Canon 1Ds Mark III vs Pentax MX-1
The Canon EOS-1Ds Mark III and the Pentax MX-1 are two digital cameras that were officially introduced, respectively, in August 2007 and January 2013. The 1Ds Mark III is a DSLR, while the MX-1 is a fixed lens compact. The cameras are based on a full frame (1Ds Mark III) and a 1/1.7-inch (MX-1) sensor. The Canon has a resolution of 21 megapixels, whereas the Pentax provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 1Ds Mark III||Pentax MX-1|
|Digital single lens reflex||Fixed lens compact camera|
|Canon EF mount lenses||28-112mm f/1.8-2.5|
|21 MP, Full Frame Sensor||12 MP, 1/1.7" Sensor|
|no Video||1080/30p Video|
|ISO 100-1600 (50-3200)||ISO 100-12800|
|Optical viewfinder||No viewfinder, LCD framing|
|3.0" LCD, 230k dots||3.0" LCD, 920k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|5 shutter flaps per second||1 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Weathersealed body||Not weather sealed|
|1800 shots per battery charge||290 shots per battery charge|
|150 x 160 x 80 mm, 1385 g||122 x 61 x 51 mm, 391 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1Ds Mark III and the Pentax MX-1? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 1Ds Mark III and the Pentax MX-1 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Pentax MX-1 is considerably smaller (69 percent) than the Canon 1Ds Mark III. It is worth mentioning in this context that the 1Ds Mark III is splash and dust resistant, while the MX-1 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the MX-1 has a lens built in, whereas the 1Ds Mark III is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 1Ds Mark III and their specifications in the Canon EF Lens Catalog.
As can be seen in the images above, the 1Ds Mark III has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 1Ds Mark III»||150 mm||160 mm||80 mm||1385 g||1800||Y||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Pentax MX-1«||122 mm||61 mm||51 mm||391 g||290||n||Jan 2013||499||-||Pentax MX-1|
|Canon 1D X Mark II« »||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999||-||Canon 1D X Mark II|
|Canon G16« »||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549||Canon G16|
|Canon 1D C« »||158 mm||164 mm||83 mm||1545 g||1120||Y||Apr 2012||14,999||-||Canon 1D C|
|Canon 5D Mark III« »||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 6D« »||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099||-||Canon 6D|
|Canon G15« »||107 mm||76 mm||40 mm||352 g||350||n||Sep 2012||499||-||Canon G15|
|Canon 1D X« »||158 mm||168 mm||83 mm||1551 g||1120||Y||Oct 2011||6,799||-||Canon 1D X|
|Canon 1D Mark IV« »||156 mm||157 mm||80 mm||1230 g||1500||Y||Oct 2009||4,999||-||Canon 1D Mark IV|
|Canon 5D Mark II« »||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 1D Mark III« »||156 mm||157 mm||80 mm||1155 g||2200||Y||Feb 2007||4,499||-||Canon 1D Mark III|
|Canon 1Ds Mark II« »||156 mm||158 mm||80 mm||1215 g||1200||Y||Sep 2004||7,999||-||Canon 1Ds Mark II|
|Fujifilm X20« »||117 mm||70 mm||57 mm||353 g||270||n||Jan 2013||599||-||Fujifilm X20|
|Nikon P7800« »||119 mm||78 mm||50 mm||399 g||350||n||Sep 2013||549||-||Nikon P7800|
|Nikon D3X« »||160 mm||157 mm||88 mm||1260 g||4400||Y||Dec 2008||7,999||-||Nikon D3X|
|Olympus XZ-2« »||113 mm||65 mm||48 mm||346 g||340||n||Sep 2012||599||-||Olympus XZ-2|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The MX-1 was launched at a lower price than the 1Ds Mark III, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 1Ds Mark III features a full frame sensor and the Pentax MX-1 a 1/1.7-inch sensor. The sensor area in the MX-1 is 95 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 4.5. The sensor in the 1Ds Mark III has a native 3:2 aspect ratio, while the one in the MX-1 offers a 4:3 aspect.
