Canon 1Ds Mark II vs Panasonic G5
The Canon EOS-1Ds Mark II and the Panasonic Lumix DMC-G5 are two digital cameras that were announced, respectively, in September 2004 and July 2012. The 1Ds Mark II is a DSLR, while the G5 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (1Ds Mark II) and a Four Thirds (G5) sensor. The Canon has a resolution of 16.6 megapixels, whereas the Panasonic provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 1Ds Mark II||Panasonic G5|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Micro Four Thirds lenses|
|16.6 MP, Full Frame Sensor||15.9 MP, Four Thirds Sensor|
|no Video||1080/60p Video|
|ISO 100-1600 (50-3200)||ISO 160-12800|
|Optical viewfinder||Electronic viewfinder (1440k dots)|
|2.0" LCD, 230k dots||3.0" LCD, 920k dots|
|Fixed screen (not touch-sensitive)||Swivel touchscreen|
|4 shutter flaps per second||6 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|1200 shots per battery charge||320 shots per battery charge|
|156 x 158 x 80 mm, 1215 g||120 x 83 x 71 mm, 396 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1Ds Mark II and the Panasonic Lumix DMC-G5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 1Ds Mark II and the Panasonic G5. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The G5 can be obtained in two different colors (black, silver), while the 1Ds Mark II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic G5 is considerably smaller (60 percent) than the Canon 1Ds Mark II. Moreover, the G5 is substantially lighter (67 percent) than the 1Ds Mark II. It is worth mentioning in this context that the 1Ds Mark II is splash and dust resistant, while the G5 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (1Ds Mark II) and the Micro Four Thirds Lens Catalog (G5). Mirrorless cameras, such as the G5, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the 1Ds Mark II gets 1200 shots out of its NP-E3 battery, while the G5 can take 320 images on a single charge of its DMW-BLC12 power pack. As can be seen in the images above, the 1Ds Mark II has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 1Ds Mark II»||6.1 in||6.2 in||3.1 in||42.9 oz||1200||Y||Sep 2004||7,999||-||Canon 1Ds Mark II|
|Panasonic G5«||4.7 in||3.3 in||2.8 in||14.0 oz||320||n||Jul 2012||599||-||Panasonic G5|
|Canon 1D X Mark II« »||6.2 in||6.6 in||3.3 in||54.0 oz||1210||Y||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 6D« »||5.7 in||4.4 in||2.8 in||27.2 oz||1090||Y||Sep 2012||2,099||-||Canon 6D|
|Canon 1D X« »||6.2 in||6.6 in||3.3 in||54.7 oz||1120||Y||Oct 2011||6,799||-||Canon 1D X|
|Canon 1D Mark IV« »||6.1 in||6.2 in||3.1 in||43.4 oz||1500||Y||Oct 2009||4,999||-||Canon 1D Mark IV|
|Canon 1D Mark III« »||6.1 in||6.2 in||3.1 in||40.7 oz||2200||Y||Feb 2007||4,499||-||Canon 1D Mark III|
|Canon 1Ds Mark III« »||5.9 in||6.3 in||3.1 in||48.9 oz||1800||Y||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||6.1 in||6.2 in||3.1 in||55.2 oz||1200||Y||Aug 2005||3,999||-||Canon 1D Mark II N|
|Canon 5D« »||6.0 in||4.4 in||3.0 in||31.6 oz||400||Y||Aug 2005||3,299||-||Canon 5D|
|Canon 1D Mark II« »||6.1 in||6.2 in||3.1 in||54.1 oz||1200||Y||Jan 2004||4,499||-||Canon 1D Mark II|
|Canon 1Ds« »||6.1 in||6.2 in||3.1 in||44.6 oz||600||Y||Sep 2002||8,999||-||Canon 1Ds|
|Panasonic G7« »||4.9 in||3.4 in||3.0 in||14.5 oz||350||n||May 2015||649||-||Panasonic G7|
|Panasonic G6« »||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599||-||Panasonic G6|
|Panasonic G3« »||4.5 in||3.3 in||1.9 in||11.9 oz||270||n||May 2011||599||-||Panasonic G3|
|Panasonic GX1« »||4.6 in||2.7 in||1.5 in||11.2 oz||320||n||Nov 2011||699||-||Panasonic GX1|
|Panasonic G10« »||4.9 in||3.3 in||2.9 in||13.7 oz||380||n||Mar 2010||499||-||Panasonic G10|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The G5 was launched at a markedly lower price (by 93 percent) than the 1Ds Mark II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 1Ds Mark II features a full frame sensor and the Panasonic G5 a Four Thirds sensor. The sensor area in the G5 is 74 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.0. The sensor in the 1Ds Mark II has a native 3:2 aspect ratio, while the one in the G5 offers a 4:3 aspect.
