Canon 1D Mark IV vs Olympus E-P5
The Canon EOS-1D Mark IV and the Olympus PEN E-P5 are two digital cameras that were revealed to the public, respectively, in October 2009 and May 2013. The 1D Mark IV is a DSLR, while the E-P5 is a mirrorless interchangeable lens camera. The cameras are based on an APS-H (1D Mark IV) and a Four Thirds (E-P5) sensor. The Canon has a resolution of 16 megapixels, whereas the Olympus provides 15.9 MP.
Below is an overview of the main specs of the two cameras as a starting point for the comparison.
|Canon 1D Mark IV||Olympus E-P5|
|Digital single lens reflex||Mirrorless system camera|
|Canon EF mount lenses||Micro Four Thirds lenses|
|16 MP, APS-H Sensor||15.9 MP, Four Thirds Sensor|
|1080/30p Video||1080/30p Video|
|ISO 100-12,800 (50 - 102,400)||ISO 200-25,600|
|Optical viewfinder||Viewfinder optional|
|3.0 LCD, 920k dots||3.0 LCD, 1037k dots|
|Fixed screen (not touch-sensitive)||Tilting touchscreen|
|10 shutter flaps per second||9 shutter flaps per second|
|Lens stabilization only||In-body stabilization|
|Weathersealed body||not weather sealed|
|1500 shots per battery charge||330 shots per battery charge|
|156 x 157 x 80 mm, 1230 g||122 x 69 x 37 mm, 420 g|
Going beyond this snapshot of core features and characteristics, what are the differences between the Canon EOS-1D Mark IV and the Olympus PEN E-P5? Which one should you buy? Read on to find out how these two cameras compare with respect to their body size, their imaging sensors, their shooting features, their input-output connections, and their reception by expert reviewers.
The side-by-side display below illustrates the physical size and weight of the Canon 1D Mark IV and the Olympus E-P5. The two cameras are presented according to their relative size. Three consecutive perspectives from the front, the top, and the back are available. All width, height and depth measures are rounded to the nearest millimeter.
The E-P5 can be obtained in three different colors (black, silver, white), while the 1D Mark IV is only available in black.
If the front view area (width x height) of the cameras is taken as an aggregate measure of their size, the Olympus E-P5 is considerably smaller (66 percent) than the Canon 1D Mark IV. Moreover, the E-P5 is substantially lighter (66 percent) than the 1D Mark IV. It is worth mentioning in this context that the 1D Mark IV is splash and dust resistant, while the E-P5 does not feature any corresponding weather-sealing.
The above size and weight comparisons are to some extent incomplete since they do not consider the interchangeable lenses that both of these cameras require. A larger imaging sensor will tend to go along with bigger and heavier lenses, although exceptions exist. You can compare the optics available for the two cameras in the Canon EF Lens Catalog (1D Mark IV) and the Micro Four Thirds Lens Catalog (E-P5). Mirrorless cameras, such as the E-P5, have moreover the advantage that they can use many lenses from other systems via adapters, as they have a relatively short flange to focal plane distance.
Concerning battery life, the 1D Mark IV gets 1500 shots out of its LP-E4 battery, while the E-P5 can take 330 images on a single charge of its BLN-1 power pack. As can be seen in the images above, the 1D Mark IV has a battery grip built in. This facilitates image-taking in portrait orientation and gives it additional battery power.
The table below summarizes the key physical specs of the two cameras alongside a broader set of comparators. If you want to switch the focus of the display and review another camera pair, just select a new right or left comparator from among the camera models in the table. Alternatively, you can also move across to the CAM-parator tool and choose from the broad selection of possible camera comparisons there.
