Canon 1D Mark IV vs Sony H200
The Canon EOS-1D Mark IV and the Sony Cyber-shot DSC-H200 are two digital cameras that were revealed to the public, respectively, in October 2009 and January 2013. The 1D Mark IV is a DSLR, while the H200 is a fixed lens compact. The cameras are based on an APS-H (1D Mark IV) and a 1/2.3-inch (H200) sensor. The Canon has a resolution of 16 megapixels, whereas the Sony provides 15.2 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 1D Mark IV||Sony H200|
|Digital single lens reflex||Fixed lens compact camera|
|Canon EF mount lenses||24-633mm f/3.1-5.9|
|16 MP, APS-H Sensor||15.2 MP, 1/2.3" Sensor|
|1080/30p Video||720/30p Video|
|ISO 100-12800 (50-102400)||ISO 100-3200|
|Optical viewfinder||No viewfinder, LCD framing|
|3.0" LCD, 920k dots||3.0" LCD, 460k dots|
|Fixed screen (not touch-sensitive)||Fixed screen (not touch-sensitive)|
|10 shutter flaps per second||0.8 shutter flaps per second|
|Weathersealed body||Not weather sealed|
|1500 shots per battery charge||240 shots per battery charge|
|156 x 157 x 80 mm, 1230 g||123 x 83 x 87 mm, 530 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1D Mark IV and the Sony Cyber-shot DSC-H200? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The physical size and weight of the Canon 1D Mark IV and the Sony H200 are illustrated in the side-by-side display below. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Sony H200 is considerably smaller (58 percent) than the Canon 1D Mark IV. It is worth mentioning in this context that the 1D Mark IV is splash and dust resistant, while the H200 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete and possibly misleading, as the H200 has a lens built in, whereas the 1D Mark IV is an interchangeable lens camera that requires a separate lens. Attaching the latter will add extra weight and bulk to the setup. You can compare the optics available for the 1D Mark IV and their specifications in the Canon EF Lens Catalog.
As can be seen in the images above, the 1D Mark IV has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 1D Mark IV»||6.1 in||6.2 in||3.1 in||43.4 oz||1500||Y||Oct 2009||4,999||-||Canon 1D Mark IV|
|Sony H200«||4.8 in||3.3 in||3.4 in||18.7 oz||240||n||Jan 2013||249||Sony H200|
|Canon 1D X Mark II« »||6.2 in||6.6 in||3.3 in||54.0 oz||1210||Y||Feb 2016||5,999||Canon 1D X Mark II|
|Canon SX520« »||4.7 in||3.2 in||3.6 in||15.6 oz||210||n||Jul 2014||399||-||Canon SX520|
|Canon 1D X« »||6.2 in||6.6 in||3.3 in||54.7 oz||1120||Y||Oct 2011||6,799||-||Canon 1D X|
|Canon 60D« »||5.7 in||4.2 in||3.1 in||26.6 oz||1100||Y||Aug 2010||1,399||-||Canon 60D|
|Canon 7D« »||5.8 in||4.4 in||2.9 in||30.3 oz||800||Y||Sep 2009||1,699||-||Canon 7D|
|Canon 5D Mark II« »||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 1D Mark III« »||6.1 in||6.2 in||3.1 in||40.7 oz||2200||Y||Feb 2007||4,499||-||Canon 1D Mark III|
|Canon 1D Mark II« »||6.1 in||6.2 in||3.1 in||54.1 oz||1200||Y||Jan 2004||4,499||-||Canon 1D Mark II|
|Canon 1Ds Mark II« »||6.1 in||6.2 in||3.1 in||42.9 oz||1200||Y||Sep 2004||7,999||-||Canon 1Ds Mark II|
|Nikon B500« »||4.5 in||3.1 in||3.7 in||19.1 oz||600||n||Jan 2016||299||-||Nikon B500|
|Nikon L840« »||4.4 in||3.1 in||3.8 in||19.0 oz||590||n||Feb 2015||299||-||Nikon L840|
|Nikon D4« »||6.3 in||6.2 in||3.6 in||47.3 oz||2600||Y||Jan 2012||5,999||-||Nikon D4|
|Nikon D3S« »||6.3 in||6.2 in||3.5 in||43.7 oz||4200||Y||Oct 2009||5,199||-||Nikon D3S|
|Sony H400« »||5.1 in||3.7 in||4.8 in||22.2 oz||300||n||Feb 2014||319||Sony H400|
|Sony H300« »||5.0 in||3.5 in||3.6 in||20.8 oz||350||n||Feb 2014||219||Sony H300|
|Note: Measurements and pricing do not include easily detachable parts, such as interchangeable lenses or optional viewfinders.|
The price is, of course, an important factor in any camera decision. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The H200 was launched at a lower price than the 1D Mark IV, despite having a lens built in. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The size of the imaging sensor is a crucial determinant of image quality. A large sensor will tend to have larger individual pixels that provide better low-light sensitivity, wider dynamic range, and richer color-depth than smaller pixel-units in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors are more costly to manufacture and tend to lead to bigger and heavier cameras and lenses.