In terms of underlying technology, both cameras are build around CMOS sensors.
With 16.6MP, the 1Ds Mark II offers a slightly higher resolution than the G5 (15.9MP), but the 1Ds Mark II nevertheless has larger individual pixels (pixel pitch of 7.21μm versus 3.76μm for the G5) due to its larger sensor. However, the G5 is a much more recent model (by 7 years and 9 months) than the 1Ds Mark II, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The Canon EOS-1Ds Mark II has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 50-3200. The corresponding ISO settings for the Panasonic Lumix DMC-G5 are ISO 160 to ISO 12800 (no boost).
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 1Ds Mark II»||Full Frame||16.6||4992||3328||-||23.3||11.3||1480||74||Canon 1Ds Mark II|
|Panasonic G5«||Four Thirds||15.9||4608||3456||1080/60p||-||-||-||-||Panasonic G5|
|Canon 1D X Mark II« »||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88||Canon 1D X Mark II|
|Canon 6D« »||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82||Canon 6D|
|Canon 1D X« »||Full Frame||17.9||5184||3456||1080/30p||23.8||11.8||2786||82||Canon 1D X|
|Canon 1D Mark IV« »||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74||Canon 1D Mark IV|
|Canon 1D Mark III« »||APS-H||10.1||3888||2592||-||22.7||11.7||1078||71||Canon 1D Mark III|
|Canon 1Ds Mark III« »||Full Frame||21.0||5616||3744||-||24.0||12.0||1663||80||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||APS-H||8.2||3504||2336||-||22.3||11.2||975||66||Canon 1D Mark II N|
|Canon 5D« »||Full Frame||12.7||4368||2912||-||22.9||11.1||1368||71||Canon 5D|
|Canon 1D Mark II« »||APS-H||8.2||3504||2336||-||22.3||11.1||1003||66||Canon 1D Mark II|
|Canon 1Ds« »||Full Frame||11.0||4064||2704||-||21.8||11.0||954||63||Canon 1Ds|
|Panasonic G7« »||Four Thirds||15.8||4592||3448||4K/30p||-||-||-||-||Panasonic G7|
|Panasonic G6« »||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61||Panasonic G6|
|Panasonic G3« »||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56||Panasonic G3|
|Panasonic GX1« »||Four Thirds||15.8||4592||3448||1080/60p||20.8||10.6||703||55||Panasonic GX1|
|Panasonic G10« »||Four Thirds||12.0||4000||3000||720/30p||21.2||10.1||411||52||Panasonic G10|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The G5 indeed provides for movie recording, while the 1Ds Mark II does not. The highest resolution format that the G5 can use is 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the G5 has an electronic viewfinder (1440k dots), while the 1Ds Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), as well as the same magnification (0.70x). The adjacent table lists some of the other core features of the Canon 1Ds Mark II and Panasonic G5 along with similar information for a selection of comparators.
