Canon 1Ds Mark II vs Fujifilm X-Pro2
The Canon EOS-1Ds Mark II and the Fujifilm X-Pro2 are two digital cameras that were officially introduced, respectively, in September 2004 and January 2016. The 1Ds Mark II is a DSLR, while the X-Pro2 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (1Ds Mark II) and an APS-C (X-Pro2) sensor. The Canon has a resolution of 16.6 megapixels, whereas the Fujifilm provides 24 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1Ds Mark II and the Fujifilm X-Pro2? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 1Ds Mark II and the Fujifilm X-Pro2 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All size dimensions are rounded to the nearest millimeter.
The X-Pro2 can be obtained in two different colors (black, graphite), while the 1Ds Mark II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm X-Pro2 is considerably smaller (53 percent) than the Canon 1Ds Mark II. Moreover, the X-Pro2 is substantially lighter (59 percent) than the 1Ds Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (1Ds Mark II) and the Fujinon X Lens Catalog (X-Pro2). Mirrorless cameras, such as the X-Pro2, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the 1Ds Mark II gets 1200 shots out of its NP-E3 battery, while the X-Pro2 can take 350 images on a single charge of its NP-W126 power pack. As can be seen in the images above, the 1Ds Mark II has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. In case you want to display and compare another camera duo, you can use the CAM-parator app to select your camera combination among a large number of options.
|1.||Canon 1Ds Mark II||156 mm||158 mm||80 mm||1215 g||1200||Y||Sep 2004||7,999||ebay.com|
|2.||Fujifilm X-Pro2||141 mm||83 mm||46 mm||495 g||350||Y||Jan 2016||1,699||ebay.com|
|3.||Canon 1D X Mark III||158 mm||168 mm||83 mm||1440 g||2850||Y||Jan 2020||6,499||amazon.com|
|4.||Canon 1D X Mark II||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999||ebay.com|
|5.||Canon 6D||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099||ebay.com|
|6.||Canon 1D X||158 mm||168 mm||83 mm||1551 g||1120||Y||Oct 2011||6,799||ebay.com|
|7.||Canon 1D Mark IV||156 mm||157 mm||80 mm||1230 g||1500||Y||Oct 2009||4,999||ebay.com|
|8.||Canon 1D Mark III||156 mm||157 mm||80 mm||1155 g||2200||Y||Feb 2007||4,499||ebay.com|
|9.||Canon 1Ds Mark III||150 mm||160 mm||80 mm||1385 g||1800||Y||Aug 2007||7,999||ebay.com|
|10.||Canon 1D Mark II N||156 mm||158 mm||80 mm||1565 g||1200||Y||Aug 2005||3,999||ebay.com|
|11.||Canon 5D||152 mm||113 mm||75 mm||895 g||400||Y||Aug 2005||3,299||ebay.com|
|12.||Canon 1Ds||156 mm||158 mm||80 mm||1265 g||600||Y||Sep 2002||8,999||ebay.com|
|13.||Fujifilm X100V||128 mm||75 mm||53 mm||478 g||420||Y||Feb 2020||1,399||amazon.com|
|14.||Fujifilm X-Pro3||141 mm||83 mm||46 mm||497 g||440||Y||Oct 2019||1,799||amazon.com|
|15.||Fujifilm X-T3||133 mm||93 mm||59 mm||539 g||390||Y||Sep 2018||1,499||ebay.com|
|16.||Fujifilm X-T2||133 mm||92 mm||49 mm||507 g||340||Y||Jul 2016||1,599||ebay.com|
|17.||Fujifilm X-Pro1||140 mm||82 mm||43 mm||450 g||300||n||Jan 2012||1,699||ebay.com|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The X-Pro2 was launched at a markedly lower price (by 79 percent) than the 1Ds Mark II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 1Ds Mark II features a full frame sensor and the Fujifilm X-Pro2 an APS-C sensor. The sensor area in the X-Pro2 is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a smaller sensor, the X-Pro2 offers a higher resolution of 24 megapixels, compared with 16.6 MP of the 1Ds Mark II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.92μm versus 7.21μm for the 1Ds Mark II). However, it should be noted that the X-Pro2 is much more recent (by 11 years and 3 months) than the 1Ds Mark II, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently. Coming back to sensor resolution, it should be mentioned that the X-Pro2 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Fujifilm X-Pro2 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the X-Pro2 for good quality output (200 dots per inch) amounts to 30 x 20 inches or 76.2 x 50.8 cm, for very good quality (250 dpi) 24 x 16 inches or 61 x 40.6 cm, and for excellent quality (300 dpi) 20 x 13.3 inches or 50.8 x 33.9 cm. The corresponding values for the Canon 1Ds Mark II are 25 x 16.6 inches or 63.4 x 42.3 cm for good quality, 20 x 13.3 inches or 50.7 x 33.8 cm for very good quality, and 16.6 x 11.1 inches or 42.3 x 28.2 cm for excellent quality prints.
