Canon 1Ds Mark III vs Leica D-LUX 6
The Canon EOS-1Ds Mark III and the Leica D-LUX 6 are two digital cameras that were officially introduced, respectively, in August 2007 and September 2012. The 1Ds Mark III is a DSLR, while the D-LUX 6 is a fixed lens compact. The cameras are based on a full frame (1Ds Mark III) and a 1/1.7-inch (D-LUX 6) sensor. The Canon has a resolution of 21 megapixels, whereas the Leica provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1Ds Mark III and the Leica D-LUX 6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
An illustration of the physical size and weight of the Canon 1Ds Mark III and the Leica D-LUX 6 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth dimensions are rounded to the nearest millimeter.
The D-LUX 6 can be obtained in three different colors (black, silver, white), while the 1Ds Mark III is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica D-LUX 6 is considerably smaller (69 percent) than the Canon 1Ds Mark III. It is worth mentioning in this context that the 1Ds Mark III is splash and dust resistant, while the D-LUX 6 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the D-LUX 6 has a lens built in, whereas the 1Ds Mark III is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 1Ds Mark III and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the 1Ds Mark III gets 1800 shots out of its LP-E4 battery, while the D-LUX 6 can take 330 images on a single charge of its BP-DC10 power pack. As can be seen in the images above, the 1Ds Mark III has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 1Ds Mark III||150 mm||160 mm||80 mm||1385 g||1800||Y||Aug 2007||7,999|
|Leica D-LUX 6||111 mm||68 mm||46 mm||298 g||330||n||Sep 2012||699|
|Canon 1D X Mark III||158 mm||168 mm||83 mm||1440 g||2850||Y||Jan 2020||6,499|
|Canon 1D X Mark II||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999|
|Canon G16||109 mm||76 mm||40 mm||356 g||360||n||Aug 2013||549|
|Canon 1D C||158 mm||164 mm||83 mm||1545 g||1120||Y||Apr 2012||14,999|
|Canon 5D Mark III||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499|
|Canon 6D||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099|
|Canon 1D X||158 mm||168 mm||83 mm||1551 g||1120||Y||Oct 2011||6,799|
|Canon 5D Mark II||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499|
|Canon 1D Mark III||156 mm||157 mm||80 mm||1155 g||2200||Y||Feb 2007||4,499|
|Canon 1Ds Mark II||156 mm||158 mm||80 mm||1215 g||1200||Y||Sep 2004||7,999|
|Fujifilm X20||117 mm||70 mm||57 mm||353 g||270||n||Jan 2013||599|
|Fujifilm X10||117 mm||70 mm||57 mm||350 g||270||n||Sep 2011||599|
|Leica D-LUX 5||110 mm||65 mm||43 mm||271 g||400||n||Sep 2010||699|
|Nikon D3X||160 mm||157 mm||88 mm||1260 g||4400||Y||Dec 2008||7,999|
|Sony RX100 II||102 mm||58 mm||38 mm||281 g||350||n||Jun 2013||749|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The D-LUX 6 was launched at a lower price than the 1Ds Mark III, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 1Ds Mark III features a full frame sensor and the Leica D-LUX 6 a 1/1.7-inch sensor. The sensor area in the D-LUX 6 is 95 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 4.65. The sensor in the 1Ds Mark III has a native 3:2 aspect ratio, while the one in the D-LUX 6 offers a 4:3 aspect. The D-LUX 6 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 21MP, the 1Ds Mark III offers a higher resolution than the D-LUX 6 (10MP), but the 1Ds Mark III nevertheless has larger individual pixels (pixel pitch of 6.41μm versus 2.05μm for the D-LUX 6) due to its larger sensor. However, the D-LUX 6 is a much more recent model (by 5 years) than the 1Ds Mark III, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 1Ds Mark III implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 1Ds Mark III for good quality output (200 dots per inch) amounts to 28.1 x 18.7 inches or 71.3 x 47.5 cm, for very good quality (250 dpi) 22.5 x 15 inches or 57.1 x 38 cm, and for excellent quality (300 dpi) 18.7 x 12.5 inches or 47.5 x 31.7 cm. The corresponding values for the Leica D-LUX 6 are 18.2 x 13.7 inches or 46.3 x 34.7 cm for good quality, 14.6 x 10.9 inches or 37.1 x 27.8 cm for very good quality, and 12.2 x 9.1 inches or 30.9 x 23.2 cm for excellent quality prints.
