Canon 1D X Mark II vs G16
The Canon EOS-1D X Mark II and the Canon PowerShot G16 are two digital cameras that were revealed to the public, respectively, in February 2016 and August 2013. The 1DX Mark II is a DSLR, while the G16 is a fixed lens compact. The cameras are based on a full frame (1DX Mark II) and a 1/1.7-inch (G16) sensor. The 1DX Mark II has a resolution of 20 megapixels, whereas the G16 provides 12 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 1D X Mark II||Canon G16|
|Digital single lens reflex||Fixed lens compact camera|
|Canon EF mount lenses||28-140mm f/1.8-2.8|
|20 MP, Full Frame Sensor||12 MP, 1/1.7" Sensor|
|4K/60p Video||1080/60p Video|
|ISO 100-51200 (50-409600)||ISO 80-12800|
|Optical viewfinder||Optical viewfinder|
|3.2" LCD, 1620k dots||3.0" LCD, 922k dots|
|Fixed touchscreen||Fixed screen (not touch-sensitive)|
|16 shutter flaps per second||2.2 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|1210 shots per battery charge||360 shots per battery charge|
|158 x 168 x 83 mm, 1530 g||109 x 76 x 40 mm, 356 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1D X Mark II and the Canon PowerShot G16? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 1D X Mark II and the Canon G16. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Canon G16 is considerably smaller (69 percent) than the Canon 1D X Mark II. It is worth mentioning in this context that the 1DX Mark II is splash and dust resistant, while the G16 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the G16 has a lens built in, whereas the 1DX Mark II is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 1DX Mark II and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the 1DX Mark II gets 1210 shots out of its LP-E19 battery, while the G16 can take 360 images on a single charge of its NB-10L power pack. As can be seen in the images above, the 1DX Mark II has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 1D X Mark II»||6.2 in||6.6 in||3.3 in||54.0 oz||1210||Y||Feb 2016||5,999||Canon 1D X Mark II|
|Canon G16«||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549||Canon G16|
|Canon 6D Mark II« »||5.7 in||4.4 in||3.0 in||27.0 oz||1200||Y||Jun 2017||1,999||Canon 6D Mark II|
|Canon 5DS« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699||Canon 5DS|
|Canon SL1« »||4.6 in||3.6 in||2.7 in||14.4 oz||380||n||Mar 2013||549||-||Canon SL1|
|Canon 1D C« »||6.2 in||6.5 in||3.3 in||54.5 oz||1120||Y||Apr 2012||14,999||-||Canon 1D C|
|Canon 5D Mark III« »||6.0 in||4.6 in||3.0 in||33.5 oz||950||Y||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 6D« »||5.7 in||4.4 in||2.8 in||27.2 oz||1090||Y||Sep 2012||2,099||-||Canon 6D|
|Canon G15« »||4.2 in||3.0 in||1.6 in||12.4 oz||350||n||Sep 2012||499||-||Canon G15|
|Canon 1D X« »||6.2 in||6.6 in||3.3 in||54.7 oz||1120||Y||Oct 2011||6,799||-||Canon 1D X|
|Canon G12« »||4.4 in||3.0 in||1.9 in||14.1 oz||370||n||Sep 2010||499||-||Canon G12|
|Canon 5D Mark II« »||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 1Ds Mark III« »||5.9 in||6.3 in||3.1 in||48.9 oz||1800||Y||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Canon 1Ds Mark II« »||6.1 in||6.2 in||3.1 in||42.9 oz||1200||Y||Sep 2004||7,999||-||Canon 1Ds Mark II|
|Nikon D5« »||6.3 in||6.3 in||3.6 in||49.9 oz||3780||Y||Jan 2016||6,499||Nikon D5|
|Nikon P7800« »||4.7 in||3.1 in||2.0 in||14.1 oz||350||n||Sep 2013||549||-||Nikon P7800|
|Panasonic LX7« »||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Jul 2012||499||-||Panasonic LX7|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The manufacturer’s suggested retail prices give an idea on the placement of the camera in the maker’s lineup and the broader market. The G16 was launched at a lower price than the 1DX Mark II, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. All other things equal, a large sensor will have larger individual pixel-units that offer better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 1D X Mark II features a full frame sensor and the Canon G16 a 1/1.7-inch sensor. The sensor area in the G16 is 95 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.0 and 4.65. The sensor in the 1DX Mark II has a native 3:2 aspect ratio, while the one in the G16 offers a 4:3 aspect.