The X-Pro2 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS-1Ds Mark II has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 50-3200. The corresponding ISO settings for the Fujifilm X-Pro2 are ISO 200 to ISO 12800, with the possibility to increase the ISO range to 100-51200.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Like most digital cameras, the 1Ds Mark II uses a Bayer filter for capturing RGB colors on a square grid of photosensors. In contrast, the X-Pro2 employs a more randomized X-Trans layout of photosites, which according to Fujifilm helps to minimize moiré.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|1.||Canon 1Ds Mark II||Full Frame||16.6||4992||3328||none||23.3||11.3||1480||74|
|3.||Canon 1D X Mark III||Full Frame||20.0||5472||3648||4K/60p||24.2||14.5||3248||91|
|4.||Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|5.||Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|6.||Canon 1D X||Full Frame||17.9||5184||3456||1080/30p||23.8||11.8||2786||82|
|7.||Canon 1D Mark IV||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74|
|8.||Canon 1D Mark III||APS-H||10.1||3888||2592||none||22.7||11.7||1078||71|
|9.||Canon 1Ds Mark III||Full Frame||21.0||5616||3744||none||24.0||12.0||1663||80|
|10.||Canon 1D Mark II N||APS-H||8.2||3504||2336||none||22.3||11.2||975||66|
|11.||Canon 5D||Full Frame||12.7||4368||2912||none||22.9||11.1||1368||71|
|12.||Canon 1Ds||Full Frame||11.0||4064||2704||none||21.8||11.0||954||63|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The X-Pro2 indeed provides for movie recording, while the 1Ds Mark II does not. The highest resolution format that the X-Pro2 can use is 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the X-Pro2 has an electronic viewfinder (2360k dots), while the 1Ds Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the 1Ds Mark II has a higher magnification than the one of the X-Pro2 (0.70x vs 0.39x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 1Ds Mark II and Fujifilm X-Pro2 along with similar information for a selection of comparators.
|1.||Canon 1Ds Mark II||optical||Y||2.0 / 230||fixed||n||1/8000s||4.0/s||n||n|
|2.||Fujifilm X-Pro2||2360||n||3.0 / 1620||fixed||n||1/8000s||8.0/s||n||n|
|3.||Canon 1D X Mark III||optical||Y||3.2 / 2100||fixed||Y||1/8000s||20.0/s||n||n|
|4.||Canon 1D X Mark II||optical||Y||3.2 / 1620||fixed||Y||1/8000s||16.0/s||n||n|
|5.||Canon 6D||optical||Y||3.0 / 1040||fixed||n||1/4000s||4.5/s||n||n|
|6.||Canon 1D X||optical||Y||3.2 / 1040||fixed||n||1/8000s||14.0/s||n||n|
|7.||Canon 1D Mark IV||optical||Y||3.0 / 920||fixed||n||1/8000s||10.0/s||n||n|
|8.||Canon 1D Mark III||optical||Y||3.0 / 230||fixed||n||1/8000s||10.0/s||n||n|
|9.||Canon 1Ds Mark III||optical||Y||3.0 / 230||fixed||n||1/8000s||5.0/s||n||n|
|10.||Canon 1D Mark II N||optical||Y||2.5 / 230||fixed||n||1/8000s||8.5/s||n||n|
|11.||Canon 5D||optical||Y||2.5 / 230||fixed||n||1/8000s||3.0/s||n||n|
|12.||Canon 1Ds||optical||Y||2.0 / 120||fixed||n||1/8000s||3.0/s||n||n|
|13.||Fujifilm X100V||3690||n||3.0 / 1620||tilting||Y||1/4000s||11.0/s||Y||n|
|14.||Fujifilm X-Pro3||3690||n||3.0 / 1620||tilting||Y||1/8000s||8.0/s||n||n|
|15.||Fujifilm X-T3||3690||n||3.0 / 1040||tilting||Y||1/8000s||11.0/s||n||n|
|16.||Fujifilm X-T2||2360||n||3.0 / 1040||tilting||n||1/8000s||8.0/s||n||n|
