Canon 1D vs Leica D-LUX 6
The Canon EOS-1D and the Leica D-LUX 6 are two digital cameras that were revealed to the public, respectively, in September 2001 and September 2012. The 1D is a DSLR, while the D-LUX 6 is a fixed lens compact. The cameras are based on an APS-H (1D) and a 1/1.7-inch (D-LUX 6) sensor. The Canon has a resolution of 4.1 megapixels, whereas the Leica provides 10 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 1D||Leica D-LUX 6|
|Digital single lens reflex||Fixed lens compact camera|
|Canon EF mount lenses||24-90mm f/1.4-2.3|
|4.1 MP, APS-H Sensor||10 MP, 1/1.7" Sensor|
|no Video||1080/60p Video|
|ISO 200-1600 (100-3200)||ISO 80-6400 (80-12800)|
|Optical viewfinder||Viewfinder optional|
|2.0" LCD, 120k dots||3.0" LCD, 920k dots|
|Fixed screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|8 shutter flaps per second||11 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|500 shots per battery charge||330 shots per battery charge|
|156 x 158 x 80 mm, 1585 g||111 x 68 x 46 mm, 298 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1D and the Leica D-LUX 6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 1D and the Leica D-LUX 6 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All size dimensions are rounded to the nearest millimeter.
The D-LUX 6 can be obtained in three different colors (black, silver, white), while the 1D is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Leica D-LUX 6 is considerably smaller (69 percent) than the Canon 1D. It is worth mentioning in this context that the 1D is splash and dust resistant, while the D-LUX 6 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the D-LUX 6 has a lens built in, whereas the 1D is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 1D and their specifications in the Canon EF Lens Catalog.
Concerning battery life, the 1D gets 500 shots out of its NP-E3 battery, while the D-LUX 6 can take 330 images on a single charge of its BP-DC10 power pack. As can be seen in the images above, the 1D has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. In case you want to display and compare another camera duo, just click on the right or left arrow next to the camera that you would like to inspect. Alternatively, you can also use the CAM-parator to select your camera combination among a larger number of options.
|Canon 1D»||6.1 in||6.2 in||3.1 in||55.9 oz||500||Y||Sep 2001||6,499||-||Canon 1D|
|Leica D-LUX 6«||4.4 in||2.7 in||1.8 in||10.5 oz||330||n||Sep 2012||699||-||Leica D-LUX 6|
|Canon 1D X Mark II« »||6.2 in||6.6 in||3.3 in||54.0 oz||1210||Y||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 5D Mark IV« »||5.9 in||4.6 in||3.0 in||31.4 oz||900||Y||Aug 2016||3,499||Canon 5D Mark IV|
|Canon G16« »||4.3 in||3.0 in||1.6 in||12.6 oz||360||n||Aug 2013||549||Canon G16|
|Canon 1D C« »||6.2 in||6.5 in||3.3 in||54.5 oz||1120||Y||Apr 2012||14,999||-||Canon 1D C|
|Canon 1D X« »||6.2 in||6.6 in||3.3 in||54.7 oz||1120||Y||Oct 2011||6,799||-||Canon 1D X|
|Canon 1D Mark IV« »||6.1 in||6.2 in||3.1 in||43.4 oz||1500||Y||Oct 2009||4,999||-||Canon 1D Mark IV|
|Canon 1D Mark III« »||6.1 in||6.2 in||3.1 in||40.7 oz||2200||Y||Feb 2007||4,499||-||Canon 1D Mark III|
|Canon 1Ds Mark III« »||5.9 in||6.3 in||3.1 in||48.9 oz||1800||Y||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||6.1 in||6.2 in||3.1 in||55.2 oz||1200||Y||Aug 2005||3,999||-||Canon 1D Mark II N|
|Canon 1D Mark II« »||6.1 in||6.2 in||3.1 in||54.1 oz||1200||Y||Jan 2004||4,499||-||Canon 1D Mark II|
|Canon 1Ds« »||6.1 in||6.2 in||3.1 in||44.6 oz||600||Y||Sep 2002||8,999||-||Canon 1Ds|
|Fujifilm X20« »||4.6 in||2.8 in||2.2 in||12.5 oz||270||n||Jan 2013||599||-||Fujifilm X20|
|Fujifilm X10« »||4.6 in||2.8 in||2.2 in||12.3 oz||270||n||Sep 2011||599||-||Fujifilm X10|
|Leica D-LUX 5« »||4.3 in||2.6 in||1.7 in||9.6 oz||400||n||Sep 2010||699||-||Leica D-LUX 5|
|Sony RX100 II« »||4.0 in||2.3 in||1.5 in||9.9 oz||350||n||Jun 2013||749||-||Sony RX100 II|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
Any camera decision will obviously take relative prices into account. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The D-LUX 6 was launched at a lower price than the 1D, despite having a lens built in. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 1D features an APS-H sensor and the Leica D-LUX 6 a 1/1.7-inch sensor. The sensor area in the D-LUX 6 is 92 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.3 and 4.65. The sensor in the 1D has a native 3:2 aspect ratio, while the one in the D-LUX 6 offers a 4:3 aspect. The D-LUX 6 has the particularity of featuring a switch that allows to toggle between multiple aspect ratios, while maintaining the same field of view and full image resolution.
