Canon 1D versus Panasonic GF7
The Canon EOS-1D and the Panasonic Lumix DMC-GF7 are two digital cameras that were revealed to the public, respectively, in September 2001 and January 2015. The 1D is a DSLR, while the GF7 is a mirrorless interchangeable lens camera. The cameras are based on an APS-H (1D) and a Four Thirds (GF7) sensor. The Canon has a resolution of 4.1 megapixel, whereas the Panasonic provides 15.8 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Canon 1D vs Panasonic GF7
The side-by-side display below illustrates the physical size and weight of the Canon 1D and the Panasonic GF7. Three consecutive perspectives from the front, the top, and the back are presented. All width, height and depth measures are rounded to the nearest millimeter. You can also toggle the display to switch to a percentage comparison if you prefer that the measures are being expressed in relative terms (in this case, the camera on the left side – the 1D – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GF7 is considerably smaller (72 percent) than the Canon 1D. Moreover, the GF7 is substantially lighter (83 percent) than the 1D. It is worth mentioning in this context that the 1D is splash and dust resistant, while the GF7 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can find an overview of optics for the two cameras in the Canon EF Lens Catalog (1D) and the Micro Four Thirds Lens Catalog (GF7). Mirrorless cameras, such as the GF7, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications|
|Canon 1D»||6.1 in||6.2 in||3.1 in||55.9 oz||500||Y||Sep 2001||6,499||-|
|Panasonic GF7«||4.2 in||2.6 in||1.3 in||9.4 oz||230||n||Jan 2015||499||-|
|Canon 5D Mark IV« »||5.9 in||4.6 in||3.0 in||31.4 oz||900||Y||Aug 2016||3,499|
|Canon 1D X Mark II« »||6.2 in||6.6 in||3.3 in||54.0 oz||1210||Y||Feb 2016||5,999|
|Canon 5DS R« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699|
|Canon 5DS« »||6.0 in||4.6 in||3.0 in||32.8 oz||700||Y||Feb 2015||3,699|
|Canon M10« »||4.3 in||2.6 in||1.4 in||10.6 oz||255||n||Oct 2015||499||-|
|Canon 1D C« »||6.2 in||6.5 in||3.3 in||54.5 oz||1120||Y||Apr 2012||14,999||-|
|Canon 1D X« »||6.2 in||6.6 in||3.3 in||54.7 oz||1120||Y||Oct 2011||6,799||-|
|Canon 1Ds Mark III« »||5.9 in||6.3 in||3.1 in||48.9 oz||1800||Y||Aug 2007||7,999||-|
|Canon 1D Mark II N« »||6.1 in||6.2 in||3.1 in||55.2 oz||1200||Y||Aug 2005||3,999||-|
|Canon 1D Mark II« »||6.1 in||6.2 in||3.1 in||54.1 oz||1200||Y||Jan 2004||4,499||-|
|Canon 1Ds« »||6.1 in||6.2 in||3.1 in||44.6 oz||600||Y||Sep 2002||8,999||-|
|Panasonic GX850« »||4.2 in||2.6 in||1.3 in||9.5 oz||210||n||Jan 2017||549|
|Panasonic G7« »||4.9 in||3.4 in||3.0 in||14.5 oz||350||n||May 2015||649||-|
|Panasonic GF6« »||4.4 in||2.6 in||1.5 in||11.4 oz||340||n||Apr 2013||499||-|
|Panasonic G6« »||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599||-|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GF7 was launched at a markedly lower price (by 92 percent) than the 1D, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Canon 1D vs Panasonic GF7
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be more expensive and lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 1D features an APS-H sensor and the Panasonic GF7 a Four Thirds sensor. The sensor area in the GF7 is 59 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.3 and 2.0. The sensor in the 1D has a native 3:2 aspect ratio, while the one in the GF7 offers a 4:3 aspect.
Despite having a smaller sensor, the GF7 offers a higher resolution of 15.8 megapixel, compared with 4.1 MP of the 1D. This megapixel advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 3.77μm versus 11.56μm for the 1D). However, it should be noted that the GF7 is much more recent (by 13 years and 3 months) than the 1D, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
Since 2007, DXO Mark has published sensor performance measurements that have been derived using a consistent methodology. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Panasonic GF7«||Four Thirds||15.8||4592||3448||1080/60p||-||-||-||-|
|Canon 5D Mark IV« »||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|Canon 1D X Mark II« »||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|Canon 5DS R« »||Full Frame||50.3||8688||5792||1080/60p||24.6||12.4||2308||86|
|Canon 5DS« »||Full Frame||50.3||8688||5792||1080/60p||24.7||12.4||2381||87|
|Canon M10« »||APS-C||17.9||5184||3456||1080/30p||22.2||11.4||753||65|
|Canon 1D C« »||Full Frame||17.9||5184||3456||4K/24p||-||-||-||-|
|Canon 1D X« »||Full Frame||17.9||5184||3456||1080/30p||23.8||11.8||2786||82|
|Canon 1Ds Mark III« »||Full Frame||21.0||5616||3744||-||24.0||12.0||1663||80|
|Canon 1D Mark II N« »||APS-H||8.2||3504||2336||-||22.3||11.2||975||66|
|Canon 1D Mark II« »||APS-H||8.2||3504||2336||-||22.3||11.1||1003||66|
|Canon 1Ds« »||Full Frame||11.0||4064||2704||-||21.8||11.0||954||63|
|Panasonic GX850« »||Four Thirds||15.8||4592||3448||4K/30p||23.2||13.3||586||73|
|Panasonic G7« »||Four Thirds||15.8||4592||3448||4K/30p||-||-||-||-|
|Panasonic GF6« »||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|Panasonic G6« »||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The GF7 indeed provides for movie recording, while the 1D does not. The highest resolution format that the GF7 can use is 1080/60p.