With 20MP, the 1DX Mark II offers a higher resolution than the G16 (12MP), but the 1DX Mark II nevertheless has larger individual pixels (pixel pitch of 6.57μm versus 1.87μm for the G16) due to its larger sensor. Moreover, the 1DX Mark II is a much more recent model (by 2 years and 5 months) than the G16, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The resolution advantage of the Canon 1D X Mark II implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the 1DX Mark II for good quality output (200 dots per inch) amounts to 27.4 x 18.2 inch or 69.5 x 46.3 cm, for very good quality (250 dpi) 21.9 x 14.6 inch or 55.6 x 37.1 cm, and for excellent quality (300 dpi) 18.2 x 12.2 inch or 46.3 x 30.9 cm. The corresponding values for the Canon G16 are 20 x 15 inch or 50.8 x 38.1 cm for good quality, 16 x 12 inch or 40.6 x 30.5 cm for very good quality, and 13.3 x 10 inch or 33.9 x 25.4 cm for excellent quality prints.
The 1DX Mark II has on-sensor phase detect pixels, which results in fast and reliable autofocus acquisition even during live view operation.
The Canon EOS-1D X Mark II has a native sensitivity range from ISO 100 to ISO 51200, which can be extended to ISO 50-409600. The corresponding ISO settings for the Canon PowerShot G16 are ISO 80 to ISO 12800 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). Of the two cameras under review, the 1DX Mark II provides substantially higher image quality than the G16, with an overall score that is 34 points higher. This advantage is based on 3.1 bits higher color depth, 1.8 EV in additional dynamic range, and 3.8 stops in additional low light sensitivity. The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 1D X Mark II»||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88||Canon 1D X Mark II|
|Canon G16«||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Canon 6D Mark II« »||Full Frame||26.0||6240||4160||1080/60p||24.4||11.9||2862||85||Canon 6D Mark II|
|Canon 5DS« »||Full Frame||50.3||8688||5792||1080/30p||24.7||12.4||2381||87||Canon 5DS|
|Canon SL1« »||APS-C||17.9||5184||3456||1080/30p||21.8||11.3||843||63||Canon SL1|
|Canon 1D C« »||Full Frame||17.9||5184||3456||4K/24p||-||-||-||-||Canon 1D C|
|Canon 5D Mark III« »||Full Frame||22.1||5760||3840||1080/30p||24.0||11.7||2293||81||Canon 5D Mark III|
|Canon 6D« »||Full Frame||20.0||5472||3648||1080/30p||23.8||12.1||2340||82||Canon 6D|
|Canon G15« »||1/1.7||12.0||4000||3000||1080/24p||19.9||11.5||165||46||Canon G15|
|Canon 1D X« »||Full Frame||17.9||5184||3456||1080/30p||23.8||11.8||2786||82||Canon 1D X|
|Canon G12« »||1/1.7||10.0||3648||2736||720/24p||20.4||11.2||161||47||Canon G12|
|Canon 5D Mark II« »||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79||Canon 5D Mark II|
|Canon 1Ds Mark III« »||Full Frame||21.0||5616||3744||-||24.0||12.0||1663||80||Canon 1Ds Mark III|
|Canon 1Ds Mark II« »||Full Frame||16.6||4992||3328||-||23.3||11.3||1480||74||Canon 1Ds Mark II|
|Nikon D5« »||Full Frame||20.7||5588||3712||4K/30p||25.1||12.3||2343||88||Nikon D5|
|Nikon P7800« »||1/1.7||12.0||4000||3000||1080/30p||21.2||11.7||200||54||Nikon P7800|
|Panasonic LX7« »||1/1.7||10.0||3648||2736||1080/60p||20.7||11.7||147||50||Panasonic LX7|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the 1DX Mark II provides a higher video resolution than the G16. It can shoot video footage at 4K/60p, while the G16 is limited to 1080/60p.
