Canon 1Ds Mark II vs Panasonic TS7
The Canon EOS-1Ds Mark II and the Panasonic Lumix DC-TS7 (labelled Panasonic FT7 in some countries) are two digital cameras that were revealed to the public, respectively, in September 2004 and May 2018. The 1Ds Mark II is a DSLR, while the TS7 is a fixed lens compact. The cameras are based on a full frame (1Ds Mark II) and a 1/2.3-inch (TS7) sensor. The Canon has a resolution of 16.6 megapixels, whereas the Panasonic provides 20.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1Ds Mark II and the Panasonic Lumix DC-TS7? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 1Ds Mark II and the Panasonic TS7 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The TS7 can be obtained in three different colors (black, blue, orange), while the 1Ds Mark II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic TS7 is considerably smaller (64 percent) than the Canon 1Ds Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments. More than that, the TS7 is water-proof up to 31m and can, thus, be used for underwater photography.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the TS7 has a lens built in, whereas the 1Ds Mark II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 1Ds Mark II and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the 1Ds Mark II gets 1200 shots out of its NP-E3 battery, while the TS7 can take 300 images on a single charge of its DMW-BCM13 power pack. As can be seen in the images above, the 1Ds Mark II has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The power pack in the TS7 can be charged via the USB port, which can be very convenient when travelling.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 1Ds Mark II||6.1 in||6.2 in||3.1 in||42.9 oz||1200||Y||Sep 2004||7,999|
|Panasonic TS7||4.6 in||3.0 in||1.5 in||11.3 oz||300||Y||May 2018||449|
|Canon 1D X Mark III||6.2 in||6.6 in||3.3 in||50.8 oz||2850||Y||Jan 2020||6,499|
|Canon SX730||4.3 in||2.5 in||1.6 in||10.6 oz||250||n||Apr 2017||399|
|Canon 1D X Mark II||6.2 in||6.6 in||3.3 in||54.0 oz||1210||Y||Feb 2016||5,999|
|Canon 6D||5.7 in||4.4 in||2.8 in||27.2 oz||1090||Y||Sep 2012||2,099|
|Canon 1D X||6.2 in||6.6 in||3.3 in||54.7 oz||1120||Y||Oct 2011||6,799|
|Canon 1D Mark IV||6.1 in||6.2 in||3.1 in||43.4 oz||1500||Y||Oct 2009||4,999|
|Canon 1D Mark III||6.1 in||6.2 in||3.1 in||40.7 oz||2200||Y||Feb 2007||4,499|
|Canon 1Ds Mark III||5.9 in||6.3 in||3.1 in||48.9 oz||1800||Y||Aug 2007||7,999|
|Canon 1D Mark II N||6.1 in||6.2 in||3.1 in||55.2 oz||1200||Y||Aug 2005||3,999|
|Canon 5D||6.0 in||4.4 in||3.0 in||31.6 oz||400||Y||Aug 2005||3,299|
|Canon 1Ds||6.1 in||6.2 in||3.1 in||44.6 oz||600||Y||Sep 2002||8,999|
|Panasonic ZS80||4.4 in||2.7 in||1.7 in||11.5 oz||380||n||Feb 2019||449|
|Panasonic ZS70||4.4 in||2.6 in||1.6 in||11.4 oz||380||n||Apr 2017||449|
|Panasonic FZ80||5.1 in||3.7 in||4.7 in||21.7 oz||330||n||Jan 2017||399|
|Ricoh WG-6||4.6 in||2.6 in||1.3 in||8.7 oz||340||Y||Feb 2019||399|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The TS7 was launched at a lower price than the 1Ds Mark II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 1Ds Mark II features a full frame sensor and the Panasonic TS7 a 1/2.3-inch sensor. The sensor area in the TS7 is 97 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 5.6. The sensor in the 1Ds Mark II has a native 3:2 aspect ratio, while the one in the TS7 offers a 4:3 aspect.
Despite having a smaller sensor, the TS7 offers a higher resolution of 20.2 megapixels, compared with 16.6 MP of the 1Ds Mark II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 1.18μm versus 7.21μm for the 1Ds Mark II). However, it should be noted that the TS7 is much more recent (by 13 years and 7 months) than the 1Ds Mark II, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Panasonic TS7 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the TS7 for good quality output (200 dots per inch) amounts to 25.9 x 19.4 inches or 65.8 x 49.4 cm, for very good quality (250 dpi) 20.7 x 15.6 inches or 52.7 x 39.5 cm, and for excellent quality (300 dpi) 17.3 x 13 inches or 43.9 x 32.9 cm. The corresponding values for the Canon 1Ds Mark II are 25 x 16.6 inches or 63.4 x 42.3 cm for good quality, 20 x 13.3 inches or 50.7 x 33.8 cm for very good quality, and 16.6 x 11.1 inches or 42.3 x 28.2 cm for excellent quality prints.
