Canon 1Ds Mark III vs Sony RX100 VI
The Canon EOS-1Ds Mark III and the Sony Cyber-shot DSC-RX100 VI are two digital cameras that were officially introduced, respectively, in August 2007 and June 2018. The 1Ds Mark III is a DSLR, while the RX100 VI is a fixed lens compact. The cameras are based on a full frame (1Ds Mark III) and an one-inch (RX100 VI) sensor. The Canon has a resolution of 21 megapixels, whereas the Sony provides 20 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Canon 1Ds Mark III||Sony RX100 VI|
|Digital single lens reflex||Fixed lens compact camera|
|Canon EF mount lenses||24-200mm f/2.8-4.5|
|21 MP, Full Frame Sensor||20 MP, 1" Sensor|
|no Video||4K/30p Video|
|ISO 100-1600 (50-3200)||ISO 125-12800 (80-25600)|
|Optical viewfinder||Electronic viewfinder (2359k dots)|
|3.0" LCD, 230k dots||3.0" LCD, 1229k dots|
|Fixed screen (not touch-sensitive)||Tilting touchscreen|
|5 shutter flaps per second||24 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|1800 shots per battery charge||240 shots per battery charge|
|150 x 160 x 80 mm, 1385 g||102 x 58 x 43 mm, 301 g|
Body comparison: Canon 1Ds Mark III vs Sony RX100 VI
The physical size and weight of the Canon 1Ds Mark III and the Sony RX100 VI are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX100 VI is considerably smaller (75 percent) than the Canon 1Ds Mark III. It is worth mentioning in this context that the 1Ds Mark III is splash and dust resistant, while the RX100 VI does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX100 VI has a lens built in, whereas the 1Ds Mark III is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 1Ds Mark III and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the 1Ds Mark III gets 1800 shots out of its LP-E4 battery, while the RX100 VI can take 240 images on a single charge of its NP-BX1 power pack. As can be seen in the images above, the 1Ds Mark III has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The power pack in the RX100 VI can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 1Ds Mark III»||5.9 in||6.3 in||3.1 in||48.9 oz||1800||Y||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Sony RX100 VI«||4.0 in||2.3 in||1.7 in||10.6 oz||240||n||Jun 2018||1,199||Sony RX100 VI|
|Canon 1D X Mark II« »||6.2 in||6.6 in||3.3 in||54.0 oz||1210||Y||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 1D C« »||6.2 in||6.5 in||3.3 in||54.5 oz||1120||Y||Apr 2012||14,999||-||Canon 1D C|
|Canon 5D Mark III« »||6.0 in||4.6 in||3.0 in||33.5 oz||950||Y||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 6D« »||5.7 in||4.4 in||2.8 in||27.2 oz||1090||Y||Sep 2012||2,099||-||Canon 6D|
|Canon 1D X« »||6.2 in||6.6 in||3.3 in||54.7 oz||1120||Y||Oct 2011||6,799||-||Canon 1D X|
|Canon 5D Mark II« »||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 1D Mark III« »||6.1 in||6.2 in||3.1 in||40.7 oz||2200||Y||Feb 2007||4,499||-||Canon 1D Mark III|
|Canon 1Ds Mark II« »||6.1 in||6.2 in||3.1 in||42.9 oz||1200||Y||Sep 2004||7,999||-||Canon 1Ds Mark II|
|Canon 1Ds« »||6.1 in||6.2 in||3.1 in||44.6 oz||600||Y||Sep 2002||8,999||-||Canon 1Ds|
|Fujifilm X100F« »||5.0 in||3.0 in||2.0 in||16.5 oz||390||n||Jan 2017||1,299||Fujifilm X100F|
|Leica C-LUX« »||4.4 in||2.6 in||1.8 in||12.0 oz||370||n||Jun 2018||1,049||Leica C-LUX|
|Nikon D3X« »||6.3 in||6.2 in||3.5 in||44.4 oz||4400||Y||Dec 2008||7,999||-||Nikon D3X|
|Sony RX100 V« »||4.0 in||2.3 in||1.6 in||10.5 oz||220||n||Oct 2016||999||Sony RX100 V|
|Sony RX100 IV« »||4.0 in||2.3 in||1.6 in||10.5 oz||280||n||Jun 2015||999||-||Sony RX100 IV|
|Sony RX100 II« »||4.0 in||2.3 in||1.5 in||9.9 oz||350||n||Jun 2013||749||-||Sony RX100 II|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The RX100 VI was launched at a lower price than the 1Ds Mark III, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Canon 1Ds Mark III vs Sony RX100 VI
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 1Ds Mark III features a full frame sensor and the Sony RX100 VI an one-inch sensor. The sensor area in the RX100 VI is 87 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
With 21MP, the 1Ds Mark III offers a slightly higher resolution than the RX100 VI (20MP), but the 1Ds Mark III nevertheless has larger individual pixels (pixel pitch of 6.41μm versus 2.41μm for the RX100 VI) due to its larger sensor. However, the RX100 VI is a somewhat more recent model (by 10 years and 9 months) than the 1Ds Mark III, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The RX100 VI has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during video recording.
