Canon 1Ds Mark II vs R5
The Canon EOS-1Ds Mark II and the Canon EOS R5 are two digital cameras that were announced, respectively, in September 2004 and July 2020. The 1Ds Mark II is a DSLR, while the R5 is a mirrorless interchangeable lens camera. Both cameras are equipped with a full frame sensor. The 1Ds Mark II has a resolution of 16.6 megapixels, whereas the R5 provides 44.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1Ds Mark II and the Canon EOS R5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
Body comparison
The side-by-side display below illustrates the physical size and weight of the Canon 1Ds Mark II and the Canon R5. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon R5 is considerably smaller (45 percent) than the Canon 1Ds Mark II. Moreover, the R5 is substantially lighter (39 percent) than the 1Ds Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study and compare the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
Concerning battery life, the 1Ds Mark II gets 1200 shots out of its Canon NP-E3 battery, while the R5 can take 320 images on a single charge of its Canon LP-E6NH power pack. As can be seen in the images above, the 1Ds Mark II has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the R5, Canon provides the BG-R10 vertical grip as an optional accessory (see here on ebay). The power pack in the R5 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
Camera Model |
Camera Width |
Camera Height |
Camera Depth |
Camera Weight |
Battery Life |
Weather Sealing |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 1Ds Mark II | 156 mm | 158 mm | 80 mm | 1215 g | 1200 | Y | Sep 2004 | 7,999 | ebay.com | |
2. | Canon R5 | 138 mm | 98 mm | 88 mm | 738 g | 320 | Y | Jul 2020 | 3,899 | amazon.com | |
3. | Canon 1D Mark II N | 156 mm | 158 mm | 80 mm | 1565 g | 1200 | Y | Aug 2005 | 3,999 | ebay.com | |
4. | Canon 1D Mark III | 156 mm | 157 mm | 80 mm | 1155 g | 2200 | Y | Feb 2007 | 4,499 | ebay.com | |
5. | Canon 1D Mark IV | 156 mm | 157 mm | 80 mm | 1230 g | 1500 | Y | Oct 2009 | 4,999 | ebay.com | |
6. | Canon 1Ds | 156 mm | 158 mm | 80 mm | 1265 g | 600 | Y | Sep 2002 | 8,999 | ebay.com | |
7. | Canon 1Ds Mark III | 150 mm | 160 mm | 80 mm | 1385 g | 1800 | Y | Aug 2007 | 7,999 | ebay.com | |
8. | Canon 1D X | 158 mm | 168 mm | 83 mm | 1551 g | 1120 | Y | Oct 2011 | 6,799 | ebay.com | |
9. | Canon 1D X Mark II | 158 mm | 168 mm | 83 mm | 1530 g | 1210 | Y | Feb 2016 | 5,999 | ebay.com | |
10. | Canon 1D X Mark III | 158 mm | 168 mm | 83 mm | 1440 g | 2850 | Y | Jan 2020 | 6,499 | amazon.com | |
11. | Canon 5D | 152 mm | 113 mm | 75 mm | 895 g | 400 | Y | Aug 2005 | 3,299 | ebay.com | |
12. | Canon 6D | 145 mm | 111 mm | 71 mm | 770 g | 1090 | Y | Sep 2012 | 2,099 | ebay.com | |
13. | Nikon Z7 | 134 mm | 101 mm | 67 mm | 675 g | 330 | Y | Aug 2018 | 3,399 | ebay.com | |
14. | Panasonic S1R | 149 mm | 110 mm | 97 mm | 1016 g | 380 | Y | Feb 2019 | 3,699 | amazon.com | |
15. | Sony A7R III | 127 mm | 96 mm | 74 mm | 650 g | 650 | Y | Oct 2017 | 3,199 | ebay.com | |
16. | Sony A7R IIIA | 127 mm | 96 mm | 74 mm | 650 g | 650 | Y | Apr 2021 | 3,199 | amazon.com | |
17. | Sony A99 II | 143 mm | 104 mm | 76 mm | 849 g | 490 | Y | Sep 2016 | 3,199 | ebay.com | |
Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders. | |||||||||||
Any camera decision will obviously take relative prices into account. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The R5 was launched at a markedly lower price (by 51 percent) than the 1Ds Mark II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a full frame sensor and have a format factor (sometimes also referred to as "crop factor") of 1.0. Within the spectrum of camera sensors, this places the review cameras among the large-sensor cameras that aim for top notch image quality. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, the R5 uses a more advanced image processing engine (DIGIC X) than the 1Ds Mark II (DIGIC II), with benefits for noise reduction, color accuracy, and processing speed.
