Canon 1D Mark IV vs Panasonic GF6
The Canon EOS-1D Mark IV and the Panasonic Lumix DMC-GF6 are two digital cameras that were revealed to the public, respectively, in October 2009 and April 2013. The 1D Mark IV is a DSLR, while the GF6 is a mirrorless interchangeable lens camera. The cameras are based on an APS-H (1D Mark IV) and a Four Thirds (GF6) sensor. The Canon has a resolution of 16 megapixels, whereas the Panasonic provides 15.8 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 1D Mark IV||Panasonic GF6|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Micro Four Thirds lenses|
|16 MP, APS-H Sensor||15.8 MP, Four Thirds Sensor|
|1080/30p Video||1080/60i Video|
|ISO 100-12,800 (50 - 102,400)||ISO 160-12,800 (160 - 25,600)|
|Optical viewfinder||No viewfinder, LCD framing|
|3.0 LCD, 920k dots||3.0 LCD, 1040k dots|
|Fixed screen (not touch-sensitive)||Tilting touchscreen|
|10 shutter flaps per second||4.2 shutter flaps per second|
|Weathersealed body||not weather sealed|
|1500 shots per battery charge||340 shots per battery charge|
|156 x 157 x 80 mm, 1230 g||111 x 65 x 38 mm, 323 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1D Mark IV and the Panasonic Lumix DMC-GF6? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 1D Mark IV and the Panasonic GF6. The two cameras are presented according to their relative size. Three successive views from the front, the top, and the rear are shown. All width, height and depth dimensions are rounded to the nearest millimeter.
The GF6 can be obtained in four different colors (black, brown, red, white), while the 1D Mark IV is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Panasonic GF6 is considerably smaller (71 percent) than the Canon 1D Mark IV. Moreover, the GF6 is substantially lighter (74 percent) than the 1D Mark IV. It is worth mentioning in this context that the 1D Mark IV is splash and dust resistant, while the GF6 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (1D Mark IV) and the Micro Four Thirds Lens Catalog (GF6). Mirrorless cameras, such as the GF6, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the 1D Mark IV gets 1500 shots out of its LP-E4 battery, while the GF6 can take 340 images on a single charge of its DMW-BLG10 power pack. As can be seen in the images above, the 1D Mark IV has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The following table provides a synthesis of the main physical specifications of the two cameras and other similar ones. If you would like to visualize and compare a different camera combination, just use the right or left arrows in the table to switch to the respective camera. Alternatively, you can also navigate to the CAM-parator app and make your selection from the full list of cameras there.
|Canon 1D Mark IV||6.1 in||6.2 in||3.1 in||43.4 oz||1500||Y||Oct 2009||4,999|
|Panasonic GF6||4.4 in||2.6 in||1.5 in||11.4 oz||340||n||Apr 2013||499|
|Canon 1D X Mark II||6.2 in||6.6 in||3.3 in||54.0 oz||1210||Y||Feb 2016||5,999|
|Canon 1D X||6.2 in||6.6 in||3.3 in||54.7 oz||1120||Y||Oct 2011||6,799|
|Canon 60D||5.7 in||4.2 in||3.1 in||26.6 oz||1100||Y||Aug 2010||1,399|
|Canon 7D||5.8 in||4.4 in||2.9 in||30.3 oz||800||Y||Sep 2009||1,699|
|Canon 5D Mark II||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499|
|Canon 1D Mark III||6.1 in||6.2 in||3.1 in||40.7 oz||2200||Y||Feb 2007||4,499|
|Canon 1D Mark II||6.1 in||6.2 in||3.1 in||54.1 oz||1200||Y||Jan 2004||4,499|
|Canon 1Ds Mark II||6.1 in||6.2 in||3.1 in||42.9 oz||1200||Y||Sep 2004||7,999|
|Nikon D4||6.3 in||6.2 in||3.6 in||47.3 oz||2600||Y||Jan 2012||5,999|
|Nikon D3S||6.3 in||6.2 in||3.5 in||43.7 oz||4200||Y||Oct 2009||5,199|
|Panasonic GF7||4.2 in||2.6 in||1.3 in||9.4 oz||230||n||Jan 2015||499|
|Panasonic G6||4.8 in||3.3 in||2.8 in||13.8 oz||340||n||Apr 2013||599|
|Panasonic GF5||4.3 in||2.6 in||1.5 in||9.4 oz||360||n||Apr 2012||499|
|Panasonic G3||4.5 in||3.3 in||1.9 in||11.9 oz||270||n||May 2011||599|
|Panasonic G1||4.9 in||3.3 in||1.8 in||12.7 oz||410||n||Sep 2008||599|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will naturally be influenced heavily by the price. The listed launch prices provide an indication of the market segment that the manufacturer of the cameras have been targeting. The GF6 was launched at a markedly lower price (by 90 percent) than the 1D Mark IV, which puts it into a different market segment. Usually, retail prices stay at first close to the launch price, but after several months, discounts become available. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down.