With 21MP, the 1Ds Mark III offers a higher resolution than the MX-1 (12MP), but the 1Ds Mark III nevertheless has larger individual pixels (pixel pitch of 6.41μm versus 1.89μm for the MX-1) due to its larger sensor. However, the MX-1 is a much more recent model (by 5 years and 4 months) than the 1Ds Mark III, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 1Ds Mark III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 1Ds Mark III for good quality output (200 dots per inch) amounts to 28.1 x 18.7 inch or 71.3 x 47.5 cm, for very good quality (250 dpi) 22.5 x 15 inch or 57.1 x 38 cm, and for excellent quality (300 dpi) 18.7 x 12.5 inch or 47.5 x 31.7 cm. The corresponding values for the Pentax MX-1 are 20 x 15 inch or 50.8 x 38.1 cm for good quality, 16 x 12 inch or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inch or 33.9 x 25.4 cm for excellent quality prints.
The Canon EOS-1Ds Mark III has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 50-3200. The corresponding ISO settings for the Pentax MX-1 are ISO 100 to ISO 12800 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the 1Ds Mark III provides substantially higher image quality than the MX-1, with an overall score that is 31 points higher. This advantage is based on 3.6 bits higher color depth, 0.7 EV in additional dynamic range, and 3 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 1Ds Mark III»||Full Frame||21.0||5616||3744||-||24.0||12.0||1663||80||Canon 1Ds Mark III|
|Pentax MX-1«||1/1.7||12.0||4000||3000||1080/30p||20.4||11.3||208||49||Pentax MX-1|
|Canon 1D X Mark II« »||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88||Canon 1D X Mark II|
|Canon G16« »||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Canon 1D C« »||Full Frame||17.9||5184||3456||4K/24p||-||-||-||-||Canon 1D C|
|Canon 5D Mark III« »||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81||Canon 5D Mark III|
|Canon 6D« »||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82||Canon 6D|
|Canon G15« »||1/1.7||12.0||4000||3000||1080/24p||19.9||11.5||165||46||Canon G15|
|Canon 1D X« »||Full Frame||17.9||5184||3456||1080/30p||23.8||11.8||2786||82||Canon 1D X|
|Canon 1D Mark IV« »||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74||Canon 1D Mark IV|
|Canon 5D Mark II« »||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79||Canon 5D Mark II|
|Canon 1D Mark III« »||APS-H||10.1||3888||2592||-||22.7||11.7||1078||71||Canon 1D Mark III|
|Canon 1Ds Mark II« »||Full Frame||16.6||4992||3328||-||23.3||11.3||1480||74||Canon 1Ds Mark II|
|Fujifilm X20« »||2/3||12.0||4000||3000||1080/60p||-||-||-||-||Fujifilm X20|
|Nikon P7800« »||1/1.7||12.0||4000||3000||1080/30p||21.2||11.7||200||54||Nikon P7800|
|Nikon D3X« »||Full Frame||24.4||6048||4032||-||24.7||13.7||1992||88||Nikon D3X|
|Olympus XZ-2« »||1/1.7||11.8||3968||2976||1080/30p||20.4||11.3||216||49||Olympus XZ-2|
Many modern cameras cannot only take still pictures, but also record videos. The MX-1 indeed provides for movie recording, while the 1Ds Mark III does not. The highest resolution format that the MX-1 can use is 1080/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the 1Ds Mark III has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the MX-1 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Canon 1Ds Mark III and Pentax MX-1 along with similar information for a selection of comparators.