Apart from body and sensor, cameras can and do differ across a variety of features. The 1DX Mark II and the G16 are similar in the sense that both have an optical viewfinder. The latter is useful for getting a clear image for framing even in brightly lit environments. The adjacent table lists some of the other core features of the Canon 1D X Mark II and Canon G16 along with similar information for a selection of comparators.
|Canon 1D X Mark II»||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n||Canon 1D X Mark II|
|Canon G16«||optical||n||3.0||922||fixed||n||1/4000s||2.2||Y||Y||Canon G16|
|Canon 6D Mark II« »||optical||Y||3.0||1040||swivel||Y||1/4000s||6.5||n||n||Canon 6D Mark II|
|Canon 5DS« »||optical||Y||3.2||1040||fixed||n||1/8000s||5.0||n||n||Canon 5DS|
|Canon SL1« »||optical||n||3.0||1040||fixed||Y||1/4000s||4.9||Y||n||Canon SL1|
|Canon 1D C« »||optical||Y||3.2||1040||fixed||n||1/8000s||14.0||n||n||Canon 1D C|
|Canon 5D Mark III« »||optical||Y||3.2||1040||fixed||n||1/8000s||6.0||n||n||Canon 5D Mark III|
|Canon 6D« »||optical||Y||3.0||1040||fixed||n||1/4000s||4.5||n||n||Canon 6D|
|Canon G15« »||optical||n||3.0||922||fixed||n||1/4000s||2.1||Y||Y||Canon G15|
|Canon 1D X« »||optical||Y||3.2||1040||fixed||n||1/8000s||14.0||n||n||Canon 1D X|
|Canon G12« »||optical||n||2.8||461||swivel||n||1/4000s||1.1||Y||Y||Canon G12|
|Canon 5D Mark II« »||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n||Canon 5D Mark II|
|Canon 1Ds Mark III« »||optical||Y||3.0||230||fixed||n||1/8000s||5.0||n||n||Canon 1Ds Mark III|
|Canon 1Ds Mark II« »||optical||Y||2.0||230||fixed||n||1/8000s||4.0||n||n||Canon 1Ds Mark II|
|Nikon D5« »||optical||Y||3.2||2359||fixed||Y||1/8000s||14.0||n||n||Nikon D5|
|Nikon P7800« »||921||n||3.0||921||swivel||n||1/4000s||8.0||Y||Y||Nikon P7800|
|Panasonic LX7« »||-||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Panasonic LX7|
One feature that is present on the 1DX Mark II, but is missing on the G16 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Canon G16 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 1DX Mark II writes its imaging data to Compact Flash or CFast cards, while the G16 uses SDXC cards. The 1DX Mark II features dual card slots, which can be very useful in case a memory card fails. In contrast, the G16 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D X Mark II and Canon PowerShot G16 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 1D X Mark II»||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Canon 1D X Mark II|
|Canon G16«||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Canon 6D Mark II« »||Y||stereo||mono||Y||-||mini||2.0||Y||Y||Y||Canon 6D Mark II|
|Canon 5DS« »||Y||mono||mono||Y||-||mini||3.0||-||-||-||Canon 5DS|
|Canon SL1« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon SL1|
|Canon 1D C« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 1D C|
|Canon 5D Mark III« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 5D Mark III|
|Canon 6D« »||Y||mono||mono||Y||-||mini||2.0||Y||-||-||Canon 6D|
|Canon G15« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G15|
|Canon 1D X« »||Y||mono||-||Y||-||mini||2.0||-||-||-||Canon 1D X|
|Canon G12« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Canon G12|
|Canon 5D Mark II« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 5D Mark II|
|Canon 1Ds Mark III« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1Ds Mark III|
|Canon 1Ds Mark II« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1Ds Mark II|
|Nikon D5« »||Y||stereo||mono||Y||Y||mini||3.0||-||-||-||Nikon D5|
|Nikon P7800« »||Y||stereo||mono||Y||-||mini||2.0||-||-||-||Nikon P7800|
|Panasonic LX7« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Panasonic LX7|
It is notable that the 1DX Mark II has a microphone port, which is missing on the G16. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Canon 1D X Mark II (unlike the G16) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Travel and landscape photographers will find it useful that the 1DX Mark II has an internal geolocalization sensor and can record GPS coordinates in its EXIF data.
