Canon 1D X Mark III vs Sony RX100 VI
The Canon EOS-1D X Mark III and the Sony Cyber-shot DSC-RX100 VI are two digital cameras that were revealed to the public, respectively, in January 2020 and June 2018. The 1DX Mark III is a DSLR, while the RX100 VI is a fixed lens compact. The cameras are based on a full frame (1DX Mark III) and an one-inch (RX100 VI) sensor. Both cameras offer a resolution of 20 megapixels.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1D X Mark III and the Sony Cyber-shot DSC-RX100 VI? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 1D X Mark III and the Sony RX100 VI. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony RX100 VI is considerably smaller (78 percent) than the Canon 1D X Mark III. It is worth mentioning in this context that the 1DX Mark III is splash and dust resistant, while the RX100 VI does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the RX100 VI has a lens built in, whereas the 1DX Mark III is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 1DX Mark III and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the 1DX Mark III gets 2850 shots out of its LP-E19 battery, while the RX100 VI can take 240 images on a single charge of its NP-BX1 power pack. As can be seen in the images above, the 1DX Mark III has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. The power pack in the RX100 VI can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, you can navigate to the CAM-parator app and make your selection from a broad list of cameras there.
|1.||Canon 1D X Mark III||158 mm||168 mm||83 mm||1440 g||2850||Y||Jan 2020||6,499|
|2.||Sony RX100 VI||102 mm||58 mm||43 mm||301 g||240||n||Jun 2018||1,199|
|3.||Canon 1D X Mark II||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999|
|4.||Canon 1D C||158 mm||164 mm||83 mm||1545 g||1120||Y||Apr 2012||14,999|
|5.||Canon 5D Mark III||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499|
|6.||Canon 6D||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099|
|7.||Canon 1D X||158 mm||168 mm||83 mm||1551 g||1120||Y||Oct 2011||6,799|
|8.||Canon 5D Mark II||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499|
|9.||Canon 1Ds Mark III||150 mm||160 mm||80 mm||1385 g||1800||Y||Aug 2007||7,999|
|10.||Canon 1Ds Mark II||156 mm||158 mm||80 mm||1215 g||1200||Y||Sep 2004||7,999|
|11.||Nikon D6||160 mm||163 mm||92 mm||1270 g||3580||Y||Feb 2020||6,499|
|12.||Nikon D5||160 mm||159 mm||92 mm||1415 g||3780||Y||Jan 2016||6,499|
|13.||Sony RX100 VII||102 mm||58 mm||43 mm||302 g||260||n||Jul 2019||1,199|
|14.||Sony RX100 V||102 mm||58 mm||41 mm||299 g||220||n||Oct 2016||999|
|15.||Sony RX100 IV||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999|
|16.||Sony RX100 III||102 mm||58 mm||41 mm||290 g||320||n||May 2014||799|
|17.||Sony RX100 II||102 mm||58 mm||38 mm||281 g||350||n||Jun 2013||749|
|Note: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The RX100 VI was launched at a lower price than the 1DX Mark III, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 1D X Mark III features a full frame sensor and the Sony RX100 VI an one-inch sensor. The sensor area in the RX100 VI is 87 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 2.7. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Even though the 1DX Mark III has a larger sensor, both cameras offer the same resolution of 20 megapixels. This implies that the 1DX Mark III has a lower pixel density and larger individual pixels (with a pixel pitch of 6.57μm versus 2.41μm for the RX100 VI), which gives it a potential advantage in terms of light gathering capacity. In addition, the 1DX Mark III is a somewhat more recent model (by 1 year and 7 months) than the RX100 VI, and its sensor might have benefitted from technological advances during this time.