The Canon EOS-1Ds Mark III has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 50-3200. The corresponding ISO settings for the Leica D-LUX 6 are ISO 80 to ISO 6400, with the possibility to increase the ISO range to 80-12800.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon 1Ds Mark III||Full Frame||21.0||5616||3744||none||24.0||12.0||1663||80|
|Leica D-LUX 6||1/1.7||10.0||3648||2736||1080/60p||..||..||..||..|
|Canon 1D X Mark III||Full Frame||20.0||5472||3648||4K/60p||24.2||14.5||3248||91|
|Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|Canon 1D C||Full Frame||17.9||5184||3456||4K/24p||..||..||..||..|
|Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81|
|Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|Canon 1D X||Full Frame||17.9||5184||3456||1080/30p||23.8||11.8||2786||82|
|Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|Canon 1D Mark III||APS-H||10.1||3888||2592||none||22.7||11.7||1078||71|
|Canon 1Ds Mark II||Full Frame||16.6||4992||3328||none||23.3||11.3||1480||74|
|Leica D-LUX 5||1/1.7||10.0||3648||2736||720/60p||..||..||..||..|
|Nikon D3X||Full Frame||24.4||6048||4032||none||24.7||13.7||1992||88|
|Sony RX100 II||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67|
Many modern cameras cannot only take still pictures, but also record videos. The D-LUX 6 indeed provides for movie recording, while the 1Ds Mark III does not. The highest resolution format that the D-LUX 6 can use is 1080/60p.
Apart from body and sensor, cameras can and do differ across a range of features. For example, the 1Ds Mark III has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the D-LUX 6 relies on live view and the rear LCD for framing. That said, the D-LUX 6 can be equipped with an optional viewfinder – the Visoflex (Typ 020). The adjacent table lists some of the other core features of the Canon 1Ds Mark III and Leica D-LUX 6 along with similar information for a selection of comparators.
|Canon 1Ds Mark III||optical||Y||3.0||230||fixed||n||1/8000s||5.0||n||n|
|Leica D-LUX 6||optional||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y|
|Canon 1D X Mark III||optical||Y||3.2||2100||fixed||Y||1/8000s||20.0||n||n|
|Canon 1D X Mark II||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n|
|Canon 1D C||optical||Y||3.2||1040||fixed||n||1/8000s||14.0||n||n|
|Canon 5D Mark III||optical||Y||3.2||1040||fixed||n||1/8000s||6.0||n||n|
|Canon 1D X||optical||Y||3.2||1040||fixed||n||1/8000s||14.0||n||n|
|Canon 5D Mark II||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n|
|Canon 1D Mark III||optical||Y||3.0||230||fixed||n||1/8000s||10.0||n||n|
|Canon 1Ds Mark II||optical||Y||2.0||230||fixed||n||1/8000s||4.0||n||n|
|Leica D-LUX 5||optional||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y|
|Sony RX100 II||optional||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y|
One feature that is present on the 1Ds Mark III, but is missing on the D-LUX 6 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Leica D-LUX 6 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 1Ds Mark III writes its imaging data to Compact Flash or SDHC cards, while the D-LUX 6 uses SDXC cards. The 1Ds Mark III features dual card slots, which can be very useful in case a memory card fails. In contrast, the D-LUX 6 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1Ds Mark III and Leica D-LUX 6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Canon 1Ds Mark III||Y||-||-||-||-||-||2.0||-||-||-|
|Leica D-LUX 6||Y||stereo||mono||-||-||mini||2.0||-||-||-|
|Canon 1D X Mark III||Y||mono||mono||Y||Y||mini||3.1||Y||-||Y|
|Canon 1D X Mark II||Y||mono||mono||Y||Y||mini||3.0||-||-||-|
|Canon 1D C||Y||mono||mono||Y||Y||mini||2.0||-||-||-|
|Canon 5D Mark III||Y||mono||mono||Y||Y||mini||2.0||-||-||-|
|Canon 1D X||Y||mono||-||Y||-||mini||2.0||-||-||-|
|Canon 5D Mark II||Y||mono||mono||Y||-||mini||2.0||-||-||-|
|Canon 1D Mark III||Y||-||-||-||-||-||2.0||-||-||-|
|Canon 1Ds Mark II||Y||-||-||-||-||-||2.0||-||-||-|
|Leica D-LUX 5||Y||mono||mono||-||-||mini||2.0||-||-||-|
|Sony RX100 II||Y||stereo||mono||-||-||micro||2.0||Y||Y||-|
Studio photographers will appreciate that the Canon 1Ds Mark III (unlike the D-LUX 6) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 1Ds Mark III and the D-LUX 6 have been discontinued, but can regularly be found used on eBay. The 1Ds Mark III was replaced by the Canon 1DX, while the D-LUX 6 was followed by the Leica D-LUX Typ 109. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Leica websites.
So what is the bottom line? Which of the two cameras – the Canon 1Ds Mark III or the Leica D-LUX 6 – has the upper hand? Is one clearly better than the other? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS-1Ds Mark III:
- More detail: Offers more megapixels (21 vs 10MP) with a 48% higher linear resolution.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (1800 versus 330) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in August 2007).
Arguments in favor of the Leica D-LUX 6:
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- More detailed LCD: Has a higher resolution rear screen (920k vs 230k dots).