|Canon 1D Mark IV||6.1 in||6.2 in||3.1 in||43.4 oz||1500||Y||Oct 2009||4,999|
|Olympus E-P5||4.8 in||2.7 in||1.5 in||14.8 oz||330||n||May 2013||999|
|Canon 1D X Mark II||6.2 in||6.6 in||3.3 in||54.0 oz||1210||Y||Feb 2016||5,999|
|Canon 1D X||6.2 in||6.6 in||3.3 in||54.7 oz||1120||Y||Oct 2011||6,799|
|Canon 60D||5.7 in||4.2 in||3.1 in||26.6 oz||1100||Y||Aug 2010||1,399|
|Canon 7D||5.8 in||4.4 in||2.9 in||30.3 oz||800||Y||Sep 2009||1,699|
|Canon 5D Mark II||6.0 in||4.5 in||3.0 in||30.0 oz||850||Y||Sep 2008||3,499|
|Canon 1D Mark III||6.1 in||6.2 in||3.1 in||40.7 oz||2200||Y||Feb 2007||4,499|
|Canon 1D Mark II||6.1 in||6.2 in||3.1 in||54.1 oz||1200||Y||Jan 2004||4,499|
|Canon 1Ds Mark II||6.1 in||6.2 in||3.1 in||42.9 oz||1200||Y||Sep 2004||7,999|
|Nikon D4||6.3 in||6.2 in||3.6 in||47.3 oz||2600||Y||Jan 2012||5,999|
|Nikon D3S||6.3 in||6.2 in||3.5 in||43.7 oz||4200||Y||Oct 2009||5,199|
|Olympus PEN-F||4.9 in||2.8 in||1.5 in||15.1 oz||330||n||Jan 2016||1,199|
|Olympus E-M10 II||4.7 in||3.3 in||1.9 in||13.8 oz||320||n||Aug 2015||649|
|Olympus E-M10||4.7 in||3.2 in||1.8 in||14.0 oz||320||n||Jan 2014||699|
|Olympus E-M1||5.1 in||3.7 in||2.5 in||17.5 oz||350||Y||Sep 2013||1,399|
|Panasonic GX7||4.8 in||2.8 in||2.2 in||14.2 oz||350||n||Aug 2013||999|
Notes: Measurements and pricing do not include easily detachable parts, such as add-on or interchangeable lenses or optional viewfinders.
(1) Number of images that can be taken on a full battery charge according to the CIPA-standard; (2) Official announcement.
Any camera decision will naturally be influenced heavily by the price. The retail prices at the time of the camera’s release place the model in the market relative to other models in the producer’s line-up and the competition. The E-P5 was launched at a markedly lower price (by 80 percent) than the 1D Mark IV, which puts it into a different market segment. Normally, street prices remain initially close to the MSRP, but after a couple of months, the first discounts appear. Later in the product cycle and, in particular, when the replacement model is about to appear, further discounting and stock clearance sales often push the camera price considerably down. Then, after the new model is out, very good deals can frequently be found on the pre-owned market.
The size of the sensor inside a digital camera is one of the key determinants of image quality. A large sensor will generally have larger individual pixels that offer better low-light sensitivity, provide wider dynamic range, and have richer color-depth than smaller pixels in a sensor of the same technological generation. Moreover, a large sensor camera will give the photographer more control over depth-of-field in the image and, thus, the ability to better isolate a subject from the background. On the downside, larger sensors tend to be associated with larger, more expensive camera bodies and lenses.
Of the two cameras under consideration, the Canon 1D Mark IV features an APS-H sensor and the Olympus E-P5 a Four Thirds sensor. The sensor area in the E-P5 is 57 percent smaller. As a result of these sensor size differences, the cameras have a format factor of, respectively, 1.3 and 2.0. The sensor in the 1D Mark IV has a native 3:2 aspect ratio, while the one in the E-P5 offers a 4:3 aspect.
With 16MP, the 1D Mark IV offers a slightly higher resolution than the E-P5 (15.9MP), but the 1D Mark IV nevertheless has larger individual pixels (pixel pitch of 5.70μm versus 3.76μm for the E-P5) due to its larger sensor. However, the E-P5 is a much more recent model (by 3 years and 6 months) than the 1D Mark IV, and its sensor will have benefitted from technological advances during this time that further enhance the light gathering capacity of its pixels.
The Canon EOS-1D Mark IV has a native sensitivity range from ISO 100 to ISO 12800, which can be extended to ISO 50-102400. The corresponding ISO settings for the Olympus PEN E-P5 are ISO 200 to ISO 25600, with the possibility to increase the ISO range to 100-25600.