Despite having a smaller sensor, the D-LUX 6 offers a higher resolution of 10 megapixels, compared with 4.1 MP of the 1D. This megapixels advantage comes at the cost of a higher pixel density and a smaller size of the individual pixel (with a pixel pitch of 2.05μm versus 11.56μm for the 1D). However, it should be noted that the D-LUX 6 is much more recent (by 10 years and 11 months) than the 1D, and its sensor will have benefitted from technological advances during this time that make it possible to gather light more efficiently.
The resolution advantage of the Leica D-LUX 6 implies greater flexibility for cropping images or the possibility to print larger pictures. The maximum print size of the D-LUX 6 for good quality output (200 dots per inch) amounts to 18.2 x 13.7 inch or 46.3 x 34.7 cm, for very good quality (250 dpi) 14.6 x 10.9 inch or 37.1 x 27.8 cm, and for excellent quality (300 dpi) 12.2 x 9.1 inch or 30.9 x 23.2 cm. The corresponding values for the Canon 1D are 12.5 x 8.3 inch or 31.7 x 21.1 cm for good quality, 10 x 6.6 inch or 25.4 x 16.9 cm for very good quality, and 8.3 x 5.5 inch or 21.1 x 14.1 cm for excellent quality prints.
The Canon EOS-1D has a native sensitivity range from ISO 200 to ISO 1600, which can be extended to ISO 100-3200. The corresponding ISO settings for the Leica D-LUX 6 are ISO 80 to ISO 6400, with the possibility to increase the ISO range to 80-12800.
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 1D»||APS-H||4.1||2496||1662||-||-||-||-||-||Canon 1D|
|Leica D-LUX 6«||1/1.7||10.0||3648||2736||1080/60p||-||-||-||-||Leica D-LUX 6|
|Canon 1D X Mark II« »||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88||Canon 1D X Mark II|
|Canon 5D Mark IV« »||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91||Canon 5D Mark IV|
|Canon G16« »||1/1.7||12.0||4000||3000||1080/60p||21.0||11.7||230||54||Canon G16|
|Canon 1D C« »||Full Frame||17.9||5184||3456||4K/24p||-||-||-||-||Canon 1D C|
|Canon 1D X« »||Full Frame||17.9||5184||3456||1080/30p||23.8||11.8||2786||82||Canon 1D X|
|Canon 1D Mark IV« »||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74||Canon 1D Mark IV|
|Canon 1D Mark III« »||APS-H||10.1||3888||2592||-||22.7||11.7||1078||71||Canon 1D Mark III|
|Canon 1Ds Mark III« »||Full Frame||21.0||5616||3744||-||24.0||12.0||1663||80||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||APS-H||8.2||3504||2336||-||22.3||11.2||975||66||Canon 1D Mark II N|
|Canon 1D Mark II« »||APS-H||8.2||3504||2336||-||22.3||11.1||1003||66||Canon 1D Mark II|
|Canon 1Ds« »||Full Frame||11.0||4064||2704||-||21.8||11.0||954||63||Canon 1Ds|
|Fujifilm X20« »||2/3||12.0||4000||3000||1080/60p||-||-||-||-||Fujifilm X20|
|Fujifilm X10« »||2/3||12.0||4000||3000||1080/30p||20.5||11.3||245||50||Fujifilm X10|
|Leica D-LUX 5« »||1/1.7||10.0||3648||2736||720/60p||-||-||-||-||Leica D-LUX 5|
|Sony RX100 II« »||1-inch||20.0||5472||3648||1080/60p||22.5||12.4||483||67||Sony RX100 II|
Many modern cameras cannot only take still pictures, but also record videos. The D-LUX 6 indeed provides for movie recording, while the 1D does not. The highest resolution format that the D-LUX 6 can use is 1080/60p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the 1D has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the D-LUX 6 relies on live view and the rear LCD for framing. That said, the D-LUX 6 can be equipped with an optional viewfinder – the Visoflex (Typ 020). The table below summarizes some of the other core capabilities of the Canon 1D and Leica D-LUX 6 in connection with corresponding information for a sample of similar cameras.