- Faster burst: Shoots at higher frequency (11 vs 5 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with an integrated lens, while the 1Ds Mark III requires a separate lens.
- More compact: Is smaller (111x68mm vs 150x160mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 1Ds Mark III).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 5 years of technical progress since the 1Ds Mark III launch.
If the count of relative strengths (bullet points above) is taken as a measure, the 1Ds Mark III emerges as the winner of the contest (15 : 13 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1Ds Mark III and the Leica D-LUX 6 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 1Ds Mark III or the D-LUX 6. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 1Ds Mark III||..||+ +||4.5/5||..||..||Aug 2007||7,999|
|Leica D-LUX 6||..||..||4/5||..||4/5||Sep 2012||699|
|Canon 1D X Mark III||+ +||..||4.5/5||..||4/5||Jan 2020||6,499|
|Canon 1D X Mark II||..||89/100||4.5/5||5/5||4.5/5||Feb 2016||5,999|
|Canon G16||+||..||4.5/5||4.5/5||4.5/5||Aug 2013||549|
|Canon 1D C||..||..||..||..||..||Apr 2012||14,999|
|Canon 5D Mark III||+ +||82/100||4.5/5||5/5||4.5/5||Mar 2012||3,499|
|Canon 6D||+ +||83/100||4.5/5||4.5/5||4.5/5||Sep 2012||2,099|
|Canon 1D X||..||..||4.5/5||4.5/5||4.5/5||Oct 2011||6,799|
|Canon 5D Mark II||91/100||79/100||4/5||5/5||..||Sep 2008||3,499|
|Canon 1D Mark III||..||..||..||o||..||Feb 2007||4,499|
|Canon 1Ds Mark II||..||+ +||..||..||..||Sep 2004||7,999|
|Fujifilm X20||+ +||77/100||4.5/5||..||5/5||Jan 2013||599|
|Fujifilm X10||..||76/100||4/5||3.5/5||4.5/5||Sep 2011||599|
|Leica D-LUX 5||..||..||4.5/5||..||4/5||Sep 2010||699|
|Nikon D3X||..||86/100||4/5||5/5||5/5||Dec 2008||7,999|
|Sony RX100 II||+ +||79/100||4.5/5||5/5||4.5/5||Jun 2013||749|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1Ds Mark III vs Canon 40D
- Canon 1Ds Mark III vs Canon 77D
- Canon 1Ds Mark III vs Fujifilm X-T2
- Canon 1Ds Mark III vs Olympus E-PM2
- Canon 1Ds Mark III vs Panasonic GX7
- Canon 1Ds Mark III vs Panasonic LF1
- Fujifilm X-Pro2 vs Leica D-LUX 6
- Leica D-LUX 6 vs Nikon 1 V1
- Leica D-LUX 6 vs Nikon D5000
- Leica D-LUX 6 vs Sigma fp
- Leica D-LUX 6 vs Sony A3000
- Leica D-LUX 6 vs Sony RX100 III
Specifications: Canon 1Ds Mark III vs Leica D-LUX 6
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1Ds Mark III||Leica D-LUX 6|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||24-90mm f/1.4-2.3|
|Launch Date||August 2007||September 2012|
|Launch Price||USD 7,999||USD 699|
|Sensor Specs||Canon 1Ds Mark III||Leica D-LUX 6|
|Sensor Format||Full Frame Sensor||1/1.7" Sensor|
|Sensor Size||36.0 x 24.0 mm||7.44 x 5.58 mm|
|Sensor Area||864 mm2||41.5152 mm2|
|Sensor Diagonal||43.3 mm||9.3 mm|
|Sensor Resolution||21 Megapixels||10 Megapixels|
|Image Resolution||5616 x 3744 pixels||3648 x 2736 pixels|
|Pixel Pitch||6.41 μm||2.05 μm|
|Pixel Density||2.43 MP/cm2||24.04 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60p Video|
|ISO Setting||100 - 1,600 ISO||80 - 6,400 ISO|
|ISO Boost||50 - 3,200 ISO||80 - 12,800 ISO|
|DXO Sensor Quality (score)||80||..|
|DXO Color Depth (bits)||24.0||..|
|DXO Dynamic Range (EV)||12.0||..|
|DXO Low Light (ISO)||1663||..|
|Screen Specs||Canon 1Ds Mark III||Leica D-LUX 6|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||230k dots||920k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon 1Ds Mark III||Leica D-LUX 6|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||5 shutter flaps/s||11 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CF or SDHC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Canon 1Ds Mark III||Leica D-LUX 6|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 1Ds Mark III||Leica D-LUX 6|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||1800 shots per charge||330 shots per charge|
150 x 160 x 80 mm
(5.9 x 6.3 x 3.1 in)
111 x 68 x 46 mm
(4.4 x 2.7 x 1.8 in)
|Camera Weight||1385 g (48.9 oz)||298 g (10.5 oz)|
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