|
|Canon 5D« »||Full Frame||12.7||4368||2912||-||22.9||11.1||1368||71||Canon 5D|
|Canon 1D Mark II« »||APS-H||8.2||3504||2336||-||22.3||11.1||1003||66||Canon 1D Mark II|
|Canon 1Ds Mark II« »||Full Frame||16.6||4992||3328||-||23.3||11.3||1480||74||Canon 1Ds Mark II|
|Nikon D7500« »||APS-C||20.7||5568||3712||4K/30p||24.3||14.0||1483||86||Nikon D7500|
|Nikon D4S« »||Full Frame||16.2||4928||3280||1080/60p||24.4||13.3||3074||89||Nikon D4S|
|Nikon D4« »||Full Frame||16.2||4928||3280||1080/30p||24.7||13.1||2965||89||Nikon D4|
|Nikon D3X« »||Full Frame||24.4||6048||4032||-||24.7||13.7||1992||88||Nikon D3X|
|Nikon D2Xs« »||APS-C||12.2||4288||2848||-||22.2||10.9||489||59||Nikon D2Xs|
Many modern cameras cannot only take still pictures, but also record videos. The D5 indeed provides for movie recording, while the 1Ds does not. The highest resolution format that the D5 can use is 4K/30p.
Beyond body and sensor, cameras can and do differ across a range of features. The 1Ds and the D5 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the D5 has a higher magnification than the one of the 1Ds (0.72x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 1Ds and Nikon D5 along with similar information for a selection of comparators.
|Canon 1Ds»||optical||Y||2.0||120||fixed||n||1/8000s||3.0||n||n||Canon 1Ds|
|Nikon D5«||optical||Y||3.2||2359||fixed||Y||1/8000s||14.0||n||n||Nikon D5|
|Canon 1D X Mark II« »||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n||Canon 1D X Mark II|
|Canon 1D C« »||optical||Y||3.2||1040||fixed||n||1/8000s||14.0||n||n||Canon 1D C|
|Canon 1D Mark IV« »||optical||Y||3.0||920||fixed||n||1/8000s||10.0||n||n||Canon 1D Mark IV|
|Canon 1D Mark III« »||optical||Y||3.0||230||fixed||n||1/8000s||10.0||n||n||Canon 1D Mark III|
|Canon 1Ds Mark III« »||optical||Y||3.0||230||fixed||n||1/8000s||5.0||n||n||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||optical||Y||2.5||230||fixed||n||1/8000s||8.5||n||n||Canon 1D Mark II N|
|Canon 5D« »||optical||Y||2.5||230||fixed||n||1/8000s||3.0||n||n||Canon 5D|
|Canon 1D Mark II« »||optical||Y||2.0||230||fixed||n||1/8000s||8.3||n||n||Canon 1D Mark II|
|Canon 1Ds Mark II« »||optical||Y||2.0||230||fixed||n||1/8000s||4.0||n||n||Canon 1Ds Mark II|
|Nikon D7500« »||optical||Y||3.2||922||tilting||Y||1/8000s||8.0||Y||n||Nikon D7500|
|Nikon D4S« »||optical||Y||3.2||921||fixed||n||1/8000s||11.0||n||n||Nikon D4S|
|Nikon D4« »||optical||Y||3.2||921||fixed||n||1/8000s||11.0||n||n||Nikon D4|
|Nikon D3X« »||optical||Y||3.0||922||fixed||n||1/8000s||5.0||n||n||Nikon D3X|
|Nikon D2Xs« »||optical||Y||2.5||230||fixed||n||1/8000s||5.0||n||n||Nikon D2Xs|
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The D5 has a touchscreen, while the 1Ds has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The Nikon D5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 1Ds writes its imaging data to Compact Flash cards, while the D5 uses Compact Flash or XQD cards. The D5 features dual card slots, which can be very useful in case a memory card fails. In contrast, the 1Ds only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1Ds and Nikon D5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 1Ds»||Y||-||-||-||-||-||FW||-||-||-||Canon 1Ds|
|Nikon D5«||Y||stereo||mono||Y||Y||mini||3.0||-||-||-||Nikon D5|
|Canon 1D X Mark II« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Canon 1D X Mark II|
|Canon 1D C« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 1D C|
|Canon 1D Mark IV« »||Y||stereo||-||Y||-||mini||2.0||-||-||-||Canon 1D Mark IV|
|Canon 1D Mark III« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1D Mark III|
|Canon 1Ds Mark III« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||Y||-||-||-||-||-||1.1||-||-||-||Canon 1D Mark II N|
|Canon 5D« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 5D|
|Canon 1D Mark II« »||Y||-||-||-||-||-||1.1||-||-||-||Canon 1D Mark II|
|Canon 1Ds Mark II« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1Ds Mark II|
|Nikon D7500« »||Y||stereo||mono||Y||Y||mini||2.0||Y||-||Y||Nikon D7500|
|Nikon D4S« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D4S|
|Nikon D4« »||Y||mono||mono||-||-||micro||2.0||-||-||-||Nikon D4|
|Nikon D3X« »||Y||-||-||-||-||mini||2.0||-||-||-||Nikon D3X|
|Nikon D2Xs« »||Y||-||-||-||-||-||2.0||-||-||-||Nikon D2Xs|
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
The D5 is a recent model that features in the current product line-up of Nikon. In contrast, the 1Ds has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 1Ds was succeeded by the Canon 1Ds Mark II. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Nikon websites.
So what is the bottom line? Is the Canon 1Ds better than the Nikon D5 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon EOS-1Ds:
- Less heavy: Is lighter (by 150g or 11 percent) and hence easier to carry around.