While the two cameras under review share the same sensor size, the R5 offers a higher resolution of 44.8 megapixels, compared with 16.6 MP of the 1Ds Mark II. This megapixels advantage translates into a 64 percent gain in linear resolution. On the other hand, these sensor specs imply that the R5 has a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 4.39μm versus 7.21μm for the 1Ds Mark II). However, it should be noted that the R5 is much more recent (by 15 years and 9 months) than the 1Ds Mark II, and its sensor will have benefitted from technological advances during this time that compensate for the smaller pixel size.
The resolution advantage of the Canon R5 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the R5 for good quality output (200 dots per inch) amounts to 41 x 27.3 inches or 104 x 69.4 cm, for very good quality (250 dpi) 32.8 x 21.9 inches or 83.2 x 55.5 cm, and for excellent quality (300 dpi) 27.3 x 18.2 inches or 69.4 x 46.3 cm. The corresponding values for the Canon 1Ds Mark II are 25 x 16.6 inches or 63.4 x 42.3 cm for good quality, 20 x 13.3 inches or 50.7 x 33.8 cm for very good quality, and 16.6 x 11.1 inches or 42.3 x 28.2 cm for excellent quality prints.
The R5 has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS-1Ds Mark II has a native sensitivity range from ISO 100 to ISO 1600, which can be extended to ISO 50-3200. The corresponding ISO settings for the Canon EOS R5 are ISO 100 to ISO 51200, with the possibility to increase the ISO range to 50-102400.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors. Both cameras use a Bayer filter for capturing RGB colors on a square grid of photosensors. This arrangement is found in most digital cameras.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under consideration, the R5 offers substantially better image quality than the 1Ds Mark II (overall score 21 points higher). The advantage is based on 2 bits higher color depth, 3.3 EV in additional dynamic range, and 1 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
Camera Model |
Sensor Class |
Resolution (MP) |
Horiz. Pixels |
Vert. Pixels |
Video Format |
DXO Portrait |
DXO Landscape |
DXO Sports |
DXO Overall |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 1Ds Mark II | Full Frame | 16.6 | 4992 | 3328 | none | 23.3 | 11.3 | 1480 | 74 | |
2. | Canon R5 | Full Frame | 44.8 | 8192 | 5464 | 8K/30p | 25.3 | 14.6 | 3042 | 95 | |
3. | Canon 1D Mark II N | APS-H | 8.2 | 3504 | 2336 | none | 22.3 | 11.2 | 975 | 66 | |
4. | Canon 1D Mark III | APS-H | 10.1 | 3888 | 2592 | none | 22.7 | 11.7 | 1078 | 71 | |
5. | Canon 1D Mark IV | APS-H | 16.0 | 4896 | 3264 | 1080/30p | 22.8 | 12.0 | 1320 | 74 | |
6. | Canon 1Ds | Full Frame | 11.0 | 4064 | 2704 | none | 21.8 | 11.0 | 954 | 63 | |
7. | Canon 1Ds Mark III | Full Frame | 21.0 | 5616 | 3744 | none | 24.0 | 12.0 | 1663 | 80 | |
8. | Canon 1D X | Full Frame | 17.9 | 5184 | 3456 | 1080/30p | 23.8 | 11.8 | 2786 | 82 | |
9. | Canon 1D X Mark II | Full Frame | 20.0 | 5472 | 3648 | 4K/60p | 24.1 | 13.5 | 3207 | 88 | |
10. | Canon 1D X Mark III | Full Frame | 20.0 | 5472 | 3648 | 4K/60p | 24.2 | 14.5 | 3248 | 91 | |
11. | Canon 5D | Full Frame | 12.7 | 4368 | 2912 | none | 22.9 | 11.1 | 1368 | 71 | |
12. | Canon 6D | Full Frame | 20.0 | 5472 | 3648 | 1080/30p | 23.8 | 12.1 | 2340 | 82 | |
13. | Nikon Z7 | Full Frame | 45.4 | 8256 | 5504 | 4K/30p | 26.3 | 14.6 | 2668 | 99 | |
14. | Panasonic S1R | Full Frame | 46.7 | 8368 | 5584 | 4K/60p | 26.4 | 14.1 | 3525 | 100 | |
15. | Sony A7R III | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 14.7 | 3523 | 100 | |
16. | Sony A7R IIIA | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 26.0 | 14.7 | 3523 | 100 | |
17. | Sony A99 II | Full Frame | 42.2 | 7952 | 5304 | 4K/30p | 25.4 | 13.4 | 2317 | 92 |
Many modern cameras are not only capable of taking still images, but can also record movies. The R5 indeed provides for movie recording, while the 1Ds Mark II does not. The highest resolution format that the R5 can use is 8K/30p.
