Canon 1D versus Fujifilm GFX 50S
The Canon EOS-1D and the Fujifilm GFX 50S are two professional cameras that were revealed to the public, respectively, in September 2001 and September 2016. The 1D is a DSLR, while the GFX is a mirrorless interchangeable lens camera. The cameras are based on an APS-H (1D) and a medium format (GFX) sensor. The Canon has a resolution of 4.1 megapixel, whereas the Fujifilm provides 51.1 MP. Read on to find out how these two cameras compare with respect to their size, their sensors, their features, and their reception by expert reviewers.
Body comparison: Canon 1D vs Fujifilm GFX 50S
An illustration of the physical size and weight of the Canon 1D and the Fujifilm GFX 50S is provided in the side-by-side display below. Three consecutive perspectives from the front, the top, and the back are presented. All size dimensions are rounded to the nearest millimeter. If you prefer, you can also use the toggle button to switch to a comparison in percentage terms (in this case, the camera on the left side – the 1D – represents the basis for the calculations across all the size and weight measures).
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Fujifilm GFX 50S is considerably smaller (44 percent) than the Canon 1D. Moreover, the GFX is substantially lighter (53 percent) than the 1D. In this context, it is worth noting that both cameras are splash and dust-proof and can, hence, be used in inclement weather conditions or harsh environments.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. Hence, you might want to study the specifications of available lenses in order to get the full picture of the size and weight of the two camera systems.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Camera Body Specifications
|Canon 1D (⇒ rgt)||6.1 in||6.2 in||3.1 in||55.9 oz||500||YES||2001||6,499||discont.||check|
|Fujifilm GFX 50S (⇒ lft)||5.8 in||3.7 in||3.6 in||26.1 oz||400||YES||2016||6,499||latest||check|
|Canon 5D Mark IV (⇒ lft | rgt)||5.9 in||4.6 in||3.0 in||31.4 oz||900||YES||2016||3,499||latest||check|
|Canon 1D X Mark II (⇒ lft | rgt)||6.2 in||6.6 in||3.3 in||54.0 oz||1210||YES||2016||5,999||latest||check|
|Canon 5DS R (⇒ lft | rgt)||6.0 in||4.6 in||3.0 in||32.8 oz||700||YES||2015||3,699||latest||check|
|Canon 5DS (⇒ lft | rgt)||6.0 in||4.6 in||3.0 in||32.8 oz||700||YES||2015||3,699||latest||check|
|Canon 1D C (⇒ lft | rgt)||6.2 in||6.5 in||3.3 in||54.5 oz||1120||YES||2012||14,999||discont.||check|
|Canon 1D X (⇒ lft | rgt)||6.2 in||6.6 in||3.3 in||54.7 oz||1120||YES||2011||6,799||discont.||check|
|Canon 1Ds Mark III (⇒ lft | rgt)||5.9 in||6.3 in||3.1 in||48.9 oz||1800||YES||2007||7,999||discont.||check|
|Canon 1D Mark II N (⇒ lft | rgt)||6.1 in||6.2 in||3.1 in||55.2 oz||1200||YES||2005||3,999||discont.||check|
|Canon 1D Mark II (⇒ lft | rgt)||6.1 in||6.2 in||3.1 in||54.1 oz||1200||YES||2004||4,499||discont.||check|
|Canon 1Ds (⇒ lft | rgt)||6.1 in||6.2 in||3.1 in||44.6 oz||600||YES||2002||8,999||discont.||check|
|Fujifilm X-Pro2 (⇒ lft | rgt)||5.6 in||3.3 in||1.8 in||17.5 oz||350||YES||2016||1,699||latest||check|
|Fujifilm X-T2 (⇒ lft | rgt)||5.2 in||3.6 in||1.9 in||17.9 oz||340||YES||2016||1,599||latest||check|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The two cameras under review were launched at the same price and fall into the same market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
Sensor comparison: Canon 1D vs Fujifilm GFX 50S
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color depth than smaller pixels in a sensor of the same technological generation. Further, a large sensor camera will give the photographer additional creative options when using shallow depth-of-field to isolate a subject from its background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 1D features an APS-H sensor and the Fujifilm GFX 50S a medium format sensor. The sensor area in the GFX is 165 percent bigger. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.3 and 0.79. The sensor in the 1D has a native 3:2 aspect ratio, while the one in the GFX offers a 4:3 aspect.