Both the 1DX Mark II and the G16 are recent models that are part of the current product line-up. The G16 replaced the earlier Canon G15, while the 1DX Mark II followed on from the Canon 1DX. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon website.
So what conclusions can be drawn? Is the Canon 1D X Mark II better than the Canon G16 or vice versa? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS-1D X Mark II:
- More detail: Offers more megapixels (20 vs 12MP) with a 32% higher linear resolution.
- Better image quality: Scores substantially higher (34 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (3.1 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.8 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (3.8 stops ISO advantage).
- Better video: Provides higher definition movie capture (4K/60p vs 1080/60p).
- Better live-view autofocus: Features on-sensor phase-detection for more confident autofocus.
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Better sound control: Has a headphone port that enables audio monitoring while recording.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Larger screen: Has a bigger rear LCD (3.2" vs 3.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1620k vs 922k dots).
- Fewer buttons to press: Is equipped with a touch-sensitive rear screen to facilitate handling.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (16 vs 2.2 flaps/sec) to capture the decisive moment.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (1210 versus 360) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Easier geotagging: Features an internal GPS sensor to log localization data.
- Faster data transfer: Supports a more advanced USB protocol (3.0 vs 2.0).
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More modern: Reflects 2 years and 5 months of technical progress since the G16 launch.
Arguments in favor of the Canon PowerShot G16:
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with an integrated lens, while the 1DX Mark II requires a separate lens.
- More compact: Is smaller (109x76mm vs 158x168mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 1DX Mark II).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More heavily discounted: Has been around for much longer (launched in August 2013).
If the number of relative strengths (bullet points above) is taken as a guide, the 1DX Mark II is the clear winner of the match-up (24 : 9 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1D X Mark II and the Canon G16 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of the spec-sheets of cameras can offer a general idea of their imaging potential, it says little about, for example, the shooting experience and imaging performance of the 1DX Mark II and the G16 in practical situations. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 1D X Mark II»||-||89/100||4.5/5||5/5||4.5/5||Feb 2016||5,999||Canon 1D X Mark II|
|Canon G16«||+||-||4.5/5||4.5/5||4.5/5||Aug 2013||549||Canon G16|
|Canon 6D Mark II« »||+||80/100||4.5/5||4/5||4/5||Jun 2017||1,999||Canon 6D Mark II|
|Canon 5DS« »||+||83/100||4.5/5||5/5||4.5/5||Feb 2015||3,699||Canon 5DS|
|Canon SL1« »||+||78/100||4/5||4/5||4/5||Mar 2013||549||-||Canon SL1|
|Canon 1D C« »||-||-||-||-||-||Apr 2012||14,999||-||Canon 1D C|
|Canon 5D Mark III« »||+ +||82/100||4.5/5||5/5||4.5/5||Mar 2012||3,499||-||Canon 5D Mark III|
|Canon 6D« »||+ +||83/100||4.5/5||4.5/5||4.5/5||Sep 2012||2,099||-||Canon 6D|
|Canon G15« »||+||76/100||4.5/5||4.5/5||4.5/5||Sep 2012||499||-||Canon G15|
|Canon 1D X« »||-||-||4.5/5||4.5/5||4.5/5||Oct 2011||6,799||-||Canon 1D X|
|Canon G12« »||+||73/100||4.5/5||4.5/5||4.5/5||Sep 2010||499||-||Canon G12|
|Canon 5D Mark II« »||91/100||79/100||4/5||5/5||-||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 1Ds Mark III« »||-||+ +||4.5/5||-||-||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Canon 1Ds Mark II« »||-||+ +||-||-||-||Sep 2004||7,999||-||Canon 1Ds Mark II|
|Nikon D5« »||-||89/100||4.5/5||5/5||5/5||Jan 2016||6,499||Nikon D5|
|Nikon P7800« »||-||-||4/5||3.5/5||4.5/5||Sep 2013||549||-||Nikon P7800|
|Panasonic LX7« »||+ +||75/100||4/5||5/5||4.5/5||Jul 2012||499||-||Panasonic LX7|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
Care should be taken when interpreting the review scores above, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. Thus, a score needs to be put into the context of the launch date and the launch price of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just use the search menu below. There is also a set of direct links to comparison reviews that other users of the CAM-parator app explored.