|17.||Fujifilm X-Pro1||1440||n||3.0 / 1230||fixed||n||1/4000s||6.0/s||n||n|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the 1Ds Mark II, but is missing on the X-Pro2 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the X-Pro2 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Fujifilm X-Pro2 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 1Ds Mark II writes its imaging data to Compact Flash or SDHC cards, while the X-Pro2 uses SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The X-Pro2 supports UHS-II cards on its first slot and UHS-I on its second one, while the 1Ds Mark II cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1Ds Mark II and Fujifilm X-Pro2 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 1Ds Mark II||Y||- / -||-||-||-||2.0||-||-||-|
|2.||Fujifilm X-Pro2||Y||stereo / mono||Y||-||micro||2.0||Y||-||-|
|3.||Canon 1D X Mark III||Y||mono / mono||Y||Y||mini||3.1||Y||-||Y|
|4.||Canon 1D X Mark II||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|5.||Canon 6D||Y||mono / mono||Y||-||mini||2.0||Y||-||-|
|6.||Canon 1D X||Y||mono / -||Y||-||mini||2.0||-||-||-|
|7.||Canon 1D Mark IV||Y||stereo / -||Y||-||mini||2.0||-||-||-|
|8.||Canon 1D Mark III||Y||- / -||-||-||-||2.0||-||-||-|
|9.||Canon 1Ds Mark III||Y||mono / -||-||-||-||2.0||-||-||-|
|10.||Canon 1D Mark II N||Y||- / -||-||-||-||1.1||-||-||-|
|11.||Canon 5D||Y||- / -||-||-||-||2.0||-||-||-|
|12.||Canon 1Ds||Y||- / -||-||-||-||FW||-||-||-|
|13.||Fujifilm X100V||Y||stereo / mono||Y||-||micro||3.1||Y||-||Y|
|14.||Fujifilm X-Pro3||Y||stereo / mono||Y||-||-||3.1||Y||-||Y|
|15.||Fujifilm X-T3||Y||stereo / mono||Y||Y||micro||3.1||Y||-||Y|
|16.||Fujifilm X-T2||Y||stereo / mono||Y||-||micro||3.0||Y||-||-|
|17.||Fujifilm X-Pro1||Y||stereo / mono||-||-||mini||2.0||-||-||-|
It is notable that the X-Pro2 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 1Ds Mark II does not provide wifi capability.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
Both the 1Ds Mark II and the X-Pro2 have been discontinued, but can regularly be found used on ebay. The 1Ds Mark II was replaced by the Canon 1Ds Mark III, while the X-Pro2 was followed by the Fujifilm X-Pro3. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Fujifilm websites.
So how do things add up? Which of the two cameras – the Canon 1Ds Mark II or the Fujifilm X-Pro2 – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon EOS-1Ds Mark II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.70x vs 0.39x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (1200 versus 350) on a single battery charge.
- More heavily discounted: Has been available for much longer (launched in September 2004).
Arguments in favor of the Fujifilm X-Pro2:
- More detail: Has more megapixels (24 vs 16.6MP), which boosts linear resolution by 20%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 230k dots).
- Faster burst: Shoots at higher frequency (8 vs 4 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (141x83mm vs 156x158mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 720g or 59 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II and UHS-I) SDXC cards.
- More affordable: Was introduced into a lower priced category (79 percent cheaper at launch).
- More modern: Reflects 11 years and 3 months of technical progress since the 1Ds Mark II launch.