The Canon EOS-1D X Mark III has a native sensitivity range from ISO 100 to ISO 102400, which can be extended to ISO 50-819200. The corresponding ISO settings for the Sony Cyber-shot DSC-RX100 VI are ISO 125 to ISO 12800, with the possibility to increase the ISO range to 80-25600.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Canon 1D X Mark III||Full Frame||20.0||5472||3648||4K/60p||24.2||14.5||3248||91|
|2.||Sony RX100 VI||1-inch||20.0||5472||3648||4K/30p||22.1||12.3||478||64|
|3.||Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|4.||Canon 1D C||Full Frame||17.9||5184||3456||4K/24p||24.3||13.0||2155||85|
|5.||Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81|
|6.||Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|7.||Canon 1D X||Full Frame||17.9||5184||3456||1080/30p||23.8||11.8||2786||82|
|8.||Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|9.||Canon 1Ds Mark III||Full Frame||21.0||5616||3744||none||24.0||12.0||1663||80|
|10.||Canon 1Ds Mark II||Full Frame||16.6||4992||3328||none||23.3||11.3||1480||74|
|11.||Nikon D6||Full Frame||20.7||5568||3712||4K/30p||25.3||14.3||2886||95|
|12.||Nikon D5||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88|
|13.||Sony RX100 VII||1-inch||20.0||5472||3648||4K/30p||21.8||12.4||418||63|
|14.||Sony RX100 V||1-inch||20.0||5472||3648||4K/30p||22.8||12.4||586||70|
|15.||Sony RX100 IV||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70|
|16.||Sony RX100 III||1-inch||20.0||5472||3648||1080/60p||22.4||12.3||495||67|
|17.||Sony RX100 II||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67|
|Note: DXO values in italics represent estimates based on sensor size and age.|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the 1DX Mark III provides a higher frame rate than the RX100 VI. It can shoot video footage at 4K/60p, while the Sony is limited to 4K/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the RX100 VI has an electronic viewfinder (2359k dots), while the 1DX Mark III has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the 1DX Mark III has a higher magnification than the one of the RX100 VI (0.76x vs 0.59x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 1D X Mark III and Sony RX100 VI along with similar information for a selection of comparators.
|1.||Canon 1D X Mark III||optical||Y||3.2 / 2100||fixed||Y||1/8000s||20.0/s||n||n|
|2.||Sony RX100 VI||2359||n||3.0 / 1229||tilting||Y||1/2000s||24.0/s||Y||Y|
|3.||Canon 1D X Mark II||optical||Y||3.2 / 1620||fixed||Y||1/8000s||16.0/s||n||n|
|4.||Canon 1D C||optical||Y||3.2 / 1040||fixed||n||1/8000s||14.0/s||n||n|
|5.||Canon 5D Mark III||optical||Y||3.2 / 1040||fixed||n||1/8000s||6.0/s||n||n|
|6.||Canon 6D||optical||Y||3.0 / 1040||fixed||n||1/4000s||4.5/s||n||n|
|7.||Canon 1D X||optical||Y||3.2 / 1040||fixed||n||1/8000s||14.0/s||n||n|
|8.||Canon 5D Mark II||optical||Y||3.0 / 920||fixed||n||1/8000s||3.9/s||n||n|
|9.||Canon 1Ds Mark III||optical||Y||3.0 / 230||fixed||n||1/8000s||5.0/s||n||n|
|10.||Canon 1Ds Mark II||optical||Y||2.0 / 230||fixed||n||1/8000s||4.0/s||n||n|
|11.||Nikon D6||optical||Y||3.2 / 2359||fixed||Y||1/8000s||14.0/s||n||n|
|12.||Nikon D5||optical||Y||3.2 / 2359||fixed||Y||1/8000s||14.0/s||n||n|
|13.||Sony RX100 VII||2359||n||3.0 / 921||tilting||Y||1/2000s||90.0/s||Y||Y|
|14.||Sony RX100 V||2359||n||3.0 / 1229||tilting||n||1/2000s||24.0/s||Y||Y|
|15.||Sony RX100 IV||2359||n||3.0 / 1228||tilting||n||1/2000s||16.0/s||Y||Y|
|16.||Sony RX100 III||1440||n||3.0 / 1229||tilting||n||1/2000s||10.0/s||Y||Y|
|17.||Sony RX100 II||optional||n||3.0 / 1229||tilting||n||1/2000s||10.0/s||Y||Y|
|Notes: *) Information refers to the mechanical shutter, unless the camera only has an electronic one.|
One feature that is present on the 1DX Mark III, but is missing on the RX100 VI is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The RX100 VI has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 1DX Mark III does not have a selfie-screen.
The reported shutter speed information refers to the use of the mechanical shutter. Yet, some cameras only have an electronic shutter, while others have an electronic shutter in addition to a mechanical one. In fact, the RX100 VI is one of those camera that have an additional electronic shutter, which makes completely silent shooting possible. However, this mode is less suitable for photographing moving objects (risk of rolling shutter) or shooting under artificial light sources (risk of flickering).