- Canon 1D X Mark II vs Epson R-D1
- Canon 1D X Mark II vs Fujifilm X-A7
- Canon 1D X Mark II vs Fujifilm X30
- Canon 1D X Mark II vs Leica S Typ 006
- Canon 1D X Mark II vs Olympus E-PL6
- Canon 1D X Mark II vs Panasonic FZ330
- Canon 1D X Mark II vs Panasonic G3
- Canon 1D X Mark II vs Pentax K-1 II
- Canon 1D X Mark II vs Sony A99
- Canon G16 vs Leica M-E Typ 240
- Canon G16 vs Olympus TG-5
- Canon G16 vs Panasonic GM1
Specifications: Canon 1D X Mark II vs Canon G16
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1D X Mark II||Canon G16|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||28-140mm f/1.8-2.8|
|Launch Date||February 2016||August 2013|
|Launch Price||USD 5999||USD 549|
|Sensor Specs||Canon 1D X Mark II||Canon G16|
|Sensor Format||Full Frame Sensor||1/1.7" Sensor|
|Sensor Size||36.0 x 24.0 mm||7.44 x 5.58 mm|
|Sensor Area||864 mm2||41.5152 mm2|
|Sensor Diagonal||43.3 mm||9.3 mm|
|Sensor Resolution||20 Megapixels||12 Megapixels|
|Image Resolution||5472 x 3648 pixels||4000 x 3000 pixels|
|Pixel Pitch||6.57 μm||1.87 μm|
|Pixel Density||2.31 MP/cm2||28.91 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||4K/60p Video||1080/60p Video|
|ISO Setting||100-51200 ISO||80-12800 ISO|
|ISO Boost||50-409600 ISO||no Enhancement|
|Image Processor||DIGIC 6+ (Dual)||DIGIC 6|
|DXO Sensor Quality (score)||88||54|
|DXO Color Depth (bits)||24.1||21.0|
|DXO Dynamic Range (EV)||13.5||11.7|
|DXO Low Light (ISO)||3207||230|
|Screen Specs||Canon 1D X Mark II||Canon G16|
|Viewfinder Type||Optical viewfinder||Optical viewfinder|
|Viewfinder Field of View||100%||80%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.2 inch||3.0 inch|
|LCD Resolution||1620k dots||922k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Touch Input||Touchscreen||no Touchscreen|
|Shooting Specs||Canon 1D X Mark II||Canon G16|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||No Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000/s||1/4000/s|
|Continuous Shooting||16 shutter flaps/s||2.2 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CF or CFAST cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|Connectivity Specs||Canon 1D X Mark II||Canon G16|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 3.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Headphone Socket||Headphone port||no Headphone port|
|Wifi Support||no Wifi||Wifi built-in|
|Geotagging||GPS built-in||no internal GPS|
|Body Specs||Canon 1D X Mark II||Canon G16|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||1210 shots per charge||360 shots per charge|
158 x 168 x 83 mm
(6.2 x 6.6 x 3.3 in)
109 x 76 x 40 mm
(4.3 x 3.0 x 1.6 in)
|Camera Weight||1530 g (54.0 oz)||356 g (12.6 oz)|
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