|Canon 1D»||optical||Y||2.0||120||fixed||n||1/16000s||8.0||n||n||Canon 1D|
|Leica D-LUX 6«||-||n||3.0||920||fixed||n||1/4000s||11.0||Y||Y||Leica D-LUX 6|
|Canon 1D X Mark II« »||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n||Canon 1D X Mark II|
|Canon 5D Mark IV« »||optical||Y||3.2||1620||fixed||Y||1/8000s||7.0||n||n||Canon 5D Mark IV|
|Canon G16« »||optical||n||3.0||922||fixed||n||1/4000s||2.2||Y||Y||Canon G16|
|Canon 1D C« »||optical||Y||3.2||1040||fixed||n||1/8000s||14.0||n||n||Canon 1D C|
|Canon 1D X« »||optical||Y||3.2||1040||fixed||n||1/8000s||14.0||n||n||Canon 1D X|
|Canon 1D Mark IV« »||optical||Y||3.0||920||fixed||n||1/8000s||10.0||n||n||Canon 1D Mark IV|
|Canon 1D Mark III« »||optical||Y||3.0||230||fixed||n||1/8000s||10.0||n||n||Canon 1D Mark III|
|Canon 1Ds Mark III« »||optical||Y||3.0||230||fixed||n||1/8000s||5.0||n||n||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||optical||Y||2.5||230||fixed||n||1/8000s||8.5||n||n||Canon 1D Mark II N|
|Canon 1D Mark II« »||optical||Y||2.0||230||fixed||n||1/8000s||8.3||n||n||Canon 1D Mark II|
|Canon 1Ds« »||optical||Y||2.0||120||fixed||n||1/8000s||3.0||n||n||Canon 1Ds|
|Fujifilm X20« »||optical||n||2.8||460||fixed||n||1/4000s||12.0||Y||Y||Fujifilm X20|
|Fujifilm X10« »||optical||n||2.8||460||fixed||n||1/4000s||10.0||Y||Y||Fujifilm X10|
|Leica D-LUX 5« »||-||n||3.0||460||fixed||n||1/4000s||2.5||Y||Y||Leica D-LUX 5|
|Sony RX100 II« »||-||n||3.0||1229||tilting||n||1/2000s||10.0||Y||Y||Sony RX100 II|
One feature that is present on the 1D, but is missing on the D-LUX 6 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Leica D-LUX 6 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 1D writes its imaging data to Compact Flash cards, while the D-LUX 6 uses SDXC cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D and Leica D-LUX 6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 1D»||Y||-||-||-||-||-||FW||-||-||-||Canon 1D|
|Leica D-LUX 6«||Y||stereo||mono||-||-||mini||2.0||-||-||-||Leica D-LUX 6|
|Canon 1D X Mark II« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Canon 1D X Mark II|
|Canon 5D Mark IV« »||Y||mono||mono||Y||Y||mini||3.0||Y||Y||-||Canon 5D Mark IV|
|Canon G16« »||Y||stereo||mono||-||-||mini||2.0||Y||-||-||Canon G16|
|Canon 1D C« »||Y||mono||mono||Y||Y||mini||2.0||-||-||-||Canon 1D C|
|Canon 1D X« »||Y||mono||-||Y||-||mini||2.0||-||-||-||Canon 1D X|
|Canon 1D Mark IV« »||Y||stereo||-||Y||-||mini||2.0||-||-||-||Canon 1D Mark IV|
|Canon 1D Mark III« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1D Mark III|
|Canon 1Ds Mark III« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||Y||-||-||-||-||-||1.1||-||-||-||Canon 1D Mark II N|
|Canon 1D Mark II« »||Y||-||-||-||-||-||1.1||-||-||-||Canon 1D Mark II|
|Canon 1Ds« »||Y||-||-||-||-||-||FW||-||-||-||Canon 1Ds|
|Fujifilm X20« »||Y||stereo||mono||-||-||micro||2.0||-||-||-||Fujifilm X20|
|Fujifilm X10« »||Y||stereo||mono||-||-||mini||2.0||-||-||-||Fujifilm X10|
|Leica D-LUX 5« »||Y||mono||mono||-||-||mini||2.0||-||-||-||Leica D-LUX 5|
|Sony RX100 II« »||Y||stereo||mono||-||-||micro||2.0||Y||Y||-||Sony RX100 II|