Of the two cameras under consideration, the Canon 1D Mark IV features an APS-H sensor and the Sony H200 a 1/2.3-inch sensor. The sensor area in the H200 is 95 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.3 and 5.6. The sensor in the 1D Mark IV has a native 3:2 aspect ratio, while the one in the H200 offers a 4:3 aspect.
With 16MP, the 1D Mark IV offers a slightly higher resolution than the H200 (15.2MP), but the 1D Mark IV nevertheless has larger individual pixels (pixel pitch of 5.70μm versus 1.36μm for the H200) due to its larger sensor. However, the H200 is a much more recent model (by 3 years and 2 months) than the 1D Mark IV, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels. Coming back to sensor resolution, it should be mentioned that the H200 has no anti-alias filter installed, so that it can capture all the detail its sensor resolves.
The Canon EOS-1D Mark IV has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Sony Cyber-shot DSC-H200 are ISO 100 to ISO 3200 (no boost).
Consistent information on actual sensor performance is available from DXO Mark for many cameras. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The adjacent table reports on the physical sensor characteristics and the outcomes of the DXO sensor quality tests for a sample of comparator-cameras.
|Canon 1D Mark IV»||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74||Canon 1D Mark IV|
|Sony H200«||1/2.3||15.2||5184||2930||720/30p||-||-||-||-||Sony H200|
|Canon 1D X Mark II« »||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88||Canon 1D X Mark II|
|Canon SX520« »||1/2.3||15.9||4608||3456||1080/30p||-||-||-||-||Canon SX520|
|Canon 1D X« »||Full Frame||17.9||5184||3456||1080/30p||23.8||11.8||2786||82||Canon 1D X|
|Canon 60D« »||APS-C||17.9||5184||3456||1080/30p||22.2||11.5||813||66||Canon 60D|
|Canon 7D« »||APS-C||17.9||5184||3456||1080/30p||22.0||11.7||854||66||Canon 7D|
|Canon 5D Mark II« »||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79||Canon 5D Mark II|
|Canon 1D Mark III« »||APS-H||10.1||3888||2592||-||22.7||11.7||1078||71||Canon 1D Mark III|
|Canon 1D Mark II« »||APS-H||8.2||3504||2336||-||22.3||11.1||1003||66||Canon 1D Mark II|
|Canon 1Ds Mark II« »||Full Frame||16.6||4992||3328||-||23.3||11.3||1480||74||Canon 1Ds Mark II|
|Nikon B500« »||1/2.3||15.9||4608||3456||1080/60i||-||-||-||-||Nikon B500|
|Nikon L840« »||1/2.3||15.9||4608||3456||1080/60i||-||-||-||-||Nikon L840|
|Nikon D4« »||Full Frame||16.2||4928||3280||1080/30p||24.7||13.1||2965||89||Nikon D4|
|Nikon D3S« »||Full Frame||12.1||4256||2832||720/24p||23.5||12.0||3253||82||Nikon D3S|
|Sony H400« »||1/2.3||19.9||5152||3864||720/30p||-||-||-||-||Sony H400|
|Sony H300« »||1/2.3||19.9||5152||3864||720/30p||-||-||-||-||Sony H300|
Many modern cameras cannot only take still pictures, but also record videos. Both cameras under consideration are equipped with sensors that have a sufficiently high read-out speed for moving images, but the 1D Mark IV provides a higher video resolution than the H200. It can shoot video footage at 1080/30p, while the Sony is limited to 720/30p.