The Canon 1D X Mark III has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 1DX Mark III writes its imaging data to CFexpress cards, while the RX100 VI uses SDXC or Memory Stick PRO Duo cards. The 1DX Mark III features dual card slots, which can be very useful in case a memory card fails. In contrast, the RX100 VI only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D X Mark III and Sony Cyber-shot DSC-RX100 VI and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 1D X Mark III||Y||mono / mono||Y||Y||mini||3.1||Y||-||Y|
|2.||Sony RX100 VI||-||stereo / mono||-||-||micro||2.0||Y||Y||Y|
|3.||Canon 1D X Mark II||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|4.||Canon 1D C||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|5.||Canon 5D Mark III||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|6.||Canon 6D||Y||mono / mono||Y||-||mini||2.0||Y||-||-|
|7.||Canon 1D X||Y||mono / -||Y||-||mini||2.0||-||-||-|
|8.||Canon 5D Mark II||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|9.||Canon 1Ds Mark III||Y||mono / -||-||-||-||2.0||-||-||-|
|10.||Canon 1Ds Mark II||Y||- / -||-||-||-||2.0||-||-||-|
|11.||Nikon D6||Y||stereo / mono||Y||Y||mini||3.1||Y||-||Y|
|12.||Nikon D5||Y||stereo / mono||Y||Y||mini||3.0||-||-||-|
|13.||Sony RX100 VII||-||stereo / mono||Y||-||micro||2.0||Y||Y||Y|
|14.||Sony RX100 V||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|15.||Sony RX100 IV||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|16.||Sony RX100 III||-||stereo / mono||-||-||micro||2.0||Y||Y||-|
|17.||Sony RX100 II||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
It is notable that the 1DX Mark III has a hotshoe, while the RX100 VI does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Canon 1D X Mark III (unlike the RX100 VI) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the 1DX Mark III has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
The 1DX Mark III is a recent model that features in the current product line-up of Canon. In contrast, the RX100 VI has been discontinued (but can be found pre-owned on eBay). As a replacement in the same line of cameras, the RX100 VI was succeeded by the Sony RX100 VII. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So what is the bottom line? Which of the two cameras – the Canon 1D X Mark III or the Sony RX100 VI – has the upper hand? Is one clearly better than the other? Below is a summary of the relative strengths of each of the two contestants.
Advantages of the Canon EOS-1D X Mark III:
- Better image quality: Features a larger and more technologically advanced imaging sensor.
- Richer colors: The sensor size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger sensor captures a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger sensor produces good images even in poorly lit environments.
- Better video: Provides higher movie framerates (4K/60p versus 4K/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.76x vs 0.59x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2100k vs 1229k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/2000s) to freeze action.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (2850 versus 240) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Faster data transfer: Supports a more advanced USB protocol (3.1 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Is somewhat more recent (announced 1 year and 7 months after the RX100 VI).
Arguments in favor of the Sony Cyber-shot DSC-RX100 VI:
- More framing info: Has an electronic viewfinder that displays shooting data.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- Faster burst: Shoots at higher frequency (24 vs 20 flaps/sec) to capture the decisive moment.
- Less disturbing: Has an electronic shutter option for completely silent shooting.
- Ready to shoot: Comes with an integrated lens, while the 1DX Mark III requires a separate lens.
- More compact: Is smaller (102x58mm vs 158x168mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 1DX Mark III).
- Easier travel charging: Can be conveniently charged via its USB port.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been on the market for longer (launched in June 2018).