Studio photographers will appreciate that the Canon 1D (unlike the D-LUX 6) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 1D and the D-LUX 6 have been discontinued, but can regularly be found used on eBay. The 1D was replaced by the Canon 1D Mark II, while the D-LUX 6 was followed by the Leica D-LUX Typ 109. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Leica websites.
So how do things add up? Is the Canon 1D better than the Leica D-LUX 6 or vice versa? Below is a summary of the relative strengths of each of the two contestants.
Reasons to prefer the Canon EOS-1D:
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/16000s vs 1/4000s) to freeze action.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (500 versus 330) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- More heavily discounted: Has been available for much longer (launched in September 2001).
Advantages of the Leica D-LUX 6:
- More detail: Has more megapixels (10 vs 4.1MP), which boosts linear resolution by 52%.
- Flexible image proportions: Has a multi-aspect sensor that allows for alternative image shapes.
- Broader imaging potential: Can capture not only stills but also 1080/60p video.
- Larger screen: Has a bigger rear LCD (3.0" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (920k vs 120k dots).
- Faster burst: Shoots at higher frequency (11 vs 8 flaps/sec) to capture the decisive moment.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- Ready to shoot: Comes with an integrated lens, while the 1D requires a separate lens.
- More compact: Is smaller (111x68mm vs 156x158mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 1D).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More prestigious: Has the Leica luxury appeal, which ensures a high resale value.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 10 years and 11 months of technical progress since the 1D launch.
If the count of individual advantages (bullet points above) is taken as a guide, the D-LUX 6 emerges as the winner of the match-up (15 : 13 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional sports photographer will view the differences between cameras in a way that diverges from the perspective of a street photog, and a person interested in family portraits has distinct needs from a landscape shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1D and the Leica D-LUX 6 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Travel-Zoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the 1D or the D-LUX 6 perform in practice. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why expert reviews are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 1D»||-||+ +||-||-||-||Sep 2001||6,499||-||Canon 1D|
|Leica D-LUX 6«||-||-||4/5||-||4/5||Sep 2012||699||-||Leica D-LUX 6|
|Canon 1D X Mark II« »||-||89/100||4.5/5||5/5||4.5/5||Feb 2016||5,999||Canon 1D X Mark II|
|Canon 5D Mark IV« »||+ +||87/100||4.5/5||5/5||4.5/5||Aug 2016||3,499||Canon 5D Mark IV|
|Canon G16« »||+||-||4.5/5||4.5/5||4.5/5||Aug 2013||549||Canon G16|
|Canon 1D C« »||-||-||-||-||-||Apr 2012||14,999||-||Canon 1D C|
|Canon 1D X« »||-||-||4.5/5||4.5/5||4.5/5||Oct 2011||6,799||-||Canon 1D X|
|Canon 1D Mark IV« »||-||89/100||-||5/5||-||Oct 2009||4,999||-||Canon 1D Mark IV|
|Canon 1D Mark III« »||-||-||-||o||-||Feb 2007||4,499||-||Canon 1D Mark III|
|Canon 1Ds Mark III« »||-||+ +||4.5/5||-||-||Aug 2007||7,999||-||Canon 1Ds Mark III|