Beyond body and sensor, cameras can and do differ across a range of features. For example, the 1D Mark IV has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the H200 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Canon 1D Mark IV and Sony H200 along with similar information for a selection of comparators.
|Canon 1D Mark IV»||optical||Y||3.0||920||fixed||n||1/8000s||10.0||n||n||Canon 1D Mark IV|
|Sony H200«||-||n||3.0||460||fixed||n||1/1500s||0.8||Y||Y||Sony H200|
|Canon 1D X Mark II« »||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n||Canon 1D X Mark II|
|Canon SX520« »||-||n||3.0||461||fixed||n||1/2000s||1.6||Y||Y||Canon SX520|
|Canon 1D X« »||optical||Y||3.2||1040||fixed||n||1/8000s||14.0||n||n||Canon 1D X|
|Canon 60D« »||optical||Y||3.0||1040||swivel||n||1/8000s||5.3||Y||n||Canon 60D|
|Canon 7D« »||optical||Y||3.0||920||fixed||n||1/8000s||8.0||Y||n||Canon 7D|
|Canon 5D Mark II« »||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n||Canon 5D Mark II|
|Canon 1D Mark III« »||optical||Y||3.0||230||fixed||n||1/8000s||10.0||n||n||Canon 1D Mark III|
|Canon 1D Mark II« »||optical||Y||2.0||230||fixed||n||1/8000s||8.3||n||n||Canon 1D Mark II|
|Canon 1Ds Mark II« »||optical||Y||2.0||230||fixed||n||1/8000s||4.0||n||n||Canon 1Ds Mark II|
|Nikon B500« »||-||n||3.0||921||tilting||n||1/4000s||7.4||Y||Y||Nikon B500|
|Nikon L840« »||-||n||3.0||921||tilting||n||1/4000s||7.4||Y||Y||Nikon L840|
|Nikon D4« »||optical||Y||3.2||921||fixed||n||1/8000s||11.0||n||n||Nikon D4|
|Nikon D3S« »||optical||Y||3.0||921||fixed||n||1/8000s||11.0||n||n||Nikon D3S|
|Sony H400« »||210||n||3.0||460||fixed||n||1/2000s||0.7||Y||Y||Sony H400|
|Sony H300« »||-||n||3.0||460||fixed||n||1/1500s||0.8||Y||Y||Sony H300|
One feature that is present on the 1D Mark IV, but is missing on the H200 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The 1D Mark IV writes its imaging data to Compact Flash or SDHC cards, while the H200 uses SDXC or Memory Stick PRO Duo cards. The 1D Mark IV features dual card slots, which can be very useful in case a memory card fails. In contrast, the H200 only has one slot.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D Mark IV and Sony Cyber-shot DSC-H200 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
|Canon 1D Mark IV»||Y||stereo||-||Y||-||mini||2.0||-||-||-||Canon 1D Mark IV|
|Sony H200«||-||mono||mono||-||-||-||2.0||-||-||-||Sony H200|
|Canon 1D X Mark II« »||Y||mono||mono||Y||Y||mini||3.0||-||-||-||Canon 1D X Mark II|
|Canon SX520« »||-||stereo||mono||-||-||mini||2.0||-||-||-||Canon SX520|
|Canon 1D X« »||Y||mono||-||Y||-||mini||2.0||-||-||-||Canon 1D X|
|Canon 60D« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 60D|
|Canon 7D« »||Y||mono||-||Y||-||mini||2.0||-||-||-||Canon 7D|
|Canon 5D Mark II« »||Y||mono||mono||Y||-||mini||2.0||-||-||-||Canon 5D Mark II|
|Canon 1D Mark III« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1D Mark III|
|Canon 1D Mark II« »||Y||-||-||-||-||-||1.1||-||-||-||Canon 1D Mark II|
|Canon 1Ds Mark II« »||Y||-||-||-||-||-||2.0||-||-||-||Canon 1Ds Mark II|
|Nikon B500« »||-||stereo||mono||-||-||micro||2.0||Y||Y||Y||Nikon B500|
|Nikon L840« »||-||stereo||mono||-||-||micro||2.0||Y||Y||-||Nikon L840|
|Nikon D4« »||Y||mono||mono||-||-||micro||2.0||-||-||-||Nikon D4|
|Nikon D3S« »||Y||stereo||-||-||-||mini||2.0||-||-||-||Nikon D3S|
|Sony H400« »||-||mono||mono||-||-||micro||2.0||Y||-||-||Sony H400|
|Sony H300« »||-||mono||mono||-||-||micro||2.0||Y||-||-||Sony H300|
It is notable that the 1D Mark IV has a hotshoe, while the H200 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Canon 1D Mark IV (unlike the H200) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
The H200 is a recent model that features in the current product line-up of Sony. In contrast, the 1D Mark IV has been discontinued (but it can be found pre-owned on eBay). There has not been a direct replacement model for the 1D Mark IV from Canon. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Sony websites.
