Canon 1D X vs Sony A7 II
The Canon EOS-1D X and the Sony Alpha A7 II are two digital cameras that were officially introduced, respectively, in October 2011 and November 2014. The 1DX is a DSLR, while the A7 II is a mirrorless interchangeable lens camera. Both cameras are equipped with a full frame sensor. The Canon has a resolution of 17.9 megapixels, whereas the Sony provides 24 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Canon 1D X||Sony A7 II|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Sony E mount lenses|
|17.9 MP, Full Frame Sensor||24 MP, Full Frame Sensor|
|1080/30p Video||1080/60p Video|
|ISO 100-51200 (50-204800)||ISO 100-25600 (50-51200)|
|Optical viewfinder||Electronic viewfinder (2400k dots)|
|3.2" LCD, 1040k dots||3.0" LCD, 1230k dots|
|Fixed screen (not touch-sensitive)||Tilting screen (not touch-sensitive)|
|14 shutter flaps per second||5 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Weathersealed body||Weathersealed body|
|1120 shots per battery charge||350 shots per battery charge|
|158 x 168 x 83 mm, 1551 g||127 x 96 x 60 mm, 599 g|
Body comparison: Canon 1D X vs Sony A7 II
An illustration of the physical size and weight of the Canon 1D X and the Sony A7 II is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three consecutive views from the front, the top, and the rear side are shown. All width, height and depth measures are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left – the 1DX – represents the basis or 100 percent across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A7 II is considerably smaller (54 percent) than the Canon 1D X. Moreover, the A7 II is substantially lighter (61 percent) than the 1DX. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (1DX) and the Sony FE Lens Catalog (A7 II). Mirrorless cameras, such as the A7 II, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the 1DX gets 1120 shots out of its LP-E4N battery, while the A7 II can take 350 images on a single charge of its NP-FW50 power pack. As can be seen in the images above, the 1DX has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the A7 II, Sony provides the VG-C2EM vertical grip as an optional accessory (see here on eBay).
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 1D X»||6.2 in||6.6 in||3.3 in||54.7 oz||1120||Y||Oct 2011||6,799||-||Canon 1D X|
|Sony A7 II«||5.0 in||3.8 in||2.4 in||21.1 oz||350||Y||Nov 2014||1,999||-||Sony A7 II|
|Canon 1D X Mark II« »||6.2 in||6.6 in||3.3 in||54.0 oz||1210||Y||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 1D C« »||6.2 in||6.5 in||3.3 in||54.5 oz||1120||Y||Apr 2012||14,999||-||Canon 1D C|
|Canon 5D Mark III« »||6.0 in||4.6 in||3.0 in||33.5 oz||950||Y||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 6D« »||5.7 in||4.4 in||2.8 in||27.2 oz||1090||Y||Sep 2012||2,099||-||Canon 6D|
|Canon 5D Mark II« »||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 1Ds Mark III« »||5.9 in||6.3 in||3.1 in||48.9 oz||1800||Y||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Canon 1Ds Mark II« »||6.1 in||6.2 in||3.1 in||42.9 oz||1200||Y||Sep 2004||7,999||-||Canon 1Ds Mark II|
|Nikon D5« »||6.3 in||6.3 in||3.6 in||49.9 oz||3780||Y||Jan 2016||6,499||Nikon D5|
|Nikon D4S« »||6.3 in||6.2 in||3.6 in||47.6 oz||3020||Y||Feb 2014||6,499||-||Nikon D4S|
|Nikon D4« »||6.3 in||6.2 in||3.6 in||47.3 oz||2600||Y||Jan 2012||5,999||-||Nikon D4|
|Sony A7 III« »||5.0 in||3.8 in||2.9 in||22.9 oz||610||Y||Feb 2018||1,999||Sony A7 III|
|Sony A7R II« »||5.0 in||3.8 in||2.4 in||22.0 oz||290||Y||Jun 2015||3,199||-||Sony A7R II|
|Sony A7S II« »||5.0 in||3.8 in||2.4 in||22.1 oz||370||Y||Sep 2015||2,999||Sony A7S II|
|Sony A7« »||5.0 in||3.7 in||1.9 in||16.7 oz||340||Y||Oct 2013||1,699||-||Sony A7|
|Sony A7R« »||5.0 in||3.7 in||1.9 in||16.4 oz||340||Y||Oct 2013||2,299||-||Sony A7R|
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A7 II was launched at a markedly lower price (by 71 percent) than the 1DX, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Canon 1D X vs Sony A7 II
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. The sensor area in the A7 II is 1 percent smaller. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the A7 II offers a higher resolution of 24 megapixels, compared with 17.9 MP of the 1DX. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 5.97μm versus 6.95μm for the 1DX). However, it should be noted that the A7 II is much more recent (by 3 years and 1 month) than the 1DX, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The A7 II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during video recording.
