Canon 1D X Mark II vs Leica M Typ 262
The Canon EOS-1D X Mark II and the Leica M (Typ 262) are two digital cameras that were revealed to the public, respectively, in February 2016 and November 2015. The 1DX Mark II is a DSLR, while the M Typ 262 is a rangefinder-focusing mirrorless camera. Both cameras are equipped with a full frame sensor. The Canon has a resolution of 20 megapixels, whereas the Leica provides 23.7 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1D X Mark II and the Leica M (Typ 262)? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 1D X Mark II and the Leica M Typ 262. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The M Typ 262 can be obtained in two different colors (black, silver), while the 1DX Mark II is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica M Typ 262 is considerably smaller (58 percent) than the Canon 1D X Mark II. Moreover, the M Typ 262 is substantially lighter (56 percent) than the 1DX Mark II. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Both cameras have similarly sized sensors, but DSLRs have a larger flange-to-focal plane distance than mirrorless cameras, which imposes contraints on the optical engineering process and generally leads to bigger and heavier lenses. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (1DX Mark II) and the Leica M Lens Catalog (M Typ 262).
As can be seen in the images above, the 1DX Mark II has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The adjacent table lists the principal physical characteristics of the two cameras alongside a wider set of alternatives. If you want to switch the focus of the display and review another camera pair, you can move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|1.||Canon 1D X Mark II||158 mm||168 mm||83 mm||1530 g||1210||Y||Feb 2016||5,999|
|2.||Leica M Typ 262||139 mm||80 mm||42 mm||680 g||..||Y||Nov 2015||5,195|
|3.||Canon 1D X Mark III||158 mm||168 mm||83 mm||1440 g||2850||Y||Jan 2020||6,499|
|4.||Canon 6D Mark II||144 mm||111 mm||75 mm||765 g||1200||Y||Jun 2017||1,999|
|5.||Canon 5DS||152 mm||116 mm||76 mm||930 g||700||Y||Feb 2015||3,699|
|6.||Canon 1D C||158 mm||164 mm||83 mm||1545 g||1120||Y||Apr 2012||14,999|
|7.||Canon 5D Mark III||152 mm||116 mm||76 mm||950 g||950||Y||Mar 2012||3,499|
|8.||Canon 6D||145 mm||111 mm||71 mm||770 g||1090||Y||Sep 2012||2,099|
|9.||Canon 1D X||158 mm||168 mm||83 mm||1551 g||1120||Y||Oct 2011||6,799|
|10.||Canon 5D Mark II||152 mm||114 mm||75 mm||850 g||850||Y||Sep 2008||3,499|
|11.||Canon 1Ds Mark III||150 mm||160 mm||80 mm||1385 g||1800||Y||Aug 2007||7,999|
|12.||Leica M-E Typ 240||139 mm||80 mm||42 mm||680 g||..||Y||Jun 2019||3,999|
|13.||Leica M10||139 mm||80 mm||39 mm||660 g||210||Y||Jan 2017||6,595|
|14.||Leica Q Typ 116||130 mm||80 mm||93 mm||640 g||300||n||Jun 2015||4,249|
|15.||Leica M Typ 240||139 mm||80 mm||42 mm||680 g||..||Y||Sep 2012||6,950|
|16.||Nikon D5||160 mm||159 mm||92 mm||1415 g||3780||Y||Jan 2016||6,499|
|Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The M Typ 262 was launched at a somewhat lower price (by 13 percent) than the 1DX Mark II, which makes it more attractive for photographers on a tight budget. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the sensor inside a digital camera is one of the key determinants of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Both cameras under consideration feature a full frame sensor, but their sensors differ slightly in size. The sensor area in the M Typ 262 is 1 percent smaller. They nevertheless have the same format factor of 1.0. Both cameras have a native aspect ratio (sensor width to sensor height) of 3:2.
Despite having a slightly smaller sensor, the M Typ 262 offers a higher resolution of 23.7 megapixels, compared with 20 MP of the 1DX Mark II. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 6.01μm versus 6.57μm for the 1DX Mark II). It is noteworthy in this context that the two cameras were released in close succession, so that their sensors are from the same technological generation. Coming back to sensor resolution, it should be mentioned that the M Typ 262 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The resolution advantage of the Leica M Typ 262 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the M Typ 262 for good quality output (200 dots per inch) amounts to 29.8 x 19.9 inches or 75.6 x 50.5 cm, for very good quality (250 dpi) 23.8 x 15.9 inches or 60.5 x 40.4 cm, and for excellent quality (300 dpi) 19.8 x 13.3 inches or 50.4 x 33.7 cm. The corresponding values for the Canon 1D X Mark II are 27.4 x 18.2 inches or 69.5 x 46.3 cm for good quality, 21.9 x 14.6 inches or 55.6 x 37.1 cm for very good quality, and 18.2 x 12.2 inches or 46.3 x 30.9 cm for excellent quality prints.