Feature comparison
Apart from body and sensor, cameras can and do differ across a range of features. For example, the R5 has an electronic viewfinder (5760k dots), while the 1Ds Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the R5 has a higher magnification than the one of the 1Ds Mark II (0.76x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 1Ds Mark II and Canon R5 along with similar information for a selection of comparators.
Camera Model |
Viewfinder (Type or 000 dots) |
Control Panel (yes/no) |
LCD Specifications (inch/000 dots) |
LCD Attach- ment |
Touch Screen (yes/no) |
Max Shutter Speed * |
Max Shutter Flaps * |
Built-in Flash (yes/no) |
Built-in Image Stab |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 1Ds Mark II | optical | Y | 2.0 / 230 | fixed | n | 1/8000s | 4.0/s | n | n | |
2. | Canon R5 | 5760 | Y | 3.2 / 2100 | swivel | Y | 1/8000s | 12.0/s | n | Y | |
3. | Canon 1D Mark II N | optical | Y | 2.5 / 230 | fixed | n | 1/8000s | 8.5/s | n | n | |
4. | Canon 1D Mark III | optical | Y | 3.0 / 230 | fixed | n | 1/8000s | 10.0/s | n | n | |
5. | Canon 1D Mark IV | optical | Y | 3.0 / 920 | fixed | n | 1/8000s | 10.0/s | n | n | |
6. | Canon 1Ds | optical | Y | 2.0 / 120 | fixed | n | 1/8000s | 3.0/s | n | n | |
7. | Canon 1Ds Mark III | optical | Y | 3.0 / 230 | fixed | n | 1/8000s | 5.0/s | n | n | |
8. | Canon 1D X | optical | Y | 3.2 / 1040 | fixed | n | 1/8000s | 14.0/s | n | n | |
9. | Canon 1D X Mark II | optical | Y | 3.2 / 1620 | fixed | Y | 1/8000s | 16.0/s | n | n | |
10. | Canon 1D X Mark III | optical | Y | 3.2 / 2100 | fixed | Y | 1/8000s | 20.0/s | n | n | |
11. | Canon 5D | optical | Y | 2.5 / 230 | fixed | n | 1/8000s | 3.0/s | n | n | |
12. | Canon 6D | optical | Y | 3.0 / 1040 | fixed | n | 1/4000s | 4.5/s | n | n | |
13. | Nikon Z7 | 3690 | Y | 3.2 / 2100 | tilting | Y | 1/8000s | 9.0/s | n | Y | |
14. | Panasonic S1R | 5760 | Y | 3.2 / 2100 | full-flex | Y | 1/8000s | 9.0/s | n | Y | |
15. | Sony A7R III | 3686 | n | 3.0 / 1440 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
16. | Sony A7R IIIA | 3686 | n | 3.0 / 2340 | tilting | Y | 1/8000s | 10.0/s | n | Y | |
17. | Sony A99 II | 2400 | Y | 3.0 / 1229 | full-flex | n | 1/8000s | 12.0/s | n | Y | |
Note: *) Information refers to the mechanical shutter, unless the camera only has an electronic one. |
One differentiating feature between the two cameras concerns the touch sensitivity of the rear screen. The R5 has a touchscreen, while the 1Ds Mark II has a conventional panel. Touch control can be particularly helpful, for example, for setting the focus point.
The R5 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 1Ds Mark II does not have a selfie-screen.The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the R5 is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon R5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 1Ds Mark II writes its imaging data to Compact Flash or SDHC cards, while the R5 uses CFexpress (type B) or SDXC cards. Both cameras feature dual card slots, which can be very useful in case a memory card fails. The R5 supports UHS-II cards (on both slots), while the 1Ds Mark II cannot take advantage of Ultra High Speed SD cards.