|Canon 1Ds Mark III»||optical||Y||3.0||230||fixed||n||1/8000s||5.0||n||n||Canon 1Ds Mark III|
|Pentax MX-1«||-||n||3.0||920||tilting||n||1/8000s||1.0||Y||Y||Pentax MX-1|
|Canon 1D X Mark II« »||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n||Canon 1D X Mark II|
|Canon G16« »||optical||n||3.0||922||fixed||n||1/4000s||2.2||Y||Y||Canon G16|
|Canon 1D C« »||optical||Y||3.2||1040||fixed||n||1/8000s||14.0||n||n||Canon 1D C|
|Canon 5D Mark III« »||optical||Y||3.2||1040||fixed||n||1/8000s||6.0||n||n||Canon 5D Mark III|
|Canon 6D« »||optical||Y||3.0||1040||fixed||n||1/4000s||4.5||n||n||Canon 6D|
|Canon G15« »||optical||n||3.0||922||fixed||n||1/4000s||2.1||Y||Y||Canon G15|
|Canon 1D X« »||optical||Y||3.2||1040||fixed||n||1/8000s||14.0||n||n||Canon 1D X|
|Canon 1D Mark IV« »||optical||Y||3.0||920||fixed||n||1/8000s||10.0||n||n||Canon 1D Mark IV|
|Canon 5D Mark II« »||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n||Canon 5D Mark II|
|Canon 1D Mark III« »||optical||Y||3.0||230||fixed||n||1/8000s||10.0||n||n||Canon 1D Mark III|
|Canon 1Ds Mark II« »||optical||Y||2.0||230||fixed||n||1/8000s||4.0||n||n||Canon 1Ds Mark II|
|Fujifilm X20« »||optical||n||2.8||460||fixed||n||1/4000s||12.0||Y||Y||Fujifilm X20|
|Nikon P7800« »||921||n||3.0||921||swivel||n||1/4000s||8.0||Y||Y||Nikon P7800|
|Nikon D3X« »||optical||Y||3.0||922||fixed||n||1/8000s||5.0||n||n||Nikon D3X|
|Olympus XZ-2« »||-||n||3.0||920||tilting||Y||1/2000s||5.0||Y||Y||Olympus XZ-2|
One feature that is present on the 1Ds Mark III, but is missing on the MX-1 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The 1Ds Mark III writes its imaging data to Compact Flash or SDHC cards, while the MX-1 uses SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1Ds Mark III and Pentax MX-1 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 1Ds Mark III»||Y||-||-||-||-||-||2.0||-||-||-||Canon 1Ds Mark III|
|Pentax MX-1«||-||stereo||mono||-||-||mini||2.0||-||-||-||Pentax MX-1|
|Canon 1D X Mark II« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Canon 1D X Mark II|
|Canon G16« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Canon 1D C« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 1D C|
|Canon 5D Mark III« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 5D Mark III|
|Canon 6D« »||Y||mono||mono||Y||-||mini||2.0||Y||-||-||Canon 6D|
|Canon G15« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G15|
|Canon 1D X« »||Y||mono||-||Y||-||mini||2.0||-||-||-||Canon 1D X|
|Canon 1D Mark IV« »||Y||stereo||-||Y||-||mini||2.0||-||-||-||Canon 1D Mark IV|
|Canon 5D Mark II« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 5D Mark II|
|Canon 1D Mark III« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1D Mark III|
|Canon 1Ds Mark II« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1Ds Mark II|
|Fujifilm X20« »||Y||stereo||mono||-||-||micro||2.0||-||-||-||Fujifilm X20|
|Nikon P7800« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Nikon P7800|
|Nikon D3X« »||Y||-||-||-||-||mini||2.0||-||-||-||Nikon D3X|
|Olympus XZ-2« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Olympus XZ-2|
It is notable that the 1Ds Mark III has a hotshoe, while the MX-1 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Canon 1Ds Mark III (unlike the MX-1) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 1Ds Mark III and the MX-1 have been discontinued, but can regularly be found used on eBay. The 1Ds Mark III was replaced by the Canon 1DX, while the MX-1 does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Pentax websites.
So how do things add up? Is there a clear favorite between the Canon 1Ds Mark III and the Pentax MX-1? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon EOS-1Ds Mark III:
- More detail: Offers more megapixels (21 vs 12MP) with a 35% higher linear resolution.
- Better image quality: Scores substantially higher (31 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (3.6 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (0.7 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (3 stops ISO advantage).
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster burst: Shoots at higher frequency (5 vs 1 flaps/sec) to capture the decisive moment.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (1800 versus 290) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in August 2007).
Advantages of the Pentax MX-1:
- Broader imaging potential: Can capture not only stills but also 1080/30p video.
- More detailed LCD: Has a higher resolution rear screen (920k vs 230k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Ready to shoot: Comes with an integrated lens, while the 1Ds Mark III requires a separate lens.
- More compact: Is smaller (122x61mm vs 150x160mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 1Ds Mark III).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 5 years and 4 months of technical progress since the 1Ds Mark III launch.