The Canon EOS-1Ds Mark III has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 50-3200. The corresponding ISO settings for the Sony Cyber-shot DSC-RX100 VI are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600..
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 1Ds Mark III»||Full Frame||21.0||5616||3744||-||24.0||12.0||1663||80||Canon 1Ds Mark III|
|Sony RX100 VI«||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Sony RX100 VI|
|Canon 1D X Mark II« »||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88||Canon 1D X Mark II|
|Canon 1D C« »||Full Frame||17.9||5184||3456||4K/24p||-||-||-||-||Canon 1D C|
|Canon 5D Mark III« »||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81||Canon 5D Mark III|
|Canon 6D« »||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82||Canon 6D|
|Canon 1D X« »||Full Frame||17.9||5184||3456||1080/30p||23.8||11.8||2786||82||Canon 1D X|
|Canon 5D Mark II« »||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79||Canon 5D Mark II|
|Canon 1D Mark III« »||APS-H||10.1||3888||2592||-||22.7||11.7||1078||71||Canon 1D Mark III|
|Canon 1Ds Mark II« »||Full Frame||16.6||4992||3328||-||23.3||11.3||1480||74||Canon 1Ds Mark II|
|Canon 1Ds« »||Full Frame||11.0||4064||2704||-||21.8||11.0||954||63||Canon 1Ds|
|Fujifilm X100F« »||APS-C||24.0||6000||4000||1080/60p||-||-||-||-||Fujifilm X100F|
|Leica C-LUX« »||1-inch||20.0||5472||3648||4K/30p||-||-||-||-||Leica C-LUX|
|Nikon D3X« »||Full Frame||24.4||6048||4032||-||24.7||13.7||1992||88||Nikon D3X|
|Sony RX100 V« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70||Sony RX100 V|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
|Sony RX100 II« »||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67||Sony RX100 II|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The RX100 VI indeed provides for movie recording, while the 1Ds Mark III does not. The highest resolution format that the RX100 VI can use is 4K/30p.
Feature comparison: Canon 1Ds Mark III vs Sony RX100 VI
Beyond body and sensor, cameras can and do differ across a range of features. For example, the RX100 VI has an electronic viewfinder (2359k dots), while the 1Ds Mark III has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the 1Ds Mark III has a higher magnification than the one of the RX100 VI (0.76x vs 0.22x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 1Ds Mark III and Sony RX100 VI along with similar information for a selection of comparators.
|Canon 1Ds Mark III»||optical||Y||3.0||230||fixed||n||8000||5.0||n||n||Canon 1Ds Mark III|
|Sony RX100 VI«||2359||n||3.0||1229||tilting||Y||2000||24.0||Y||Y||Sony RX100 VI|
|Canon 1D X Mark II« »||optical||Y||3.2||1620||fixed||Y||8000||16.0||n||n||Canon 1D X Mark II|
|Canon 1D C« »||optical||Y||3.2||1040||fixed||n||8000||14.0||n||n||Canon 1D C|
|Canon 5D Mark III« »||optical||Y||3.2||1040||fixed||n||8000||6.0||n||n||Canon 5D Mark III|
|Canon 6D« »||optical||Y||3.0||1040||fixed||n||4000||4.5||n||n||Canon 6D|
|Canon 1D X« »||optical||Y||3.2||1040||fixed||n||8000||14.0||n||n||Canon 1D X|
|Canon 5D Mark II« »||optical||Y||3.0||920||fixed||n||8000||3.9||n||n||Canon 5D Mark II|
|Canon 1D Mark III« »||optical||Y||3.0||230||fixed||n||8000||10.0||n||n||Canon 1D Mark III|
|Canon 1Ds Mark II« »||optical||Y||2.0||230||fixed||n||8000||4.0||n||n||Canon 1Ds Mark II|
|Canon 1Ds« »||optical||Y||2.0||120||fixed||n||8000||3.0||n||n||Canon 1Ds|
|Fujifilm X100F« »||2360||n||3.0||1040||fixed||n||4000||8.0||Y||n||Fujifilm X100F|
|Leica C-LUX« »||2330||n||3.0||1240||fixed||Y||2000||10.0||Y||Y||Leica C-LUX|
|Nikon D3X« »||optical||Y||3.0||922||fixed||n||8000||5.0||n||n||Nikon D3X|
|Sony RX100 V« »||2359||n||3.0||1229||tilting||n||2000||24.0||Y||Y||Sony RX100 V|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||2000||16.0||Y||Y||Sony RX100 IV|
|Sony RX100 II« »||-||n||3.0||1229||tilting||n||2000||10.0||Y||Y||Sony RX100 II|
One feature that is present on the 1Ds Mark III, but is missing on the RX100 VI is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The RX100 VI has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 1Ds Mark III does not have a selfie-screen.