The 1DX Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS-1D X Mark II has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-409600. The corresponding ISO settings for the Leica M (Typ 262) are ISO 200 to ISO 6400, with the possibility to increase the ISO range to 100-6400.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|1.||Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|2.||Leica M Typ 262||Full Frame||23.7||5952||3976||none||..||..||..||..|
|3.||Canon 1D X Mark III||Full Frame||20.0||5472||3648||4K/60p||24.2||14.5||3248||91|
|4.||Canon 6D Mark II||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85|
|5.||Canon 5DS||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87|
|6.||Canon 1D C||Full Frame||17.9||5184||3456||4K/24p||..||..||..||..|
|7.||Canon 5D Mark III||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81|
|8.||Canon 6D||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82|
|9.||Canon 1D X||Full Frame||17.9||5184||3456||1080/30p||23.8||11.8||2786||82|
|10.||Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|11.||Canon 1Ds Mark III||Full Frame||21.0||5616||3744||none||24.0||12.0||1663||80|
|12.||Leica M-E Typ 240||Full Frame||23.7||5952||3976||1080/25p||..||..||..||..|
|13.||Leica M10||Full Frame||23.8||5952||3992||none||24.4||13.2||2133||86|
|14.||Leica Q Typ 116||Full Frame||24.0||6000||4000||1080/60p||24.3||12.7||2221||85|
|15.||Leica M Typ 240||Full Frame||23.7||5952||3976||1080/25p||24.0||13.3||1860||84|
|16.||Nikon D5||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The 1DX Mark II indeed provides movie recording capabilities, while the M Typ 262 does not. The highest resolution format that the 1DX Mark II can use is 4K/60p.
Apart from body and sensor, cameras can and do differ across a range of features. The 1DX Mark II and the M Typ 262 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The viewfinders of both cameras offer the same field of view (100%), but the viewfinder of the 1DX Mark II has a higher magnification than the one of the M Typ 262 (0.76x vs 0.68x), so that the size of the image transmitted appears closer to the size seen with the naked human eye. The following table reports on some other key feature differences and similarities of the Canon 1D X Mark II, the Leica M Typ 262, and comparable cameras.
|1.||Canon 1D X Mark II||optical||Y||3.2 / 1620||fixed||Y||1/8000s||16.0||n||n|
|2.||Leica M Typ 262||optical||n||3.0 / 921||fixed||n||1/4000s||3.0||n||n|
|3.||Canon 1D X Mark III||optical||Y||3.2 / 2100||fixed||Y||1/8000s||20.0||n||n|
|4.||Canon 6D Mark II||optical||Y||3.0 / 1040||swivel||Y||1/4000s||6.5||n||n|
|5.||Canon 5DS||optical||Y||3.2 / 1040||fixed||n||1/8000s||5.0||n||n|
|6.||Canon 1D C||optical||Y||3.2 / 1040||fixed||n||1/8000s||14.0||n||n|
|7.||Canon 5D Mark III||optical||Y||3.2 / 1040||fixed||n||1/8000s||6.0||n||n|
|8.||Canon 6D||optical||Y||3.0 / 1040||fixed||n||1/4000s||4.5||n||n|
|9.||Canon 1D X||optical||Y||3.2 / 1040||fixed||n||1/8000s||14.0||n||n|
|10.||Canon 5D Mark II||optical||Y||3.0 / 920||fixed||n||1/8000s||3.9||n||n|
|11.||Canon 1Ds Mark III||optical||Y||3.0 / 230||fixed||n||1/8000s||5.0||n||n|
|12.||Leica M-E Typ 240||optical||n||3.0 / 920||fixed||n||1/4000s||3.0||n||n|
|13.||Leica M10||optical||n||3.0 / 1037||fixed||n||1/4000s||5.0||n||n|
|14.||Leica Q Typ 116||3680||n||3.0 / 1040||fixed||Y||1/2000s||10.0||n||Y|