Connectivity comparison
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1Ds Mark II and Canon EOS R5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Camera Model |
Hotshoe Port |
Internal Mic / Speaker |
Microphone Port |
Headphone Port |
HDMI Port |
USB Port |
WiFi Support |
NFC Support |
Bluetooth Support |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 1Ds Mark II | Y | - / - | - | - | - | 2.0 | - | - | - | |
2. | Canon R5 | Y | mono / mono | Y | Y | micro | 3.2 | Y | - | Y | |
3. | Canon 1D Mark II N | Y | - / - | - | - | - | 1.1 | - | - | - | |
4. | Canon 1D Mark III | Y | - / - | - | - | - | 2.0 | - | - | - | |
5. | Canon 1D Mark IV | Y | stereo / - | Y | - | mini | 2.0 | - | - | - | |
6. | Canon 1Ds | Y | - / - | - | - | - | FW | - | - | - | |
7. | Canon 1Ds Mark III | Y | mono / - | - | - | - | 2.0 | - | - | - | |
8. | Canon 1D X | Y | mono / - | Y | - | mini | 2.0 | - | - | - | |
9. | Canon 1D X Mark II | Y | mono / mono | Y | Y | mini | 3.0 | - | - | - | |
10. | Canon 1D X Mark III | Y | mono / mono | Y | Y | mini | 3.1 | Y | - | Y | |
11. | Canon 5D | Y | - / - | - | - | - | 2.0 | - | - | - | |
12. | Canon 6D | Y | mono / mono | Y | - | mini | 2.0 | Y | - | - | |
13. | Nikon Z7 | Y | stereo / mono | Y | Y | micro | 3.1 | Y | - | Y | |
14. | Panasonic S1R | Y | stereo / mono | Y | Y | full | 3.1 | Y | - | Y | |
15. | Sony A7R III | Y | stereo / mono | Y | Y | micro | 3.1 | Y | Y | Y | |
16. | Sony A7R IIIA | Y | stereo / mono | Y | Y | micro | 3.2 | Y | Y | Y | |
17. | Sony A99 II | Y | stereo / mono | Y | Y | micro | 2.0 | Y | Y | Y |
It is notable that the R5 offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 1Ds Mark II does not provide wifi capability.
Both cameras feature a PC Sync terminal to control professional strobe lights, which will be appreciated by studio photographers.
The R5 is a recent model that features in the current product line-up of Canon. In contrast, the 1Ds Mark II has been discontinued (but can be found pre-owned on ebay). As a replacement in the same line of cameras, the 1Ds Mark II was succeeded by the Canon 1Ds Mark III. Further information on the features and operation of the 1Ds Mark II and R5 can be found, respectively, in the Canon 1Ds Mark II Manual (free pdf) or the online Canon R5 Manual.
Review summary
So how do things add up? Which of the two cameras – the Canon 1Ds Mark II or the Canon R5 – has the upper hand? Is one clearly better than the other? A synthesis of the relative strong points of each of the models is listed below.
Advantages of the Canon EOS-1Ds Mark II:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (1200 versus 320) on a single battery charge.
- More heavily discounted: Has been available for much longer (launched in September 2004).
Arguments in favor of the Canon EOS R5:
- More detail: Has more megapixels (44.8 vs 16.6MP), which boosts linear resolution by 64%.
- Better image quality: Scores substantially higher (21 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (2 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (3.3 EV of extra DR).
- Better low-light sensitivity: Can shoot in dim conditions (1 stops ISO advantage).
- Better jpgs: Has a more modern image processing engine (DIGIC X vs DIGIC II).
- Broader imaging potential: Can capture not only stills but also 8K/30p video.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- More framing info: Has an electronic viewfinder that displays shooting data.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.76x vs 0.70x).
- Larger screen: Has a bigger rear LCD (3.2" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 230k dots).
- More flexible LCD: Has a swivel screen for odd-angle shots in portrait or landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (12 vs 4 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (138x98mm vs 156x158mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 477g or 39 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Faster data transfer: Supports a more advanced USB protocol (3.2 vs 2.0).
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier wireless transfer: Supports Bluetooth for image sharing without cables.