|Canon 1Ds Mark II»||optical||Y||2.0||230||fixed||n||1/8000s||4.0||n||n||Canon 1Ds Mark II|
|Panasonic G5«||1440||n||3.0||920||swivel||Y||1/4000s||6.0||Y||n||Panasonic G5|
|Canon 1D X Mark II« »||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n||Canon 1D X Mark II|
|Canon 6D« »||optical||Y||3.0||1040||fixed||n||1/4000s||4.5||n||n||Canon 6D|
|Canon 1D X« »||optical||Y||3.2||1040||fixed||n||1/8000s||14.0||n||n||Canon 1D X|
|Canon 1D Mark IV« »||optical||Y||3.0||920||fixed||n||1/8000s||10.0||n||n||Canon 1D Mark IV|
|Canon 1D Mark III« »||optical||Y||3.0||230||fixed||n||1/8000s||10.0||n||n||Canon 1D Mark III|
|Canon 1Ds Mark III« »||optical||Y||3.0||230||fixed||n||1/8000s||5.0||n||n||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||optical||Y||2.5||230||fixed||n||1/8000s||8.5||n||n||Canon 1D Mark II N|
|Canon 5D« »||optical||Y||2.5||230||fixed||n||1/8000s||3.0||n||n||Canon 5D|
|Canon 1D Mark II« »||optical||Y||2.0||230||fixed||n||1/8000s||8.3||n||n||Canon 1D Mark II|
|Canon 1Ds« »||optical||Y||2.0||120||fixed||n||1/8000s||3.0||n||n||Canon 1Ds|
|Panasonic G7« »||2360||n||3.0||1040||swivel||Y||1/4000s||7.0||Y||n||Panasonic G7|
|Panasonic G6« »||1440||n||3.0||1036||swivel||Y||1/4000s||7.0||Y||n||Panasonic G6|
|Panasonic G3« »||1440||n||3.0||460||swivel||Y||1/4000s||4.0||Y||n||Panasonic G3|
|Panasonic GX1« »||-||n||3.0||460||fixed||Y||1/4000s||4.2||Y||n||Panasonic GX1|
|Panasonic G10« »||202||n||3.0||460||fixed||n||1/4000s||2.6||Y||n||Panasonic G10|
One feature that is present on the 1Ds Mark II, but is missing on the G5 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The G5 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 1Ds Mark II does not have a selfie-screen.
The 1Ds Mark II writes its imaging data to Compact Flash cards, while the G5 uses SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1Ds Mark II and Panasonic Lumix DMC-G5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 1Ds Mark II»||Y||-||-||-||-||-||2.0||-||-||-||Canon 1Ds Mark II|
|Panasonic G5«||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G5|
|Canon 1D X Mark II« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Canon 1D X Mark II|
|Canon 6D« »||Y||mono||mono||Y||-||mini||2.0||Y||-||-||Canon 6D|
|Canon 1D X« »||Y||mono||-||Y||-||mini||2.0||-||-||-||Canon 1D X|
|Canon 1D Mark IV« »||Y||stereo||-||Y||-||mini||2.0||-||-||-||Canon 1D Mark IV|
|Canon 1D Mark III« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1D Mark III|
|Canon 1Ds Mark III« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||Y||-||-||-||-||-||1.1||-||-||-||Canon 1D Mark II N|
|Canon 5D« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 5D|
|Canon 1D Mark II« »||Y||-||-||-||-||-||1.1||-||-||-||Canon 1D Mark II|
|Canon 1Ds« »||Y||-||-||-||-||-||FW||-||-||-||Canon 1Ds|
|Panasonic G7« »||Y||stereo||mono||Y||-||micro||2.0||Y||-||-||Panasonic G7|
|Panasonic G6« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||-||Panasonic G6|
|Panasonic G3« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic G3|
|Panasonic GX1« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic GX1|
|Panasonic G10« »||Y||mono||-||-||-||mini||2.0||-||-||-||Panasonic G10|
Studio photographers will appreciate that the Canon 1Ds Mark II (unlike the G5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 1Ds Mark II and the G5 have been discontinued, but can regularly be found used on eBay. The 1Ds Mark II was replaced by the Canon 1Ds Mark III, while the G5 was followed by the Panasonic G6. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So how do things add up? Is there a clear favorite between the Canon 1Ds Mark II and the Panasonic G5? Which camera is better? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon EOS-1Ds Mark II:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (1200 versus 320) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in September 2004).
Arguments in favor of the Panasonic Lumix DMC-G5:
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (920k vs 230k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (6 vs 4 flaps/sec) to capture the decisive moment.
- More compact: Is smaller (120x83mm vs 156x158mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 819g or 67 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (93 percent cheaper at launch).
- More modern: Reflects 7 years and 9 months of technical progress since the 1Ds Mark II launch.