Feature comparison: Canon 1D vs Panasonic GF7
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the 1D has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GF7 relies on live view and the rear LCD for framing. The table below summarizes some of the other core capabilities of the Canon 1D and Panasonic GF7 in connection with corresponding information for a sample of similar cameras. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Canon 5D Mark IV« »||optical||Y||3.2||1620||fixed||Y||8000||7.0||n||n|
|Canon 1D X Mark II« »||optical||Y||3.2||1620||fixed||Y||8000||16.0||n||n|
|Canon 5DS R« »||optical||Y||3.2||1040||fixed||n||8000||5.0||n||n|
|Canon 5DS« »||optical||Y||3.2||1040||fixed||n||8000||5.0||n||n|
|Canon M10« »||-||n||3.0||1040||tilting||Y||4000||4.6||Y||n|
|Canon 1D C« »||optical||Y||3.2||1040||fixed||n||8000||14.0||n||n|
|Canon 1D X« »||optical||Y||3.2||1040||fixed||n||8000||14.0||n||n|
|Canon 1Ds Mark III« »||optical||Y||3.0||230||fixed||n||8000||5.0||n||n|
|Canon 1D Mark II N« »||optical||Y||2.5||230||fixed||n||8000||8.5||n||n|
|Canon 1D Mark II« »||optical||Y||2.0||230||fixed||n||8000||8.3||n||n|
|Canon 1Ds« »||optical||Y||2.0||120||fixed||n||8000||3.0||n||n|
|Panasonic GX850« »||-||n||3.0||1040||tilting||Y||500||10.0||Y||n|
|Panasonic G7« »||2360||n||3.0||1040||swivel||Y||4000||7.0||Y||n|
|Panasonic GF6« »||-||n||3.0||1040||tilting||Y||4000||4.2||Y||n|
|Panasonic G6« »||1440||n||3.0||1036||swivel||Y||4000||7.0||Y||n|
Both the 1D and the GF7 have been discontinued, but can regularly be found used on eBay. The 1D was replaced by the Canon 1D Mark II, while the GF7 was followed by the Panasonic GX850.
Review summary: Canon 1D vs Panasonic GF7
So what conclusions can be drawn? Is the Canon 1D better than the Panasonic GF7 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Reasons to prefer the Canon EOS-1D:
- Easier framing: Has an optical viewfinder for image framing and settings control.
- Easier setting verification: Has an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (16000/sec vs 500/sec) to freeze action.
- Faster burst: Shoots at higher frequency (8 vs 5.8 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (500 versus 230) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- More heavily discounted: Has been available for much longer (launched in September 2001).
Advantages of the Panasonic Lumix DMC-GF7:
- More detail: Has more megapixels (15.8 vs 4.1MP), which boosts linear resolution by 91%.
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (1040k vs 120k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More compact: Is smaller (107x65mm vs 156x158mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 1319g or 83 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced into a lower priced category (92 percent cheaper at launch).
- More modern: Reflects 13 years and 3 months of technical progress since the 1D launch.
If the count of relative strengths (bullet points above) is taken as a measure, the GF7 is the clear winner of the contest (12 : 7 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera.
In any case, while the specs-based evaluation of cameras is instructive in revealing their potential as photographic tools, it says nothing about, for example, the handling, responsiveness, and overall imaging quality of the 1D and the GF7 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased. This is why hands-on reviews by experts are important. The following table reports the overall rankings of the cameras as published by some of the major camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). You can find the full text of the reviews by clicking on the site logo in the table header.
|Canon 1D»||-||HiRec||-||-||-||Sep 2001||6,499||-|
|Panasonic GF7«||Rec||-||4.5/5||4.5/5||4.5/5||Jan 2015||499||-|
|Canon 5D Mark IV« »||HiRec||87/100||4.5/5||5/5||4.5/5||Aug 2016||3,499|
|Canon 1D X Mark II« »||-||89/100||4.5/5||5/5||4.5/5||Feb 2016||5,999|
|Canon 5DS R« »||Rec||83/100||5/5||5/5||4.5/5||Feb 2015||3,699|
|Canon 5DS« »||Rec||83/100||4.5/5||5/5||4.5/5||Feb 2015||3,699|
|Canon M10« »||-||-||-||rev||4/5||Oct 2015||499||-|
|Canon 1D C« »||-||-||-||-||-||Apr 2012||14,999||-|
|Canon 1D X« »||-||-||4.5/5||4.5/5||4.5/5||Oct 2011||6,799||-|
|Canon 1Ds Mark III« »||-||HiRec||4.5/5||-||-||Aug 2007||7,999||-|
|Canon 1D Mark II N« »||-||-||-||-||-||Aug 2005||3,999||-|
|Canon 1D Mark II« »||-||HiRec||-||rev||-||Jan 2004||4,499||-|
|Canon 1Ds« »||-||HiRec||-||-||-||Sep 2002||8,999||-|
|Panasonic GX850« »||Rec||76/100||4.5/5||4/5||4.5/5||Jan 2017||549|
|Panasonic G7« »||HiRec||80/100||5/5||4.5/5||4.5/5||May 2015||649||-|
|Panasonic GF6« »||HiRec||-||4.5/5||-||4.5/5||Apr 2013||499||-|
|Panasonic G6« »||HiRec||-||5/5||-||4.5/5||Apr 2013||599||-|
Care should be taken when interpreting the review scores above, though. The assessments were made in relation to similar cameras of the same technological generation. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
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