The imaging sensor is at the core of digital cameras and its size is one of the main determining factors of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Furthermore, a large sensor camera will give the photographer more possibilities to use shallow depth-of-field in order to isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 1D Mark IV features an APS-H sensor and the Panasonic GF6 a Four Thirds sensor. The sensor area in the GF6 is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.3 and 2.0. The sensor in the 1D Mark IV has a native 3:2 aspect ratio, while the one in the GF6 offers a 4:3 aspect.
With 16MP, the 1D Mark IV offers a slightly higher resolution than the GF6 (15.8MP), but the 1D Mark IV nevertheless has larger individual pixels (pixel pitch of 5.70μm versus 3.77μm for the GF6) due to its larger sensor. However, the GF6 is a much more recent model (by 3 years and 5 months) than the 1D Mark IV, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The Canon EOS-1D Mark IV has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Panasonic Lumix DMC-GF6 are ISO 160 to ISO 12800, with the possibility to increase the ISO range to 160-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service assesses and scores the color depth ("DXO Portrait"), dynamic range ("DXO Landscape"), and low-light sensitivity ("DXO Sports") of camera sensors, and also publishes an overall camera score. Of the two cameras under review, the 1D Mark IV provides substantially higher image quality than the GF6, with an overall score that is 20 points higher. This advantage is based on 2.1 bits higher color depth, 1.4 EV in additional dynamic range, and 1.1 stops in additional low light sensitivity. The table below summarizes the physical sensor characteristics and sensor quality findings and compares them across a set of similar cameras.
|Canon 1D Mark IV||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74|
|Panasonic GF6||Four Thirds||15.8||4592||3448||1080/60i||20.7||10.6||622||54|
|Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|Canon 1D X||Full Frame||17.9||5184||3456||1080/30p||23.8||11.8||2786||82|
|Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|Canon 1D Mark III||APS-H||10.1||3888||2592||none||22.7||11.7||1078||71|
|Canon 1D Mark II||APS-H||8.2||3504||2336||none||22.3||11.1||1003||66|
|Canon 1Ds Mark II||Full Frame||16.6||4992||3328||none||23.3||11.3||1480||74|
|Nikon D4||Full Frame||16.2||4928||3280||1080/30p||24.7||13.1||2965||89|
|Nikon D3S||Full Frame||12.1||4256||2832||720/24p||23.5||12.0||3253||82|
|Panasonic GF7||Four Thirds||15.8||4592||3448||1080/60p||..||..||..||..|
|Panasonic G6||Four Thirds||15.9||4608||3456||1080/60p||21.3||11.5||639||61|
|Panasonic GF5||Four Thirds||12.0||4000||3000||1080/60i||21.4||11.6||618||61|
|Panasonic G3||Four Thirds||15.8||4592||3448||1080/60i||21.0||10.6||667||56|
|Panasonic G1||Four Thirds||12.0||4000||3000||none||21.1||10.3||463||53|
Many modern cameras are not only capable of taking still images, but can also record movies. Both cameras under consideration have a sensor with sufficiently fast read-out times for moving pictures, but the GF6 provides a faster frame rate than the 1D Mark IV. It can shoot movie footage at 1080/60i, while the Canon is limited to 1080/30p.
Apart from body and sensor, cameras can and do differ across a variety of features. For example, the 1D Mark IV has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the GF6 relies on live view and the rear LCD for framing. The adjacent table lists some of the other core features of the Canon 1D Mark IV and Panasonic GF6 along with similar information for a selection of comparators.
|Canon 1D Mark IV||optical||Y||3.0||920||fixed||n||1/8000s||10.0||n||n|
|Canon 1D X Mark II||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n|
|Canon 1D X||optical||Y||3.2||1040||fixed||n||1/8000s||14.0||n||n|
|Canon 5D Mark II||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n|
|Canon 1D Mark III||optical||Y||3.0||230||fixed||n||1/8000s||10.0||n||n|
|Canon 1D Mark II||optical||Y||2.0||230||fixed||n||1/8000s||8.3||n||n|
|Canon 1Ds Mark II||optical||Y||2.0||230||fixed||n||1/8000s||4.0||n||n|
One feature that is present on the 1D Mark IV, but is missing on the GF6 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.The GF6 has an articulated screen that can be turned to be front-facing. This characteristic will be appreciated by vloggers and photographers who are interested in taking selfies. In contrast, the 1D Mark IV does not have a selfie-screen.