The Canon EOS-1Ds Mark II has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 50-3200. The corresponding ISO settings for the Panasonic Lumix DC-TS7 are ISO 80 to ISO 3200, with the possibility to increase the ISO range to 80-6400.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon 1Ds Mark II||Full Frame||16.6||4992||3328||none||23.3||11.3||1480||74|
|Canon 1D X Mark III||Full Frame||20.0||5472||3648||4K/60p||24.2||14.5||3248||91|
|Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|Canon 1D X||Full Frame||17.9||5184||3456||1080/30p||23.8||11.8||2786||82|
|Canon 1D Mark IV||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74|
|Canon 1D Mark III||APS-H||10.1||3888||2592||none||22.7||11.7||1078||71|
|Canon 1Ds Mark III||Full Frame||21.0||5616||3744||none||24.0||12.0||1663||80|
|Canon 1D Mark II N||APS-H||8.2||3504||2336||none||22.3||11.2||975||66|
|Canon 5D||Full Frame||12.7||4368||2912||none||22.9||11.1||1368||71|
|Canon 1Ds||Full Frame||11.0||4064||2704||none||21.8||11.0||954||63|
Many modern cameras are not only capable of taking still images, but can also record movies. The TS7 indeed provides for movie recording, while the 1Ds Mark II does not. The highest resolution format that the TS7 can use is 4K/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the TS7 has an electronic viewfinder (1170k dots), while the 1Ds Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the 1Ds Mark II has a higher magnification than the one of the TS7 (0.70x vs 0.45x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 1Ds Mark II and Panasonic TS7 along with similar information for a selection of comparators.
|Canon 1Ds Mark II||optical||Y||2.0||230||fixed||n||1/8000s||4.0||n||n|
|Canon 1D X Mark III||optical||Y||3.2||2100||fixed||Y||1/8000s||20.0||n||n|
|Canon 1D X Mark II||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n|
|Canon 1D X||optical||Y||3.2||1040||fixed||n||1/8000s||14.0||n||n|
|Canon 1D Mark IV||optical||Y||3.0||920||fixed||n||1/8000s||10.0||n||n|
|Canon 1D Mark III||optical||Y||3.0||230||fixed||n||1/8000s||10.0||n||n|
|Canon 1Ds Mark III||optical||Y||3.0||230||fixed||n||1/8000s||5.0||n||n|
|Canon 1D Mark II N||optical||Y||2.5||230||fixed||n||1/8000s||8.5||n||n|
One feature that is present on the 1Ds Mark II, but is missing on the TS7 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the TS7 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The 1Ds Mark II writes its imaging data to Compact Flash or SDHC cards, while the TS7 uses SDXC cards. The 1Ds Mark II features dual card slots, which can be very useful in case a memory card fails. In contrast, the TS7 only has one slot. The TS7 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the 1Ds Mark II cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1Ds Mark II and Panasonic Lumix DC-TS7 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Canon 1Ds Mark II||Y||-||-||-||-||-||2.0||-||-||-|
|Canon 1D X Mark III||Y||mono||mono||Y||Y||mini||3.1||Y||-||Y|
|Canon 1D X Mark II||Y||mono||mono||Y||Y||mini||3.0||-||-||-|
|Canon 1D X||Y||mono||-||Y||-||mini||2.0||-||-||-|
|Canon 1D Mark IV||Y||stereo||-||Y||-||mini||2.0||-||-||-|
|Canon 1D Mark III||Y||-||-||-||-||-||2.0||-||-||-|
|Canon 1Ds Mark III||Y||-||-||-||-||-||2.0||-||-||-|
|Canon 1D Mark II N||Y||-||-||-||-||-||1.1||-||-||-|
It is notable that the 1Ds Mark II has a hotshoe, while the TS7 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Canon 1Ds Mark II (unlike the TS7) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The TS7 is a recent model that features in the current product line-up of Panasonic. In contrast, the 1Ds Mark II has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the 1Ds Mark II was succeeded by the Canon 1Ds Mark III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what conclusions can be drawn? Is the Canon 1Ds Mark II better than the Panasonic TS7 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon EOS-1Ds Mark II:
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.45x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/1300s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (1200 versus 300) on a single battery charge.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in September 2004).
Arguments in favor of the Panasonic Lumix DC-TS7:
- More detail: Has more megapixels (20.2 vs 16.6MP), which boosts linear resolution by 8%.