The Canon EOS-1D X has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-204800. The corresponding ISO settings for the Sony Alpha A7 II are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 50-51200..
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under consideration, the A7 II has a markedly higher DXO score than the 1DX (overall score 8 points higher), which will translate into better image quality. The advantage is based on 1.1 bits higher color depth, 1.8 EV in additional dynamic range, and 0.2 stops of reduced low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 1D X»||Full Frame||17.9||5184||3456||1080/30p||23.8||11.8||2786||82||Canon 1D X|
|Sony A7 II«||Full Frame||24.0||6000||4000||1080/60p||24.9||13.6||2449||90||Sony A7 II|
|Canon 1D X Mark II« »||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88||Canon 1D X Mark II|
|Canon 1D C« »||Full Frame||17.9||5184||3456||4K/24p||-||-||-||-||Canon 1D C|
|Canon 5D Mark III« »||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81||Canon 5D Mark III|
|Canon 6D« »||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82||Canon 6D|
|Canon 5D Mark II« »||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79||Canon 5D Mark II|
|Canon 1Ds Mark III« »||Full Frame||21.0||5616||3744||-||24.0||12.0||1663||80||Canon 1Ds Mark III|
|Canon 1Ds Mark II« »||Full Frame||16.6||4992||3328||-||23.3||11.3||1480||74||Canon 1Ds Mark II|
|Nikon D5« »||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88||Nikon D5|
|Nikon D4S« »||Full Frame||16.2||4928||3280||1080/60p||24.4||13.3||3074||89||Nikon D4S|
|Nikon D4« »||Full Frame||16.2||4928||3280||1080/30p||24.7||13.1||2965||89||Nikon D4|
|Sony A7 III« »||Full Frame||24.0||6000||4000||4K/30p||25.0||14.7||3730||96||Sony A7 III|
|Sony A7R II« »||Full Frame||42.2||7952||5304||4K/30p||26.0||13.9||3434||98||Sony A7R II|
|Sony A7S II« »||Full Frame||12.0||4240||2832||4K/30p||23.6||13.3||2993||85||Sony A7S II|
|Sony A7« »||Full Frame||24.0||6000||4000||1080/60p||24.8||14.2||2248||90||Sony A7|
|Sony A7R« »||Full Frame||36.2||7360||4912||1080/60p||25.6||14.1||2746||95||Sony A7R|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the A7 II provides a faster frame rate than the 1DX. It can shoot movie footage at 1080/60p, while the Canon is limited to 1080/30p.
Feature comparison: Canon 1D X vs Sony A7 II
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A7 II has an electronic viewfinder (2400k dots), while the 1DX has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The following table reports on some other key feature differences and similarities of the Canon 1D X, the Sony A7 II, and comparable cameras.
|Canon 1D X»||optical||Y||3.2||1040||fixed||n||8000||14.0||n||n||Canon 1D X|
|Sony A7 II«||2400||n||3.0||1230||tilting||n||8000||5.0||n||Y||Sony A7 II|
|Canon 1D X Mark II« »||optical||Y||3.2||1620||fixed||Y||8000||16.0||n||n||Canon 1D X Mark II|
|Canon 1D C« »||optical||Y||3.2||1040||fixed||n||8000||14.0||n||n||Canon 1D C|
|Canon 5D Mark III« »||optical||Y||3.2||1040||fixed||n||8000||6.0||n||n||Canon 5D Mark III|
|Canon 6D« »||optical||Y||3.0||1040||fixed||n||4000||4.5||n||n||Canon 6D|
|Canon 5D Mark II« »||optical||Y||3.0||920||fixed||n||8000||3.9||n||n||Canon 5D Mark II|
|Canon 1Ds Mark III« »||optical||Y||3.0||230||fixed||n||8000||5.0||n||n||Canon 1Ds Mark III|
|Canon 1Ds Mark II« »||optical||Y||2.0||230||fixed||n||8000||4.0||n||n||Canon 1Ds Mark II|
|Nikon D5« »||optical||Y||3.2||2359||fixed||Y||8000||14.0||n||n||Nikon D5|
|Nikon D4S« »||optical||Y||3.2||921||fixed||n||8000||11.0||n||n||Nikon D4S|
|Nikon D4« »||optical||Y||3.2||921||fixed||n||8000||11.0||n||n||Nikon D4|
|Sony A7 III« »||2359||n||3.0||922||tilting||Y||8000||10.0||n||Y||Sony A7 III|
|Sony A7R II« »||2400||n||3.0||1229||tilting||n||8000||5.0||n||Y||Sony A7R II|
|Sony A7S II« »||2400||n||3.0||1229||tilting||n||8000||5.0||n||Y||Sony A7S II|
|Sony A7« »||2400||n||3.0||1230||tilting||n||8000||5.0||n||n||Sony A7|
|Sony A7R« »||2400||n||3.0||1230||tilting||n||8000||4.0||n||n||Sony A7R|
One feature that is present on the 1DX, but is missing on the A7 II is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The 1DX writes its imaging data to Compact Flash cards, while the A7 II uses SDXC or Memory Stick PRO Duo cards. The 1DX features dual card slots, which can be very useful in case a memory card fails. In contrast, the A7 II only has one slot.