For many cameras, data on sensor performance has been reported by DXO Mark. This service is based on lab testing and assigns an overall score to each camera sensor, as well as ratings for dynamic range ("DXO Landscape"), color depth ("DXO Portrait"), and low-light sensitivity ("DXO Sports"). The Overall DXO ratings for the two cameras under consideration are close, suggesting that they provide similar imaging performance. The following table provides an overview of the physical sensor characteristics, as well as the sensor quality measurements for a selection of comparators.
|Canon 1D Mark IV||APS-H||16.0||4896||3264||1080/30p||22.8||12.0||1320||74|
|Olympus E-P5||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.4||895||72|
|Canon 1D X Mark II||Full Frame||20.0||5472||3648||4K/60p||24.1||13.5||3207||88|
|Canon 1D X||Full Frame||17.9||5184||3456||1080/30p||23.8||11.8||2786||82|
|Canon 5D Mark II||Full Frame||21.0||5616||3744||1080/30p||23.7||11.9||1815||79|
|Canon 1D Mark III||APS-H||10.1||3888||2592||none||22.7||11.7||1078||71|
|Canon 1D Mark II||APS-H||8.2||3504||2336||none||22.3||11.1||1003||66|
|Canon 1Ds Mark II||Full Frame||16.6||4992||3328||none||23.3||11.3||1480||74|
|Nikon D4||Full Frame||16.2||4928||3280||1080/30p||24.7||13.1||2965||89|
|Nikon D3S||Full Frame||12.1||4256||2832||720/24p||23.5||12.0||3253||82|
|Olympus PEN-F||Four Thirds||20.2||5184||3888||1080/60p||23.1||12.4||894||74|
|Olympus E-M10 II||Four Thirds||15.9||4608||3456||1080/60p||23.1||12.5||842||73|
|Olympus E-M10||Four Thirds||15.9||4608||3456||1080/30p||22.8||12.3||884||72|
|Olympus E-M1||Four Thirds||15.9||4608||3456||1080/30p||23.0||12.7||757||73|
|Panasonic GX7||Four Thirds||15.8||4592||3448||1080/60p||22.6||12.2||718||70|
Many modern cameras are not only capable of taking still images, but also of capturing video footage. The two cameras under consideration both have sensors whose read-out speed is fast enough to capture moving pictures, and both provide the same movie specifications (1080/30p).
Beyond body and sensor, cameras can and do differ across a range of features. For example, the 1D Mark IV has an optical viewfinder, which can be very useful when shooting in bright sunlight. In contrast, the E-P5 relies on live view and the rear LCD for framing. That said, the E-P5 can be equipped with an optional viewfinder – the VF-4. The table below summarizes some of the other core capabilities of the Canon 1D Mark IV and Olympus E-P5 in connection with corresponding information for a sample of similar cameras.
|Canon 1D Mark IV||optical||Y||3.0||920||fixed||n||1/8000s||10.0||n||n|
|Canon 1D X Mark II||optical||Y||3.2||1620||fixed||Y||1/8000s||16.0||n||n|
|Canon 1D X||optical||Y||3.2||1040||fixed||n||1/8000s||14.0||n||n|
|Canon 5D Mark II||optical||Y||3.0||920||fixed||n||1/8000s||3.9||n||n|
|Canon 1D Mark III||optical||Y||3.0||230||fixed||n||1/8000s||10.0||n||n|
|Canon 1D Mark II||optical||Y||2.0||230||fixed||n||1/8000s||8.3||n||n|
|Canon 1Ds Mark II||optical||Y||2.0||230||fixed||n||1/8000s||4.0||n||n|
|Olympus E-M10 II||2360||n||3.0||1040||tilting||Y||1/4000s||8.0||Y||Y|
One feature that is present on the 1D Mark IV, but is missing on the E-P5 is a top-level LCD. While being, of course, smaller than the rear screen, the control panel conveys some of the essential shooting information and can be convenient for quick and easy settings verification.
The Olympus E-P5 has an intervalometer built-in. This enables the photographer to capture time lapse sequences, such as flower blooming, a sunset or moon rise, without purchasing an external camera trigger and related software.