So how do things add up? Is there a clear favorite between the Canon 1D Mark IV and the Sony H200? Which camera is better? The listing below highlights the relative strengths of the two models.
Arguments in favor of the Canon EOS-1D Mark IV:
- Better moiré control: Has an anti-alias filter to avoid artificial patterns to appear in images.
- Better image quality: Features bigger pixels on a larger sensor for higher quality imaging.
- Richer colors: The pixel size advantage translates into images with better, more accurate colors.
- More dynamic range: Larger pixels capture a wider spectrum of light and dark details.
- Better low-light sensitivity: Larger pixels means good image quality even under poor lighting.
- Better video: Provides higher definition movie capture (1080/30p vs 720/30p).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More detailed LCD: Has a higher resolution rear screen (920k vs 460k dots).
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/1500s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 0.8 flaps/sec) to capture the decisive moment.
- More flexible: Can take a variety of interchangeable lenses, including specialty optics.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (1500 versus 240) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in October 2009).
Advantages of the Sony Cyber-shot DSC-H200:
- Maximized detail: Lacks an anti-alias filter to exploit the sensor's full resolution potential.
- Ready to shoot: Comes with an integrated lens, while the 1D Mark IV requires a separate lens.
- More compact: Is smaller (123x83mm vs 156x157mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight even though it has a lens built in (unlike the 1D Mark IV).
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- More affordable: Was introduced at a lower price, despite coming with a built-in lens.
- More modern: Reflects 3 years and 2 months of technical progress since the 1D Mark IV launch.
If the number of relative strengths (bullet points above) is taken as a guide, the 1D Mark IV is the clear winner of the match-up (20 : 8 points). However, the relative importance of the various individual camera aspects will vary according to personal preferences and needs, so that you might like to apply corresponding weights to the particular features before making a decision on a new camera. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1D Mark IV and the Sony H200 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Superzoom Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains partial and cannot reveal, for example, the shooting experience and imaging performance when actually working with the 1D Mark IV or the H200. User reviews that are available, for instance, at amazon can sometimes shed light on these issues, but such feedback is all too often partial, inconsistent, and inaccurate.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 1D Mark IV»||-||89/100||-||5/5||-||Oct 2009||4,999||-||Canon 1D Mark IV|
|Sony H200«||-||-||3.5/5||-||3.5/5||Jan 2013||249||Sony H200|
|Canon 1D X Mark II« »||-||89/100||4.5/5||5/5||4.5/5||Feb 2016||5,999||Canon 1D X Mark II|
|Canon SX520« »||+||-||3.5/5||-||3.5/5||Jul 2014||399||-||Canon SX520|
|Canon 1D X« »||-||-||4.5/5||4.5/5||4.5/5||Oct 2011||6,799||-||Canon 1D X|
|Canon 60D« »||+||79/100||4/5||5/5||4.5/5||Aug 2010||1,399||-||Canon 60D|
|Canon 7D« »||+ +||84/100||4.5/5||5/5||4.5/5||Sep 2009||1,699||-||Canon 7D|
|Canon 5D Mark II« »||91/100||79/100||4/5||5/5||-||Sep 2008||3,499||-||Canon 5D Mark II|
|Canon 1D Mark III« »||-||-||-||o||-||Feb 2007||4,499||-||Canon 1D Mark III|