|15.||Leica M Typ 240||optical||n||3.0 / 920||fixed||n||1/4000s||3.0||n||n|
|16.||Nikon D5||optical||Y||3.2 / 2359||fixed||Y||1/8000s||14.0||n||n|
One feature that is present on the 1DX Mark II, but is missing on the M Typ 262 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The 1DX Mark II writes its imaging data to Compact Flash or CFast cards, while the M Typ 262 uses SDXC cards. The 1DX Mark II features dual card slots, which can be very useful in case a memory card fails. In contrast, the M Typ 262 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D X Mark II and Leica M (Typ 262) and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
Mic / Speaker
|1.||Canon 1D X Mark II||Y||mono / mono||Y||Y||mini||3.0||-||-||-|
|2.||Leica M Typ 262||Y||- / -||-||-||-||2.0||-||-||-|
|3.||Canon 1D X Mark III||Y||mono / mono||Y||Y||mini||3.1||Y||-||Y|
|4.||Canon 6D Mark II||Y||stereo / mono||Y||-||mini||2.0||Y||Y||Y|
|5.||Canon 5DS||Y||mono / mono||Y||-||mini||3.0||-||-||-|
|6.||Canon 1D C||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|7.||Canon 5D Mark III||Y||mono / mono||Y||Y||mini||2.0||-||-||-|
|8.||Canon 6D||Y||mono / mono||Y||-||mini||2.0||Y||-||-|
|9.||Canon 1D X||Y||mono / -||Y||-||mini||2.0||-||-||-|
|10.||Canon 5D Mark II||Y||mono / mono||Y||-||mini||2.0||-||-||-|
|11.||Canon 1Ds Mark III||Y||mono / -||-||-||-||2.0||-||-||-|
|12.||Leica M-E Typ 240||Y||mono / -||-||-||-||2.0||-||-||-|
|13.||Leica M10||Y||- / -||-||-||-||-||Y||-||-|
|14.||Leica Q Typ 116||Y||stereo / mono||-||-||micro||2.0||Y||Y||-|
|15.||Leica M Typ 240||Y||stereo / mono||-||-||-||2.0||-||-||-|
|16.||Nikon D5||Y||stereo / mono||Y||Y||mini||3.0||-||-||-|
Studio photographers will appreciate that the Canon 1D X Mark II (unlike the M Typ 262) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the 1DX Mark II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the 1DX Mark II and the M Typ 262 have been discontinued, but can regularly be found used on eBay. The M Typ 262 was replaced by the Leica M10, while the 1DX Mark II was followed by the Canon 1DX Mark III. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Leica websites.
So what is the bottom line? Is there a clear favorite between the Canon 1D X Mark II and the Leica M Typ 262? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon EOS-1D X Mark II:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Broader imaging potential: Can record not only still images but also 4K/60p movies.
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Larger viewfinder image: Features a viewfinder with a higher magnification (0.76x vs 0.68x).
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 921k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (16 vs 3 flaps/sec) to capture the decisive moment.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
Reasons to prefer the Leica M (Typ 262):
- More detail: Has more megapixels (23.7 vs 20MP), which boosts linear resolution by 9%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- More compact: Is smaller (139x80mm vs 158x168mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 850g or 56 percent) and is thus easier to take along.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More affordable: Was released into a lower priced segment (13 percent cheaper at launch).