The reported shutter speed and shutter burst refer to the use of the mechanical shutter. In addition, the RX100 VI features an electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The 1Ds Mark III writes its imaging data to Compact Flash cards, while the RX100 VI uses SDXC or Memory Stick PRO Duo cards. The 1Ds Mark III features dual card slots, which can be very useful in case a memory card fails. In contrast, the RX100 VI only has one slot.
Connectivity comparison: Canon 1Ds Mark III vs Sony RX100 VI
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1Ds Mark III and Sony Cyber-shot DSC-RX100 VI and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 1Ds Mark III»||Y||-||-||-||-||-||2.0||-||-||-||Canon 1Ds Mark III|
|Sony RX100 VI«||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Sony RX100 VI|
|Canon 1D X Mark II« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Canon 1D X Mark II|
|Canon 1D C« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 1D C|
|Canon 5D Mark III« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 5D Mark III|
|Canon 6D« »||Y||mono||mono||Y||-||mini||2.0||Y||-||-||Canon 6D|
|Canon 1D X« »||Y||mono||-||Y||-||mini||2.0||-||-||-||Canon 1D X|
|Canon 5D Mark II« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 5D Mark II|
|Canon 1D Mark III« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1D Mark III|
|Canon 1Ds Mark II« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1Ds Mark II|
|Canon 1Ds« »||Y||-||-||-||-||-||FW||-||-||-||Canon 1Ds|
|Fujifilm X100F« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Fujifilm X100F|
|Leica C-LUX« »||-||stereo||mono||-||-||micro||2.0||Y||-||-||Leica C-LUX|
|Nikon D3X« »||Y||-||-||-||-||mini||2.0||-||-||-||Nikon D3X|
|Sony RX100 V« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 V|
|Sony RX100 IV« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
|Sony RX100 II« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 II|
It is notable that the 1Ds Mark III has a hotshoe, while the RX100 VI does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Canon 1Ds Mark III (unlike the RX100 VI) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The RX100 VI is a recent model that features in the current product line-up of Sony. In contrast, the 1Ds Mark III has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 1Ds Mark III was succeeded by the Canon 1DX.
Review summary: Canon 1Ds Mark III vs Sony RX100 VI
So how do things add up? Which of the two cameras – the Canon 1Ds Mark III or the Sony RX100 VI – has the upper hand? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon EOS-1Ds Mark III:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.76x vs 0.22x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 2000/sec) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (1800 versus 240) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in August 2007).
Arguments in favor of the Sony Cyber-shot DSC-RX100 VI:
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- Better video autofocus: Features on-sensor phase-detection for more confident movie autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1229k vs 230k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (24 vs 5 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Comes with an integrated lens, while the 1Ds Mark III requires a separate lens.
- More compact: Is smaller (102x58mm vs 150x160mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 1Ds Mark III).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 10 years and 9 months of technical progress since the 1Ds Mark III launch.