|Canon 1D Mark II« »||-||+ +||-||o||-||Jan 2004||4,499||-||Canon 1D Mark II|
|Canon 1Ds Mark II« »||-||+ +||-||-||-||Sep 2004||7,999||-||Canon 1Ds Mark II|
|Nikon B500« »||+||-||4/5||-||3.5/5||Jan 2016||299||-||Nikon B500|
|Nikon L840« »||+ +||-||3.5/5||-||4/5||Feb 2015||299||-||Nikon L840|
|Nikon D4« »||-||-||4.5/5||-||4.5/5||Jan 2012||5,999||-||Nikon D4|
|Nikon D3S« »||-||89/100||4.5/5||5/5||5/5||Oct 2009||5,199||-||Nikon D3S|
|Sony H400« »||o||-||3.5/5||-||3.5/5||Feb 2014||319||Sony H400|
|Sony H300« »||+||-||4.5/5||-||4/5||Feb 2014||219||Sony H300|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (-) not available.|
The review scores listed above should be treated with care, though. The ratings are only valid when referring to cameras in the same category and of the same age. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. Also, kindly note that some of the listed sites have over time developped their review approaches and their reporting style.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D Mark IV vs Leica S2
- Canon 1D Mark IV vs Panasonic GF5
- Canon 1D Mark IV vs Panasonic LX10
- Canon 1D Mark IV vs Panasonic ZS200
- Canon XS vs Sony H200
- Nikon D5 vs Sony H200
- Nikon D7200 vs Sony H200
- Nikon W150 vs Sony H200
- Panasonic LX100 vs Sony H200
- Sony A6500 vs Sony H200
- Sony H200 vs Sony RX100 V
- Sony H200 vs Zeiss ZX1
Specifications: Canon 1D Mark IV vs Sony H200
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1D Mark IV||Sony H200|
|Camera Type||Digital single lens reflex||Fixed lens compact camera|
|Camera Lens||Canon EF mount lenses||24-633mm f/3.1-5.9|
|Launch Date||October 2009||January 2013|
|Launch Price||USD 4999||USD 249|
|Sensor Specs||Canon 1D Mark IV||Sony H200|
|Sensor Format||APS-H Sensor||1/2.3" Sensor|
|Sensor Size||27.9 x 18.6 mm||6.17 x 4.55 mm|
|Sensor Area||518.94 mm2||28.0735 mm2|
|Sensor Diagonal||33.5 mm||7.7 mm|
|Sensor Resolution||16 Megapixels||15.2 Megapixels|
|Image Resolution||4896 x 3264 pixels||5184 x 2930 pixels|
|Pixel Pitch||5.70 μm||1.36 μm|
|Pixel Density||3.08 MP/cm2||54.10 MP/cm2|
|Moiré control||Anti-Alias filter||no AA filter|
|Movie Capability||1080/30p Video||720/30p Video|
|ISO Setting||100-12800 ISO||100-3200 ISO|
|ISO Boost||50-102400 ISO||no Enhancement|
|Image Processor||DIGIC IV||BIONZ|
|DXO Sensor Quality (score)||74||..|
|DXO Color Depth (bits)||22.8||..|
|DXO Dynamic Range (EV)||12.0||..|
|DXO Low Light (ISO)||1320||..|
|Screen Specs||Canon 1D Mark IV||Sony H200|
|Viewfinder Type||Optical viewfinder||No viewfinder|
|Viewfinder Field of View||100%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0 inch||3.0 inch|
|LCD Resolution||920k dots||460k dots|
|LCD Attachment||Fixed screen||Fixed screen|
|Shooting Specs||Canon 1D Mark IV||Sony H200|
|Autofocus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||10 shutter flaps/s||0.8 shutter flaps/s|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CF or SDHC cards||MS or SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||no||no|
|Connectivity Specs||Canon 1D Mark IV||Sony H200|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||no HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||no Wifi||no Wifi|
|Body Specs||Canon 1D Mark IV||Sony H200|
|Environmental Sealing||Weathersealed body||Not weather sealed|
|Battery Life (CIPA)||1500 shots per charge||240 shots per charge|
156 x 157 x 80 mm
(6.1 x 6.2 x 3.1 in)
123 x 83 x 87 mm
(4.8 x 3.3 x 3.4 in)
|Camera Weight||1230 g (43.4 oz)||530 g (18.7 oz)|
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