Canon 1D X Mark II vs Sony A6000
The Canon EOS-1D X Mark II and the Sony Alpha A6000 are two digital cameras that were revealed to the public, respectively, in February 2016 and February 2014. The 1DX Mark II is a DSLR, while the A6000 is a mirrorless interchangeable lens camera. The cameras are based on a full frame (1DX Mark II) and an APS-C (A6000) sensor. The Canon has a resolution of 20 megapixels, whereas the Sony provides 24 MP. Read on to find out how these two cameras compare with respect to their body size, their sensors, their features, their input-output connections, and their reception by expert reviewers.
|Canon 1D X Mark II||Sony A6000|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Sony E mount lenses|
|20 MP, Full Frame Sensor||24 MP, APS-C Sensor|
|4K/60p Video||1080/60p Video|
|ISO 100-51200 (50-409600)||ISO 100-25600 (100-51200)|
|Optical viewfinder||Electronic viewfinder (1440k dots)|
|3.2" LCD, 1620k dots||3.0" LCD, 922k dots|
|Fixed touchscreen||Tilting screen (not touch-sensitive)|
|16 shutter flaps per second||11 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|1210 shots per battery charge||360 shots per battery charge|
|158 x 168 x 83 mm, 1530 g||120 x 67 x 45 mm, 344 g|
Body comparison: Canon 1D X Mark II vs Sony A6000
An illustration of the physical size and weight of the Canon 1D X Mark II and the Sony A6000 is provided in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The A6000 can be obtained in three different colors (black, silver, white), while the 1DX Mark II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony A6000 is considerably smaller (70 percent) than the Canon 1D X Mark II. Moreover, the A6000 is substantially lighter (78 percent) than the 1DX Mark II. It is worth mentioning in this context that the 1DX Mark II is splash and dust resistant, while the A6000 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (1DX Mark II) and the Sony E-Mount Lens Catalog (A6000). Mirrorless cameras, such as the A6000, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the 1DX Mark II gets 1210 shots out of its LP-E19 battery, while the A6000 can take 360 images on a single charge of its NP-FW50 power pack. As can be seen in the images above, the 1DX Mark II has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power. In order to provide similar functionality for the A6000, there are third party battery grips available as optional accessories (see here on eBay). The power pack in the A6000 can be charged via the USB port, which can be very convenient when travelling.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 1D X Mark II»||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999||Canon 1D X Mark II|
|Sony A6000«||120 mm||67 mm||45 mm||344 g||360||n||Feb 2014||599||-||Sony A6000|
|Canon 6D Mark II« »||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Canon 5D Mark IV« »||151 mm||116 mm||76 mm||890 g||900||Y||Aug 2016||3,499||Canon 5D Mark IV|
|Canon 80D« »||139 mm||105 mm||79 mm||730 g||960||Y||Feb 2016||1,199||Canon 80D|
|Canon 5DS« »||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||Canon 5DS|
|Canon 5DS R« »||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699||Canon 5DS R|
|Canon 5D Mark III« »||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 6D« »||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099||-||Canon 6D|
|Canon 1D X« »||158 mm||168 mm||83 mm||1551 g||1120||Y||Oct 2011||6,799||-||Canon 1D X|
|Canon 1Ds Mark III« »||150 mm||160 mm||80 mm||1385 g||1800||Y||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Nikon D5« »||160 mm||159 mm||92 mm||1415 g||3780||Y||Jan 2016||6,499||Nikon D5|
|Sony A6300« »||120 mm||67 mm||49 mm||404 g||400||Y||Feb 2016||999||-||Sony A6300|
|Sony RX100 IV« »||102 mm||58 mm||41 mm||298 g||280||n||Jun 2015||999||-||Sony RX100 IV|
|Sony A5100« »||110 mm||63 mm||36 mm||283 g||400||n||Aug 2014||549||Sony A5100|
|Sony A3000« »||128 mm||91 mm||85 mm||411 g||470||n||Aug 2013||329||-||Sony A3000|
|Sony NEX-6« »||120 mm||67 mm||43 mm||345 g||360||n||Sep 2012||999||-||Sony NEX-6|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The A6000 was launched at a markedly lower price (by 90 percent) than the 1DX Mark II, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
Sensor comparison: Canon 1D X Mark II vs Sony A6000
The size of the imaging sensor is a crucial determinant of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 1D X Mark II features a full frame sensor and the Sony A6000 an APS-C sensor. The sensor area in the A6000 is 58 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 1.5. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Technology-wise, both cameras are equipped with CMOS (Complementary Metal–Oxide–Semiconductor) sensors.