The 1D Mark IV writes its imaging data to Compact Flash or SDHC cards, while the E-P5 uses SDXC cards. The 1D Mark IV features dual card slots, which can be very useful in case a memory card fails. In contrast, the E-P5 only has one slot. The E-P5 supports UHS-I cards (Ultra High Speed data transfer of up to 104 MB/s), while the 1D Mark IV cannot take advantage of Ultra High Speed SD cards.
For some imaging applications, the extent to which a camera can communicate with its environment can be an important aspect in the camera decision process. The table below provides an overview of the connectivity of the Canon EOS-1D Mark IV and Olympus PEN E-P5 and, in particular, the interfaces the cameras (and selected comparators) provide for accessory control and data transfer.
| WiFi |
|Canon 1D Mark IV||Y||stereo||-||Y||-||mini||2.0||-||-||-|
|Canon 1D X Mark II||Y||mono||mono||Y||Y||mini||3.0||-||-||-|
|Canon 1D X||Y||mono||-||Y||-||mini||2.0||-||-||-|
|Canon 5D Mark II||Y||mono||mono||Y||-||mini||2.0||-||-||-|
|Canon 1D Mark III||Y||-||-||-||-||-||2.0||-||-||-|
|Canon 1D Mark II||Y||-||-||-||-||-||1.1||-||-||-|
|Canon 1Ds Mark II||Y||-||-||-||-||-||2.0||-||-||-|
|Olympus E-M10 II||Y||stereo||mono||-||-||micro||2.0||Y||-||-|
It is notable that the 1D Mark IV has a microphone port, which is missing on the E-P5. Such an external microphone input can help to substantially improve the quality of audio recordings when a good external microphone is used.
Studio photographers will appreciate that the Canon 1D Mark IV (unlike the E-P5) features a PC Sync socket, so that professional strobe lights can be controlled by the camera.
Both the 1D Mark IV and the E-P5 have been discontinued, but can regularly be found used on eBay. Neither of the two has a direct successor, so they represent the end of the respective camera lines from Canon and Olympus. Further information on the two cameras (e.g. user guides, manuals), as well as related accessories, can be found on the official Canon and Olympus websites.
So what is the bottom line? Is there a clear favorite between the Canon 1D Mark IV and the Olympus E-P5? Which camera is better? The listing below highlights the relative strengths of the two models.
Reasons to prefer the Canon EOS-1D Mark IV:
- Better low-light sensitivity: Requires less light for good images (0.6 stops ISO advantage).
- Better sound: Can connect to an external microphone for higher quality sound recording.
- Easier framing: Has an optical viewfinder for image composition and settings control.
- Easier setting verification: Features an LCD display on top to control shooting parameters.
- More portrait friendly: Features an integrated vertical grip for easier portrait shooting.
- Longer lasting: Can take more shots (1500 versus 330) on a single battery charge.
- Better sealing: Is weather sealed to enable shooting in dusty or wet environments.
- Better studio light control: Has a PC Sync socket to connect to professional strobe lights.
- Greater peace of mind: Features a second card slot as a backup in case of memory card failure.
- More heavily discounted: Has been available for much longer (launched in October 2009).
Advantages of the Olympus PEN E-P5:
- More detailed LCD: Has a higher resolution rear screen (1037k vs 920k dots).
- More flexible LCD: Has a tilting screen for odd-angle shots in landscape orientation.
- Fewer buttons to press: Has a touchscreen to facilitate handling and shooting adjustments.
- Easier time-lapse photography: Has an intervalometer built-in for low frequency shooting.
- More compact: Is smaller (122x69mm vs 156x157mm) and will fit more readily into a bag.
- Less heavy: Has a lower weight (by 810g or 66 percent) and is thus easier to take along.
- Sharper images: Has stabilization technology built-in to reduce the impact of hand-shake.
- More legacy lens friendly: Can use many non-native lenses via adapters.
- Easier fill-in: Has a small integrated flash to brighten shadows of backlit subjects.
- Easier file upload: Has wifi built in for automatic backup or image transfer to the web.
- Faster buffer clearing: Has an SD card interface that supports the UHS-I standard.
- More affordable: Was introduced into a lower priced category (80 percent cheaper at launch).