Connectivity comparison: Canon 1D X vs Sony A7 II
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D X and Sony Alpha A7 II and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 1D X»||Y||mono||-||Y||-||mini||2.0||-||-||-||Canon 1D X|
|Sony A7 II«||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7 II|
|Canon 1D X Mark II« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Canon 1D X Mark II|
|Canon 1D C« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 1D C|
|Canon 5D Mark III« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 5D Mark III|
|Canon 6D« »||Y||mono||mono||Y||-||mini||2.0||Y||-||-||Canon 6D|
|Canon 5D Mark II« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 5D Mark II|
|Canon 1Ds Mark III« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1Ds Mark III|
|Canon 1Ds Mark II« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1Ds Mark II|
|Nikon D5« »||Y||stereo||mono||Y||Y||mini||3.0||-||-||-||Nikon D5|
|Nikon D4S« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Nikon D4S|
|Nikon D4« »||Y||mono||mono||-||-||micro||2.0||-||-||-||Nikon D4|
|Sony A7 III« »||Y||stereo||mono||Y||Y||micro||3.1||Y||Y||Y||Sony A7 III|
|Sony A7R II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R II|
|Sony A7S II« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7S II|
|Sony A7« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7|
|Sony A7R« »||Y||stereo||mono||Y||Y||micro||2.0||Y||Y||-||Sony A7R|
It is notable that the A7 II offers wifi support, which can be a very convenient means to transfer image data to an off-camera location. In contrast, the 1DX does not offer wifi capability.
Both the 1DX and the A7 II have been discontinued, but can regularly be found used on eBay. The 1DX was replaced by the Canon 1DX Mark II, while the A7 II was followed by the Sony A7 III.
Review summary: Canon 1D X vs Sony A7 II
So what conclusions can be drawn? Is there a clear favorite between the Canon 1D X and the Sony A7 II? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon EOS-1D X:
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- Faster burst: Shoots at higher frequency (14 vs 5 flaps/sec) to capture the decisive moment.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (1120 versus 350) on a single battery charge.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in October 2011).
Arguments in favor of the Sony Alpha A7 II:
- More detail: Has more megapixels (24 vs 17.9MP), which boosts linear resolution by 16%.
- Better image quality: Scores markedly higher (8 points) in the DXO overall evaluation.
- Richer colors: Generates noticeably more natural colors (1.1 bits more color depth).
- More dynamic range: Captures a broader range of light and dark details (1.8 EV of extra DR).
- Better video: Provides higher movie framerates (1080/60p versus 1080/30p).
- Better video autofocus: Features on-sensor phase-detection for more confident movie autofocus.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More detailed LCD: Has a higher resolution rear screen (1230k vs 1040k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More compact: Is smaller (127x96mm vs 158x168mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 952g or 61 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (71 percent cheaper at launch).
- More modern: Reflects 3 years and 1 month of technical progress since the 1DX launch.