With 51.1MP, the GFX offers a higher resolution than the 1D (4.1MP), but the GFX has smaller individual pixels (pixel pitch of 5.33μm versus 11.56μm for the 1D). Yet, the GFX is a much more recent model (by 14 years and 11 months) than the 1D, and its sensor will have benefitted from technological advances during this time that enhance the light gathering capacity of its pixel-units. Coming back to sensor resolution, it should be mentioned that the GFX has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
For most cameras, data on sensor performance has been reported by DXO Mark. This service determines an overall sensor rating, as well as sub-scores for low-light sensitivity ("DXO Sports"), dynamic range ("DXO Landscape"), and color depth ("DXO Portrait"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 1D (⇒ rgt)||APS-H||4.1||2496||1662||no||-||-||-||-|
|Fujifilm GFX 50S (⇒ lft)||MF||51.1||8256||6192||1080/30p||..||..||..||..|
|Canon 5D Mark IV (⇒ lft | rgt)||Full Frame||30.1||6720||4480||4K/30p||24.8||13.6||2995||91|
|Canon 1D X Mark II (⇒ lft | rgt)||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|Canon 5DS R (⇒ lft | rgt)||Full Frame||50.3||8688||5792||1080/60p||24.6||12.4||2308||86|
|Canon 5DS (⇒ lft | rgt)||Full Frame||50.3||8688||5792||1080/60p||24.7||12.4||2381||87|
|Canon 1D C (⇒ lft | rgt)||Full Frame||17.9||5184||3456||4K/24p||-||-||-||-|
|Canon 1D X (⇒ lft | rgt)||Full Frame||17.9||5184||3456||1080/30p||23.8||11.8||2786||82|
|Canon 1Ds Mark III (⇒ lft | rgt)||Full Frame||21.0||5616||3744||no||24.0||12.0||1663||80|
|Canon 1D Mark II N (⇒ lft | rgt)||APS-H||8.2||3504||2336||no||22.3||11.2||975||66|
|Canon 1D Mark II (⇒ lft | rgt)||APS-H||8.2||3504||2336||no||22.3||11.1||1003||66|
|Canon 1Ds (⇒ lft | rgt)||Full Frame||11.0||4064||2704||no||21.8||11.0||954||63|
|Fujifilm X-Pro2 (⇒ lft | rgt)||APS-C||24.0||6000||4000||1080/60p||-||-||-||-|
|Fujifilm X-T2 (⇒ lft | rgt)||APS-C||24.0||6000||4000||4K/30p||-||-||-||-|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The GFX indeed provides for movie recording, while the 1D does not. The highest resolution format that the GFX can use is 1080/30p.
Feature comparison: Canon 1D vs Fujifilm GFX 50S
Apart from body and sensor, cameras can and do differ across a range of features. For example, the 1D has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GFX relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Canon 1D and Fujifilm GFX 50S along with similar information for a selection of comparators. The full specs-sheets can be found in the camera manual or, for example, in the dpreview camera hub.
|Canon 1D (⇒ rgt)||optical||YES||2.0||120||fixed||no||16000||8.0||no||no|
|Fujifilm GFX 50S (⇒ lft)||no||YES||3.2||2360||tilting||YES||4000||3.0||no||no|
|Canon 5D Mark IV (⇒ lft | rgt)||optical||YES||3.2||1620||fixed||YES||8000||7.0||no||no|
|Canon 1D X Mark II (⇒ lft | rgt)||optical||YES||3.2||1620||fixed||YES||8000||16.0||no||no|
|Canon 5DS R (⇒ lft | rgt)||optical||YES||3.2||1040||fixed||no||8000||5.0||no||no|
|Canon 5DS (⇒ lft | rgt)||optical||YES||3.2||1040||fixed||no||8000||5.0||no||no|
|Canon 1D C (⇒ lft | rgt)||optical||YES||3.2||1040||fixed||no||8000||14.0||no||no|
|Canon 1D X (⇒ lft | rgt)||optical||YES||3.2||1040||fixed||no||8000||14.0||no||no|
|Canon 1Ds Mark III (⇒ lft | rgt)||optical||YES||3.0||230||fixed||no||8000||5.0||no||no|
|Canon 1D Mark II N (⇒ lft | rgt)||optical||YES||2.5||230||fixed||no||8000||8.5||no||no|
|Canon 1D Mark II (⇒ lft | rgt)||optical||YES||2.0||230||fixed||no||8000||8.3||no||no|
|Canon 1Ds (⇒ lft | rgt)||optical||YES||2.0||120||fixed||no||8000||3.0||no||no|
|Fujifilm X-Pro2 (⇒ lft | rgt)||2360||no||3.0||1620||fixed||no||8000||8.0||no||no|
|Fujifilm X-T2 (⇒ lft | rgt)||2360||no||3.0||1040||tilting||no||8000||14.0||no||no|
The GFX is a current model that online retailers, such as amazon, will have in stock. In contrast, the 1D has been discontinued (but it can be found pre-owned on eBay). As a replacement in the same line of cameras, the 1D was succeeded by the Canon 1D Mark II.