The 1D Mark IV writes its imaging data to Compact Flash or SDHC cards, while the GF6 uses SDXC cards. The 1D Mark IV features dual card slots, which can be very useful in case a memory card fails. In contrast, the GF6 only has one slot. The GF6 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the 1D Mark IV cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D Mark IV and Panasonic Lumix DMC-GF6 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Canon 1D Mark IV||Y||stereo||-||Y||-||mini||2.0||-||-||-|
|Canon 1D X Mark II||Y||mono||mono||Y||Y||mini||3.0||-||-||-|
|Canon 1D X||Y||mono||-||Y||-||mini||2.0||-||-||-|
|Canon 5D Mark II||Y||mono||mono||Y||-||mini||2.0||-||-||-|
|Canon 1D Mark III||Y||-||-||-||-||-||2.0||-||-||-|
|Canon 1D Mark II||Y||-||-||-||-||-||1.1||-||-||-|
|Canon 1Ds Mark II||Y||-||-||-||-||-||2.0||-||-||-|
It is notable that the 1D Mark IV has a hotshoe, while the GF6 does not. This socket makes it possible to easily attach optional accessories, such as an external flash gun.
Studio photographers will appreciate that the Canon 1D Mark IV (unlike the GF6) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 1D Mark IV and the GF6 have been discontinued, but can regularly be found used on eBay. The GF6 was replaced by the Panasonic GF7, while the 1D Mark IV does not have a direct successor. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Panasonic websites.
So what is the bottom line? Is the Canon 1D Mark IV better than the Panasonic GF6 or vice versa? A synthesis of the relative strong points of each of the models is listed below.
Arguments in favor of the Canon EOS-1D Mark IV:
- Better image quality: Scores substantially higher (20 points) in the DXO overall assessment.
- Richer colors: Generates images with noticeably better colors (2.1 bits more color depth).
- More dynamic range: Captures a larger spectrum of light and dark details (1.4 EV of extra DR).
- Better low-light sensitivity: Requires less light for good images (1.1 stops ISO advantage).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- Faster shutter: Has higher mechanical shutter speed (1/8000s vs 1/4000s) to freeze action.
- Faster burst: Shoots at higher frequency (10 vs 4.2 flaps/sec) to capture the decisive moment.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (1500 versus 340) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better lighting: Features a hotshoe and can thus hold and trigger an external flash gun.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in October 2009).
Advantages of the Panasonic Lumix DMC-GF6:
- Better video: Provides higher movie framerates (1080/60i versus 1080/30p).
- More detailed LCD: Has a higher resolution rear screen (1040k vs 920k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- More selfie-friendly: Has an articulated screen that can be turned to be front-facing.
- More compact: Is smaller (111x65mm vs 156x157mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 907g or 74 percent) and is thus easier to take along.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Easier device pairing: Supports NFC for fast wireless image transfer over short distances.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced category (90 percent cheaper at launch).
- More modern: Reflects 3 years and 5 months of technical progress since the 1D Mark IV launch.
If the count of relative strengths (bullet points above) is taken as a measure, the 1D Mark IV emerges as the winner of the contest (16 : 14 points). However, the relevance of individual strengths will vary across photographers, so that you might want to apply your own weighing scheme to the summary points when reflecting and deciding on a new camera. A professional wildlife photographer will view the differences between cameras in a way that diverges from the perspective of a family photog, and a person interested in architecture has distinct needs from a sports shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1D Mark IV and the Panasonic GF6 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it remains incomplete and does no justice, for example, to the way the 1D Mark IV or the GF6 perform in practice. At times, user reviews, such as those published at amazon, address these issues in a useful manner, but such feedback is on many occasions incomplete, inconsistent, and unreliable.