- More modern: Reflects 3 years and 6 months of technical progress since the 1D Mark IV launch.
If the number of relative strengths (bullet points above) is taken as a guide, the E-P5 emerges as the winner of the match-up (13 : 10 points). However, the pertinence of the various camera strengths will differ across photographers, so that you might want to weigh individual camera traits according to their importance for your own imaging needs before making a camera decision. A professional wedding photographer will view the differences between cameras in a way that diverges from the perspective of a travel photog, and a person interested in cityscapes has distinct needs from a macro shooter. Hence, the decision which camera is best and worth buying is often a very personal one.
How about other alternatives? Do the specifications of the Canon 1D Mark IV and the Olympus E-P5 place the cameras among the top in their class? Find out in the latest Best DSLR Camera and Best Mirrorless Interchangeable Lens Camera listings whether the two cameras rank among the cream of the crop.
In any case, while the comparison of technical specifications can provide a useful overview of the capabilities of different cameras, it says little about, for example, the shooting experience and imaging performance of the 1D Mark IV and the E-P5 in practical situations. User reviews, such as those found at amazon, can sometimes inform about these issues, but such feedback is often incomplete, inconsistent, and biased.
This is why hands-on reviews by experts are important. The table below provides a synthesis of the camera assessments of some of the best known photo-gear review sites (cameralabs, dpreview, ephotozine, imaging-resource, and photographyblog). As can be seen, the professional reviewers agree in many cases on the quality of different cameras, but sometimes their assessments diverge, reinforcing the earlier point that a camera decision is often a very personal choice.
|Canon 1D Mark IV||..||89/100||..||5/5||..||Oct 2009||4,999|
|Olympus E-P5||+ +||78/100||4.5/5||4.5/5||5/5||May 2013||999|
|Canon 1D X Mark II||..||89/100||4.5/5||5/5||4.5/5||Feb 2016||5,999|
|Canon 1D X||..||..||4.5/5||4.5/5||4.5/5||Oct 2011||6,799|
|Canon 60D||+||79/100||4/5||5/5||4.5/5||Aug 2010||1,399|
|Canon 7D||+ +||84/100||4.5/5||5/5||4.5/5||Sep 2009||1,699|
|Canon 5D Mark II||91/100||79/100||4/5||5/5||..||Sep 2008||3,499|
|Canon 1D Mark III||..||..||..||o||..||Feb 2007||4,499|
|Canon 1D Mark II||..||+ +||..||o||..||Jan 2004||4,499|
|Canon 1Ds Mark II||..||+ +||..||..||..||Sep 2004||7,999|
|Nikon D4||..||..||4.5/5||..||4.5/5||Jan 2012||5,999|
|Nikon D3S||..||89/100||4.5/5||5/5||5/5||Oct 2009||5,199|
|Olympus PEN-F||..||82/100||4.5/5||4.5/5||5/5||Jan 2016||1,199|
|Olympus E-M10 II||+ +||80/100||5/5||5/5||5/5||Aug 2015||649|
|Olympus E-M10||..||80/100||5/5||4.5/5||5/5||Jan 2014||699|
|Olympus E-M1||+ +||84/100||4.5/5||4.5/5||4.5/5||Sep 2013||1,399|
|Panasonic GX7||+||79/100||5/5||4.5/5||5/5||Aug 2013||999|
|Notes: (+ +) highly recommended; (+) recommended; (o) reviewed; (..) not available.|
The above review scores should be interpreted with care, though. The ratings were established in reference to similarly priced cameras that were available in the market at the time of the review. A score, therefore, has to be seen in close connection to the price and market introduction time of the camera, and rating-comparisons among cameras that span long time periods or concern very differently equipped models make little sense. It should also be noted that some of the review sites have over time altered the way they render their verdicts.
Other camera comparisons
Did this review help to inform your camera decision process? In case you would like to check on the differences and similarities of other camera models, just use the search menu below. Alternatively, you can follow any of the listed hyperlinks for comparisons that others found interesting.