- Broader imaging potential: Can capture not only stills but also 4K/30p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 230k dots).
- Faster burst: Shoots at higher frequency (10 vs 4 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Comes with an integrated lens, while the 1Ds Mark II requires a separate lens.
- More compact: Is smaller (117x76mm vs 156x158mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 1Ds Mark II).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Water-proof: Is rugged and sealed and can thus be used for underwater photography (up to 31m).
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 13 years and 7 months of technical progress since the 1Ds Mark II launch.
If the count of relative strengths (bullet points above) is taken as a measure, the TS7 emerges as the winner of the match-up (18 : 15 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1Ds Mark II and the Panasonic TS7 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the 1Ds Mark II or the TS7 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 1Ds Mark II||..||+ +||..||..||..||Sep 2004||7,999|
|Panasonic TS7||+||..||..||..||3.5/5||May 2018||449|
|Canon 1D X Mark III||+ +||..||4.5/5||..||4/5||Jan 2020||6,499|
|Canon SX730||+||..||4/5||..||4/5||Apr 2017||399|
|Canon 1D X Mark II||..||89/100||4.5/5||5/5||4.5/5||Feb 2016||5,999|
|Canon 6D||+ +||83/100||4.5/5||4.5/5||4.5/5||Sep 2012||2,099|
|Canon 1D X||..||..||4.5/5||4.5/5||4.5/5||Oct 2011||6,799|
|Canon 1D Mark IV||..||89/100||..||5/5||..||Oct 2009||4,999|
|Canon 1D Mark III||..||..||..||o||..||Feb 2007||4,499|
|Canon 1Ds Mark III||..||+ +||4.5/5||..||..||Aug 2007||7,999|
|Canon 1D Mark II N||..||..||..||..||..||Aug 2005||3,999|
|Canon 5D||88/100||+ +||o||o||..||Aug 2005||3,299|
|Canon 1Ds||..||+ +||..||..||..||Sep 2002||8,999|
|Panasonic ZS80||+ +||..||4.5/5||..||..||Feb 2019||449|
|Panasonic ZS70||+ +||..||4/5||..||4/5||Apr 2017||449|
|Panasonic FZ80||+ +||..||4.5/5||..||4.5/5||Jan 2017||399|
|Ricoh WG-6||..||..||3.5/5||..||3.5/5||Feb 2019||399|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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- Canon 1Ds Mark II vs Fujifilm XP130
- Canon 1Ds Mark II vs Panasonic TZ95
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Specifications: Canon 1Ds Mark II vs Panasonic TS7
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1Ds Mark II||Panasonic TS7|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||28-128mm f/3.3-5.9|
|Launch Date||September 2004||May 2018|
|Launch Price||USD 7,999||USD 449|
|Sensor Specs||Canon 1Ds Mark II||Panasonic TS7|
|Sensor Format||Full Frame Sensor||1/2.3" Sensor|
|Sensor Size||36.0 x 24.0 mm||6.17 x 4.55 mm|
|Sensor Area||864 mm2||28.0735 mm2|
|Sensor Diagonal||43.3 mm||7.7 mm|
|Sensor Resolution||16.6 Megapixels||20.2 Megapixels|
|Image Resolution||4992 x 3328 pixels||5184 x 3888 pixels|
|Pixel Pitch||7.21 μm||1.18 μm|
|Pixel Density||1.92 MP/cm2||71.80 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||4K/30p Video|
|ISO Setting||100 - 1,600 ISO||80 - 3,200 ISO|
|ISO Boost||50 - 3,200 ISO||80 - 6,400 ISO|
|Image Processor||DIGIC II||Venus|
|DXO Sensor Quality (score)||74||..|
|DXO Color Depth (bits)||23.3||..|
|DXO Dynamic Range (EV)||11.3||..|
|DXO Low Light (ISO)||1480||..|
|Screen Specs||Canon 1Ds Mark II||Panasonic TS7|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1170k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||2.0inch||3.0inch|
|LCD Resolution||230k dots||1040k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon 1Ds Mark II||Panasonic TS7|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||4 shutter flaps/s||10 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/16000s|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CF or SDHC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon 1Ds Mark II||Panasonic TS7|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Canon 1Ds Mark II||Panasonic TS7|
|Environmental Sealing||Weathersealed body||Waterproof body (31m)|
|Battery Life (CIPA)||1200 shots per charge||300 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
156 x 158 x 80 mm
(6.1 x 6.2 x 3.1 in)
117 x 76 x 37 mm
(4.6 x 3.0 x 1.5 in)
|Camera Weight||1215 g (42.9 oz)||319 g (11.3 oz)|
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