If the count of individual advantages (bullet points above) is taken as a guide, the RX100 VI is the clear winner of the contest (19 : 12 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the 1Ds Mark III or the RX100 VI perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews: Canon 1Ds Mark III vs Sony RX100 VI
This is where reviews by experts come in. The table below summarizes the assessments of some of the best known camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog).
|Canon 1Ds Mark III»||-||++||4.5/5||-||-||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Sony RX100 VI«||++||83/100||4/5||-||4.5/5||Jun 2018||1,199||Sony RX100 VI|
|Canon 1D X Mark II« »||-||89/100||4.5/5||5/5||4.5/5||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 1D C« »||-||-||-||-||-||Apr 2012||14,999||-||Canon 1D C|
|Canon 5D Mark III« »||++||82/100||4.5/5||5/5||4.5/5||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 6D« »||++||83/100||4.5/5||4.5/5||4.5/5||Sep 2012||2,099||-||Canon 6D|
|Canon 1D X« »||-||-||4.5/5||4.5/5||4.5/5||Oct 2011||6,799||-||Canon 1D X|
|Canon 5D Mark II« »||91/100||79/100||4/5||5/5||-||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 1D Mark III« »||-||-||-||o||-||Feb 2007||4,499||-||Canon 1D Mark III|
|Canon 1Ds Mark II« »||-||++||-||-||-||Sep 2004||7,999||-||Canon 1Ds Mark II|
|Canon 1Ds« »||-||++||-||-||-||Sep 2002||8,999||-||Canon 1Ds|
|Fujifilm X100F« »||+||83/100||4.5/5||-||4.5/5||Jan 2017||1,299||Fujifilm X100F|
|Leica C-LUX« »||-||-||4.5/5||-||4/5||Jun 2018||1,049||Leica C-LUX|
|Nikon D3X« »||-||86/100||4/5||5/5||5/5||Dec 2008||7,999||-||Nikon D3X|
|Sony RX100 V« »||++||83/100||4/5||5/5||4.5/5||Oct 2016||999||Sony RX100 V|
|Sony RX100 IV« »||++||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-||Sony RX100 IV|
|Sony RX100 II« »||++||79/100||4.5/5||5/5||4.5/5||Jun 2013||749||-||Sony RX100 II|
|Notes: ++) highly recommended; +) recommended; o) reviewed; -) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
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- Nikon D40X vs Nikon D5500
- Nikon D5300 vs Fujifilm X-T10
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- Panasonic LX100 vs Nikon D610
Specifications: Canon 1Ds Mark III vs Sony RX100 VI
|Camera Model||Canon 1Ds Mark III||Sony RX100 VI|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||24-200mm f/2.8-4.5|
|Launch Date||August 2007||June 2018|
|Launch Price||USD 7999||USD 1199|
|Sensor Specs||Canon 1Ds Mark III||Sony RX100 VI|
|Sensor Format||Full Frame Sensor||1" Sensor|
|Sensor Size||36.0 x 24.0 mm||13.2 x 24.0 mm|
|Sensor Area||864 mm2||116.16 mm2|
|Sensor Diagonal||43.3 mm||15.9 mm|
|Sensor Resolution||21 Megapixels||20 Megapixels|
|Image Resolution||5616 x 3744 pixels||5472 x 3648 pixels|
|Pixel Pitch||6.41 μm||2.41 μm|
|Pixel Density||2.43 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||100-1600 ISO||125-12800 ISO|
|ISO Boost||50-3200 ISO||80-25600 ISO|
|Image Processor||DIGIC III (Dual)||BIONZ X|
|DXO Sensor Quality (score)||80||..|
|DXO Color Depth (bits)||24.0||..|
|DXO Dynamic Range (EV)||12.0||..|
|DXO Low Light (ISO)||1663||..|
|Screen Specs||Canon 1Ds Mark III||Sony RX100 VI|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2359k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||230k dots||1229k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 1Ds Mark III||Sony RX100 VI|
|Autofocus System||Phase-detect AF||On-Sensor Phase-detect|
|Maximum Shutter Speed||1/8000s||1/2000s|
|Continuous Shooting||5 shutter flaps/s||24 shutter flaps/s|
|Silent Shooting||no E-Shutter||Electronic Shutter|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CF cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|Connectivity Specs||Canon 1Ds Mark III||Sony RX100 VI|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||no Bluetooth||Bluetooth built-in|
|Body Specs||Canon 1Ds Mark III||Sony RX100 VI|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Type||LP-E4 power pack||NP-BX1 power pack|
|Battery Life (CIPA)||1800 shots per charge||240 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
150 x 160 x 80 mm
(5.9 x 6.3 x 3.1 in)
102 x 58 x 43 mm
(4.0 x 2.3 x 1.7 in)
|Camera Weight||1385 g (48.9 oz)||301 g (10.6 oz)|
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