|Canon 1D Mark II N« »||-||-||-||-||-||Aug 2005||3,999||-||Canon 1D Mark II N|
|Canon 1D Mark II« »||-||+ +||-||o||-||Jan 2004||4,499||-||Canon 1D Mark II|
|Canon 1Ds« »||-||+ +||-||-||-||Sep 2002||8,999||-||Canon 1Ds|
|Fujifilm X20« »||+ +||77/100||4.5/5||-||5/5||Jan 2013||599||-||Fujifilm X20|
|Fujifilm X10« »||-||76/100||4/5||3.5/5||4.5/5||Sep 2011||599||-||Fujifilm X10|
|Leica D-LUX 5« »||-||-||4.5/5||-||4/5||Sep 2010||699||-||Leica D-LUX 5|
|Sony RX100 II« »||+ +||79/100||4.5/5||5/5||4.5/5||Jun 2013||749||-||Sony RX100 II|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The above review scores should be interpreted with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparing ratings of very distinct cameras or ones that are far apart in terms of their release date have little meaning. Also, please note that some of the review sites have changed their methodology and reporting over time.
Other camera comparisons
Did this review help to inform your camera decision process? If you would like to see a different side-by-side camera review, just make a corresponding selection in the search boxes below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D Mark II N vs Olympus TG-4
- Canon 1D Mark II N vs Panasonic GF2
- Canon 1D Mark II vs Canon SX710
- Canon 1D Mark II vs Canon T4i
- Canon 1D Mark IV vs Olympus E-420
- Canon 1D X Mark II vs Canon T1i
- Canon 1D X Mark II vs Sony A850
- Canon 1D X vs Canon 450D
- Canon 1D X vs Nikon D70
- Canon 1D vs Canon T3i
- Leica D-LUX 6 vs Leica X Vario
- Leica D-LUX 6 vs Olympus E-520
Specifications: Canon 1D vs Leica D-LUX 6
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1D||Leica D-LUX 6|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||24-90mm f/1.4-2.3|
|Launch Date||September 2001||September 2012|
|Launch Price||USD 6499||USD 699|
|Sensor Specs||Canon 1D||Leica D-LUX 6|
|Sensor Format||APS-H Sensor||1/1.7" Sensor|
|Sensor Size||28.7 x 19.1 mm||7.44 x 5.58 mm|
|Sensor Area||548.17 mm2||41.5152 mm2|
|Sensor Diagonal||34.5 mm||9.3 mm|
|Sensor Resolution||4.1 Megapixels||10 Megapixels|
|Image Resolution||2496 x 1662 pixels||3648 x 2736 pixels|
|Pixel Pitch||11.56 μm||2.05 μm|
|Pixel Density||0.76 MP/cm2||24.04 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||no Video||1080/60p Video|
|ISO Setting||200-1600 ISO||80-6400 ISO|
|ISO Boost||100-3200 ISO||80-12800 ISO|
|Screen Specs||Canon 1D||Leica D-LUX 6|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View|
|Rear LCD Size||2.0 inch||3.0 inch|
|LCD Resolution||120k dots||920k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon 1D||Leica D-LUX 6|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||8 shutter flaps/s||11 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CF cards||SDXC cards|
|Second Storage Option||Single card slot||Single card slot|
|Connectivity Specs||Canon 1D||Leica D-LUX 6|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||Firewire||USB 2.0|
|HDMI Port||no HDMI||mini HDMI|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 1D||Leica D-LUX 6|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||500 shots per charge||330 shots per charge|
156 x 158 x 80 mm
(6.1 x 6.2 x 3.1 in)
111 x 68 x 46 mm
(4.4 x 2.7 x 1.8 in)
|Camera Weight||1585 g (55.9 oz)||298 g (10.5 oz)|
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