This is why hands-on reviews by experts are important. The adjacent summary-table relays the overall verdicts of several of the most popular camera review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 1D Mark IV||..||89/100||..||5/5||..||Oct 2009||4,999|
|Panasonic GF6||+ +||..||4.5/5||..||4.5/5||Apr 2013||499|
|Canon 1D X Mark II||..||89/100||4.5/5||5/5||4.5/5||Feb 2016||5,999|
|Canon 1D X||..||..||4.5/5||4.5/5||4.5/5||Oct 2011||6,799|
|Canon 60D||+||79/100||4/5||5/5||4.5/5||Aug 2010||1,399|
|Canon 7D||+ +||84/100||4.5/5||5/5||4.5/5||Sep 2009||1,699|
|Canon 5D Mark II||91/100||79/100||4/5||5/5||..||Sep 2008||3,499|
|Canon 1D Mark III||..||..||..||o||..||Feb 2007||4,499|
|Canon 1D Mark II||..||+ +||..||o||..||Jan 2004||4,499|
|Canon 1Ds Mark II||..||+ +||..||..||..||Sep 2004||7,999|
|Nikon D4||..||..||4.5/5||..||4.5/5||Jan 2012||5,999|
|Nikon D3S||..||89/100||4.5/5||5/5||5/5||Oct 2009||5,199|
|Panasonic GF7||+||..||4.5/5||4.5/5||4.5/5||Jan 2015||499|
|Panasonic G6||+ +||..||5/5||..||4.5/5||Apr 2013||599|
|Panasonic GF5||..||..||4.5/5||4/5||4.5/5||Apr 2012||499|
|Panasonic G3||+ +||75/100||4.5/5||4.5/5||5/5||May 2011||599|
|Panasonic G1||+ +||70/100||4/5||4.5/5||4.5/5||Sep 2008||599|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The review scores listed above should be treated with care, though. The assessments were made in relation to similar cameras of the same technological generation. Hence, a score should always be seen in the context of the camera's market launch date and its price, and comparisons of ratings among very different cameras or across long time periods have little meaning. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you are interested in seeing how other cameras pair up, just make your choice using the following search menu. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
- Canon 1D Mark IV vs Canon 30D
- Canon 1D Mark IV vs Fujifilm X100F
- Canon 1D Mark IV vs Nikon D70s
- Canon 1D Mark IV vs Panasonic GX85
- Canon 1D Mark IV vs Sony A58
- Canon 1D Mark IV vs Sony A99
- Canon 1D Mark IV vs Sony H200
- Canon 500D vs Panasonic GF6
- Panasonic GF6 vs Panasonic LX7
- Panasonic GF6 vs Sony A5100
- Panasonic GF6 vs Sony A58
- Panasonic GF6 vs Sony A99
Specifications: Canon 1D Mark IV vs Panasonic GF6
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1D Mark IV||Panasonic GF6|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||October 2009||April 2013|
|Launch Price||USD 4,999||USD 499|
|Sensor Specs||Canon 1D Mark IV||Panasonic GF6|
|Sensor Format||APS-H Sensor||Four Thirds Sensor|
|Sensor Size||27.9 x 18.6 mm||17.3 x 13.0 mm|
|Sensor Area||518.94 mm2||224.9 mm2|
|Sensor Diagonal||33.5 mm||21.6 mm|
|Sensor Resolution||16 Megapixels||15.8 Megapixels|
|Image Resolution||4896 x 3264 pixels||4592 x 3448 pixels|
|Pixel Pitch||5.70 μm||3.77 μm|
|Pixel Density||3.08 MP/cm2||7.04 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/60i Video|
|ISO Setting||100 - 12,800 ISO||160 - 12,800 ISO|
|ISO Boost||50 - 102,400 ISO||160 - 25,600 ISO|
|Image Processor||DIGIC IV||Venus FHD|
|DXO Sensor Quality (score)||74||54|
|DXO Color Depth (bits)||22.8||20.7|
|DXO Dynamic Range (EV)||12.0||10.6|
|DXO Low Light (ISO)||1320||622|
|Screen Specs||Canon 1D Mark IV||Panasonic GF6|
|Viewfinder Type||Optical viewfinder||no viewfinder|
|Viewfinder Field of View||100%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||1040k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 1D Mark IV||Panasonic GF6|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Continuous Shooting||10 shutter flaps/s||4.2 shutter flaps/s|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CF or SDHC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon 1D Mark IV||Panasonic GF6|
|External Flash||Hotshoe||no Hotshoe|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||mini HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||no Wifi||Wifi built-in|
|Near-Field Communication||no NFC||NFC built-in|
|Body Specs||Canon 1D Mark IV||Panasonic GF6|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||1500 shots per charge||340 shots per charge|
156 x 157 x 80 mm
(6.1 x 6.2 x 3.1 in)
111 x 65 x 38 mm
(4.4 x 2.6 x 1.5 in)
|Camera Weight||1230 g (43.4 oz)||323 g (11.4 oz)|
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