Review summary: Canon 1D vs Fujifilm GFX 50S
So how do things add up? Which of the two cameras – the Canon 1D or the Fujifilm GFX 50S – has the upper hand? The listing below highlights the relative strengths of the two models.
Advantages of the Canon EOS-1D:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Easier framing: Has an optical viewfinder for image framing and settings control.
- Faster shutter: Has higher mechanical shutter speed (16000/sec vs 4000/sec) to freeze action.
- Faster burst: Shoots at higher frequency (8 vs 3 flaps/sec) to capture the decisive moment.
- Longer lasting: Can take more shots (500 versus 400) on a single battery charge.
- More heavily discounted: Has been available for much longer (launched in September 2001).
Arguments in favor of the Fujifilm GFX 50S:
- More detail: Has more megapixels (51.1 vs 4.1MP), which boosts linear resolution by 244%.
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Better image quality: Is equipped with a larger and more technologically advanced sensor.
- Broader imaging potential: Can capture not only stills but also 1080/30p video.
- Larger screen: Has a bigger rear LCD (3.2" vs 2.0") for image review and settings control.
- More detailed LCD: Has a higher resolution rear screen (2360k vs 120k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More compact: Is smaller (148x94mm vs 156x158mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 845g or 53 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- More modern: Reflects 14 years and 11 months of technical progress since the 1D launch.
If the count of relative strengths (bullet points above) is taken as a measure, the GFX is the clear winner of the contest (12 : 6 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the 1D or the GFX handle or perform in practice. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate. This is why expert reviews are important. The adjacent table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, photographyblog). The full reviews are available by clicking on the site logo in the table header.
|Canon 1D (⇒ rgt)||-||HiRec||-||-||-||2001||6,499||discont.||check|
|Fujifilm GFX 50S (⇒ lft)||-||85/100 Gold||5/5||5/5||4.5/5||2016||6,499||latest||check|
|Canon 5D Mark IV (⇒ lft | rgt)||HiRec||87/100 Gold||4.5/5||5/5||4.5/5||2016||3,499||latest||check|
|Canon 1D X Mark II (⇒ lft | rgt)||-||89/100 Gold||4.5/5||5/5||4.5/5||2016||5,999||latest||check|
|Canon 5DS R (⇒ lft | rgt)||Rec||83/100 Silver||5/5||5/5||4.5/5||2015||3,699||latest||check|
|Canon 5DS (⇒ lft | rgt)||Rec||83/100 Silver||4.5/5||5/5||4.5/5||2015||3,699||latest||check|
|Canon 1D C (⇒ lft | rgt)||-||-||-||-||-||2012||14,999||discont.||check|
|Canon 1D X (⇒ lft | rgt)||-||-||4.5/5||4.5/5||4.5/5||2011||6,799||discont.||check|
|Canon 1Ds Mark III (⇒ lft | rgt)||-||HiRec||4.5/5||-||-||2007||7,999||discont.||check|
|Canon 1D Mark II N (⇒ lft | rgt)||-||-||-||-||-||2005||3,999||discont.||check|
|Canon 1D Mark II (⇒ lft | rgt)||-||HiRec||-||reviewed||-||2004||4,499||discont.||check|
|Canon 1Ds (⇒ lft | rgt)||-||HiRec||-||-||-||2002||8,999||discont.||check|
|Fujifilm X-Pro2 (⇒ lft | rgt)||Rec||83/100 Silver||4.5/5||4.5/5||4.5/5||2016||1,699||latest||check|
|Fujifilm X-T2 (⇒ lft | rgt)||HiRec||86/100 Gold||4.5/5||5/5||5/5||2016||1,599||latest||check|
The above review scores should be interpreted with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
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