If the number of relative strengths (bullet points above) is taken as a guide, the X-Pro2 is the clear winner of the contest (17 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1Ds Mark II and the Fujifilm X-Pro2 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it remains incomplete and does no justice, for example, to the way the 1Ds Mark II or the X-Pro2 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 1Ds Mark II||..||..||..||+ +||..||..||Sep 2004||7,999||ebay.com|
|2.||Fujifilm X-Pro2||..||+||..||83/100||4.5/5||4.5/5||Jan 2016||1,699||ebay.com|
|3.||Canon 1D X Mark III||..||+ +||5/5||..||4.5/5||4/5||Jan 2020||6,499||amazon.com|
|4.||Canon 1D X Mark II||..||..||4.5/5||89/100||4.5/5||4.5/5||Feb 2016||5,999||ebay.com|
|5.||Canon 6D||5/5||+ +||..||83/100||4.5/5||4.5/5||Sep 2012||2,099||ebay.com|
|6.||Canon 1D X||5/5||..||..||..||4.5/5||4.5/5||Oct 2011||6,799||ebay.com|
|7.||Canon 1D Mark IV||5/5||..||..||89/100||..||..||Oct 2009||4,999||ebay.com|
|8.||Canon 1D Mark III||..||..||..||..||..||..||Feb 2007||4,499||ebay.com|
|9.||Canon 1Ds Mark III||..||..||..||+ +||4.5/5||..||Aug 2007||7,999||ebay.com|
|10.||Canon 1D Mark II N||..||..||..||..||..||..||Aug 2005||3,999||ebay.com|
|11.||Canon 5D||..||88/100||..||+ +||o||..||Aug 2005||3,299||ebay.com|
|12.||Canon 1Ds||..||..||..||+ +||..||..||Sep 2002||8,999||ebay.com|
|13.||Fujifilm X100V||5/5||+ +||4.5/5||86/100||5/5||4.5/5||Feb 2020||1,399||amazon.com|
|14.||Fujifilm X-Pro3||4/5||+||4/5||85/100||4/5||..||Oct 2019||1,799||amazon.com|
|15.||Fujifilm X-T3||5/5||+ +||4.5/5||88/100||5/5||5/5||Sep 2018||1,499||ebay.com|
|16.||Fujifilm X-T2||5/5||+ +||..||86/100||4.5/5||5/5||Jul 2016||1,599||ebay.com|
|17.||Fujifilm X-Pro1||5/5||+ +||..||79/100||4.5/5||4.5/5||Jan 2012||1,699||ebay.com|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1Ds Mark II vs Canon T6i
- Canon 1Ds Mark II vs Canon XT
- Canon 1Ds Mark II vs Fujifilm X-E1
- Canon 1Ds Mark II vs Hasselblad X1D II
- Canon 1Ds Mark II vs Nikon D3
- Canon 1Ds Mark II vs Sony HX350
- Canon 5D vs Fujifilm X-Pro2
- Canon S120 vs Fujifilm X-Pro2
- Fujifilm X-A5 vs Fujifilm X-Pro2
- Fujifilm X-Pro2 vs Leica M-E Typ 240
- Fujifilm X-Pro2 vs Olympus XZ-1
- Fujifilm X-Pro2 vs Panasonic S1H
Specifications: Canon 1Ds Mark II vs Fujifilm X-Pro2
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1Ds Mark II||Fujifilm X-Pro2|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Fujifilm X mount lenses|
|Launch Date||September 2004||January 2016|
|Launch Price||USD 7,999||USD 1,699|
|Sensor Specs||Canon 1Ds Mark II||Fujifilm X-Pro2|
|Sensor Format||Full Frame Sensor||APS-C Sensor|
|Sensor Size||36.0 x 24.0 mm||23.6 x 15.6 mm|
|Sensor Area||864 mm2||368.16 mm2|
|Sensor Diagonal||43.3 mm||28.3 mm|
|Sensor Resolution||16.6 Megapixels||24 Megapixels|
|Image Resolution||4992 x 3328 pixels||6000 x 4000 pixels|
|Pixel Pitch||7.21 μm||3.92 μm|
|Pixel Density||1.92 MP/cm2||6.52 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||no Video||1080/60p Video|
|ISO Setting||100 - 1,600 ISO||200 - 12,800 ISO|
|ISO Boost||50 - 3,200 ISO||100 - 51,200 ISO|
|Image Processor||DIGIC II||X Processor Pro|
|DXO Sensor Quality (score)||74||..|
|DXO Color Depth (bits)||23.3||..|
|DXO Dynamic Range (EV)||11.3||..|
|DXO Low Light (ISO)||1480||..|
|Screen Specs||Canon 1Ds Mark II||Fujifilm X-Pro2|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2360k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||2.0inch||3.0inch|
|LCD Resolution||230k dots||1620k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon 1Ds Mark II||Fujifilm X-Pro2|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||4 shutter flaps/s||8 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF or SDHC cards||SDXC cards|
|Second Storage Option||Dual card slots||Dual card slots|
|UHS card support||no||Single UHS-II|
|Connectivity Specs||Canon 1Ds Mark II||Fujifilm X-Pro2|
|Studio Flash||PC Sync socket||PC Sync socket|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||no HDMI||micro HDMI|
|Microphone Port||no MIC socket||External MIC port|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Canon 1Ds Mark II||Fujifilm X-Pro2|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Life (CIPA)||1200 shots per charge||350 shots per charge|
156 x 158 x 80 mm
(6.1 x 6.2 x 3.1 in)
141 x 83 x 46 mm
(5.6 x 3.3 x 1.8 in)
|Camera Weight||1215 g (42.9 oz)||495 g (17.5 oz)|
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