If the number of relative strengths (bullet points above) is taken as a guide, the A7 II is the clear winner of the contest (18 : 8 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the 1DX or the A7 II handle or perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
Expert reviews: Canon 1D X vs Sony A7 II
This is where reviews by experts come in. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.
|Canon 1D X»||-||-||4.5/5||4.5/5||4.5/5||Oct 2011||6,799||-||Canon 1D X|
|Sony A7 II«||Rec||82/100||4.5/5||5/5||5/5||Nov 2014||1,999||-||Sony A7 II|
|Canon 1D X Mark II« »||-||89/100||4.5/5||5/5||4.5/5||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 1D C« »||-||-||-||-||-||Apr 2012||14,999||-||Canon 1D C|
|Canon 5D Mark III« »||HiRec||82/100||4.5/5||5/5||4.5/5||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 6D« »||HiRec||83/100||4.5/5||4.5/5||4.5/5||Sep 2012||2,099||-||Canon 6D|
|Canon 5D Mark II« »||91/100||79/100||4/5||5/5||-||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 1Ds Mark III« »||-||HiRec||4.5/5||-||-||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Canon 1Ds Mark II« »||-||HiRec||-||-||-||Sep 2004||7,999||-||Canon 1Ds Mark II|
|Nikon D5« »||-||89/100||4.5/5||5/5||5/5||Jan 2016||6,499||Nikon D5|
|Nikon D4S« »||-||-||4.5/5||5/5||4.5/5||Feb 2014||6,499||-||Nikon D4S|
|Nikon D4« »||-||-||4.5/5||-||4.5/5||Jan 2012||5,999||-||Nikon D4|
|Sony A7 III« »||HiRec||89/100||5/5||5/5||5/5||Feb 2018||1,999||Sony A7 III|
|Sony A7R II« »||HiRec||90/100||5/5||4.5/5||5/5||Jun 2015||3,199||-||Sony A7R II|
|Sony A7S II« »||Rec||-||4.5/5||5/5||5/5||Sep 2015||2,999||Sony A7S II|
|Sony A7« »||HiRec||80/100||5/5||4.5/5||5/5||Oct 2013||1,699||-||Sony A7|
|Sony A7R« »||HiRec||82/100||4.5/5||5/5||5/5||Oct 2013||2,299||-||Sony A7R|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. An an alternative, you can also directly jump to any one of the listed comparisons that were previously generated by the CAM-parator tool.
- Canon 20D vs Fujifilm X100
- Canon 70D vs Canon G5 X
- Canon G7 X Mark II vs Canon T6
- Canon M50 vs Canon 1200D
- Fujifilm X-A5 vs Leica S-E Typ 006
- Fujifilm X-T100 vs Canon M5
- Leica D-LUX 7 vs Nikon D850
- Nikon D3500 vs Canon G15
- Panasonic FZ2500 vs Nikon D7200
- Panasonic GX85 vs Panasonic G6
- Panasonic TZ90 vs Pentax K-1 II
- Pentax K-5 vs Canon 1D X
Specifications: Canon 1D X vs Sony A7 II
|Camera Model||Canon 1D X||Sony A7 II|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Sony E mount lenses|
|Launch Date||October 2011||November 2014|
|Launch Price||USD 6799||USD 1999|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||36.0 x 24.0 mm||35.8 x 24.0 mm|
|Sensor Area||864 mm2||855.62 mm2|
|Sensor Diagonal||43.3 mm||43 mm|
|Sensor Resolution||17.9 Megapixels||24 Megapixels|
|Image Resolution||5184 x 3456 pixels||6000 x 4000 pixels|
|Pixel Pitch||6.95 μm||5.97 μm|
|Pixel Density||2.07 MP/cm2||2.80 MP/cm2|
|Movie Capability||1080/30p Video||1080/60p Video|
|ISO Setting||100-51200 ISO||100-25600 ISO|
|ISO Boost||50-204800 ISO||50-51200 ISO|
|Image Processor||DIGIC 5+ (Dual)||BIONZ X|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Resolution||n/a||2400k dots|
|Top-Level Screen||Control Panel||no Top Display|
|Rear LCD Size||3.2 inch||3.0 inch|
|LCD Resolution||1040k dots||1230k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Maximum Shutter Speed||1/8000s||1/8000s|
|Continuous Shooting||14 shutter flaps/s||5 shutter flaps/s|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF cards||MS or SDXC cards|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||External MIC port|
|Headphone Socket||no Headphone port||Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Environmental Sealing||Weathersealed body||Weathersealed body|
|Battery Type||LP-E4N power pack||NP-FW50 power pack|
|Battery Life (CIPA)||1120 shots per charge||350 shots per charge|
158 x 168 x 83 mm
(6.2 x 6.6 x 3.3 in)
127 x 96 x 60 mm
(5.0 x 3.8 x 2.4 in)
|Camera Weight||1551 g (54.7 oz)||599 g (21.1 oz)|
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