Despite having a smaller sensor, the A6000 offers a higher resolution of 24 megapixels, compared with 20 MP of the 1DX Mark II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.91μm versus 6.57μm for the 1DX Mark II). Moreover, it should be noted that the 1DX Mark II is a somewhat more recent model (by 1 year and 11 months) than the A6000, and its sensor might have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The Canon EOS-1D X Mark II has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-409600. The corresponding ISO settings for the Sony Alpha A6000 are ISO 100 to ISO 25600, with the possibility to increase the ISO range to 100-51200..
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). Of the two cameras under review, the 1DX Mark II has a notably higher overall DXO score than the A6000 (overall score 6 points higher), which gives it an advantage in terms of imaging quality. 0.4 EV in additional dynamic range, and 1.3 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 1D X Mark II»||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88||Canon 1D X Mark II|
|Sony A6000«||APS-C||24.0||6000||4000||1080/60p||24.1||13.1||1347||82||Sony A6000|
|Canon 6D Mark II« »||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Canon 5D Mark IV« »||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91||Canon 5D Mark IV|
|Canon 80D« »||APS-C||24.0||6000||4000||1080/60p||23.6||13.2||1135||79||Canon 80D|
|Canon 5DS« »||Full Frame||50.3||8688||5792||1080/60p||24.7||12.4||2381||87||Canon 5DS|
|Canon 5DS R« »||Full Frame||50.3||8688||5792||1080/60p||24.6||12.4||2308||86||Canon 5DS R|
|Canon 5D Mark III« »||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81||Canon 5D Mark III|
|Canon 6D« »||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82||Canon 6D|
|Canon 1D X« »||Full Frame||17.9||5184||3456||1080/30p||23.8||11.8||2786||82||Canon 1D X|
|Canon 1Ds Mark III« »||Full Frame||21.0||5616||3744||-||24.0||12.0||1663||80||Canon 1Ds Mark III|
|Nikon D5« »||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88||Nikon D5|
|Sony A6300« »||APS-C||24.0||6000||4000||4K/30p||24.4||13.7||1437||85||Sony A6300|
|Sony RX100 IV« »||1-inch||20.0||5472||3648||4K/30p||22.8||12.6||591||70||Sony RX100 IV|
|Sony A5100« »||APS-C||24.0||6000||4000||1080/60p||23.8||12.7||1347||80||Sony A5100|
|Sony A3000« »||APS-C||19.8||5456||3632||1080/60i||23.7||12.8||1068||78||Sony A3000|
|Sony NEX-6« »||APS-C||16.0||4912||3264||1080/60i||23.7||13.1||1018||78||Sony NEX-6|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the 1DX Mark II provides a higher video resolution than the A6000. It can shoot video footage at 4K/60p, while the Sony is limited to 1080/60p.
Feature comparison: Canon 1D X Mark II vs Sony A6000
Beyond body and sensor, cameras can and do differ across a range of features. For example, the A6000 has an electronic viewfinder (1440k dots), while the 1DX Mark II has an optical one. Both systems have their advantages, with the electronic viewfinder making it possible to project supplementary shooting information into the framing view, whereas the optical viewfinder offers lag-free viewing and a very clear framing image. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the 1DX Mark II has a higher magnification than the one of the A6000 (0.76x vs 0.70x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The adjacent table lists some of the other core features of the Canon 1D X Mark II and Sony A6000 along with similar information for a selection of comparators.