- Faster buffer clearing: Supports Ultra High Speed (UHS-II) SDXC cards on both slots.
- More affordable: Was introduced into a lower priced category (51 percent cheaper at launch).
- More modern: Reflects 15 years and 9 months of technical progress since the 1Ds Mark II launch.
If the count of relative strengths (bullet points above) is taken as a measure, the R5 is the clear winner of the contest (29 : 4 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1Ds Mark II and the Canon R5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the specs-based evaluation of cameras can be instructive in revealing their potential as photographic tools, it remains incomplete and does no justice, for example, to the way the 1Ds Mark II or the R5 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
Expert reviews
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
Camera Model |
AP score |
CL score |
DCW score |
DPR score |
EPZ score |
PB score |
Camera Launch |
Launch Price (USD) |
Street Price |
||
---|---|---|---|---|---|---|---|---|---|---|---|
1. | Canon 1Ds Mark II | .. | .. | .. | + + | .. | .. | Sep 2004 | 7,999 | ebay.com | |
2. | Canon R5 | 4.5/5 | + | 4/5 | 91/100 | 4.5/5 | 4.5/5 | Jul 2020 | 3,899 | amazon.com | |
3. | Canon 1D Mark II N | .. | .. | .. | .. | .. | .. | Aug 2005 | 3,999 | ebay.com | |
4. | Canon 1D Mark III | .. | .. | .. | .. | .. | .. | Feb 2007 | 4,499 | ebay.com | |
5. | Canon 1D Mark IV | 5/5 | .. | .. | 89/100 | .. | .. | Oct 2009 | 4,999 | ebay.com | |
6. | Canon 1Ds | .. | .. | .. | + + | .. | .. | Sep 2002 | 8,999 | ebay.com | |
7. | Canon 1Ds Mark III | .. | .. | .. | + + | 4.5/5 | .. | Aug 2007 | 7,999 | ebay.com | |
8. | Canon 1D X | 5/5 | .. | .. | .. | 4.5/5 | 4.5/5 | Oct 2011 | 6,799 | ebay.com | |
9. | Canon 1D X Mark II | .. | .. | 4.5/5 | 89/100 | 4.5/5 | 4.5/5 | Feb 2016 | 5,999 | ebay.com | |
10. | Canon 1D X Mark III | .. | + + | 5/5 | .. | 4.5/5 | 4/5 | Jan 2020 | 6,499 | amazon.com | |
11. | Canon 5D | .. | 88/100 | .. | + + | o | .. | Aug 2005 | 3,299 | ebay.com | |
12. | Canon 6D | 5/5 | + + | .. | 83/100 | 4.5/5 | 4.5/5 | Sep 2012 | 2,099 | ebay.com | |
13. | Nikon Z7 | 5/5 | + | 4.8/5 | 89/100 | 4.5/5 | 5/5 | Aug 2018 | 3,399 | ebay.com | |
14. | Panasonic S1R | 4.5/5 | .. | 4.6/5 | 89/100 | 4.5/5 | 4.5/5 | Feb 2019 | 3,699 | amazon.com | |
15. | Sony A7R III | .. | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Oct 2017 | 3,199 | ebay.com | |
16. | Sony A7R IIIA | .. | + + | 4/5 | 90/100 | 4.5/5 | 5/5 | Apr 2021 | 3,199 | amazon.com | |
17. | Sony A99 II | .. | .. | 4.5/5 | 85/100 | 4.5/5 | 4.5/5 | Sep 2016 | 3,199 | ebay.com | |
Note: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available. |
Care should be taken when interpreting the review scores above, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. As an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 10D vs Canon 1Ds Mark II
- Canon 1Ds Mark II vs Canon T6i
- Canon 1Ds Mark II vs Leica X-U Typ 113
- Canon 1Ds Mark II vs Olympus E-PL8
- Canon 1Ds Mark II vs Panasonic LX100
- Canon 1Ds Mark II vs Sony A5000
- Canon R5 vs Leica X Typ 113
- Canon R5 vs Nikon P7800
- Canon R5 vs Nikon Z5
- Canon R5 vs OM System OM-1
- Canon R5 vs Sony A7 III
- Canon R5 vs Sony ZV-1