If the count of individual advantages (bullet points above) is taken as a guide, the 1DX Mark III is the clear winner of the match-up (24 : 14 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1D X Mark III and the Sony RX100 VI place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 1DX Mark III or the RX100 VI. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why expert reviews are important. The following table reports the overall ratings of the cameras as published by some of the major camera review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 1D X Mark III||..||+ +||5/5||..||4.5/5||4/5||Jan 2020||6,499|
|2.||Sony RX100 VI||4.5/5||+ +||..||83/100||4/5||4.5/5||Jun 2018||1,199|
|3.||Canon 1D X Mark II||..||..||4.5/5||89/100||4.5/5||4.5/5||Feb 2016||5,999|
|4.||Canon 1D C||..||..||..||..||..||..||Apr 2012||14,999|
|5.||Canon 5D Mark III||..||+ +||..||82/100||4.5/5||4.5/5||Mar 2012||3,499|
|6.||Canon 6D||5/5||+ +||..||83/100||4.5/5||4.5/5||Sep 2012||2,099|
|7.||Canon 1D X||5/5||..||..||..||4.5/5||4.5/5||Oct 2011||6,799|
|8.||Canon 5D Mark II||4/5||91/100||..||79/100||4/5||..||Sep 2008||3,499|
|9.||Canon 1Ds Mark III||..||..||..||+ +||4.5/5||..||Aug 2007||7,999|
|10.||Canon 1Ds Mark II||..||..||..||+ +||..||..||Sep 2004||7,999|
|11.||Nikon D6||..||..||4/5||..||4.5/5||4.5/5||Feb 2020||6,499|
|12.||Nikon D5||..||..||4/5||89/100||4.5/5||5/5||Jan 2016||6,499|
|13.||Sony RX100 VII||4.5/5||..||4/5||..||4/5||5/5||Jul 2019||1,199|
|14.||Sony RX100 V||4.5/5||+ +||..||83/100||4/5||4.5/5||Oct 2016||999|
|15.||Sony RX100 IV||4.5/5||+ +||..||85/100||4/5||4.5/5||Jun 2015||999|
|16.||Sony RX100 III||5/5||+ +||..||82/100||4.5/5||5/5||May 2014||799|
|17.||Sony RX100 II||5/5||+ +||..||79/100||4.5/5||4.5/5||Jun 2013||749|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D Mark IV vs Sony RX100 VI
- Canon 1D X Mark III vs Canon 30D
- Canon 1D X Mark III vs Canon M
- Canon 1D X Mark III vs Fujifilm X-T20
- Canon 1D X Mark III vs Panasonic FZ1000 II
- Canon 1D X Mark III vs Pentax 645Z
- Canon 1D X Mark III vs Pentax K-1 II
- Canon R6 vs Sony RX100 VI
- Fujifilm X-T1 vs Sony RX100 VI
- Nikon B500 vs Sony RX100 VI
- Nikon D300S vs Sony RX100 VI
- Nikon D40X vs Sony RX100 VI
Specifications: Canon 1D X Mark III vs Sony RX100 VI
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1D X Mark III||Sony RX100 VI|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||24-200mm f/2.8-4.5|
|Launch Date||January 2020||June 2018|
|Launch Price||USD 6,499||USD 1,199|
|Sensor Specs||Canon 1D X Mark III||Sony RX100 VI|
|Sensor Format||Full Frame Sensor||1" Sensor|
|Sensor Size||36.0 x 24.0 mm||13.2 x 8.8 mm|
|Sensor Area||864 mm2||116.16 mm2|
|Sensor Diagonal||43.3 mm||15.9 mm|
|Sensor Resolution||20 Megapixels||20 Megapixels|
|Image Resolution||5472 x 3648 pixels||5472 x 3648 pixels|
|Pixel Pitch||6.57 μm||2.41 μm|
|Pixel Density||2.31 MP/cm2||17.18 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/60p Video||4K/30p Video|
|ISO Setting||100 - 102,400 ISO||125 - 12,800 ISO|
|ISO Boost||50 - 819,200 ISO||80 - 25,600 ISO|
|Image Processor||DIGIC X||BIONZ X|
|DXO Sensor Quality (score)||91||..|
|DXO Color Depth (bits)||24.2||..|
|DXO Dynamic Range (EV)||14.5||..|
|DXO Low Light (ISO)||3248||..|
|Screen Specs||Canon 1D X Mark III||Sony RX100 VI|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||2359k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||2100k dots||1229k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Shooting Specs||Canon 1D X Mark III||Sony RX100 VI|
|Focus System||Phase-detect AF||On-Sensor Phase-detect|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/2000s|
|Continuous Shooting||20 shutter flaps/s||24 shutter flaps/s|
|Electronic Shutter||no E-Shutter||up to 1/32000s|
|Time-Lapse Photography||Intervalometer built-in||no Intervalometer|
|Fill Flash||no On-Board Flash||Built-in Flash|
|Storage Medium||CFexpress cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|Connectivity Specs||Canon 1D X Mark III||Sony RX100 VI|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.1||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||Wifi built-in||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Bluetooth Support||Bluetooth built-in||Bluetooth built-in|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Canon 1D X Mark III||Sony RX100 VI|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||2850 shots per charge||240 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
158 x 168 x 83 mm
(6.2 x 6.6 x 3.3 in)
102 x 58 x 43 mm
(4.0 x 2.3 x 1.7 in)
|Camera Weight||1440 g (50.8 oz)||301 g (10.6 oz)|
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