|Canon 1D X Mark II»||optical||Y||3.2||1620||fixed||Y||8000||16.0||n||n||Canon 1D X Mark II|
|Sony A6000«||1440||n||3.0||922||tilting||n||4000||11.0||Y||n||Sony A6000|
|Canon 6D Mark II« »||optical||Y||3.0||1040||swivel||Y||4000||6.5||n||n||Canon 6D Mark II|
|Canon 5D Mark IV« »||optical||Y||3.2||1620||fixed||Y||8000||7.0||n||n||Canon 5D Mark IV|
|Canon 80D« »||optical||Y||3.0||1040||swivel||Y||8000||7.0||Y||n||Canon 80D|
|Canon 5DS« »||optical||Y||3.2||1040||fixed||n||8000||5.0||n||n||Canon 5DS|
|Canon 5DS R« »||optical||Y||3.2||1040||fixed||n||8000||5.0||n||n||Canon 5DS R|
|Canon 5D Mark III« »||optical||Y||3.2||1040||fixed||n||8000||6.0||n||n||Canon 5D Mark III|
|Canon 6D« »||optical||Y||3.0||1040||fixed||n||4000||4.5||n||n||Canon 6D|
|Canon 1D X« »||optical||Y||3.2||1040||fixed||n||8000||14.0||n||n||Canon 1D X|
|Canon 1Ds Mark III« »||optical||Y||3.0||230||fixed||n||8000||5.0||n||n||Canon 1Ds Mark III|
|Nikon D5« »||optical||Y||3.2||2359||fixed||Y||8000||14.0||n||n||Nikon D5|
|Sony A6300« »||2359||n||3.0||922||tilting||n||4000||11.0||Y||n||Sony A6300|
|Sony RX100 IV« »||2359||n||3.0||1228||tilting||n||2000||16.0||Y||Y||Sony RX100 IV|
|Sony A5100« »||-||n||3.0||922||tilting||Y||4000||6.0||Y||n||Sony A5100|
|Sony A3000« »||202||n||3.0||230||fixed||n||4000||2.5||Y||n||Sony A3000|
|Sony NEX-6« »||2359||n||3.0||921||tilting||n||4000||10.0||Y||n||Sony NEX-6|
One feature that is present on the 1DX Mark II, but is missing on the A6000 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The 1DX Mark II writes its imaging data to Compact Flash or CFast cards, while the A6000 uses SDXC or Memory Stick PRO Duo cards. The 1DX Mark II features dual card slots, which can be very useful in case a memory card fails. In contrast, the A6000 only has one slot.
Connectivity comparison: Canon 1D X Mark II vs Sony A6000
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D X Mark II and Sony Alpha A6000 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 1D X Mark II»||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Canon 1D X Mark II|
|Sony A6000«||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A6000|
|Canon 6D Mark II« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Canon 5D Mark IV« »||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-||Canon 5D Mark IV|
|Canon 80D« »||Y||stereo||mono||Y||Y||mini||2.0||Y||Y||-||Canon 80D|
|Canon 5DS« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS|
|Canon 5DS R« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS R|
|Canon 5D Mark III« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 5D Mark III|
|Canon 6D« »||Y||mono||mono||Y||-||mini||2.0||Y||-||-||Canon 6D|
|Canon 1D X« »||Y||mono||-||Y||-||mini||2.0||-||-||-||Canon 1D X|
|Canon 1Ds Mark III« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1Ds Mark III|
|Nikon D5« »||Y||stereo||mono||Y||Y||mini||3.0||-||-||-||Nikon D5|
|Sony A6300« »||Y||stereo||mono||Y||-||micro||2.0||Y||Y||-||Sony A6300|
|Sony RX100 IV« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 IV|
|Sony A5100« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony A5100|
|Sony A3000« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Sony A3000|
|Sony NEX-6« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Sony NEX-6|
It is notable that the 1DX Mark II has a microphone port, which is missing on the A6000. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Canon 1D X Mark II (unlike the A6000) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The 1DX Mark II is a recent model that features in the current product line-up of Canon. In contrast, the A6000 has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the A6000 was succeeded by the Sony A6300. Further information on the two cameras, as well as related accessories, can be found on the Canon and Sony websites.
Review summary: Canon 1D X Mark II vs Sony A6000
So how do things add up? Is there a clear favorite between the Canon 1D X Mark II and the Sony A6000? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon EOS-1D X Mark II:
- Better image quality: Scores markedly higher (6 points) in the DXO overall assessment.
- Better low-light sensitivity: Requires less light for good images (1.3 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/60p vs 1080/60p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Brighter framing: Features an optical viewfinder for clear, lag-free composition.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.76x vs 0.70x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 922k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (8000/sec vs 4000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (16 vs 11 flaps/sec) to capture the decisive moment.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (1210 versus 360) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Is somewhat more recent (announced 1 year and 11 months after the A6000).
Advantages of the Sony Alpha A6000:
- More detail: Has more megapixels (24 vs 20MP), which boosts linear resolution by 10%.
- More framing info: Has an electronic viewfinder that displays shooting data.
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- More compact: Is smaller (120x67mm vs 158x168mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 1186g or 78 percent) and is thus easier to take along.
- Easier travel charging: Can be conveniently charged via its USB port.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- More affordable: Was introduced into a lower priced category (90 percent cheaper at launch).
- More heavily discounted: Has been on the market for longer (launched in February 2014).