If the count of individual advantages (bullet points above) is taken as a guide, the 1DX Mark II is the clear winner of the match-up (15 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the 1DX Mark II or the M Typ 262 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is where reviews by experts come in. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (amateurphotographer [AP], cameralabs [CL], digitalcameraworld [DCW], dpreview [DPR], ephotozine [EPZ], photographyblog [PB]). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|1.||Canon 1D X Mark II||..||..||4.5/5||89/100||4.5/5||4.5/5||Feb 2016||5,999|
|2.||Leica M Typ 262||..||..||..||..||..||..||Nov 2015||5,195|
|3.||Canon 1D X Mark III||..||+ +||5/5||..||4.5/5||4/5||Jan 2020||6,499|
|4.||Canon 6D Mark II||4/5||+||4/5||80/100||4.5/5||4/5||Jun 2017||1,999|
|5.||Canon 5DS||..||+||..||83/100||4.5/5||4.5/5||Feb 2015||3,699|
|6.||Canon 1D C||..||..||..||..||..||..||Apr 2012||14,999|
|7.||Canon 5D Mark III||..||+ +||..||82/100||4.5/5||4.5/5||Mar 2012||3,499|
|8.||Canon 6D||5/5||+ +||..||83/100||4.5/5||4.5/5||Sep 2012||2,099|
|9.||Canon 1D X||5/5||..||..||..||4.5/5||4.5/5||Oct 2011||6,799|
|10.||Canon 5D Mark II||4/5||91/100||..||79/100||4/5||..||Sep 2008||3,499|
|11.||Canon 1Ds Mark III||..||..||..||+ +||4.5/5||..||Aug 2007||7,999|
|12.||Leica M-E Typ 240||..||..||..||..||..||..||Jun 2019||3,999|
|13.||Leica M10||4.5/5||..||..||..||4/5||4.5/5||Jan 2017||6,595|
|14.||Leica Q Typ 116||5/5||..||..||80/100||4.5/5||4.5/5||Jun 2015||4,249|
|15.||Leica M Typ 240||4/5||..||..||..||4/5||..||Sep 2012||6,950|
|16.||Nikon D5||..||..||4/5||89/100||4.5/5||5/5||Jan 2016||6,499|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make a corresponding selection in the search boxes below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1100D vs Canon 1D X Mark II
- Canon 1D X Mark II vs Leica SL
- Canon 1D X Mark II vs Nikon Z7 II
- Canon 1D X Mark II vs Panasonic GH1
- Canon 1D X Mark II vs Panasonic TS7
- Canon 1D X Mark II vs Sony A6400
- Canon 2000D vs Leica M Typ 262
- Canon 200D vs Leica M Typ 262
- Canon SX710 vs Leica M Typ 262
- Contax N Digital vs Leica M Typ 262
- Leica M Typ 262 vs Panasonic LX100
- Leica M Typ 262 vs Sony RX100 V
Specifications: Canon 1D X Mark II vs Leica M Typ 262
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1D X Mark II||Leica M Typ 262|
|Camera Type||Digital single lens reflex||Rangefinder camera|
|Camera Lens||Canon EF mount lenses||Leica M mount lenses|
|Launch Date||February 2016||November 2015|
|Launch Price||USD 5,999||USD 5,195|
|Sensor Specs||Canon 1D X Mark II||Leica M Typ 262|
|Sensor Format||Full Frame Sensor||Full Frame Sensor|
|Sensor Size||36.0 x 24.0 mm||35.8 x 23.9 mm|
|Sensor Area||864 mm2||855.62 mm2|
|Sensor Diagonal||43.3 mm||43 mm|
|Sensor Resolution||20 Megapixels||23.7 Megapixels|
|Image Resolution||5472 x 3648 pixels||5952 x 3976 pixels|
|Pixel Pitch||6.57 μm||6.01 μm|
|Pixel Density||2.31 MP/cm2||2.77 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||4K/60p Video||no Video|
|ISO Setting||100 - 51,200 ISO||200 - 6,400 ISO|
|ISO Boost||50 - 409,600 ISO||100 - 6,400 ISO|
|Image Processor||DIGIC 6+ (Dual)||Maestro|
|DXO Sensor Quality (score)||88||..|
|DXO Color Depth (bits)||24.1||..|
|DXO Dynamic Range (EV)||13.5||..|
|DXO Low Light (ISO)||3207||..|
|Screen Specs||Canon 1D X Mark II||Leica M Typ 262|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||100%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||3.2inch||3.0inch|
|LCD Resolution||1620k dots||921k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon 1D X Mark II||Leica M Typ 262|
|Focus System||Phase-detect AF||Manual Focus|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/4000s|
|Continuous Shooting||16 shutter flaps/s||3 shutter flaps/s|
|Fill Flash||no On-Board Flash||no On-Board Flash|
|Storage Medium||CF or CFAST cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|Connectivity Specs||Canon 1D X Mark II||Leica M Typ 262|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||mini HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||no Wifi||no Wifi|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Canon 1D X Mark II||Leica M Typ 262|
|Environmental Sealing||Weathersealed body||Weathersealed body|
158 x 168 x 83 mm
(6.2 x 6.6 x 3.3 in)
139 x 80 x 42 mm
(5.5 x 3.1 x 1.7 in)
|Camera Weight||1530 g (54.0 oz)||680 g (24.0 oz)|
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