Specifications: Canon 1Ds Mark II vs Canon R5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
Camera Model | Canon 1Ds Mark II | Canon R5 |
---|---|---|
Camera Type | Digital single lens reflex | Mirrorless system camera |
Camera Lens | Canon EF mount lenses | Canon RF mount lenses |
Launch Date | September 2004 | July 2020 |
Launch Price | USD 7,999 | USD 3,899 |
Sensor Specs | Canon 1Ds Mark II | Canon R5 |
Sensor Technology | CMOS | CMOS |
Sensor Format | Full Frame Sensor | Full Frame Sensor |
Sensor Size | 36.0 x 24.0 mm | 36.0 x 24.0 mm |
Sensor Area | 864 mm2 | 864 mm2 |
Sensor Diagonal | 43.3 mm | 43.3 mm |
Crop Factor | 1.0x | 1.0x |
Sensor Resolution | 16.6 Megapixels | 44.8 Megapixels |
Image Resolution | 4992 x 3328 pixels | 8192 x 5464 pixels |
Pixel Pitch | 7.21 μm | 4.39 μm |
Pixel Density | 1.92 MP/cm2 | 5.18 MP/cm2 |
Moiré control | Anti-Alias filter | Anti-Alias filter |
Movie Capability | no Video | 8K/30p Video |
ISO Setting | 100 - 1,600 ISO | 100 - 51,200 ISO |
ISO Boost | 50 - 3,200 ISO | 50 - 102,400 ISO |
Image Processor | DIGIC II | DIGIC X |
DXO Sensor Quality (score) | 74 | 95 |
DXO Color Depth (bits) | 23.3 | 25.3 |
DXO Dynamic Range (EV) | 11.3 | 14.6 |
DXO Low Light (ISO) | 1480 | 3042 |
Screen Specs | Canon 1Ds Mark II | Canon R5 |
Viewfinder Type | Optical viewfinder | Electronic viewfinder |
Viewfinder Field of View | 100% | 100% |
Viewfinder Magnification | 0.70x | 0.76x |
Viewfinder Resolution | 5760k dots | |
Top-Level Screen | Control Panel | Control Panel |
LCD Framing | Live View | |
Rear LCD Size | 2.0inch | 3.2inch |
LCD Resolution | 230k dots | 2100k dots |
LCD Attachment | Fixed screen | Swivel screen |
Touch Input | no Touchscreen | Touchscreen |
Shooting Specs | Canon 1Ds Mark II | Canon R5 |
Focus System | Phase-detect AF | On-Sensor Phase-detect |
Manual Focusing Aid | no Peaking Feature | Focus Peaking |
Max Shutter Speed (mechanical) | 1/8000s | 1/8000s |
Continuous Shooting | 4 shutter flaps/s | 12 shutter flaps/s |
Electronic Shutter | no E-Shutter | up to 1/8000s |
Time-Lapse Photography | no Intervalometer | Intervalometer built-in |
Image Stabilization | Lens stabilization only | In-body stabilization |
Fill Flash | no On-Board Flash | no On-Board Flash |
Storage Medium | CF or SDHC cards | CFexB or SDXC cards |
Single or Dual Card Slots | Dual card slots | Dual card slots |
UHS card support | no | Dual UHS-II |
Connectivity Specs | Canon 1Ds Mark II | Canon R5 |
External Flash | Hotshoe | Hotshoe |
Studio Flash | PC Sync socket | PC Sync socket |
USB Connector | USB 2.0 | USB 3.2 |
HDMI Port | no HDMI | micro HDMI |
Microphone Port | no MIC socket | External MIC port |
Headphone Socket | no Headphone port | Headphone port |
Wifi Support | no Wifi | Wifi built-in |
Bluetooth Support | no Bluetooth | Bluetooth built-in |
Body Specs | Canon 1Ds Mark II | Canon R5 |
Environmental Sealing | Weathersealed body | Weathersealed body |
Battery Type | Canon NP-E3 | Canon LP-E6NH |
Battery Life (CIPA) | 1200 shots per charge | 320 shots per charge |
In-Camera Charging | no USB charging | USB charging |
Body Dimensions |
156 x 158 x 80 mm (6.1 x 6.2 x 3.1 in) |
138 x 98 x 88 mm (5.4 x 3.9 x 3.5 in) |
Camera Weight | 1215 g (42.9 oz) | 738 g (26.0 oz) |
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