If the number of relative strengths (bullet points above) is taken as a guide, the G5 is the clear winner of the contest (14 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1Ds Mark II and the Panasonic G5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the 1Ds Mark II and the G5 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 1Ds Mark II»||-||+ +||-||-||-||Sep 2004||7,999||-||Canon 1Ds Mark II|
|Panasonic G5«||+ +||-||4.5/5||4.5/5||4.5/5||Jul 2012||599||-||Panasonic G5|
|Canon 1D X Mark II« »||-||89/100||4.5/5||5/5||4.5/5||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 6D« »||+ +||83/100||4.5/5||4.5/5||4.5/5||Sep 2012||2,099||-||Canon 6D|
|Canon 1D X« »||-||-||4.5/5||4.5/5||4.5/5||Oct 2011||6,799||-||Canon 1D X|
|Canon 1D Mark IV« »||-||89/100||-||5/5||-||Oct 2009||4,999||-||Canon 1D Mark IV|
|Canon 1D Mark III« »||-||-||-||o||-||Feb 2007||4,499||-||Canon 1D Mark III|
|Canon 1Ds Mark III« »||-||+ +||4.5/5||-||-||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||-||-||-||-||-||Aug 2005||3,999||-||Canon 1D Mark II N|
|Canon 5D« »||88/100||+ +||o||o||-||Aug 2005||3,299||-||Canon 5D|
|Canon 1D Mark II« »||-||+ +||-||o||-||Jan 2004||4,499||-||Canon 1D Mark II|
|Canon 1Ds« »||-||+ +||-||-||-||Sep 2002||8,999||-||Canon 1Ds|
|Panasonic G7« »||+ +||80/100||5/5||4.5/5||4.5/5||May 2015||649||-||Panasonic G7|
|Panasonic G6« »||+ +||-||5/5||-||4.5/5||Apr 2013||599||-||Panasonic G6|
|Panasonic G3« »||+ +||75/100||4.5/5||4.5/5||5/5||May 2011||599||-||Panasonic G3|
|Panasonic GX1« »||+||77/100||4.5/5||4.5/5||4.5/5||Nov 2011||699||-||Panasonic GX1|
|Panasonic G10« »||-||70/100||4/5||-||4/5||Mar 2010||499||-||Panasonic G10|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1Ds Mark II vs Canon D60
- Canon 1Ds Mark II vs Fujifilm GFX 100
- Canon 1Ds Mark II vs Fujifilm GFX 50R
- Canon 1Ds Mark II vs Fujifilm X-T100
- Canon 1Ds Mark II vs Panasonic G2
- Canon 1Ds Mark II vs Panasonic G90
- Canon 1Ds Mark II vs Sony HX99
- Canon SX70 vs Panasonic G5
- Nikon P7800 vs Panasonic G5
- Nikon W300 vs Panasonic G5
- Panasonic G5 vs Pentax K-3
- Panasonic G5 vs Sony A7S II
Specifications: Canon 1Ds Mark II vs Panasonic G5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1Ds Mark II||Panasonic G5|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||September 2004||July 2012|
|Launch Price||USD 7999||USD 599|
|Sensor Specs||Canon 1Ds Mark II||Panasonic G5|
|Sensor Format||Full Frame Sensor||Four Thirds Sensor|
|Sensor Size||36.0 x 24.0 mm||17.3 x 13.0 mm|
|Sensor Area||864 mm2||224.9 mm2|
|Sensor Diagonal||43.3 mm||21.6 mm|
|Sensor Resolution||16.6 Megapixels||15.9 Megapixels|
|Image Resolution||4992 x 3328 pixels||4608 x 3456 pixels|
|Pixel Pitch||7.21 μm||3.76 μm|
|Pixel Density||1.92 MP/cm2||7.08 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60p Video|
|ISO Setting||100-1600 ISO||160-12800 ISO|
|ISO Boost||50-3200 ISO||no Enhancement|
|Image Processor||DIGIC II||Venus VII FHD|
|DXO Sensor Quality (score)||74||..|
|DXO Color Depth (bits)||23.3||..|
|DXO Dynamic Range (EV)||11.3||..|
|DXO Low Light (ISO)||1480||..|
|Screen Specs||Canon 1Ds Mark II||Panasonic G5|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1440k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||2.0 inch||3.0 inch|
|LCD Resolution||230k dots||920k dots|
|LCD Attachment||Fixed screen||Swivel screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 1Ds Mark II||Panasonic G5|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||4 shutter flaps/s||6 shutter flaps/s|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon 1Ds Mark II||Panasonic G5|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 1Ds Mark II||Panasonic G5|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||1200 shots per charge||320 shots per charge|
156 x 158 x 80 mm
(6.1 x 6.2 x 3.1 in)
120 x 83 x 71 mm
(4.7 x 3.3 x 2.8 in)
|Camera Weight||1215 g (42.9 oz)||396 g (14.0 oz)|
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