If the number of relative strengths (bullet points above) is taken as a guide, the 1Ds Mark III is the clear winner of the match-up (15 : 10 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1Ds Mark III and the Pentax MX-1 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 1Ds Mark III or the MX-1. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 1Ds Mark III»||-||+ +||4.5/5||-||-||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Pentax MX-1«||-||74/100||4/5||3.5/5||4/5||Jan 2013||499||-||Pentax MX-1|
|Canon 1D X Mark II« »||-||89/100||4.5/5||5/5||4.5/5||Feb 2016||5,999||-||Canon 1D X Mark II|
|Canon G16« »||+||-||4.5/5||4.5/5||4.5/5||Aug 2013||549||Canon G16|
|Canon 1D C« »||-||-||-||-||-||Apr 2012||14,999||-||Canon 1D C|
|Canon 5D Mark III« »||+ +||82/100||4.5/5||5/5||4.5/5||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 6D« »||+ +||83/100||4.5/5||4.5/5||4.5/5||Sep 2012||2,099||-||Canon 6D|
|Canon G15« »||+||76/100||4.5/5||4.5/5||4.5/5||Sep 2012||499||-||Canon G15|
|Canon 1D X« »||-||-||4.5/5||4.5/5||4.5/5||Oct 2011||6,799||-||Canon 1D X|
|Canon 1D Mark IV« »||-||89/100||-||5/5||-||Oct 2009||4,999||-||Canon 1D Mark IV|
|Canon 5D Mark II« »||91/100||79/100||4/5||5/5||-||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 1D Mark III« »||-||-||-||o||-||Feb 2007||4,499||-||Canon 1D Mark III|
|Canon 1Ds Mark II« »||-||+ +||-||-||-||Sep 2004||7,999||-||Canon 1Ds Mark II|
|Fujifilm X20« »||+ +||77/100||4.5/5||-||5/5||Jan 2013||599||-||Fujifilm X20|
|Nikon P7800« »||-||-||4/5||3.5/5||4.5/5||Sep 2013||549||-||Nikon P7800|
|Nikon D3X« »||-||86/100||4/5||5/5||5/5||Dec 2008||7,999||-||Nikon D3X|
|Olympus XZ-2« »||+||-||4.5/5||4/5||4.5/5||Sep 2012||599||-||Olympus XZ-2|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1100D vs Pentax MX-1
- Canon 1D Mark II N vs Canon 1Ds Mark III
- Canon 1Ds Mark III vs Canon G12
- Canon 1Ds Mark III vs Fujifilm XP130
- Canon 1Ds Mark III vs Nikon 1 V2
- Canon 1Ds Mark III vs Nikon W150
- Canon 1Ds vs Pentax MX-1
- Nikon D1 vs Pentax MX-1
- Nikon D2X vs Pentax MX-1
- Nikon D70s vs Pentax MX-1
- Olympus E-P3 vs Pentax MX-1
- Pentax MX-1 vs Sony RX100 VI
Specifications: Canon 1Ds Mark III vs Pentax MX-1
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1Ds Mark III||Pentax MX-1|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||28-112mm f/1.8-2.5|
|Launch Date||August 2007||January 2013|
|Launch Price||USD 7999||USD 499|
|Sensor Specs||Canon 1Ds Mark III||Pentax MX-1|
|Sensor Format||Full Frame Sensor||1/1.7" Sensor|
|Sensor Size||36.0 x 24.0 mm||7.6 x 5.7 mm|
|Sensor Area||864 mm2||43.32 mm2|
|Sensor Diagonal||43.3 mm||9.5 mm|
|Sensor Resolution||21 Megapixels||12 Megapixels|
|Image Resolution||5616 x 3744 pixels||4000 x 3000 pixels|
|Pixel Pitch||6.41 μm||1.89 μm|
|Pixel Density||2.43 MP/cm2||27.70 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/30p Video|
|ISO Setting||100-1600 ISO||100-12800 ISO|
|ISO Boost||50-3200 ISO||no Enhancement|
|DXO Sensor Quality (score)||80||49|
|DXO Color Depth (bits)||24.0||20.4|
|DXO Dynamic Range (EV)||12.0||11.3|
|DXO Low Light (ISO)||1663||208|
|Screen Specs||Canon 1Ds Mark III||Pentax MX-1|
|Viewfinder Type||Optical viewfinder||No viewfinder|
|Viewfinder Field of View||100%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||230k dots||920k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Canon 1Ds Mark III||Pentax MX-1|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||5 shutter flaps/s||1 shutter flaps/s|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CF or SDHC cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Canon 1Ds Mark III||Pentax MX-1|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 1Ds Mark III||Pentax MX-1|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||1800 shots per charge||290 shots per charge|
150 x 160 x 80 mm
(5.9 x 6.3 x 3.1 in)
122 x 61 x 51 mm
(4.8 x 2.4 x 2.0 in)
|Camera Weight||1385 g (48.9 oz)||391 g (13.8 oz)|
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