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- Canon 1D Mark IV vs Olympus E-M10 II
- Canon 1D Mark IV vs Pentax K-1
- Canon 1D Mark IV vs Sony HX90V
- Canon Rebel vs Olympus E-P5
- Olympus E-300 vs Olympus E-P5
- Olympus E-P5 vs Olympus TG-6
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- Olympus E-P5 vs Sony A68
- Olympus E-P5 vs Sony A99
Specifications: Canon 1D Mark IV vs Olympus E-P5
Below is a side-by-side comparison of the specs of the two cameras to facilitate a quick review of their differences and common features.
|Camera Model||Canon 1D Mark IV||Olympus E-P5|
|Camera Type||Digital single lens reflex||Mirrorless system camera|
|Camera Lens||Canon EF mount lenses||Micro Four Thirds lenses|
|Launch Date||October 2009||May 2013|
|Launch Price||USD 4,999||USD 999|
|Sensor Specs||Canon 1D Mark IV||Olympus E-P5|
|Sensor Format||APS-H Sensor||Four Thirds Sensor|
|Sensor Size||27.9 x 18.6 mm||17.3 x 13.0 mm|
|Sensor Area||518.94 mm2||224.9 mm2|
|Sensor Diagonal||33.5 mm||21.6 mm|
|Sensor Resolution||16 Megapixels||15.9 Megapixels|
|Image Resolution||4896 x 3264 pixels||4608 x 3456 pixels|
|Pixel Pitch||5.70 μm||3.76 μm|
|Pixel Density||3.08 MP/cm2||7.08 MP/cm2|
|Moiré control||Anti-Alias filter||Anti-Alias filter|
|Movie Capability||1080/30p Video||1080/30p Video|
|ISO Setting||100 - 12,800 ISO||200 - 25,600 ISO|
|ISO Boost||50 - 102,400 ISO||100 - 25,600 ISO|
|Image Processor||DIGIC IV||TruePic VI|
|DXO Sensor Quality (score)||74||72|
|DXO Color Depth (bits)||22.8||22.8|
|DXO Dynamic Range (EV)||12.0||12.4|
|DXO Low Light (ISO)||1320||895|
|Screen Specs||Canon 1D Mark IV||Olympus E-P5|
|Viewfinder Type||Optical viewfinder||Viewfinder optional|
|Viewfinder Field of View||100%|
|Top-Level Screen||Control Panel||no Top Display|
|LCD Framing||Live View||Live View|
|Rear LCD Size||3.0inch||3.0inch|
|LCD Resolution||920k dots||1037k dots|
|LCD Attachment||Fixed screen||Tilting screen|
|Touch Input||no Touchscreen||Touchscreen|
|Shooting Specs||Canon 1D Mark IV||Olympus E-P5|
|Focus System||Phase-detect AF||Contrast-detect AF|
|Manual Focusing Aid||no Peaking Feature||Focus Peaking|
|Max Shutter Speed (mechanical)||1/8000s||1/8000s|
|Continuous Shooting||10 shutter flaps/s||9 shutter flaps/s|
|Time-Lapse Photography||no Intervalometer||Intervalometer built-in|
|Image Stabilization||Lens stabilization only||In-body stabilization|
|Fill Flash||no On-Board Flash||Build-in Flash|
|Storage Medium||CF or SDHC cards||SDXC cards|
|Second Storage Option||Dual card slots||Single card slot|
|UHS card support||no||UHS-I|
|Connectivity Specs||Canon 1D Mark IV||Olympus E-P5|
|Studio Flash||PC Sync socket||no PC Sync|
|USB Connector||USB 2.0||USB 2.0|
|HDMI Port||mini HDMI||micro HDMI|
|Microphone Port||External MIC port||no MIC socket|
|Wifi Support||no Wifi||Wifi built-in|
|Body Specs||Canon 1D Mark IV||Olympus E-P5|
|Environmental Sealing||Weathersealed body||not weather sealed|
|Battery Life (CIPA)||1500 shots per charge||330 shots per charge|
156 x 157 x 80 mm
(6.1 x 6.2 x 3.1 in)
122 x 69 x 37 mm
(4.8 x 2.7 x 1.5 in)
|Camera Weight||1230 g (43.4 oz)||420 g (14.8 oz)|
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