- More heavily discounted: Has been available for much longer (launched in September 2002).
Arguments in favor of the Nikon D5:
- More detail: Has more megapixels (20.7 vs 11MP), which boosts linear resolution by 37%.
- Better image quality: Scores substantially higher (25 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (3.3 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.3 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1.3 stops ISO advantage).
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.72x vs 0.70x).
- Larger screen: Has a bigger rear LCD (3.2" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2359k vs 120k dots).
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Faster burst: Shoots at higher frequency (14 vs 3 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Longer lasting: Gets more shots (3780 versus 600) out of a single battery charge.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More affordable: Was introduced into a lower priced category (28 percent cheaper at launch).
- More modern: Reflects 13 years and 3 months of technical progress since the 1Ds launch.
If the count of individual advantages (bullet points above) is taken as a guide, the D5 is the clear winner of the contest (16 : 2 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1Ds and the Nikon D5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera listing whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the 1Ds and the D5 in practical situations. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 1Ds»||-||+ +||-||-||-||Sep 2002||8,999||-||Canon 1Ds|
|Nikon D5«||-||89/100||4.5/5||5/5||5/5||Jan 2016||6,499||Nikon D5|
|Canon 1D X Mark II« »||-||89/100||4.5/5||5/5||4.5/5||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 1D C« »||-||-||-||-||-||Apr 2012||14,999||-||Canon 1D C|
|Canon 1D Mark IV« »||-||89/100||-||5/5||-||Oct 2009||4,999||-||Canon 1D Mark IV|
|Canon 1D Mark III« »||-||-||-||o||-||Feb 2007||4,499||-||Canon 1D Mark III|
|Canon 1Ds Mark III« »||-||+ +||4.5/5||-||-||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||-||-||-||-||-||Aug 2005||3,999||-||Canon 1D Mark II N|
|Canon 5D« »||88/100||+ +||o||o||-||Aug 2005||3,299||-||Canon 5D|
|Canon 1D Mark II« »||-||+ +||-||o||-||Jan 2004||4,499||-||Canon 1D Mark II|
|Canon 1Ds Mark II« »||-||+ +||-||-||-||Sep 2004||7,999||-||Canon 1Ds Mark II|
|Nikon D7500« »||+ +||86/100||5/5||4.5/5||4.5/5||Apr 2017||1,299||Nikon D7500|
|Nikon D4S« »||-||-||4.5/5||5/5||4.5/5||Feb 2014||6,499||-||Nikon D4S|
|Nikon D4« »||-||-||4.5/5||-||4.5/5||Jan 2012||5,999||-||Nikon D4|
|Nikon D3X« »||-||86/100||4/5||5/5||5/5||Dec 2008||7,999||-||Nikon D3X|
|Nikon D2Xs« »||-||-||-||o||-||Jun 2006||4,699||-||Nikon D2Xs|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 1D Mark II vs Canon 1Ds Mark III
- Canon 1Ds Mark II vs Fujifilm XP130
- Canon 1Ds Mark III vs Pentax K-5
- Canon 1Ds Mark III vs Sony RX10 IV
- Canon 1Ds vs Canon G1 X Mark III
- Canon 1Ds vs Leica SL
- Canon 1Ds vs Nikon D810
- Canon 1Ds vs Panasonic G95
- Canon 1Ds vs Panasonic ZS200
- Nikon D5 vs Nikon Df
- Nikon D5 vs Nikon P7800
- Nikon D5 vs Sony A68
Specifications: Canon 1Ds vs Nikon D5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1Ds||Nikon D5|
|Camera Type||Digital single lens reflex||Digital single lens reflex|
|Camera Lens||Canon EF mount lenses||Nikon F mount lenses|
|Launch Date||September 2002||January 2016|
|Launch Price||USD 8999||USD 6499|
|Sensor Specs||Canon 1Ds||Nikon D5|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||36.0 x 23.8 mm||35.9 x 23.9 mm|
|Sensor Area||856.8 mm2||858.01 mm2|
|Sensor Diagonal||43.2 mm||43.1 mm|
|Sensor Resolution||11 Megapixels||20.7 Megapixels|
|Image Resolution||4064 x 2704 pixels||5588 x 3712 pixels|
|Pixel Pitch||8.83 μm||6.44 μm|
|Pixel Density||1.28 MP/cm2||2.42 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||100-1250 ISO||100-102400 ISO|
|ISO Boost||50-1250 ISO||50-3280000 ISO|
|Image Processor||DIGIC||EXPEED 5|
|DXO Sensor Quality (score)||63||88|
|DXO Color Depth (bits)||21.8||25.1|
|DXO Dynamic Range (EV)||11.0||12.3|
|DXO Low Light (ISO)||954||2343|
|Screen Specs||Canon 1Ds||Nikon D5|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Top-Level Screen||Control Panel||Control Panel|
|LCD Framing||Live View|
|Rear LCD Size||2.0 inch||3.2 inch|
|LCD Resolution||120k dots||2359k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 1Ds||Nikon D5|
|Autofocus System||Phase-detect AF||Phase-detect AF|
|Continuous Shooting||3 shutter flaps/s||14 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF cards||CF or XQD cards|
|Second Storage Option||Single card slot||Dual card slots|
|Connectivity Specs||Canon 1Ds||Nikon D5|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||Firewire||USB 3.0|
|HDMI Port||no HDMI||mini HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 1Ds||Nikon D5|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||600 shots per charge||3780 shots per charge|
156 x 158 x 80 mm
(6.1 x 6.2 x 3.1 in)
160 x 159 x 92 mm
(6.3 x 6.3 x 3.6 in)
|Camera Weight||1265 g (44.6 oz)||1415 g (49.9 oz)|
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