If the number of relative strengths (bullet points above) is taken as a guide, the 1DX Mark II is the clear winner of the match-up (20 : 11 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 1DX Mark II or the A6000. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
Expert reviews: Canon 1D X Mark II vs Sony A6000
This is why hands-on reviews by experts are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog).
|Canon 1D X Mark II»||-||89/100||4.5/5||5/5||4.5/5||Feb 2016||5,999||Canon 1D X Mark II|
|Sony A6000«||+||80/100||4.5/5||5/5||5/5||Feb 2014||599||-||Sony A6000|
|Canon 6D Mark II« »||+||80/100||4.5/5||4/5||4/5||Jun 2017||1,999||Canon 6D Mark II|
|Canon 5D Mark IV« »||++||87/100||4.5/5||5/5||4.5/5||Aug 2016||3,499||Canon 5D Mark IV|
|Canon 80D« »||++||84/100||4.5/5||4.5/5||4.5/5||Feb 2016||1,199||Canon 80D|
|Canon 5DS« »||+||83/100||4.5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS|
|Canon 5DS R« »||+||83/100||5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS R|
|Canon 5D Mark III« »||++||82/100||4.5/5||5/5||4.5/5||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 6D« »||++||83/100||4.5/5||4.5/5||4.5/5||Sep 2012||2,099||-||Canon 6D|
|Canon 1D X« »||-||-||4.5/5||4.5/5||4.5/5||Oct 2011||6,799||-||Canon 1D X|
|Canon 1Ds Mark III« »||-||++||4.5/5||-||-||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Nikon D5« »||-||89/100||4.5/5||5/5||5/5||Jan 2016||6,499||Nikon D5|
|Sony A6300« »||+||85/100||5/5||5/5||5/5||Feb 2016||999||-||Sony A6300|
|Sony RX100 IV« »||++||85/100||4/5||4.5/5||4.5/5||Jun 2015||999||-||Sony RX100 IV|
|Sony A5100« »||+||-||4.5/5||4.5/5||5/5||Aug 2014||549||Sony A5100|
|Sony A3000« »||+||-||4/5||4.5/5||4/5||Aug 2013||329||-||Sony A3000|
|Sony NEX-6« »||++||78/100||4.5/5||5/5||4.5/5||Sep 2012||999||-||Sony NEX-6|
|Notes: ++) highly recommended; +) recommended; o) reviewed; -) not available.|
The review scores listed above should be treated with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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Specifications: Canon 1D X Mark II vs Sony A6000
|Camera Model||Canon 1D X Mark II||Sony A6000|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Sony E mount lenses|
|Launch Date||February 2016||February 2014|
|Launch Price||USD 5999||USD 599|
|Sensor Specs||Canon 1D X Mark II||Sony A6000|
|Sensor Format||Full Frame Sensor||APS-C Sensor|
|Sensor Size||36.0 x 24.0 mm||23.5 x 24.0 mm|
|Sensor Area||864 mm2||366.6 mm2|
|Sensor Diagonal||43.3 mm||28.2 mm|
|Sensor Resolution||20 Megapixels||24 Megapixels|
|Image Resolution||5472 x 3648 pixels||6000 x 4000 pixels|
|Pixel Pitch||6.57 μm||3.91 μm|
|Pixel Density||2.31 MP/cm2||6.55 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/60p Video||1080/60p Video|
|ISO Setting||100-51200 ISO||100-25600 ISO|
|ISO Boost||50-409600 ISO||100-51200 ISO|
|Image Processor||DIGIC 6+ (Dual)||BIONZ X|
|DXO Sensor Quality (score)||88||82|
|DXO Color Depth (bits)||24.1||24.1|
|DXO Dynamic Range (EV)||13.5||13.1|
|DXO Low Light (ISO)||3207||1347|
|Screen Specs||Canon 1D X Mark II||Sony A6000|
|Viewfinder Type||Optical viewfinder||Electronic viewfinder|
|Viewfinder Field of View||100%||100%|
|Viewfinder Resolution||1440k dots|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2 inch||3.0 inch|
|LCD Resolution||1620k dots||922k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon 1D X Mark II||Sony A6000|
|Autofocus System||Phase-detect AF||On-Sensor Phase-detect|
|Maximum Shutter Speed||1/8000s||1/4000s|
|Continuous Shooting||16 shutter flaps/s||11 shutter flaps/s|
|Shutter Life Expectancy||500 000 actuations||100 000 actuations|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CF or CFAST cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|Connectivity Specs||Canon 1D X Mark II||Sony A6000|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Canon 1D X Mark II||Sony A6000|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Type||LP-E19 power pack||NP-FW50 power pack|
|Battery Life (CIPA)||1210 shots per charge||360 shots per charge|
|In-Camera Charging||no USB charging||USB charging|
158 x 168 x 83 mm
(6.2 x 6.6 x 3.3 in)
120 x 67 x 45 mm
(4.7 x 2.6 x 1.8 in)
|Camera Weight||1530 g (54.0 oz)||344 g (12.1 oz)|
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